Who Is Billie Eilish?
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
A Short History of Pop ‘Pop’ Is Short for Popular Music
Read the text. A short history of pop ‘Pop’ is short for popular music. There are different styles of pop music, but they all appeal to the general public. But when did ‘modern’ pop music begin? There were two significant moments. First of all Leo Fender invented the electric guitar in 1950. Then, in 1954, Sony introduced the transistor radio and after that, music was accessible to people in their homes and cars. In 1954 Elvis Presley released That’s All Right. He fused country music with black rhythm and blues to create rock and roll. At that time this was an innovation, and Elvis, who was young, attractive and exciting, became the first teen idol and made pop music a youth culture. The 1960s was the decade of The Beatles, who dominated pop music from 1961 to 1970 with a new folk-rock sound. The Beatles were the first band to play in a stadium: Shea Stadium in New York in 1965. In June 1969 they had their seventeenth number one hit – two more than Elvis. The 60s also saw the first outdoor music festivals and popular music began to have a social and political message, for example, Bob Dylan. This was also the beginning of Motown and soul music with artists like Ray Charles, The Supremes and Marvin Gaye. Think English Elementary • Unit 9 p.107 © Oxford University Press PHOTOCOPIABLE Next came the 1970s and several new genres of music appeared, like reggae (Bob Marley), glam rock (David Bowie), punk (the Sex Pistols) and heavy metal (Iron Maiden). -
Week Five: the Character and Power of the Church
NO LIMITS Building more than ourselves Celebration Church Pastors Bryan McDevitt & Tom Bartlett Daily Devotionals Week 5 Week Five: The character and power of the church. WEEK FIVE DAY 1 WORD About the ninth hour of the day he saw clearly in a vision an angel of God come in and say to him, “Cornelius.” And he stared at him in terror and said, “What is it, Lord?” And he said to him, “Your prayers and your alms have ascended as a memorial before God.” Acts 10:3-4 (ESV) Today’s encouraging word: Over the years I’ve encountered some amazing stories about people who came to know the Lord. Growing up in a strong missionary-minded church, our church would annually would host a mission’s conference with speakers each night and presentations from dozens of ministries and missionaries from around the world. Statements such as this one by Isobel Kuhn would stir my heart, “I believe that in each generation God has called enough men and women to evangelize all the yet unreached tribes of the earth. It is not God who does not call. It is man who will not respond!” (Missionary to China and Thailand). My heart would be stirred and challenged to be that man to go. Another inspirational story I recall was from a man who was bringing the gospel to the furthest reaches of the globe, to people groups with no gospel witness. He would go into these remote places, befriend them, learn their language, and then share the Good News of Jesus. -
METROPOLITAN TRANSPORTATION PLAN OUTREACH: INTERACTIVE MAP Appendix A
METROPOLITAN TRANSPORTATION PLAN OUTREACH: INTERACTIVE MAP Appendix A SUMMARY OF OPEN ENDED RESPONSES The following is a compilation of the open ended responses to questions in the online interactive map. This is provided as an appendix to the full summary of this effort. Many of these ideas have a specific reference point (particularly the ideas/opportunities, positives and problems) that can be identified using the GIS data provided alongside the summary results. WHERE YOU LIVE Zip codes entered in response to “Other” yielded the following additional locations: • Hays, KS (1) • Arroyo Hondo, NM (1) • Aztec, NM (1) • Blanco, NM (2) • Bloomfield, NM (2) • Farmington, NM (14) • Flora Vista, NM (1) • La Plata, NM (2) • Rock Point, AZ (1) • Shiprock, NM (3) • Teec Nos Pos, AZ (1) • Waterflow, NM (2) SCHOOL I go to school in or around: Count Percentage Farmington 58 30% Aztec 4 2% Bloomfield 3 2% Kirtland 2 1% Other: (please enter your 5 3% zip code) Other - zip code: METROPOLITAN TRANSPORTATION PLAN OUTREACH: INTERACTIVE MAP SUMMARY APPENDIX A: OPEN ENDED RESPONSES • 87410 • retired • 87402 • 87402 • 87402 Question: How do you most often get to school? Count Percentage Car 50 26% Walk 7 4% Bus 5 3% Bicycle 0 0% Other (please specify): 3 2% Other - please specify: • I also carpool • Middle school-bus, high school car • Home IDEAS OR OPPORTUNITIES: HOME Other ideas/opportunities around home (please specify): • Build a cut across thru Andrea drive to Walmart • Not sure what needs to happen here but it is a bad intersection for car accidents. I think it is because it is the first light you come to when you come in from the Flora Vista/Aztec location. -
July 5Th, 2020
July 5th, 2020 Come Heal this Land Let the exile come Let the stranger come Let the weary come find rest All you homeless sons, All you widowed ones, All you poor and dispossessed For a table waits, in your Father's house There the meek can come and eat There's a place of rest, at your Father's breast Where His mercy is complete 1) Does a cry ring out from a broken nation? From a people who have been brought low? Was pride in our hearts? Did we grieve Your Spirit? Have we blocked the ancient wells that flowed? Refrain Here is our covenant prayer Who call upon Your name We humble ourselves before You We humble ourselves July 5th, 2020 Chorus Come heal this land Come heal this land Come heal this land Come heal this land 2) Do the tears of One who gave all things for us? Do they flow from heaven still because of us? For we have tasted grace and we have known Your mercy but we have not shown this grace to men Refrain Chorus 3) So may this land we love be a place of safety be a light for all the nations of this earth May Your streams of love may they flow here freely Here where every stranger finds a home Refrain Chorus Lyric & Music: Robin Mark ©2001 Integrity’s Hosanna! Musi July 5th, 2020 Healing Rain 1) Healing rain is coming down It’s coming nearer to this old town The rich and poor the weak and strong It’s bringing mercy it won’t be long 2) Healing rain it’s coming down It’s coming closer to the lost and found Tears of joy and tears of shame Are washed forever in Jesus’ name Chorus Healing rain it comes with fire So let it fall and -
Visit Ireland with Multitasker Sean Lackey
The CIFF DAY 7 / TUESDAY / 3.25.2014 Visit Ireland with Multitasker The BUZZ The Buzz is your source for the latest festival highlights Sean Lackey and best bets for films each day. You can also catch “The Buzz” video program with Meaghan Earley on ocky River native Sean Lackey is a Facebook or YouTube. For more information visit www.clevelandfilm.org/social. certified public accountant that always wanted to make people laugh. So he WHAT’S BUZZING AT THE 38TH CIFF Rgot involved with Second City in Cleveland Tuesday, March 25, 2014; Day 7: in the late 1990s. Wake up to an unconventional cross-species He took classes there with people who romance with “All About the Feathers” at had no theater or acting experience—just 9:20 a.m. It’s the story of a man and his best like him—and his class consisted of salesmen, friend—a rooster. teachers and Sam Kinison impersonators. Take a trip back in time at 11:40 a.m., to the “As I took classes, I became better,” he says. world of chimney sweeps in 19th-century Italy, with “The Black Brothers,” as a group of boys “And when I stunk, I tried to make myself sold into indentured servitude come together to better.” recover their stolen power. He admits that the people that make it to Morgan Nanekia Photo: Director Sean Lackey hopes to go on to make many more films See “Transfusión” at 2:10 p.m. Director the stage are the people that work the hardest in his hometown of Cleveland. -
TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed -
The Role of the Community Advisory Group in Addressing Asbestos Issues in Libby Montana
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2003 Where do we go from here? : the role of the community advisory group in addressing asbestos issues in Libby Montana Colleen A. Lux The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lux, Colleen A., "Where do we go from here? : the role of the community advisory group in addressing asbestos issues in Libby Montana" (2003). Graduate Student Theses, Dissertations, & Professional Papers. 8903. https://scholarworks.umt.edu/etd/8903 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRAJIY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission Author’s Signature: Date: Any copying for commercial purposes or financial gain may be undertaken only with the author’s explicit consent. 8/98 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
2020 Musical Event of the Year “Fooled Around and Fell in Love” (Feat
FOR YOUR CMA CONSIDERATION ENTERTAINER OF THE YEAR FEMALE VOCALIST OF THE YEAR SINGLE OF THE YEAR SONG OF THE YEAR MUSIC VIDEO OF THE YEAR “BLUEBIRD” #1 COUNTRY RADIO AIRPLAY HIT OVER 200 MILLION GLOBAL STREAMS ALBUM OF THE YEAR WILDCARD #1 TOP COUNTRY ALBUMS DEBUT THE BIGGEST FEMALE COUNTRY ALBUM DEBUT OF 2019 & 2020 MUSICAL EVENT OF THE YEAR “FOOLED AROUND AND FELL IN LOVE” (FEAT. MAREN MORRIS, ELLE KING, ASHLEY MCBRYDE, TENILLE TOWNES & CAYLEE HAMMACK) “We could argue [Lambert’s] has been the most important country music career of the 21st century” – © 2020 Sony Music Entertainment ENTERTAINER ERIC CHURCH “In a Music Row universe where it’s always about the next big thing – the hottest new pop star to collaborate with, the shiniest producer, the most current songwriters – Church is explicitly focused on his core group and never caving to trends or the fleeting fad of the moment.” –Marissa Moss LUKE COMBS “A bona fide country music superstar.” –Rolling Stone “Let’s face it. Right now, it’s Combs’ world, and we just live in it.” –Billboard “Luke Combs is the rare exception who exploded onto the scene, had a better year than almost anyone else in country music, and is only getting more and more popular with every new song he shares.” –Forbes MIRANDA LAMBERT “The most riveting country star of her generation.” –NPR “We could argue [Lambert’s] has been the most important country music career of the 21st century.” –Variety “One of few things mainstream-country-heads and music critics seem to agree on: Miranda Lambert rules.” –Nashville Scene “The queen of modern country.” –Uproxx “.. -
Horse and Buggy Driver's Manual
Horse and Buggy Driver’s Manual PUB 632 (4-19) www.penndot.gov Foreword Now more than ever, we, as horse and buggy drivers, need to be careful and observe the basic rules of safety when traveling on today’s busy roads. There is more traffic going much faster than ever before and we must do what we can to assure our own safety as well as that of motorists with whom we must share the road. We’ve created a horse and buggy driver safety manual to assist in this effort. Proper operation of your horse and buggy on these busy roads can greatly reduce crashes. The manual is intended for horse and buggy drivers operating on public roadways. However, this manual can also be useful for motor vehicle drivers, especially out-of-town visitors and tourists, not familiar with encountering horse and buggies traveling on the road. We hope that you will find this information useful and will do your part to make our roadways safe. Acknowledgements We gratefully acknowledge and appreciate the cooperation of the following people and organizations: Center for Traffic Safety County of Lancaster Lancaster County Amish Safety Committee Lancaster County Planning Commission Lancaster Highway Safety Council Members of the Plain Community Pennsylvania Department of Transportation Pennsylvania State Police, Troop J Cover photo courtesy of Terry Ross Photography i Table of Contents Chapter 1: Courtesy and Conduct . .1 Chapter 2: Traffic Signs, Signals, and Pavement Markings . .3 Chapter 3: Horse Handling and Harnesses . .12 Chapter 4: Buggy Lighting . .14 Chapter 5: Driving on the Road . -
Dissertation Final Corrected
FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices. -
CYBERSPACE INVADES the FIRST AMENDMENT: Where Do We Go from Here?
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2001 CYBERSPACE INVADES THE FIRST AMENDMENT: Where do we go from here? Dollie Deaton University of Kentucky Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Deaton, Dollie, "CYBERSPACE INVADES THE FIRST AMENDMENT: Where do we go from here?" (2001). University of Kentucky Master's Theses. 216. https://uknowledge.uky.edu/gradschool_theses/216 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS CYBERSPACE INVADES THE FIRST AMENDMENT: Where do we go from here? Long before our nation was created, European Countries acknowledged the importance of free speech. Despite this, Great Britain later denied this right to the New England Colonies. Over the last two centuries many battles have been fought to make freedom of speech an inalienable right to be shared by all. A good portion of these battles have been fought in courtrooms. Judge and Supreme Court justices have dealt with issues ranging from what is a public figure to what is indecent speech. Many of these issues are not found in the original text of the Constitution. This has forced the judges to devise tests to determine certain standards and to make discretionary choices. Today’s public officials are dealing with issues that have never been dealt with before, such as Internet speech and cyberspace libel.