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Guide to the Correspondence Series Within The
GUIDE TO THE CORRESPONDENCE SERIES WITHIN THE CHARLES BABBAGE / NEVILLE BABBAGE ARCHIVES IN THE POWERHOUSE MUSEUM 97/186 97/229/1 Paul Wilson 2010 COLLECTED ARCHIVES SERIES DESCRIPTION Registration Number: 97/186/1-1 Creators: Babbage, Charles Babbage, Neville Series Title: Correspondence to Charles Babbage Date Range: 1826-1894 Physical Characteristics: Handwritten letters, envelopes, cards, invitation and document Description: Correspondence, letters (17), cards (6), envelopes (29), one invitation and one document, to Charles Babbage, Charles Babbage/Neville Babbage, England/Australia, 1826-1894 This series contains correspondence predominantly sent to Charles Babbage. The letters provide evidence of his interests and social connections. Babbage was a well known figure in London society. He was friends with many prominent people, such as Charles Dickens, Thomas Carlyle, Sir John Herschel and Charles Darwin. He held regular Saturday evening parties at his home in Manchester Square for many years, which were apparently attended by two or three hundred people and were said to be a meeting place for Europe's liberal intelligentsia. This series contains a letter from Joshua Field as well as correspondence from (Augusta) Ada King, Countess of Lovelace (Byron's daughter). Other correspondents include the Duchess Dowager of Somerset, the scientist Sir Charles Wheatstone, writer and statesman Edward Bulwer-Lytton, Admiral Edward Codrington, politician Henry Bougham, heiress and philanthropist Baroness Angela Georgina Burdett-Coutts, actor William McCready, scientific writer John Peter Gassoit and the civil engineer Isambar Kingdom Brunel. Many of the letters are invitations to social events. Arrangement: Based on order created by Neville Babbage Dimensions: Shelf Length 0.040 m Box Number: 1 COLLECTED ARCHIVES ITEM LIST Series Title: Item Number Item Title Box 97/186/1-1/1 Letter, Joshua Field to Charles Babbage, paper/ink/pencil, 14 1 November 1831 One page hand written letter in black ink from Joshua Field, Lambeth, London, England, to Charles Babbage. -
HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis Mccall
HOLLAND,, JACKSON RECORD Copyright 1959 by Pearl Davis McCall Published in Texas, United States of America DEDICATION To the Hollands and Jacksons of today, with the hope and prayer that they may live up to the best of their forbears. FOREWORD This is factual history of our Hollands and Jacksons since the American War for Independence. Records have been established by the General Services Ad ministration, the United States census rolls, county court house documents and historical sections of Texas libraries. Blank pages have been placed after each part of the book so that additional material may be entered. Hundreds of family members, scattered from the New England states to California, have sent in their data and urged that they be preserved in permanent form. Grateful acknowledgment is made to every relative and friend who supplied information and inspiration, and above all, deep appreciation is expressed toward our im mediate family whose encouragement and active assistance have enabled us to compile and publish this record. PEARL DAVIS McCALL Temple, Texas November, 1959 CONTENTS DIRECTORY • 16 PART I THOMAS HOLLAND, R. s. 17 Harrison P. Holland, Thomas Holland, Jr., James Holland, John Rickman Holland, William Holland, Robert Holland, Benjamin Holland, Sarah Rickman Holland. OUR FAMILY ALBUM 133 PART II JACKSON FAMILY RECORD 145 John Jackson and Eve Still Jackson. Henry Lyda Jackson, Alison Jackson, Andrew J. Jackson, Robert Jackson, John Jackson, Jr., Eva Isabel Jackson. PART III HOYLE-SWOFFORD HISTORY 247 William Swofford and Elizabeth Hoyle Swofford. John Hoyle Swofford and Eady Pruett Swofford. Benjamin Franklin Jackson and Eady Elvena Swof- ford Jackson. -
Purchase Grant Fund Awards 2010/11
PURCHASE GRANT FUND AWARDS 2010/11 Aberystwyth University, School of Art Collections • Magdalene Odundo Vessel, 2009 Terracotta; h 49 cm £10,200 • Claire Curneen Mother and Child , 2009 Terracotta with gold lustre; 53 x 18 x 10 cm £500 Acton Scott, Shropshire Museum Service • Pair of chestnut baskets, c.1785-90 £2,291 Caughley porcelain; w 29.5 cm • Radish dish, c.1790-95 Caughley porcelain; w 31 cm £305 • Late Iron Age torc from Telford Gold silver alloy; two fragments l 8.9 cm and 7.4 cm £750 • Hawking vervel from Worfield, 16-17th century Silver; 0.9 cm diameter £250 Ashby de la Zouch Museum • Portrait of a member of the Hastings family, probably Henry Hastings, Baron Loughborough, 1650 Oil on canvas; 73 x 58.3 cm £2,115 Aylesbury, Buckinghamshire County Museum • Pair of Bronze Age torcs from Ellesborough Gold; l 35 and 22 cm £1,000 • Bronze Age penannular lock ring from Edlesborough Gold; 1.9 cm diameter £250 Barnard Castle, The Bowes Museum • Keith Vaughan Design for the tapestry Adam commissioned by the Edinburgh Weavers, 1957 Collage , gouache, crayon and pencil; 108 x 59.6 cm £7,000 • Beaker, c.1730 Meissen porcelain; h 5.9 cm £2,400 • George Hindmarsh Serving plate owned by George Bowes of Gibside, 1742 Silver; 37 cm diameter £1,792 Bath and North East Somerset Heritage Services • Gillian Ayres Sun Up , 1960 Oil on canvas; 122 x 91.5 cm £12,000 Bedford, Cecil Higgins Art Gallery • Manuscript for the book A General Guide to the Royal Botanic Gardens, Kew, Spring and Easter 1923 by Edward Bawden, 1923 £10,000 • Dora Carrington Bedford Market , 1911 Watercolour; 43 x 67 cm £5,544 Birmingham Central Library • Archive of the photographer, John Blakemore, 1960-2010 £35,000 • Francis Bedford Suite of three albums of photographs of a ..Tour of the East. -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
Bianca De Divitiis, 'Plans, Elevations and Perspective Views of Pitzhanger Manor-House', the Georgian Group Journal, Vol. Xi
Bianca de Divitiis, ‘Plans, elevations and perspective views of Pitzhanger Manor-House’, The Georgian Group Journal, Vol. XIV, 2004, pp. 55–74 TEXT © THE AUTHORS 2004 PLANS, ELEVATIONS AND PERSPECTIVE VIEWS OF PITZHANGER MANOR-HOUS E BIANCA DE DIVITIIS t the beginning of John Soane published the mock ruins which Soane had built in the garden APlans, Elevations and Perspective Views of between and . Pitzhanger Manor House, and of the Ruins of an Dance’s wing was the only part of the property edifice of Roman Architecture … in a letter to a friend acquired by Soane in which he decided not to . Formed of eight pages of text and twelve demolish or modify, not only because in his judgement illustrations, this was a work on the suburban villa in it deserved to be kept in comparison with the rest of Ealing which he had designed and built for himself the building which lacked ‘symmetry and character’, and his family between and . Thirty years but also because it was a testimonial to the beginning had therefore passed since Soane had designed of his career, as it was the first project on which he Pitzhanger, and over twenty since he had sold the had worked when, as a boy of fifteen, he had first villa in to a General Cameron. His reasons for assisted his master (Fig. ). publishing a work on Pitzhanger and the way in As early as , only two years after the new which he described it are the subject of this article. house had been completed, and possibly encouraged The title of the work would imply that Soane was by the need to carry out some alterations and publishing materials produced in . -
The Many Panics of 1837 People, Politics, and the Creation of a Transatlantic Financial Crisis
The Many Panics of 1837 People, Politics, and the Creation of a Transatlantic Financial Crisis In the spring of 1837, people panicked as financial and economic uncer- tainty spread within and between New York, New Orleans, and London. Although the period of panic would dramatically influence political, cultural, and social history, those who panicked sought to erase from history their experiences of one of America’s worst early financial crises. The Many Panics of 1837 reconstructs the period between March and May 1837 in order to make arguments about the national boundaries of history, the role of information in the economy, the personal and local nature of national and international events, the origins and dissemination of economic ideas, and most importantly, what actually happened in 1837. This riveting transatlantic cultural history, based on archival research on two continents, reveals how people transformed their experiences of financial crisis into the “Panic of 1837,” a single event that would serve as a turning point in American history and an early inspiration for business cycle theory. Jessica M. Lepler is an assistant professor of history at the University of New Hampshire. The Society of American Historians awarded her Brandeis University doctoral dissertation, “1837: Anatomy of a Panic,” the 2008 Allan Nevins Prize. She has been the recipient of a Hench Post-Dissertation Fellowship from the American Antiquarian Society, a Dissertation Fellowship from the Library Company of Philadelphia’s Program in Early American Economy and Society, a John E. Rovensky Dissertation Fellowship in Business History, and a Jacob K. Javits Fellowship from the U.S. -
Download the Annual Report And
SIR JOHN SOANE'S MUSEUM Registered Charity No. 313609 THE ANNUAL REPORT AND ACCOUNTS FOR THE YEAR 1 APRIL 2011 TO 31 MARCH 2012 HC 434 £14.75 SIR JOHN SOANE'S MUSEUM Registered Charity No. 313609 THE ANNUAL REPORT AND ACCOUNTS FOR THE YEAR 1 APRIL 2011 TO 31 MARCH 2012 PRESENTED TO PARLIAMENT PURSUANT TO ARTICLE 3(3) OF THE GOVERNMENT RESOURCES AND ACCOUNTS ACT 2000 (AUDIT OF PUBLIC BODIES) ORDER 2003 (SI 2003/1326) ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 12 JULY 2012 HC 434 LONDON: The Stationery Office £14.75 © Sir John Soane’s Museum (2012) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as Sir John Soane’s Museum copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at [email protected] This publication is also for download at www.official-documents.gov.uk. This document is also available from our website at www.soane.org ISBN: 9780102977394 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID: 2487689 07/12 Printed on paper containing 75% recycled fibre content minimum TRUSTEES OF SIR JOHN SOANE'S MUSEUM LIFE TRUSTEES Simon Swynfen Jervis, FSA (Chairman) Richard Griffiths Bridget -
A Proposal for the Creation of Comprehensive Archives
return to list of Publications and Lectures A PROPOSAL FOR THE CREATION OF COMPREHENSIVE ARCHIVES OF INFORMATION ON THE WORKING PROCEDURE OF INDIVIDUAL ARTISTS AND ON THE VISUAL APPEARANCE AND PHYSICAL CHARACTER OF THEIR ART A Trial Study: John Constable CHARLES S. RHYNE Senior Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C., 1983-84 Professor of Art History, Reed College Published by the author Washington, D.C. 1984 Portland, Oregon 1990 This study was first published by the author in 1984 under the title The History of Technique: John Constable, A Trial Study, in conjunction with a seminar at the National Gallery of Art, Washington, D.C. Copies were distributed to those attending the seminar. In 1990, the document was revised and published under its present title, again by the author, in spiral book form. Copies were distributed to Constable scholars and leading research libraries. Copies were also sold at cost to those requesting them. The 1990 version is here posted on the web with minor format changes, December 2005. CONTENTS page I. The Proposal Introduction 4 Sources of information 8 Availability of conservation records 10 II. A Trial Study: John Constable Introduction 13 Sources of information 14 I. Information from original paintings and drawings 14 II. Information from accessory objects 16 III. Information from contemporary written documents 18 IV. Interpretations in art historical and critical studies 19 V. Index 21 Appendix: Quotations from contemporary written documents 26 . I. THE PROPOSAL Introduction The purpose of this document is to propose the creation of comprehensive archives of information on the working procedure of individual artists and on the visual appearance and physical character of their art, and to explore the various types of information desirable in such an archive. -
List of Freemasons from Wikipedia, the Free Encyclopedia Jump To: Navigation , Search
List of Freemasons From Wikipedia, the free encyclopedia Jump to: navigation , search Part of a series on Masonic youth organizations Freemasonry DeMolay • A.J.E.F. • Job's Daughters International Order of the Rainbow for Girls Core articles Views of Masonry Freemasonry • Grand Lodge • Masonic • Lodge • Anti-Masonry • Anti-Masonic Party • Masonic Lodge Officers • Grand Master • Prince Hall Anti-Freemason Exhibition • Freemasonry • Regular Masonic jurisdictions • Opposition to Freemasonry within • Christianity • Continental Freemasonry Suppression of Freemasonry • History Masonic conspiracy theories • History of Freemasonry • Liberté chérie • Papal ban of Freemasonry • Taxil hoax • Masonic manuscripts • People and places Masonic bodies Masonic Temple • James Anderson • Masonic Albert Mackey • Albert Pike • Prince Hall • Masonic bodies • York Rite • Order of Mark Master John the Evangelist • John the Baptist • Masons • Holy Royal Arch • Royal Arch Masonry • William Schaw • Elizabeth Aldworth • List of Cryptic Masonry • Knights Templar • Red Cross of Freemasons • Lodge Mother Kilwinning • Constantine • Freemasons' Hall, London • House of the Temple • Scottish Rite • Knight Kadosh • The Shrine • Royal Solomon's Temple • Detroit Masonic Temple • List of Order of Jesters • Tall Cedars of Lebanon • The Grotto • Masonic buildings Societas Rosicruciana • Grand College of Rites • Other related articles Swedish Rite • Order of St. Thomas of Acon • Royal Great Architect of the Universe • Square and Compasses Order of Scotland • Order of Knight Masons • Research • Pigpen cipher • Lodge • Corks Eye of Providence • Hiram Abiff • Masonic groups for women Sprig of Acacia • Masonic Landmarks • Women and Freemasonry • Order of the Amaranth • Pike's Morals and Dogma • Propaganda Due • Dermott's Order of the Eastern Star • Co-Freemasonry • DeMolay • Ahiman Rezon • A.J.E.F. -
9789004273122.Pdf
Handbook of Freemasonry <UN> Brill Handbooks on Contemporary Religion Series Editors Carole M. Cusack (University of Sydney) James R. Lewis (University of Tromsø) Editorial Board Olav Hammer (University of Southern Denmark) Charlotte Hardman (University of Durham) Titus Hjelm (University College London) Adam Possamai (University of Western Sydney) Inken Prohl (University of Heidelberg) VOLUME 8 The titles published in this series are listed at brill.com/bhcr <UN> Handbook of Freemasonry Edited by Henrik Bogdan Jan A.M. Snoek LEIDEN | BOSTON <UN> Library of Congress Cataloging-in-Publication Data Handbook of Freemasonry / edited by Henrik Bogdan, Jan A.M. Snoek. pages cm. -- (Brill handbooks on contemporary religion, ISSN 1874-6691 ; volume 8) ISBN 978-90-04-21833-8 (hardback : alk. paper) -- ISBN 978-90-04-27312-2 (e-book) 1. Freemasonry--History. I. Bogdan, Henrik. II. Snoek, Joannes Augustinus Maria, 1946- HS403.H264 2014 366’.1--dc23 2014009769 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 1874-6691 isbn 978-90-04-21833-8 (hardback) isbn 978-90-04-27312-2 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Nijhoff, Global Oriental and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
University Microfilms 300 North Zaeb Road Ann Arbor
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Georgians Revealed Final Exhibit List
‘Georgians Revealed ’ exhibit list Introductory area National Portrait Gallery NPG 4223 Painting of George I, 1714 National Portrait Gallery NPG 256 Painting of George II, 1753 National Portrait Gallery NPG 6250 Painting of George III, c.1800 National Trust (Fenton Inv no.1449346 Painting of George IV House) Shop window British Library Map Library Fan with map of London Private loan Pair of Georgian shoes (reproduction) British Library RB.23.a.33599 The Royal Engagement Pocket Atlas. 1796 British Library RB.23.a.10097 The Royal Engagement Pocket Atlas. 1788 British Library C.192.a.94 Cover Polite Repository. 1786 British Library C.108.bbb.42 Cover Short Dialogues for the instruction of (5) Young People. 1819 British Library C.108.bbb.43 Cover The Extraordinary Trial of Daniel (6) Dawson. 1812 British Library C.108.bbb.57 Cover Metastasio, Artaxerxes. 1780 British Library C.108.bbb.66 Cover Burger, Leonora. 1796 British Library C.108.bbb.35(5 Cover The Rise and Fatal Effects of War. ) 1794 British Library Maps The Earth and itz inhabitants c.1830 C.4.a.5(12) No.1 Public Places, Private Spaces British Library Maps Crace Cary’s map of London. 1818 6.210 The Tea Table Tate Britain N04500 Van Aken, An English family at tea, c.1720 V&A 435-1907 English Mahogany table, 1730-50 V&A C.426&A-1920 Bow porcelain teapot and cover, 1755 V&A C.93&A-1948 Worcester porcelain cup & saucer, 1765 British Library Burney 237 Eliza Haywood, The Tea Table, 1724 British Library HS.74/1983(46 William Cowper, The Negro’s ) Complaint.