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The Beard Family Manuscript Collection Description and Finding
The Beard Family Manuscript Collection Description and Finding Aid 1.3 linear feet (4 file boxes) Processor: Zinaida Tsemel Date of processing: 2014 Acquisition: The Beard Papers were received by the Norwalk Public Library from the Norwalk Museum during the restructuring of the Museum in 2013. Access: There are no restrictions to items in this collection. Permission to Publish: Requests for permission to publish from the collection should be made to the Norwalk History Room. Copyright: Norwalk Public Library does not hold the copyright on the materials in the collection. Introduction The Beards were a prominent family in Norwalk in the second half of the 19th and early 20th centuries. Martha Beard whose husband died on the passage to America emigrated from England in 1639 with six children. From these Beards of Milford descended the Beards of Norwalk. Algernon E. Beard built a house on Flax Road in Norwalk in 1842. This house called “Rockcliffe” was the grandest of the Greek Revival houses in the city. A. E. Beard was a wholesale distributor of shoes which he purchased from independent local craftsmen and sold along the Atlantic coast from Boston to Richmond. By 1839 he also began buying and selling hats. Algernon Beard dealt heavily in furs as well, selling them to hat makers and thus making money on both ends of the transaction. By 1840 beaver fur-felt hats had gone out of fashion, as men of means came to prefer silk top hats, but when the Hungarian patriot and reformer Louis Kossuth visited the USA, fur-felt hats became popular once more. -
Northern Arizona Lumberjacks
Northern Arizona LUMBErjacks 2013 FOOTBALL MEDIA GUIDE 20 • LUCKY DOZIER 34 • ZACH BAUMAN 41 • ANDY WILDER Lumberjacks Head Coach Jerome Souers THIS IS NAU FOOTBALL 2013 Northern Arizona Football Schedule Aug. 30 • at Arizona (Tucson, Ariz.) Sept. 14 • at UC Davis ( Davis, Calif.) Sept. 21 • SOUTH DAKOTA (WALKUP SKYDOME) Sept. 28 • MONTANA (WALKUP SKYDOME) Oct. 5 • at Montana State (Billings, Mont.) Oct. 12 • at Sacramento State (Sacramento, Calif.) Oct. 19 • IDAHO STATE (WALKUP SKYDOME) Oct. 26 • at Cal Poly (San Luis Obispo, Calif.) Nov. 2 • NORTH DAKOTA (WALKUP SKYDOME) Nov. 16 • NORTHERN COLORADO (WALKUP SKYDOME) Nov. 23 • at Southern Utah (Cedar City, Utah) 1 #NAUTakeover Table of Contents A Quick Facts ............................................. 3 Media Information ................................. 4 Television/Radio. ..................................... 5 N Season Outlook ...................................... 7 Roster .................................................... 11 W Season Results, Statistics ..................... 13 Head Coach Jerome Souers ................ 16 D Assistant Coaches ................................ 18 I Returning Players ................................. 30 The Incoming Class ............................. 49 Y All-Time Series Results ....................... 53 L Game Records ..................................... 54 Season Records ................................... 55 Career Records..................................... 56 Defensive Records ............................... 57 D Milestone Seasons. .............................. -
11 Am Voluntary Prelude and Fugue in G Major Felix Mendelssohn Introit
Again and again, you called us to return. Through prophets and sages you The Lord’s Table is open to all. Baptized persons are welcome to receive communion. Unbaptized persons are invited to the THE HOLY EUCHARIST altar to receive a blessing. To signify that you do not desire communion, please cross your arms over your chest, and a priest revealed your righteous Law. And in the fullness of time you sent your only will administer a blessing. You are also invited to receive prayers and anointing with holy oil in one of our transept chapels THE SECOND SUNDAY AFTER THE EPIPHANY Son, born of a woman, to fulfill your Law, to open for us the way of freedom (Ascension to the south, and Holy Communion to the north) where anointers wait to pray with you. January 17, 2016 - 11 a.m. and peace. Music at Communion A joyous and warm welcome to our visitors and guests. Please know how happy our Cathedral community is to have you By his blood, he reconciled us. By his wounds, we are healed. worship with us. We’d love to know our guests, so please fill out a visitor card and drop it in the offering plate as it comes by. Organ Prelude on Brother James’ Air Dale Wood And therefore we praise you, joining with the heavenly chorus, with prophets, Voluntary Prelude and Fugue in G major Felix Mendelssohn apostles, and martyrs, and with all those in every generation who have looked to Hymn 343 “Shepherd of souls, refresh and bless” St. -
It's Not a Lie If You Believe It: Lying and Belief Distortion Under Norm
It's Not A Lie If You Believe It: Lying and Belief Distortion Under Norm-Uncertainty Cristina Bicchieria,b,c, Eugen Dimanta,c,d aUniversity of Pennsylvania bWharton School of Business cBehavioral Ethics Lab dCeDEx Abstract We explore the relationship between norm-uncertainty and lying. Lies are ubiquitous, and people often lie for their own benefit or for the benefit of others. Research in environments in which social norms are clearly defined and communicated finds that social norms influ- ence personal decisions, even when they are not in our own self-interest. We deviate from this approach and study lying under norm uncertainty with scope for opportunistic inter- pretation of the norm. We introduce variation along three dimensions: salience of different types of norm-uncertainty (normative/empirical), the beneficiary of the lie (self/other), and ex-ante knowledge about the opportunity to tell a lie in order to tease out potential belief-distortion mechanisms. We also find compelling evidence that individuals engage in self-serving belief distortion to increase lying overall. However, we observe this only when uncertainty about what others do (empirical uncertainty), but not when uncertainty about what others approve of (normative uncertainty) is made salient. We also observe condi- tional liars, but only when the lie is self-serving rather than to the benefit of a third party. We discuss policy implications to improve the effectiveness of norm-based interventions. Keywords: Cheating, Experiment, Lying, Social Norms, Uncertainty JEL: C72, C91, D8, D9 ∗This work benefited from discussions with Pierpaolo Battigalli, Valentina Bosetti, Alexander Cappelen, Gary Charness, Christine Exley, Tobias Gesche, Sandy Goldberg, Peter Graham, David Henderson, Agne Kajackaite, Michel Mar´echal, Gloria Origgi, Silvia Sonderegger, Guido Tabellini, Bertil Tungodden, Jo¨elvan der Weele, and Roberto Weber. -
The Visual Representation of the Female in Turkish Newspapers
Visualization of Gender in the Turkish Press A Comparative Analysis of Six Turkish Newspapers by Ayşe Esra Özcan A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communication Science Approved, Thesis Committee Prof. Dr. Marion G. Müller (Chair) Professor of Mass Communication Jacobs University Bremen Prof. Dr. Margrit Schreier Professor of Empirical Methods Jacobs University Bremen Prof. Dr. Nilüfer Göle Professor of Sociology EHESS, Paris PD Dr. Sabine Berghahn Otto Suhr Institute for Political Science Frei Universität, Berlin Date of Defense: June 18, 2009 School of Humanities and Social Sciences Declaration I hereby declare that this thesis is my own work and has not been submitted in any form for another degree or diploma at any university or other tertiary institution of education. Information derived from published or unpublished sources has been cited in the text and listed in the bibliography. Ayşe Esra Özcan Bremen, June 18, 2009 CONTENTS 1. Introduction 1 1.1The Political and Cultural Background 2 1.2 The Focus of the Study 11 1.2.1 Print Press 12 1.2.2 Visualizing Gender: Research Questions 14 1.2.3 Research Design and Organization of Chapters 15 2. Theoretical Approaches to Studying Gender Representation in Mass Media 17 2.1 Introduction 17 2.2 Modernity and the Media 20 2.2.1 Modernity and the Turkish Media 24 2.2.2 Modernity, Visibility and Gender 31 2.3 Images of Gender in the Media 42 2.3.1 The Media Representations of Gender: Early decades 46 2.3.2 Approaches to Gender Representation in the Media Today: Post-structuralism and its aftermath 53 2.3.3 Gender Representations in the Turkish Media 57 2.4 Sociological and Semiological Approaches to Visual Research 65 2.5 Iconology and Iconography: Clarifying the terms 69 2.6 Reviewing the Research Questions 75 3. -
"GENESIS: the Unauthorized Version"
"GENESIS: the unauthorized version" PRE – GENESIS GENESIS Chapter 1 of 50 "A Reinterpretation" "King James Version" Author Mark Crawford Content Introduction to Pre-Genesis..........................................................................................................................................................7 PRE-GENESIS.........................................................................................................................................................................................8 The creation of the universe...................................................................................................................................................11 Commentary to Pre-Genesis.......................................................................................................................................................13 GENESIS...............................................................................................................................................................................................15 Chapter 1.........................................................................................................................................................................................15 Chapter 2.........................................................................................................................................................................................21 Chapter 3.........................................................................................................................................................................................26 -
DRINKING YOUR OWN KOOL-AID: SELF-DECEPTION, DECEPTION CUES and PERSUASION in MEETINGS JEREMIAH W. BENTLEY University of Massach
DRINKING YOUR OWN KOOL-AID: SELF-DECEPTION, DECEPTION CUES AND PERSUASION IN MEETINGS JEREMIAH W. BENTLEY University of Massachusetts Amherst ROBERT J. BLOOMFIELD† Cornell University SHAI DAVIDAI* Princeton University MELISSA J. FERGUSON* Cornell University April 2016 We thank Abigail Allen, Mary Kate Dodgson, Michael Durney, Scott Emett, Steve Kachelmeier, Bob Libby, Eldar Maksymov, Patrick Martin (MAS Discussant), Mark Nelson, Ivo Tafkov (AAA Discussant), and workshop participants at the AAA Annual Meeting, the Brigham Young University Accounting Symposium, Cornell University, the LEMA group at Penn State, the Managerial Accounting Section Mid-Year Meeting, the University of Massachusetts Amherst, and the University of Michigan for their helpful comments and suggestions. †Corresponding author: Johnson Graduate School of Management, Cornell University, Ithaca, NY 14850. Email: [email protected] *Joined the paper after the first two authors had written a manuscript based on experiment 1. All four authors contributed equally to the development of the paper from that point. DRINKING YOUR OWN KOOL-AID: SELF-DECEPTION, DECEPTION CUES AND PERSUASION IN MEETINGS Abstract: Two experiments show that face-to-face meetings help users discern reporters' true beliefs better than those who receive only a written report. Both experiments are based on a 'cheap talk' setting, modified to include two features common to accounting settings: reporters base reports on rich information, and (in a meeting condition) have rich channels of communication to users. Experiment 1 shows that meetings improve users' ability to discern the beliefs reporters held before they had an incentive to deceive the user. Once reporters learned of their incentive to deceive users, they revised their beliefs toward what they wanted users to believe (they self-deceived); those who revised more were more successful in their deception. -
PDF Earth Unaware (The First Formic War) Orson Scott Card, Aaron Johnston - Book Free
PDF Earth Unaware (The First Formic War) Orson Scott Card, Aaron Johnston - book free Earth Unaware (The First Formic War) Ebooks Free, Download pdf Earth Unaware (The First Formic War), Earth Unaware (The First Formic War) Free PDF Download, Download pdf Earth Unaware (The First Formic War), Download Earth Unaware (The First Formic War) PDF, Pdf Books Earth Unaware (The First Formic War), PDF Earth Unaware (The First Formic War) Full Collection, Earth Unaware (The First Formic War) Ebooks Free, Download Online Earth Unaware (The First Formic War) Book, Read Best Book Earth Unaware (The First Formic War) Online, Free Download Earth Unaware (The First Formic War) Books [E-BOOK] Earth Unaware (The First Formic War) Full eBook, Orson Scott Card, Aaron Johnston epub Earth Unaware (The First Formic War), PDF Earth Unaware (The First Formic War) Full Collection, Read Earth Unaware (The First Formic War) Full Collection, PDF Earth Unaware (The First Formic War) Popular Download, Read Best Book Online Earth Unaware (The First Formic War), Earth Unaware (The First Formic War) Free PDF Download, Earth Unaware (The First Formic War) Ebooks Free, by Orson Scott Card, Aaron Johnston Earth Unaware (The First Formic War), Read Best Book Online Earth Unaware (The First Formic War), DOWNLOAD CLICK HERE azw, kindle, pdf, mobi Description: Also, if you haven't heard it already but look around to see what a fantastic idea is This really does show me how great my books were These are truly amazing Really very detailed illustrations for children all ages sorry that can be confusing since there's no one else written in different languages.. -
1961-Jan.Pdf
I • I , .. : ~ l : ~ t ".;:I'::::I • t , t. ,.-.,..- .:~--.- - .. --::+n:- - --- .l' I - --~ -.- .. i,d,', "..~ ... " u ••• Qfo...O ... O """ .. ~ It. ' 0 ... , ... " . ..... .............. .. "' .... -. - . ..~~iLL YOUBE I~ THIS BOAT '(' , ~~~ F~~~'t:JI~~A;'. ON TWE ••• .... ' .. .. .. ' .. .. ., . .. ROUND BOSTON to LONDON T..RIP. •. PARIS to BOSTON DEPARTURE RETURN DEC. 16 CHRISTMAS FLIGHT JAN. 2 JUNE 7 THREE MONTH FLIGHT SEPT. 12 MID JULY THREE WEEK FLIGHT EARLY AUG. JULY 21 FIVE WEEK FLIGHT AUG.2S DATES PENDING FINAL CONFIRMATION BY AIR CARRIER FLIGHT OPEN TO ALL STUDENTS, STAFF, FACULTY and their FAMILIES. A $40. DEPOSIT WILL RESERVE YOUR SEAT on MAJOR SCHEDULED AIRLINES, FOUR ENGINE, PRES. SURIZED SUPER CONSTELLATIONS and DC7.C'S. ACCOM. MODATIONS SIMILAR TO FIRST CLASS. FREE MEALS and DRINKS. 66 LBS. LUGGAGE. CONTACT: CHARTER FLIGHTS SERVICES, PHONE 1801 BEACON ST., RE4-0391 BROOKLINE 46, MASS. YOL.44 NO.4 JANUARY 1961 EST. 1919 SENIOR BOARD The end is near. Within two weeks many of us will be able General Manage r Norm White to look forward to a long, long vacation. Some of the lucky ones Managing Editor Marsh Greenspan may remain, but,that letter in the mailbox will brine sad news to Editor Bob Nagro most. "Your friends and neighbors have chosen you to represent Stan Rosenblum Business Mgr. the United States of America in our Glorious armed forces." So Paul Rubenstein Art Consultant while you're basking in the sun down in Cuba or strolling through jungle greenery of Laos, remem ber that Phos will be guarding the JUNIOR BOARD Voo 000 beer closet eagerly awaiting your return two or three Sales Manager AI Cameron years from now. -
THE BEARDS. by Jonathan Lethem
The New Yorker Feb 28, 2005 v81 i2 p062 Page 1 THE BEARDS. by Jonathan Lethem © COPYRIGHT 2005 All rights reserved. Reproduced by of its teen-age buyers were. Instead, I decided I loved "The permission of The Condé Nast Publications Inc. Heavenly Music Corporation," and hated "Swastika Girls." The Heavenly Music Corporation -- I had a room to myself, on the top floor of our house. My bed was on a loft, built above a hivelike construction of (1980-82, Mom dead.) desktops and storage spaces. Directly below where I placed my pillow was a wooden compartment that neatly "No Pussyfooting" is an album by the guitar player Robert held my amplifier and turntable. I had a set of Fripp and the keyboard player Brian Eno. The album headphones--absurdly heavy, ear-clamping muffs, consists of two songs, or compositions; there are no connected to the stereo by a mushy, coiled rubber-coated voices on the record, no lyrics. Unlike other recordings by cord, twice as thick as a telephone’s. Fripp and Eno, alone or as members of groups, "No Pussyfooting" doesn’t involve studio overdubs. Although Late at night, when I was done reading, and had turned off the music provides a fullness, an illusion of depth, the two my light, I’d wear the headphones and listen to the cuts appear to be long improvisations between the players, twenty-one minutes of "The Heavenly Music Corporation," conducted in real time, within simple boundaries. Side one or as much as I could before it lulled me to sleep. -
Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Šárka Tripesová The Anatomy of Humour in the Situation Comedy Seinfeld Bachelor‟s Diploma Thesis Supervisor: Mgr. Pavel Drábek, Ph.D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Šárka Tripesová ii Acknowledgement I would like to thank Mgr. Pavel Drábek, Ph.D. for the invaluable guidance he provided me as a supervisor. Also, my special thanks go to my boyfriend and friends for their helpful discussions and to my family for their support. iii Table of Contents 1 INTRODUCTION 1 2 SEINFELD AS A SITUATION COMEDY 3 2.1 SEINFELD SERIES: THE REALITY AND THE SHOW 3 2.2 SITUATION COMEDY 6 2.3 THE PROCESS OF CREATING A SEINFELD EPISODE 8 2.4 METATHEATRICAL APPROACH 9 2.5 THE DEPICTION OF CHARACTERS 10 3 THE TECHNIQUES OF HUMOUR DELIVERY 12 3.1 VERBAL TECHNIQUES 12 3.1.1 DIALOGUES 12 3.1.2 MONOLOGUES 17 3.2 NON-VERBAL TECHNIQUES 20 3.2.1 PHYSICAL COMEDY AND PANTOMIMIC FEATURES 20 3.2.2 MONTAGE 24 3.3 COMBINED TECHNIQUES 27 3.3.1 GAG 27 4 THE METHODS CAUSING COMICAL EFFECT 30 4.1 SEINFELD LANGUAGE 30 4.2 METAPHORICAL EXPRESSION 32 4.3 THE TWIST OF PERSPECTIVE 35 4.4 CONTRAST 40 iv 4.5 EXAGGERATION AND CARICATURE 43 4.6 STAND-UP 47 4.7 RUNNING GAG 49 4.8 RIDICULE AND SELF-RIDICULE 50 5 CONCLUSION 59 6 SUMMARY 60 7 SHRNUTÍ 61 8 PRIMARY SOURCES 62 9 REFERENCES 70 v 1 Introduction Everyone as a member of society experiences everyday routine and recurring events. -
3, Winter 2009-10
BURN MAGAZINE Number 3, Winter 2009-10 1 O Driver! My Driver! Amtrak Alliance 22 Elizabeth Santovasi Leila Campoli 2 Oak Tree Life Lessons of the Beatles 25 David Braga Hannah Sheinberg 12 Pets On the Docks 27 Julian Glander David Braga 15 Arachnophobia Hector 35 Michael Ivy Matthew Connolly 16 The Earth Worms An Albatross 37 Mara Hampton Jamie Burke 17 Stickered Fragile An Extinct Species: 45 Mara Hampton Ice Cream Entails Jill Rubin 18 Wasteland Elizabeth Santovasi There was a little girl 46 René Amat 19 What Day Is This! Brooke Hubbard Contributors 47 Ryne Hager and Jenna Dee, Co-Editors Sara Trotta, Contributing Editor | Zachary Bos, Advising Editor Founded in 2006 by Catherine Craft, Mary Sullivan, and Chase Quinn. Boston University undergraduates may send submissions to [email protected]. Manuscripts are considered year-round. Burn Magazine is published according to an irregualr schedule by the Boston University Literary Society; printed by The Pen & Anvil Press. Front cover photograph by Andrew Bisdale, CAS 2010. The editors thank thank Piper Breves, SED 2012, for posing. -fromBurnwithlove- BURN MAGAZINE ELIZABETH SANTOVASI ________________________________ O Driver! My Driver! O Driver! My Driver! Our perilous drive has ended The bus survived the agitated traffic; our stomachs will soon bemended The school is near, the horns I hear, the kids jump in discomposure While the school awaits our ingress, our feelings remain unsure: But O heart! Heart! Heart! Skittles fly into the air, And land in the aisle where my driver lies Fallen hard right out of his chair Oh Driver! My Driver! Upturn and hear the jostle; Surmount- for you the kids in seats turn green—jump up and join the bustle; You clutch your heart so frantically; we’re all caught in suspense; Our concern creeps in steadily as we await the ambulance.