12 Songs for Piano Vocal with Chord Symbols

FATS DOMINO Al N'T THAT A SHAM E! 2 BLUEBERRY HILL 4 - I HEAR YOU KNOCKING 14 I'M IN LOVE AGAIN 6 I'M WALKIN' 12 MY BLUE HEAVEN 8 WALKINGTO 17

LITTLE RICHARD 24 MONEY HONEY 20 26 RIP IT UP 22 TUTTI FRUTTI 29

Edited by PETER FOSS First Published 1988 @ International Music Publications

Exclusive Distributors International Music Publications Southend Road, Woodford Green, Essex IG8 8HN, England. AIN'T THAT A SHAM E!

Words and Music by ANTOINE DOMINO and

made me cry when you said- Good - broke my heart when you said- wdll

My tears fell like rain -

~in'tthat a shame! - You're the one to blame.

@ 1955 Commodore Music Corp, USA Sub-published by Francis, Day & Hunter Ltd, London WC2H OLD good - bye

I cry, ~in't that a shame! - My tears fell like

Aint that a shame! -

I blame. 2 YOU blame. BLUEBERRY HILL

Words and Music by AL LEWIS, LARRY STOCK and VINCENT ROSE

, pwith simplicity I1 I 1 I I I I 1 A I I 1 I Do you re - call a year a - IT“ to - night? We stood and

I ' watched the gold-en sun de - scend - ing- When love had just be-gnn.TKhy did there have to be an

O 1940 Chappell & Co Inc, USA Chappell Music Ltd, London W1Y 3FAIRedwood Music Ltd London W1X 2LR I ' you. The moon stood still On Bluaber-ry Hi 11, And 1iw;red un-ti1

On Blue-ber-ry Hill. 1 I'M IN LOVE AGAIN

Words and Music by ANTOINE DOMINO and DAVE BARTHOLOMEW Medium tempo

Yes it means lhl love a - gain. Had no lov-in' since you know when, Yes it'smeand

Need your lov- in' and I need it bad, Just like a dog when he's Just think-in' of youmakes me

- II- G Gm G O 1956 Reeve Music Co Inc, USA Hoo- ee ba- by feel so glad.

e-ny mee-ny- ml - ney mo,

I I

I I I I I I I I U rl u - / dog bite me. dog bite me. I . love to me. love to me. MY BLUE HEAVEN

Words by GEORGE WHITING Music by WALTER DONDALSON

Moderato.

VERSE

I.Day is end ing, Birds are I - 2.Moon - beams creep - in% Flow'rs are 1" wend - inp Back to the she1 - ter of

Each lit - tle nest they love.

--

I - fall - ing, Love - birds call - ing,- I rest - ing, Birds are nest - ing, 211d timr f REFRAIN

( When Whip-poor-wills cail and ev-'ning is nigh 1 hur-ry to

- a lit-tlewhite light WHI lead yo11 to my blue

- I I I 1 I 1 heax-- en. You'll see a smil - ing face, a fire - place, a I co - sy room, - A lit - tle nest th~t's ncs - tled where thc

I - Just Mol-lie and me And Ba - by makes I'M WALKI N'

Words and Music by ANTOINE DOMINO and DAVE BATHOLOMEW

A Fast"wa1kin" beat

I walk-in: - yes in- deed, and 1hi talk- in' 'bout you and me, 1h

- hop-in' that you'll colne back to me (yes), 1'm lone - ly as 1 -

can be, 1h wait in1 for your coni-pa-ny, hop-in' that you'll cone back to I - . 1tn .

O 1957 Reeve Music Co, USA You're gon-na run a - What 'ya gon-na do when the well runs dry? me. { you're rron-na sit right

way and hide 1'm gon-na run right by your side, for you pret-ty ba-by 111 down and cry What 'ya gon-na do when I say "bye- bye"? All you're gon-na do is

I I I. I I I I I I I. I I I Ill I I I > I II > I I I I 2 I1 A W I. I I I 0 < 8 - w J I' 'nl - - I hop - in' that you'll come back to me me I HEAR YOU KNOCKING

Words and Music by DAVE BARTHOLOMEW and PEARL KING Medium tem~o

I - I v .I I r I You

2. bet - ter get back to your

knock - in' on my door.- kind of love me - I

O 1955 Commodore Music Co. USA u knock - ing, 1

and now you tell me that I would nev - er knock - ing but you can'tcome in, I -

I hear you knock - ing Go back whereyou've I * I i I I,

1 - been. You WALKING TO NEW ORLEANS

Words and Music by ANTOINE DOMINO, DAVE BARTHOLOMEW and ROBERT GUIDRA

A , Slowly

his time I'm walk-in' to New Or-leans, I 'rn I -

YI I I r r walk-in' to New Or - leans, I'm gon-na need two pair of shoes,When I

@ 1960 by Travis Music Co Inc, USA All Rights of Travis Music Co, Inc Assigned to SBK Catalogue Partnership All Ribts controlled & Administered by SBK Travis Catalog Inc 1" suit-case in my hand, Nuw ain't that a sharnt., - 1 walk- in' to New Or - leans. 'I've got no tirne for talk - in',

V I've got to keep a-walk-in', New Or-1e;ins is nly home, That's the

I rea- son that I'm goin: Yes, I'm walk-in1 to New Or - leans, I'm

- 1 dim poco .? '

walk-in' to New Or-leans, I'm walk-in' to New Or-leans. MONEY HONEY

Words and Music by J STONE Moderato i

VERSES

The land - lord rang my front door bell-

1 1 1 E b D b(~bbass) E b D b(~bbass)

E b D b(E bbass) E b D b(E bbass) E b D b(~bbass)

peeped thru' the blind - and asked my lit - tle ba - by what was on his mind, She cried-

E b D b(E bbass) ~b tacet------*

@ 1953 Progressive Music Publishing Co Inc, USA Rights Assigned 1956 to Music Inc Carlin Music Corp, London W1 X 2LR CHORUS

"Mon-ey , hon - ey Mon - ey, hon - ey-

I - Mon- ey, hon - ey if you wan - na get a - long- with me" .-

Y 2. Well I -

Eb 1 ~h7ddim ~b7

2. Well, I screamed and I hollered 'cos I'm so hard pressed, I lost the woman that I loved the best; I fin'ly reached my baby 'bout half past three

She said "Little baby, what was wrong with me? l1 I cried (To Chorus)

3. I learned my lesson, and now I know The winds may come and the winds may go, The women they come, and the women they go, But how is it darlinl that you love me so? She cried (To Chorus) RIP IT UP

Words and Music by ROBERT A BLACKWELL and JOHN S MARASCALCO

I ,, Bright Rock Tempo

VERSE

1 Well, it's Sat-ur-day night and I just got paid, Fool a-bout my mon-ey, dodt- try to save. My 2 I got me a date and I won't be late, Picked her up in my eight - y eight, 3 A - long a-bout ten, 1'11 be fly - ing high, Walk on out in - to the sky. But

0 Tace t a Tacet

heart says, go go, - Have a tirne'kause it's Sat - ur-day night'and I - feel fine. Shag on down by the so - cia1 hall, When the joint starts jump- in' I'U - have a ball. I don't care If I spend my dough,'cause to - night- Ih gon - na be one happy soul.

O 1956 Venice Music Inc, USA Sub-published by Peter Maurice Music Co Ltd, London WC2H OLD CHORUS

1'm gon - na RIP IT UP! 1h gon-na rock it up!

I 1h gon - na shake it up! I'm gon - na

I - break it up! Ifn gon-na RIP IT UP at the ball to -

I night.- I > -. A - night. LONG TALL SALLY

Words and Music by ENOTRIS JOHNSON, RICHARD PENNIMAN and

Bright rock tempo

> >>

F

Un - cle John with Tall Sal - ly, He

BDO

saw Aunt Ma - ry corn- in' And he ducked back in the a1 - ley, ' I

O 1956 Venice Music Inc, USA Southern Music Publishing Co Ltd, 8 Denmark Street, London WC2 8LT Hav- in' me some fun to - night. - yeah ! , 2. Well, yeah! - We're gon- na 3. Well, I

have some fun to - night, - Gon-na have some fun to - night - woo ! -We're gon-na I -

have some fun to-night, - Ev -'ry-thing will be all right.- We' re gon-na I -

have some fun, gon- na have some fun to-night! I A READY TEDDY

Words and Music by JOHN. - - - - MARASCALCO------. . and ROBERT BLACKWELL 1

Bright tempo

go, ma'', go, I got a gnl thc~t I IoL*~ SO, 1'111 I I

CHORUS

Read-y Read-y Ted-dy. I'm Read-y Read- y Read-y Ted-dy. I'm

O 1956 Venice Music Inc and Elvis Presley Music Inc, USA Carlin Music Corp, London W 1X 2LR VERSE

1 1.Go - in' down to the cor - ner, pick up- my sweet - ie pie. She's my

( rock In' roll ba - by, she's the np - ple of my eye, 'Cause I'm

CHORUS

I Read - y Read- y Read-y Ted-dy. I'm Read - y Read-y Read-y Ted-dy. I'm

Read- y Read-y Ted-dy. I'm Read- y Read-y Read-y to - a rock In' roll. 28 VERSE

2.Wcll the flat top cats and the dun-ga-ree dolls Are, head-ed for the gym to the Sock Hop Ball. The s'.(Gon - na) kick off my shoes, roll- up my faded jenns.Grab my rock 'n' .roll baby, pour on the steam. I

joint is real-ly jump-in: the cats are go-in' wild.-The mu-sic really sends me. I dig that crazystyle:Cause I'm sl~uf-fleto the left ., I shuf-fle to the right.Gonna rock 'n', roll till the ear - ly enrlynight:Cause I'm

. ,

Rend - y Read-y Read-y Ted-dy. I'm Read-y Read-y Read-y Ted-dy. I'm TUTTI FRUTTI

Words and Music by R PENNIMAN and D LA BOSTRIE right Tempo

I - A - bop - bop - a - loom- op a - lop bop boom! i REFRAIN

I I I I Ill I I I I I I 1 I I I I 1 Ill I I I I I I rl 111 I I I I 1 I

O 1955 Venice Corp for the world O 1955 ATV Music for the UK and Eire under licence to SBK Songs. London W IP IDA A VERSE

11.1 got a CidCgan hermionamek SU~(LOU.) She (he) knows just what to do - j2. I got a plWy) herus)name's Dai - Syhcltle) Sheche) d - most drives me cra - 3.1 got- ta go, can't stop, Down to the can - dy shop- 4. You're the one I miss, I got-ta tell you this- 5. ~odtyou be And ba - by, dm't be late-

Zy(wacky) I got a galcguy, herchis) name's Dai - sy (JecLle) She (he) I got - ta go, can't stop, And 1 Oh, p're the one I miss, And the - Oh, won't you be mY date,

knows just what to do. I've been to the east, I've a1 - most drives me cra - zy.

I

- - au rut- ti h-TIFRUT-~ au rut-ti d~-TI

rut - ti A- bop-bop tt-loom-op a- lop 'bqibooml21 got a 3.1 gat-& 4. Y&the 5. Wdt gou lop bop boom!

QQ @ 7

In 1950 Antokre Domino scored a hit with "The Fat Man" from which came the nickname of the indomitable Fats. His popularity has lasted for nearly four decades and has yielded many more successes. One of a musical family, his father was a prominent violinist, Fats' winsome manner and the melodic, catchy songs he sang made him a certain hitmaker. Only Elvis and earned more gold records. Here are the songs which best celebrate the enduring magic of . AINT THAT A SHAME! I'M IN LOVE AGAIN BLUEBERRY HILL I'M WALKIN' I HEAR YOU KNOCKING MY BLUE HEAVEN WALKIN' TO- NEW ORLEANS

The unrestrained vigour and sexuality of UItle RkhanPs style of rock-'n'- roll might have been a manifestation of a personal conflict between his desire for worldly success and a deeply held religious conviction. Historically his career was characterized by the alternate acceptance and . renunciation of rock music. Several versions of the story surrounding Richard's religious conversion exist but prior to entering Oakwood College, a bible school in Huntsville, Alabama, he dramatically hurled his jewellery into the waters of Sydney Harbour and recorded these lines:- I'm quittin' show business, I want to go straight I'm going to serve my Lord, before it's too late... Later attempts to rekindle his career went largely unrewarded. A contemporary of Fats Domino, Little Richards' raunchy bombastic delivery is in direct contrast to Domino's relaxed, gentle performance but both serve to illustrate the versatility of true rock-'n'-roll. This selection of vintage hits contains all of the energy and excitement so typical of at his best. LONG TALL SALLY MONEY HONEY RIP IT UP READY TEDDY THE RIGHT PRICE RAISED ON ROCK 'N' ROLL COLLECTION INCLUDES THE PLAlTERS EDDIE COCHRAN/BUDDY HOLLY CHUCK BERRY ELVIS PRESLEY FATS DOMINO/LITTLE RICHARD JERRY LEE LEWIS

ISBN 0-86359-591-X 1. 11.1.1 111,111 111,111.. . . IImRmkdMusicPu- Ill1 Southend Road. Woodford Green, Issex IG8 8HN. England. L