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THE IDEA of TIMBRE in the AGE of HAYDN a Dissertation
THE IDEA OF TIMBRE IN THE AGE OF HAYDN A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Emily I. Dolan August 2006 © 2006 Emily I. Dolan THE IDEA OF TIMBRE IN THE AGE OF HAYDN Emily I. Dolan, Ph. D. Cornell University 2006 At the end of the 18th century, instrumental music, formerly subordinate to vocal music and shackled to the doctrine of imitation, dramatically emerged as a new and powerful form or art, capable of expression. Many scholars today turn to developments in aesthetic philosophy—the birth of German Idealism, “absolute music,” or Kantian formalism—to explain the changing perception of instrumental music. Such explanations, though they illuminate important aspects of contemporary philosophy, ultimately blind us to fascinating developments in musical practice. This dissertation locates the heart of this transformation not in philosophical aesthetics, but in the musical medium itself, specifically focusing on the birth of the concept of timbre and the ensuing transformations to musical discourse. Tracing the concept of timbre from its birth in the writings of Rousseau through its crystallization in the early 19th century with the emergence of “orchestra machines” and a widespread obsession with effect, the dissertation explores the impact of the new focus on the musical medium in different registers of musical culture. The project examines the use of the metaphor of color borrowed from painting and Newtonian science, the philosophical attitudes towards transience and sensation in the writings of Kant and Herder, ideas of composition and orchestration in music treatises, and composers’ new uses for the orchestra through close analysis of Haydn’s style of orchestration in the 1790s. -
Politics and Power in the Gothic Drama of MG Lewis
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF LAW, ARTS & SOCIAL SCIENCES School of Humanities Politics and Power in the Gothic Drama of M.G. Lewis By Rachael Pearson Thesis for the degree of Doctor of Philosophy December 2011 1 2 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF LAW, ARTS AND SOCIAL SCIENCES SCHOOL OF HUMANITIES Thesis submitted for the degree of Doctor of Philosophy POLITICS AND POWER IN THE GOTHIC DRAMA OF M.G. LEWIS Rachael Pearson Matthew Lewis‟s 1796 novel The Monk continues to attract critical attention, but the accusation that it was blasphemous has overshadowed the rest of his writing career. He was also a playwright, M. P. and slave-owner. This thesis considers the need to reassess the presentation of social power, primarily that of a conservative paternalism, in Lewis‟s dramas and the impact of biographical issues upon this. -
GOTHIC FICTION Introduction by Peter Otto
GOTHIC FICTION Introduction by Peter Otto 1 The Sadleir-Black Collection 2 2 The Microfilm Collection 7 3 Gothic Origins 11 4 Gothic Revolutions 15 5 The Northanger Novels 20 6 Radcliffe and her Imitators 23 7 Lewis and her Followers 27 8 Terror and Horror Gothic 31 9 Gothic Echoes / Gothic Labyrinths 33 © Peter Otto and Adam Matthew Publications Ltd. Published in Gothic Fiction: A Guide, by Peter Otto, Marie Mulvey-Roberts and Alison Milbank, Marlborough, Wilt.: Adam Matthew Publications, 2003, pp. 11-57. Available from http://www.ampltd.co.uk/digital_guides/gothic_fiction/Contents.aspx Deposited to the University of Melbourne ePrints Repository with permission of Adam Matthew Publications - http://eprints.unimelb.edu.au All rights reserved. Unauthorised Reproduction Prohibited. 1. The Sadleir-Black Collection It was not long before the lust for Gothic Romance took complete possession of me. Some instinct – for which I can only be thankful – told me not to stray into 'Sensibility', 'Pastoral', or 'Epistolary' novels of the period 1770-1820, but to stick to Gothic Novels and Tales of Terror. Michael Sadleir, XIX Century Fiction It seems appropriate that the Sadleir-Black collection of Gothic fictions, a genre peppered with illicit passions, should be described by its progenitor as the fruit of lust. Michael Sadleir (1888-1957), the person who cultivated this passion, was a noted bibliographer, book collector, publisher and creative writer. Educated at Rugby and Balliol College, Oxford, Sadleir joined the office of the publishers Constable and Company in 1912, becoming Director in 1920. He published seven reasonably successful novels; important biographical studies of Trollope, Edward and Rosina Bulwer, and Lady Blessington; and a number of ground-breaking bibliographical works, most significantly Excursions in Victorian Bibliography (1922) and XIX Century Fiction (1951). -
GMW Spring 2000
Glass Music World Nominees for GMI Officers The GMI Nominating Committee has received the following Slate of Officers to be elected at the GMI Business Meeting, April 28, 2000 PRESIDENT: Carlton Davenport has been Commissioner while in Franklin (doing a glass music enthusiast since the late 80s. extensive research on Ben Franklin) and Dear GMI membership: He is currently retired from Digital has been involved with glass music since Equipment Company and has been study- 1982. Liz has served as GMI Membership Festival time is just around the corner! We have ing jazz piano in the central Massachusetts Chairman and editor of Glass Music World, an exciting schedule of events (updated in this area. He and his wife June have been and is currently coordinating her second issue) to enjoy. In addition to all the wonderful involved in ballroom dancing for the past GMI Glass Music Festival. Although she is musicians already slated to perform, Clemens 12 years. Carlton has a B.A. in Psychology active in several music and history organiza- Hoffinger – an exceptional glass harpist from from Bowdoin College, ME, a B.S. in tions in her community, her sons and her Zoest, Germany – will now be joining us, and Electrical Engineering from Newark growing family are her first priority. recently Jamey Turner has enthusiastically College of Engineering, NJ, and an M.B.A. agreed to perform on Thursday, April 27th. from Boston University. His working SECRETARY: Roy E. Goodman has been career was in Engineering Management for affiliated with the American Philosophical Our registrations are building up, but we still 36 years, with expertise in Quality Society in Philadelphia, where he is current- need to hear from you right away if you are Management. -
International News at a Glance —
International News THE NOME NUGGET v uni ■ u—■ Published Monday. Wednesday and Friday by the At A Glance — NOME PUBLISHING %CO. NOME. ALASKA ' TAFT- HARTL1V d'untinued from Page One) Telephone: Main 125 P. O. Box 6it* IM* dtp .i’tment s policy was seen aim- $1.50 PER MONTH SI6.00 A YEAR ed nght at Sweden which has been W. A. Boucher Owner-Publisher cp >rted urgnig Norway and Den- Emily Boucher .Local Editor mark to keep out of the North At- fantic alliance. Entered as second class matter October 14. 1943, at the postoffice military at Nome, Alaska, under the Act of March 3, 1379. Monday, January 17, 1949 Nome, Alaska, Monday, January 17, 1949 Chinese nationalists massed 50,000 men on a 300-mile front BENJAMIN FRANKLIN, BORN JANUARY 17, 1706 today in an apparently hopeless effore to save menaced Benjamin Franklin, whose is observed to- anking, birthday by communist troops in double was “the most acute and broadminded day, January 17, that strength. thinker of his in the estimation of the day,” Encyclopae- The government’s forces already dia Britannica. have abandoned Pengpu and evac- The first edition of the Britannica, published in 1768 uated towns in the path of an ex- pected communist into the when Franklin was 62, devoted many pages to his dis- sweep Yangtze river had coveries in the field of And 181 valley. Pengpu electricity. today, years been an anchor of the govern- later, Franklin is still praised for his creative mind, his ment’s Hawai river defense line. practical good sense and his humanitarianism. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
'The Expressive Organ Within Us:' Ether, Ethereality, And
CARMEL RAZ Music and the Nerves “The Expressive Organ within Us”: Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves CARMEL RAZ In Honoré de Balzac’s novel Le Lys dans la sounds without melody, and cries that are lost in Vallée (1835), Felix de Vandenesse courts solitude.1 Henriette de Mortsauf by implying that their souls have a sympathetic connection. Katherine Prescott Wormeley’s translation ren- ders “un orgue expressif doué de mouvement” We belong to the small number of human beings as “the organ within us endowed with expres- born to the highest joys and the deepest sorrows; sion and motion.” This word choice omits the whose feeling qualities vibrate in unison and echo author’s pun on the expressive organ, here serv- each other inwardly; whose sensitive natures are in ing as both a metaphor for the brain and a harmony with the principle of things. Put such be- reference to the recently invented harmonium ings among surroundings where all is discord and instrument of the same name, the orgue they suffer horribly. The organ within us en- expressif.2 Balzac’s wordplay on the expressive dowed with expression and motion is exercised in a organ represents an unexpected convergence of void, expends its passion without an object, utters music, organology, natural science, and spiri- tualism. A variety of other harmoniums popu- I would like to thank Patrick McCreless, Brian Kane, Paola Bertucci, Anna Zayaruznaya, Courtney Thompson, Jenni- 1Honoré de Balzac, The Lily of the Valley, trans. Katharine fer Chu, Allie Kieffer, Valerie Saugera, Nori Jacoby, and P. -
Prometheus Unbound and the Gothic Novel 15
From the Sublime to the Numinous A Study of Gothic Qualities in the Poetry and Drama of Shelley's Italian Period A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Robert Percival University of Canterbury 2000 Contents Page Acknowledgements Abstract Introduction 1 I. Prometheus Unbound and the Gothic Novel 15 II. Prometheus Unbound and the Classical Gothic 29 III. Prometheus Unbound- Heroes and Villains 50 IV. The Cenci - An Absence of the Numinous 64 V. Leonardo's Medusa and the Limits of the Sublime 78 VI. The West Wind-Poet as Prophet and Enchanter 90 VII. Adonais - Flight from the City of Death 101 VIII. Adonais - The Hunter Hunted 112 IX. The Triumph ofLife - The Living Dead and the Car of Life 130 X. The Triumph ofLife - Rousseau, the Shape, and the "shape all light" 146 Conclusion 159 Bibliography - (Primary and Secondary Sources) 164 Acknowledgements I would like to thank my wife, Hannah, for her limitless patience, and for her unfailing practical and moral support, without which this thesis would never have been completed; and my supervisor, Dr Gordon Spence, for his continuing encouragement, his unobtrusive guidance, and the generous spirit in which he always shared his time and erudition. Abstract In this thesis I consider six poems which Shelley wrote in Italy, between 1818 and his death in 1822: Prometheus Unbound, The Cenci, "On the Medusa of Leonardo da Vinci in the Florentine Gallery", "Ode to the West Wind", Adonais, and The Triumph ofLife. -
Romantic Revolutions, 1789-1832 É
Romantic Revolutions, 1789-1832 English 319: Backgrounds to British Romantic Literature É Instructor: Dr. George Grinnell Office: Arts 177 Hours: Wednesday 12-2:00pm Email: [email protected] Course Description: This course will examine the poetry and prose of the Romantic era in the context of the remarkable number of social and political upheavals that mark the turn of the nineteenth century in Britain. Beginning with the French Revolution, this age is marked by persistent efforts to reorganize relations of power within a number of social, political, and cultural arenas. We will examine how the French Revolution becomes a symbol of possible social change that invigorated debate on issues ranging from women’s rights to abolition, and from new aesthetic forms to the emergence of the bourgeoisie as the dominant class of English civil life. How do these various revolutions in social and cultural life intersect and support or undermine one another? Why does a decisively modern discourse of human rights emerge in this period? The course will probe the ways in which we are inheritors not just of these discussions of rights, but also of Romantic ideals of individuality, psychology, and role and function of literature, ideals that have become pervasive and appear to us now to be entirely natural. How literature and culture consolidates and revises the discourses that shaped the lives of individuals in the period will be an ongoing consideration in the course. To that end, we will approach literary texts historically, as works which profoundly shape and are shaped by the particular social and political energies of the age, just as we will also attend closely to the persistent problems of reading and the opportunities for interpretation each text poses. -
Beyond Monk Lewis
Beyond ‘Monk’ Lewis Samuel James Simpson MA By Research University of York English and Related Literature January 2017 Abstract “What do you think of my having written in the space of ten weeks a Romance of between three and four hundred pages Octavo?”, asks Matthew Gregory Lewis to his mother.1 Contrary to the evidence—previous letters to his mother suggest the romance was a more thoughtful and time-consuming piece—Lewis was the first to feed a myth that would follow him for the rest of his life and beyond, implying he hurriedly cobbled together The Monk (1796) and that it was the product of an impulsive, immature and crude mind to be known soon after as, ‘Monk’ Lewis. The novel would stigmatise his name: he was famously criticised by Coleridge for his blasphemy, Thomas J Mathias described The Monk as a disease, calling for its censure, and The Monthly Review, for example, insisted the novel was “unfit for general circulation”.2 All these readings distract us from the intellectual and philosophic exploration of The Monk and, as Rachael Pearson observes, “overshadow…the rest of his writing career”.3 This thesis is concerned with looking beyond this idea of ‘Monk’ Lewis in three different ways which will comprise the three chapters of this thesis. The first chapter engages with The Monk’s more intellectual, philosophic borrowings of French Libertinism and how it relates to the 1790s period in which he was writing. The second chapter looks at Lewis’s dramas after The Monk and how Lewis antagonised the feared proximities of foreign influence and traditional British theatre. -
Benjamin Franklin
Benjamin Franklin Benjamin Franklin was one of the Founding Fathers of the United States. He is famous for many reasons. He was a politician, a scientist, an inventor, an author, and a statesman. He was the youngest son in a family with 17 children. Benjamin Franklin started out as an apprentice in his brother's print shop in Boston, and he created The New-England Courant, which was the first truly independent newspaper in the colonies. He wanted to write for the paper, but was not permitted to do so. Benjamin Franklin used a pseudonym to write for the paper. A pseudonym is a fictitious name used in place of a person's real name. He used the pseudonym of “Mrs. Silence Dogood,” who was supposedly a middle-aged widow. His letters were published in the paper and became a topic of discussion around town. His brother did not know that Benjamin was actually writing the letters and was upset when he learned the truth. When he was only 17, Benjamin Franklin wound up running away to Philadelphia to seek a new start in life. In 1733, Benjamin Franklin began publishing Poor Richard's Almanac. He wrote some of the material himself and also used material from other sources. He used the pseudonym Richard Saunders to publish this work, and he sold about 10,000 copies per year. As an inventor, Ben Franklin accomplished many things. He invented the lightning rod, the glass harmonica, the Franklin stove, and bifocals. In 1743, he founded the American Philosophical Society, which was designed to help men discuss their theories and discoveries. -
Level 2 My Neighbourhood
Nome: _______________ Classe: _______________ Level 2 Reading Comprehension D Data: _______________ 1 Ascolta e leggi il brano. My neighbourhood by Paula Thompson I’m very lucky because I live on Sansom Street, in the centre of Philadelphia. There are lots of great shops and cafés on my street. My favourite place is the Ben and Jerry’s ice cream shop. The ice cream is fantastic. I also like Joseph Fox – it’s a cool bookshop and it’s near my house. We also live near the Walnut Street Theatre. Dad is crazy about the theatre, so we go there a lot. Last year, I went to junior high school in Camden and I had to get up at 6.30 a.m. to catch the bus to school. This year I’m in high school and I can walk to my new school in five minutes. I’m lucky because I don’t have to get up early! I really like my neighbourhood, but there is one problem – there isn’t anywhere to skateboard. I often meet my friends after school in Washington Square Park, but we mustn’t skateboard there – it’s a national monument. I also live near Independence Hall. Every American must learn about this building in History classes. It’s a famous building because America became an independent country here. We’re lucky because we don’t have to look at photos of it in a history book – we can see it every day. My favourite place in central Philadelphia is Franklin Court. It’s a museum about the life of Benjamin Franklin.