When Was We Will Rock You Released
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RADIAL VELOCITIES in the ZODIACAL DUST CLOUD
A SURVEY OF RADIAL VELOCITIES in the ZODIACAL DUST CLOUD Brian Harold May Astrophysics Group Department of Physics Imperial College London Thesis submitted for the Degree of Doctor of Philosophy to Imperial College of Science, Technology and Medicine London · 2007 · 2 Abstract This thesis documents the building of a pressure-scanned Fabry-Perot Spectrometer, equipped with a photomultiplier and pulse-counting electronics, and its deployment at the Observatorio del Teide at Izaña in Tenerife, at an altitude of 7,700 feet (2567 m), for the purpose of recording high-resolution spectra of the Zodiacal Light. The aim was to achieve the first systematic mapping of the MgI absorption line in the Night Sky, as a function of position in heliocentric coordinates, covering especially the plane of the ecliptic, for a wide variety of elongations from the Sun. More than 250 scans of both morning and evening Zodiacal Light were obtained, in two observing periods – September-October 1971, and April 1972. The scans, as expected, showed profiles modified by components variously Doppler-shifted with respect to the unshifted shape seen in daylight. Unexpectedly, MgI emission was also discovered. These observations covered for the first time a span of elongations from 25º East, through 180º (the Gegenschein), to 27º West, and recorded average shifts of up to six tenths of an angstrom, corresponding to a maximum radial velocity relative to the Earth of about 40 km/s. The set of spectra obtained is in this thesis compared with predictions made from a number of different models of a dust cloud, assuming various distributions of dust density as a function of position and particle size, and differing assumptions about their speed and direction. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
The Monkees More of the Monkees Mp3, Flac, Wma
The Monkees More Of The Monkees mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: More Of The Monkees Country: US Released: 1967 Style: Pop Rock MP3 version RAR size: 1598 mb FLAC version RAR size: 1888 mb WMA version RAR size: 1384 mb Rating: 4.5 Votes: 666 Other Formats: APE XM DXD MP2 VOX AAC MP3 Tracklist Hide Credits She A1 2:27 Written-By – Tommy Boyce-Bobby Hart* When Love Comes Knockin' (At Your Door) A2 1:45 Written-By – Carole Bayer, Neil Sedaka Mary, Mary A3 2:12 Written-By – Michael Nesmith Hold On Girl A4 2:23 Written-By – Raleigh*, Carr*, Keller* Your Auntie Grizelda A5 2:28 Written-By – Diane Hilderbrand*, Jack Keller (I'm Not Your) Steppin' Stone A6 2:25 Written-By – Tommy Boyce-Bobby Hart* Look Out (Here Comes Tomorrow) B1 2:10 Written-By – Neil Diamond The Kind Of Girl I Could Love B2 1:50 Written-By – Michael Nesmith, Roger Atkins The Day We Fall In Love B3 2:20 Written-By – Denny Randell, Sandy Linzer Sometime In The Morning B4 2:24 Written-By – Gerry Goffin-Carole King* Laugh B5 2:25 Written-By – Medress*, Siegel*, M. Margo*, P. Margo* I'm A Believer B6 2:41 Written-By – Neil Diamond Companies, etc. Produced For – Columbia Pictures Produced For – Screen Gems Mastered At – RCA Studios Pressed By – Mercury Record Manufacturing Company Manufactured By – RCA Distributed By – RCA Published By – Screen Gems-Columbia Music, Inc. Copyright (c) – Radio Corporation Of America Credits Coordinator [Music] – Emil LaViola, Lester Sill Liner Notes – Don Kirshner Performer – David*, Michael*, Micky*, Peter* Producer – Tommy Boyce And Bobby Hart* (tracks: A1, A6), Carole Bayer (tracks: A2), Carole King (tracks: B4), Gerry Goffin (tracks: B4), Jack Keller (tracks: A4, A5), Jeff Barry (tracks: A4, A5, B1, B3 to B6), Michael Nesmith (tracks: A3, B2), Neil Sedaka (tracks: A2) Supervised By [Music] – Don Kirshner Notes Original mono release pressed by Mercury Record Manufacturing, identified by small MR in runout. -
Tour Dates Announced for We Will Rock You Australian Tour
TOUR DATES ANNOUNCED FOR WE WILL ROCK YOU AUSTRALIAN TOUR Producers of the Australian tour of the worldwide smash hit musical WE WILL ROCK YOU today announced the dates and venues for the 2016 Australian national tour. WE WILL ROCK YOU will begin at Sydney’s Lyric Theatre on 30 April 2016, then travel to the Lyric Theatre, QPAC, Brisbane from 3 July; then on to Melbourne’s Regent Theatre from 30 August. Perth’s Crown Theatre follows from November, then the Festival Theatre, Adelaide from January, 2017. Tickets for the Sydney and Melbourne seasons go on sale on 9 October, and Brisbane tickets are on sale from 30 October. Waitlist now for the Perth and Adelaide seasons, which will go on sale next year. Since 2002 over 15 million theatregoers in 17 countries have been thrilled by this awe-inspiring production which is based on the songs of Queen with a book by Ben Elton (The Young Ones, Blackadder, Popcorn). Elton fashioned this hilarious futurist comedy around more than 24 of Queen’s biggest hit songs including We are the Champions, Radio Ga Ga, I Want To Break Free, Somebody To Love, Killer Queen, Don’t Stop Me Now, Under Pressure, Bohemian Rhapsody, Another One Bites The Dust and of course, We Will Rock You. WE WILL ROCK YOU reflects the scale and spectacle that marked Queen’s live performances and earned the band its pinnacle position in rock history. With Queen’s Brian May and Roger Taylor as music supervisors and “a band without parallel in the theatre” behind the cast, the audience can expect WE WILL ROCK YOU to rock as fiercely as the best of Queen’s concerts. -
The Wrecking Crew—Whether You Knew It Or Not
HISTORY JUNE 2012 Kent Hartman “You are in for a big surprise!” —Dusty street The Inside StoryWrecking of Rock and Roll’s Best-Kept Crew Secret Part Hit Men and part Laurel Canyon, this hidden history of rock and roll chronicles the uncredited studio musi- cians who provided the soundtrack for a generation dur- ing the 1960s and 1970s. If you were a fan of popular music in the 1960s and early ’70s, you were a fan of the Wrecking Crew—whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music—sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. Mining invaluable interviews, the author follows the Read by Dan John Miller careers of such session masters as drummer Hal Blaine Category: History/Music and keyboardist Larry Knechtel, as well as trailblazing Running Time: 10 hrs 30 min - Unabridged bassist Carol Kaye. Listeners will discover the Wrecking Hardcover: 02/14/2012 (35,000 Thomas Dunne Books) Territory: US and Canada Crew members who would forge careers in their own right, On Sale Date: 06/18/2012 including Glen Campbell and Leon Russell, and learn of Trade 9781452608068 9 Audio CDs $39.99 the relationship between the Crew and such legends as Phil Library 9781452638065 9 Audio CDs $83.99 Spector and Jimmy Webb. -
Brian May Plays “God Save the Queen” from the Roof of Buckingham Palace to Commemorate Queen Elizabeth II’S Golden Jubilee on June 3, 2002
Exclusive interview Brian May plays “God Save the Queen” from the roof of Buckingham Palace to commemorate Queen Elizabeth II’s Golden Jubilee on June 3, 2002. © 2002 Arthur Edwards 26 Astronomy • September 2012 As a teenager, Brian Harold May was shy, uncer- tain, insecure. “I used to think, ‘My God, I don’t know what to do, I don’t know what to wear, I don’t know who I am,’ ” he says. For a kid who didn’t know who he was or what he wanted, he had quite a future in store. Deep, abiding interests and worldwide success A life in would come on several levels, from both science and music. Like all teenagers beset by angst, it was just a matter of sorting it all out. Skiffle, stars, and 3-D A postwar baby, Brian May was born July 19, 1947. In his boyhood home on Walsham Road in Feltham on the western side of Lon- science don, England, he was an only child, the offspring of Harold, an electronics engineer and senior draftsman at the Ministry of Avia- tion, and Ruth. (Harold had served as a radio operator during World War II.) The seeds for all of May’s enduring interests came early: At age 6, Brian learned a few chords on the ukulele from his father, who was a music enthusiast. A year later, he awoke one morning to find a “Spanish guitar hanging off the end of my bed.” and At age 7, he commenced piano lessons and began playing guitar with enthusiasm, and his father’s engineering genius came in handy to fix up and repair equipment, as the family had what some called a modest income. -
On Their Best Behavior
C M Y K www.newssun.com EWS UN NHighlands County’s Hometown-S Newspaper Since 1927 ‘The Lorax’ Two at a time? Dowtown plans GOP Puzzle Dr. Seuss classic County hears about Chamber hopes A look at the party’s hits the big screen biennial budgeting to liven up Mall fractured factions REVIEW, 11B PAGE 2A PAGE 9A PAGE 12B Friday-Saturday, March 2-3, 2012 www.newssun.com Volume 93/Number 30 | 50 cents Inside George Blvd. picked for new HCSO site By ED BALDRIDGE “We’re going to get to $11 “Hear me out,” Handley Handley put the Restoration [email protected] million to $12 million on this said after another estimate of Church on State Road 66 back on the SEBRING — Commissioners somehow. That’s the gun bar- potentially $7 million was table because it “has all the site work decided Tuesday to move forward rel I’m looking down,” said given for a separate Crime finished.” Unknown Soldiers with a new sheriff’s building at Commissioner Don Elwell. Lab/Property and Evidence Handley suggested that the build- George Boulevard, but not without After several hours of site Facility at Kenilworth ing could be purchased for $2 mil- some backtracking. discussions and costs compar- Boulevard, changes to the lion, has 32,000 square-feet and is Where’s the Benton outrage over Early in the discussion, estimates isons, Commissioner Ron existing jail facility and the structurally sound which could trans- of the cost for construction more than Handley threw the idea of another proposed new 20,000 square-foot late into cost savings for the county. -
'Killer Queen' (From the Album Sheer Heart Attack)
Queen: ‘Killer Queen’ (from the album Sheer Heart Attack) (For component 3: Appraising) Background information and performance circumstances ‘Killer Queen’ was written by Freddie Mercury and featured on Queen’s third studio album Sheer Heart Attack released in November 1974. Freddie Mercury was born Farrokh Bulsara on 5 September 1946 in Stone Town, Sultanate of Zanzibar (now Tanzania) and grew up in India, where he was educated at St Peter’s Boys School and took up the piano at the age of 7. At the age of 17 his family moved to Middlesex, England. Queen was formed in London in 1970 with singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bassist John Deacon. Sheer Heart Attack and A Night at the Opera (1975) brought them international success. ‘Killer Queen’ was the first single from the album and it is one of the few songs where Freddie Mercury wrote the lyrics first, which are about an upper-class prostitute. ‘Killer Queen’ reached number 2 in the British charts and provided them with their first top 20 hit in the US, peaking at number 12 on the Billboard singles chart. The song won Freddie Mercury his first Ivor Novello Award. Performing forces and their handling The vocal part is performed by Freddie Mercury and is a high male voice – tenor. ‘Killer Queen’ uses lead and backing vocals, piano, overdubbed with a honky-tonk (jangle) piano, four electric guitars, bass guitar and drum kit. Guitars and vocals are overdubbed to create a richer colour. The guitars use techniques such as slides, bends, pull-offs and vibrato. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
Record Dedicated to Serving the Needs of the Music & Record Worldindustry
record Dedicated To Serving The Needs Of The Music & Record worldIndustry May 11, 1969 60c In the opinion of the editors, this week the following records are the WHO IN SINGLE PICKS OF THE WEEK THE WORLD -.A.11111111." LOVE MI TONIGHT TON TOWS Tom Jones, clicking on Young -HoltUnlimited have JerryButlerhas a spicy Bob Dylan sings his pretty stateside TV these days, a new and funky ditty and moodyfollow-up in "I Threw ftAll Away" (Big shouldscoreveryheavily called "Young and Holtful" "Moody Woman" (Gold Sky, ASCAP), which has with"Love Me Tonight" (Dakar - BRC, BMI), which Forever-Parabut, BMI(,pro- caused muchtalkinthe (Duchess, BMI)(Parrot hassomejazzandLatin duced by Gamble -Huff (Mer- "NashvilleSkyline"elpee 40038(. init (Brunswick 755410). cury 72929). (Columbia 4-448261. SLEEPER PICKS OF THE WEEK TELLING ALRIGHT AM JOE COCKER COLOR HIM FATHER THE WINSTONS Joe Cocker sings the nifty The Winstons are new and Roy Clark recalls his youth TheFive Americans geta Traffic ditty that Dave will make quite a name for on the wistful Charles Az- lot funkier and funnier with Mason wrote, "FeelingAl- themselveswith"Color navour - Herbert Kretzmer, "IgnertWoman" (Jetstar, right" (Almo, ASCAP). Denny Him Father"(Holly Bee, "Yesterday,When I Was BMI(, which the five guys Cordell produced (A&M BMI), A DonCarrollPra- Young"(TRO - Dartmouth, wrote (Abnak 137(. 1063). duction (Metromedia117). ASCAP) (Dot 17246). ALBUM PICKS OF THE WEEK ONUTISNINF lUICICCIENS GOLD "Don Kirshner Cuts 'Hair' " RogerWilliams plays "MacKenna's Gold," one of Larry Santos is a newcomer is just what the title says "HappyHeart" andalso the big summer movies, has with a big,huskyvoice I hree Records from 'Hair' withHerbBernsteinsup- getsmuchivorymileage a scorebyQuincy Jones and a good way with tune- plying arrangements and from "Those Were the and singing byJoseFeli- smithing.