We Will Rock You Audition Information 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Killer Queen
MELODY HARMONY The word setting is mainlysyllabic throughout TONALITY Queen liked to use adventurous chord sequences The melody has a wide range (goes very high and very low!) The song uses several altered or extended chords (such as 7ths and The main tonality for the piece is Eb Major (this is unusual The guitar solo borrows ideas from the chorus and verse sections of the song 11ths) because it’s a hard key to play in on the guitar!) The backing vocals use words and vocalisations (like oohs and aahs!) The key changes (modulates) during the song. Most of the chords are in root position, but there are some chord The melody is often conjunct, but with some wide angular leaps, including inversions. intervals of 6ths and octaves. The chorus is in Bb major There is a circle of 5ths chord progression in the chorus In the chorus the melody is harder to spot on it’s own because of the backing There are points where the tonality is not clear (“tonal The modulations to different keys are shown by perfect cadences vocal harmonies ambiguity”) - like in the first verse which starts with a C minor The song starts with a C minor chord—(you can’t tell that the piece is in The vocal part sometimes uses falsetto. chord, making the key signature unclear. Eb major until the chord is played half way through the verse—this is The vocal part also includes spoken text The vocal part contains a slide upwards (on the word “queen”) The chord sequences move quickly through different key Some parts of the chord sequence contain a faster harmonic rhythm The length of the melodic phrases are often uneven (like when the extra 6/8 bar signatures—for example in the first half of the chorus the (like one chord every beat on “guaranteed to blow your mind”) is added) chord sequence moves quickly through D minor and C major. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Top 5 Underrated Queen Songs Laura Ballinger Explores the Joys Of
Top 5 Underrated Queen Songs Laura Ballinger explores the joys of Queen’s lesser-known tracks Everyone knows the Queen classics, ‘Bohemian Rhapsody’ and ‘Killer Queen’ to name just two. But what about those songs that are less well known and equally as good? Here’s a list of five of Queen’s most underrated songs, with the albums they feature on. 1. One Vision (A Kind of Magic) In top position comes ‘One Vision’. It starts with a slow motion, sci-fi sound, building into a funky beat and a classic Brian May guitar solo. The lyrics are memorable and catchy, with a fun back story as to why they became so iconic. When the band recorded this, they played around with the lyrics, finding alternative versions of ‘one vision’ which would fit the number of syllables. Some examples include, ‘John Deacon’, ‘One sex position’, then drifting into ones that didn’t quite fit, like ‘one shrimp’ and ‘one clam’. They actually settled on ‘fried chicken’ and, if you listen closely, it’s the final line in the song. Despite the comedic aspect, this song has quite a serious and meaningful undertone. It was written following Queen’s performance at Live Aid in 1985 and depicts the joining together of millions of people, united with the ‘one vision’ of making a better world for everyone. For this reason, it makes the top of the list. 2. Death on Two Legs (Dedicated To…) (A Night at the Opera) As one of Queen’s heavier songs, it’s not for everyone. -
Killer Queen Bass Guitar Sheet Music
Killer Queen Bass Guitar Sheet Music Download killer queen bass guitar sheet music pdf now available in our library. We give you 2 pages partial preview of killer queen bass guitar sheet music that you can try for free. This music notes has been read 2168 times and last read at 2021-09-30 23:06:32. In order to continue read the entire sheet music of killer queen bass guitar you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Bass Guitar Ensemble: Musical Ensemble Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Killer Queen Queen John Deacon Complete And Accurate Bass Transcription Whit Tab Killer Queen Queen John Deacon Complete And Accurate Bass Transcription Whit Tab sheet music has been read 3444 times. Killer queen queen john deacon complete and accurate bass transcription whit tab arrangement is for Beginning level. The music notes has 3 preview and last read at 2021-09-30 09:05:40. [ Read More ] Queen Killer Queen Accurate Bass Transcription Whit Tab Queen Killer Queen Accurate Bass Transcription Whit Tab sheet music has been read 5677 times. Queen killer queen accurate bass transcription whit tab arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-10-01 00:19:13. [ Read More ] Killer Queen Bass Guitar Tab Killer Queen Bass Guitar Tab sheet music has been read 12453 times. Killer queen bass guitar tab arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-30 20:13:16. -
Tour Dates Announced for We Will Rock You Australian Tour
TOUR DATES ANNOUNCED FOR WE WILL ROCK YOU AUSTRALIAN TOUR Producers of the Australian tour of the worldwide smash hit musical WE WILL ROCK YOU today announced the dates and venues for the 2016 Australian national tour. WE WILL ROCK YOU will begin at Sydney’s Lyric Theatre on 30 April 2016, then travel to the Lyric Theatre, QPAC, Brisbane from 3 July; then on to Melbourne’s Regent Theatre from 30 August. Perth’s Crown Theatre follows from November, then the Festival Theatre, Adelaide from January, 2017. Tickets for the Sydney and Melbourne seasons go on sale on 9 October, and Brisbane tickets are on sale from 30 October. Waitlist now for the Perth and Adelaide seasons, which will go on sale next year. Since 2002 over 15 million theatregoers in 17 countries have been thrilled by this awe-inspiring production which is based on the songs of Queen with a book by Ben Elton (The Young Ones, Blackadder, Popcorn). Elton fashioned this hilarious futurist comedy around more than 24 of Queen’s biggest hit songs including We are the Champions, Radio Ga Ga, I Want To Break Free, Somebody To Love, Killer Queen, Don’t Stop Me Now, Under Pressure, Bohemian Rhapsody, Another One Bites The Dust and of course, We Will Rock You. WE WILL ROCK YOU reflects the scale and spectacle that marked Queen’s live performances and earned the band its pinnacle position in rock history. With Queen’s Brian May and Roger Taylor as music supervisors and “a band without parallel in the theatre” behind the cast, the audience can expect WE WILL ROCK YOU to rock as fiercely as the best of Queen’s concerts. -
Brian May Plays “God Save the Queen” from the Roof of Buckingham Palace to Commemorate Queen Elizabeth II’S Golden Jubilee on June 3, 2002
Exclusive interview Brian May plays “God Save the Queen” from the roof of Buckingham Palace to commemorate Queen Elizabeth II’s Golden Jubilee on June 3, 2002. © 2002 Arthur Edwards 26 Astronomy • September 2012 As a teenager, Brian Harold May was shy, uncer- tain, insecure. “I used to think, ‘My God, I don’t know what to do, I don’t know what to wear, I don’t know who I am,’ ” he says. For a kid who didn’t know who he was or what he wanted, he had quite a future in store. Deep, abiding interests and worldwide success A life in would come on several levels, from both science and music. Like all teenagers beset by angst, it was just a matter of sorting it all out. Skiffle, stars, and 3-D A postwar baby, Brian May was born July 19, 1947. In his boyhood home on Walsham Road in Feltham on the western side of Lon- science don, England, he was an only child, the offspring of Harold, an electronics engineer and senior draftsman at the Ministry of Avia- tion, and Ruth. (Harold had served as a radio operator during World War II.) The seeds for all of May’s enduring interests came early: At age 6, Brian learned a few chords on the ukulele from his father, who was a music enthusiast. A year later, he awoke one morning to find a “Spanish guitar hanging off the end of my bed.” and At age 7, he commenced piano lessons and began playing guitar with enthusiasm, and his father’s engineering genius came in handy to fix up and repair equipment, as the family had what some called a modest income. -
'Killer Queen' (From the Album Sheer Heart Attack)
Queen: ‘Killer Queen’ (from the album Sheer Heart Attack) (For component 3: Appraising) Background information and performance circumstances ‘Killer Queen’ was written by Freddie Mercury and featured on Queen’s third studio album Sheer Heart Attack released in November 1974. Freddie Mercury was born Farrokh Bulsara on 5 September 1946 in Stone Town, Sultanate of Zanzibar (now Tanzania) and grew up in India, where he was educated at St Peter’s Boys School and took up the piano at the age of 7. At the age of 17 his family moved to Middlesex, England. Queen was formed in London in 1970 with singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bassist John Deacon. Sheer Heart Attack and A Night at the Opera (1975) brought them international success. ‘Killer Queen’ was the first single from the album and it is one of the few songs where Freddie Mercury wrote the lyrics first, which are about an upper-class prostitute. ‘Killer Queen’ reached number 2 in the British charts and provided them with their first top 20 hit in the US, peaking at number 12 on the Billboard singles chart. The song won Freddie Mercury his first Ivor Novello Award. Performing forces and their handling The vocal part is performed by Freddie Mercury and is a high male voice – tenor. ‘Killer Queen’ uses lead and backing vocals, piano, overdubbed with a honky-tonk (jangle) piano, four electric guitars, bass guitar and drum kit. Guitars and vocals are overdubbed to create a richer colour. The guitars use techniques such as slides, bends, pull-offs and vibrato. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
The Queen Kings Ist Die Neue Supergruppe Unter Den
Repertoire _________________________________________________________ Das Queen Kings-Repertoire umfasst über 70 Titel von Queen und Neben- bzw. Soloprojekten der Queen-Musiker. Aus diesem Repertoire von über 4 Stunden wird eine für den Anlass geeignete Spielfolge zusammengestellt. 1. Another one bites the dust 40. Made in heaven 2. A kind of magic 41. March of the black Queen 3. Bicycle Race 42. Millionaire Waltz 4. Breakthru 43. Miracle 5. Barcelona 44. Mr. Bad Guy 6. Bohemian Rhapsody 45. Mustafa 7. Crazy little thing called love 46. Nevermore 8. Dead on time 47. No one but you 9. Death on two legs Live Killers Medley 48. Now I’m here vor Killer Queen 49. Ogre Battle 10. Don’t stop me now 50. One vision 11. Dragon attack 51. Play the game 12. Dreamer’s ball 52. Princes of the universe 13. Fat bottomed girls 53. (Put out the fire) 14. Father to son 54. Radio Ga-Ga 15. Flash / the hero / Flash 55. Sail away sweet sister 16. Friends will be friends 56. Save me 17. Get down, make love 57. Seven seas of rhye halb/komplett 18. Good old-fashioned loverboy 58. Sheer Heart attack 19. Guide me home 59. Somebody to love 20. Hammer to fall 60. Show must go on 21. Heaven for everyone 61. Spread your wings 22. How can I go on 62. Stone cold crazy 23. In my defence 63. Under pressure 24. In the lap of the gods 64. Teo Toriatte 25. Innuendo 65. ’39 26. Invisible Man 66. Tie your mother down 27. Is this the world we created 67. -
Group 3: Jennifer Day, Xander Jarnow, Duke Mcghee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen
Queen Group 3: Jennifer Day, Xander Jarnow, Duke McGhee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen: There are a lot of reasons that we, as a group, decided to do our project on Queen. Queen is an extremely well-known band across multiple generations, so it is an artist that we can talk to almost anyone anywhere about. Additionally, they were an influence to many artists after them. Finally, they released over 15 albums that showed a very impressive musical range and an awe-inspiring amount of talent. Queen: Overview Queen was one of the most popular and successful rock groups during the 1970s and 80s, with a very unique, experimental style and sound, Queen has remained one of the best selling artists of all time. The band began its formation in 1967, when the guitarist Brian May and the drummer Roger Taylor joined with Tim Staffell to form a rock group named Smile. When Tim Staffell left the group, May and Taylor joined forces with Freddie Mercury and a bass player named John Deacon, resulting in the core version of the band in 1970. Queen was famous for bright, glam, “pomp-rock” and put on energetic shows. Freddie Mercury in particular was known for his flamboyant style. Their sound was a very produced and incorporated elements of glam rock, heavy metal, hard rock, and harmony. After the tragic death of Freddie Mercury the band added new members and continued performing Even today their songs remain popular, for example, “We Are the Champions,” “Another One Bites the Dust,” “Bohemian Rhapsody,” and “We Will Rock You” are still played often. -
Queen Hammer to Fall Accurate Bass Transcription Whit Tab Sheet Music
Queen Hammer To Fall Accurate Bass Transcription Whit Tab Sheet Music Download queen hammer to fall accurate bass transcription whit tab sheet music pdf now available in our library. We give you 3 pages partial preview of queen hammer to fall accurate bass transcription whit tab sheet music that you can try for free. This music notes has been read 6414 times and last read at 2021-09-28 18:44:12. In order to continue read the entire sheet music of queen hammer to fall accurate bass transcription whit tab you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Bass Guitar Tablature, Easy Piano Ensemble: Musical Ensemble Level: Beginning [ READ SHEET MUSIC ] Other Sheet Music Hammer To Fall Queen John Deacon Complete And Accurate Bass Transcription Whit Tab Hammer To Fall Queen John Deacon Complete And Accurate Bass Transcription Whit Tab sheet music has been read 3466 times. Hammer to fall queen john deacon complete and accurate bass transcription whit tab arrangement is for Beginning level. The music notes has 3 preview and last read at 2021-09-29 07:21:43. [ Read More ] Queen John Deacon Rain Must Fall Complete And Accurate Bass Transcription Whit Tab Queen John Deacon Rain Must Fall Complete And Accurate Bass Transcription Whit Tab sheet music has been read 3389 times. Queen john deacon rain must fall complete and accurate bass transcription whit tab arrangement is for Beginning level. The music notes has 4 preview and last read at 2021-09-29 01:53:17. -
Rishi Malhotra
TCNJ JOURNAL OF STUDENT SCHOLARSHIP VOLUME XIV APRIL 2012 HETEROSEXUAL ANDROGYNY, QUEER HYPERMASCULINITY, AND HETERONORMATIVE INFLUENCE IN THE MUSIC OF FREDDIE MERCURY AND QUEEN Author: Rishi Malhotra Faculty Sponsor: Wayne Heisler, Department of Music ABSTRACT AND INTRODUCTION In a musical career that spanned two decades, Freddie Mercury served as lead vocalist and chief songwriter for the rock band, Queen. Initially regarded as a glam-metal outfit, they later experimented with more eclectic musical styles, notably the rock-opera fusion that characterized Mercury‟s widely successful composition, “Bohemian Rhapsody.” Mercury‟s use of imagery in live performances and music videos helped to shape responses to his lyrics and music. His change in appearance from androgynous, heterosexual rock star to “gay macho clone” led many to speculate that he was homosexual, although he never disclosed his orientation until shortly before his death. His protean appearance contrasted with his lyrical and musical consistency and provided alternative avenues for interpreting his music beyond the scope of heteronormativity. Many songs that were initially construed as reflecting his assumed heterosexuality were later interpreted as expressions of his homosexuality. Mercury has retained a legacy amongst admirers of differing sexual orientations, from members of the gay community during the early years of the AIDS epidemic to sports fans in stadiums around the world. Heteronormativity, according to Judith Butler, assumes heterosexuality as the norm, and deviation from heterosexuality as unnatural or abnormal. The apparent tendency to avoid decentralization of sexual identities and to default to heteronormative viewpoints is evident in the rock and pop music of Freddie Mercury and Queen.