PHILIP STOCKTON Resume
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Xalala Project and Mother Jones Article
September 11, 2006 GUATEMALA: MORE DAMN ìDEVELOPMENTî PROJECTS ñ The XALALA Project For many years, RA has supported efforts to get reparations for the massacres and forced evictions associated with the Chixoy hydro- electric dam project (1975-1985) funded by the World Bank and the Inter-American Development Bank. Even as the WB and IDB refuse to remedy the crimes and abuses associated with that ìdevelopmentî project, the Guatemalan government proceeds with more large-scale dam- hydroelectric ìdevelopmentî (read: ìbig businessî] projects on the very same Chixoy river. We reproduce a Mother Jones article concerning the planned ìXalala dam projectî that will destroy the environment and well-being of poor and indigenous returned-refugee communities, including that of COPAL AA where RA has been supporting community development and education projects for many years. WHAT TO DO: see below. Please re-distribute this information, citing author and source. If you want on-off this elist: [email protected]. === ìAn elder leaned into the circle and clicked away in Q'eqchi'. "During the war, indigenous communities were most affected by the conflict and now, with these dams, it's the indigenous areas that are going to be most affected again," he said. "They no longer come to kill us with bullets. It's no longer with war that they want to kill indigenous people. Now it's with grand economic plans that they want to finish us off." === GUATEMALA: ON THE BANKS OF THE CHIXOY: AS GUATEMALA PLANS A MASSIVE NEW DAM, A VILLAGE OF SURVIVORS RISKS LOSING EVERYTHING ñ AGAIN By Michal Lumsden, Mother Jones Magazine, November/December 2005 Issue, www.motherjones.com A CROOKED CANDLE CAST SPLOTCHES of light across the cement floor of Diego Perez Andresí two-room house. -
Pós-Graduação Em Letras-Inglês Social Critique in Scorsese's the Age of Innocence and Madden's Ethan Frome: Filmic Adaptat
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS-INGLÊS SOCIAL CRITIQUE IN SCORSESE'S THE AGE OF INNOCENCE AND MADDEN'S ETHAN FROME: FILMIC ADAPTATIONS OF TWO NOVELS BY EDITH WHARTON por HELEN MARIA LINDEN Dissertação submetida à Universidade Federal de Santa Catarina para obtenção do grau de MESTRE EM LETRAS FLORIANÓPOLIS Novembro, 1996 Esta Dissertação foi julgada adequada e aprovada em sua forma final pelo Programa de Pós-Graduação em Inglês para obtenção do grau de MESTRE EM LETRAS Opção Literatura Jos Roberto O'Shea OORDENÀDOR Anelise Reich Corseuil ORIENTADORA BANCA EXAMINADORA: Anelise Reich Corseuil Bernadete Pasold Florianópolis, 28 de novembro de 1996. Ill ACKNOWLEDGEMENTS I would like to thank the PROGRAMA DE PÓS-GRADUAÇÃO EM INGLÊS of the UNIVERSIDADE FEDERAL DE SANTA CATARINA, in special Dr. Anelise Reich Corseuil, my advisor, for the academic support and friendship. Besides the professors that have, in one way or another, enabled me to write this dissertation. Dr. Bernadete Pasold deserves special thanks for her interest in reading and discussing specific parts of my study. Dr. Sara Kozloff, from Vassar College, also devoted some time in reading part of my dissertation and providing interesting suggestions. I am grateful for her interest and contribuitions. I could not exclude Professor John Caughie, from Glasgow University, whose important insights for my research were given during his stay in Florianópolis. I would also like to thank CNPq for the financial support which enabled me to develop this research. I am very grateful to my friend and colleague Viviane Heberle whose invitation to enter the program was the starting point of my return to the academic life. -
November 2015
November 2015 8:00 PM ET/5:00 PM PT 4:45 PM ET/1:45 PM PT 3:30 PM ET/12:30 PM PT 7:00 PM CT/6:00 PM MT 3:45 PM CT/2:45 PM MT 2:30 PM CT/1:30 PM MT Tears of the Sun For Love of the Game Down Periscope 10:05 PM ET/7:05 PM PT 7:15 PM ET/4:15 PM PT 5:05 PM ET/2:05 PM PT SUNDAY, NOVEMBER 1 9:05 PM CT/8:05 PM MT 6:15 PM CT/5:15 PM MT 4:05 PM CT/3:05 PM MT 12:15 AM ET/9:15 PM PT Man On Fire Blue Crush Biloxi Blues 11:15 PM CT/10:15 PM MT 9:00 PM ET/6:00 PM PT 7:00 PM ET/4:00 PM PT Scream MONDAY, NOVEMBER 2 8:00 PM CT/7:00 PM MT 6:00 PM CT/5:00 PM MT 1:15 AM ET/11:15 PM PT 12:35 AM ET/9:35 PM PT Wimbledon Primary Colors 1:15 AM CT/12:15 AM MT 11:35 PM CT/10:35 PM MT 10:45 PM ET/7:45 PM PT 9:30 PM ET/6:30 PM PT The Sixth Sense Tears of the Sun 9:45 PM CT/8:45 PM MT 8:30 PM CT/7:30 PM MT 3:15 AM ET/1:15 AM PT 2:45 AM ET/11:45 PM PT Blue Crush The Birdcage 2:15 AM CT/1:15 AM MT 1:45 AM CT/12:45 AM MT 11:30 PM ET/8:30 PM PT Hollywood’s Best Directors - M. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
Manual De Cine De Género
Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina compilado por Hernán Moyano y Carina Rodríguez © 2015 - Sergio E. Salgueiro, para Fan Ediciones [[email protected]] 1ª edición: octubre 2015 - ISBN 978-987-33-8928-3 Impreso en el mes de octubre de 2015 en los talleres gráficos de Laiglón, Paso 769 - C.A.B.A. [4961-2223 / [email protected]] Queda hecho el depósito que establece la ley 11.723. Libro de edición argentina. No se per- mite la reproducción parcial o total, el almacenamiento, el alquiler, la transmisión o la trans- formación de este libro, en cualquier forma o por cualquier medio, sea electrónico o mecá- nico, mediante fotocopias, digitalización u otros métodos, sin el permiso previo y escrito del editor. Su infracción está penada por las leyes 11.723 y 25.446. Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina Alfonso Acosta ... [et al.] ; compilado por Carina Rodríguez; Hernán Moyano; ilustrado por Diego Garavano; Eduardo Santaella 1ª ed. - Buenos Aires: Fan Ediciones, 2015. 498 ps. - 14 x 20,5 cm. ISBN 978-987-33-8928-3 1. Cine. I. Acosta, Alfonso. II. Rodríguez, Carina, comp. III. Moyano, Hernán, comp. IV. Garavano, Diego, ilus. V. Santaella, Eduardo, ilus. CDD 778.5 Fecha de catalogación: 06/10/2015 Manual de cine de género Experiencias de la guerrilla audiovisual en América Latina Compilado por Hernán Moyano y Carina Rodríguez Edición de textos Carina Rodríguez Ilustración de portada Eduardo Santaella Ilustraciones de interior Diego Garavano con el apoyo de Agradecimientos Hernán: A mi familia, Raúl Moyano, Dora Perri, Sabrina Moyano por creer en mí y apoyarme siempre. -
RETROSPECTIVA SCORSESE 24 De Janeiro a 20 De Fevereiro De 2020 Programação 24/01 SEX 15H CURTAS | 57'| What's a Nice Girl L
RETROSPECTIVA SCORSESE 24 de janeiro a 20 de fevereiro de 2020 Programação 24/01 SEX 15h CURTAS | 57’| What's a Nice Girl Like You Doing in a Place Like This?, de Martin Scorsese (EUA, 1963) | | 9’ It's Not Just You, Murray!, de Martin Scorsese (EUA, 1964) | 15’ The Big Shave, de Martin Scorsese (EUA, 1968) | 6’ Michael Jackson: Bad, de Martin Scorsese (EUA, 1987) | 17’ The Key to Reserva, de Martin Scorsese (EUA, 2007) | 10’ 16h15 Quem Bate à Minha Porta?, de Martin Scorsese (I Call First, EUA, 1967) | 16 anos | 90’ 18h Sexy e Marginal, de Martin Scorsese (Boxcar Bertha, EUA, 1972) | 14 anos | 88’ 20h Caminhos Perigosos, de Martin Scorsese (Mean Streets, EUA, 1973) | 112’ 25/01 SÁB 15h Alice Não Mora Mais Aqui, de Martin Scorsese (Alice Doesn't Live Here Anymore, EUA, 1974) | 14 anos | 112’ 17h15 Taxi Driver, de Martin Scorsese (EUA, 1976) | 16 anos | 113’ 19h30 New York, New York, de Martin Scorsese (EUA, 1977) | 10 anos | 155’ 26/01 DOM 18h O Último Concerto de Rock, de Martin Scorsese (The Last Waltz, EUA, 1978) | Livre | 117’ 20h15 Touro Indomável, de Martin Scorsese (Raging Bull, EUA, 1980) | 16 anos| 129’ 27/01 SEG 15h A Cor do Dinheiro, de Martin Scorsese (The Color of Money, EUA, 1986) | 12 anos | 119’ 17h15 O Rei da Comédia, de Martin Scorsese (The King of Comedy, EUA, 1982) | 12 anos | 109’ 19h15 Depois de Horas, de Martin Scorsese (After Hours, EUA, 1985) | 16 anos | 97’ 21h Contos de Nova York, de Martin Scorsese; Francis Ford Coppola; Woody Allen (New York Stories, EUA, 1989) | 14 anos | 124’ 28/01 TER 15h A Última Tentação -
Friday, Jan. 1
Friday, Jan. 1 B = LIVE SPORTS MOVIES MOVIE PREMIERE EASTERN 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 11AM 11:30 CENTRAL 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 MOUNTAIN 2AM 2:30 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 PACIFIC 1AM 1:30 2AM 2:30 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 PREMIUM MOVIES Die Another Day (( (’02, Action) Pierce (:15) Mr. Mom ((6 (’83, Comedy) Michael (7:50) Tommy Boy (( (’95, WarGames ((( (’83, Suspense) Matthew (:25) Ghost SHO-E 318 Brosnan, Halle Berry ‘PG-13’ Keaton, Teri Garr ‘PG’ Comedy) Chris Farley ‘PG-13’ Broderick, Dabney Coleman ‘PG’ (’90) SHO-W 319 ¨Full Metal Jacket (’87) The Last of the Mohicans ((( (’92) ‘R’ Die Another Day (( (’02, Action) ‘PG-13’ (:15) Mr. Mom ((6 (’83, Comedy) ‘PG’ (10:50) Tommy Boy ¨Scary Stories to Tell (:05) Belushi (’20, Documentary) John Landis, (6:55) The Current War: Director’s (:40) Meet the Parents ((( (’00, Comedy) Meet the Fockers ((6 (’04, SHO2-E 320 in the Dark (’19) ‘PG-13’ Lorne Michaels ‘NR’ Cut (’19, Historical Drama) ‘PG-13’ Robert De Niro, Ben Stiller ‘PG-13’ Comedy) Robert De Niro ‘PG-13’ SHOBET 321 ¨She Hate Me (( (’04) ‘R’ Beneath a Sea of Lights (’20) Jim Sarbh ‘NR’ Against the Tide Surge (’20, Documentary) ‘NR’ (:15) The Express ((6 (’08, Biography) ‘PG’ SHOX-E 322 (:05) A Most Violent Year (’14) Oscar Isaac ‘R’ (:10) The Tuxedo (6 (’02, Comedy) ‘PG-13’ Top Gun ((( (’86, Action) Tom Cruise ‘PG’ Miami Vice (’06, Crime Drama) Colin Farrell ‘R’ SHOWTIME SHOS-E 323 -
A Discourse‐Centered Approach to Sound and Meaning in Spike Lee's Chi‐Raq
■ Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] A Discourse-Centered Approach to Sound and Meaning in Spike Lee's Chi-Raq Joel Sherzer’s landmark 1987 paper, “A Discourse-Centered Approach to Language and Culture,” focused linguistic and anthropological attention on playful and artistic uses of language, both as a way of better understanding discourse, and as a way of better understanding how societies distribute and negotiate power. This paper applies Sherzer’s focus to an analysis of Spike Lee’s deployment of poetic language in his 2015 film Chi-Raq. Few American filmmakers craft dialogue more artfully, or deploy dialogue more saliently than Lee, whose filmic technique and political rhetoric force viewers to focus on speech and its consequences. This paper looks at the distribution of versified and ordinary dialogue speech in Chi-Raq in order to argue that interpreting the indexical meanings of linguistic variation in Lee’s film generates a nuanced interpretation of the film’s complex but powerful rhetoric. [poetics, film dialogue, signifying, AAVE, visual language] oel Sherzer’s groundbreaking essay, “A Discourse-Centered Approach to Language and Culture,” intervenes in the long-standing intellectual debate about the language-culture relationship by suggesting that scholars examine domains, J “ ” such as poetry, magic, politics, religion, respect, insult, and bargaining, where language is deployed creatively and persuasively, because it is there that the language-culture relationship “comes into sharpest focus” (Sherzer 1987:306). Sherzer argued for a focus on moments of playful and artistic speech, in which “the potentials and resources provided by grammar, as well as cultural meanings and symbols, are exploited to the fullest” (Sherzer 1987:296). -
4Ème Trimestre 2020 Ccaattaalloogg
CATA L O G U E de A a Z uuee 4ème trimestre 2020 CCaattaalloogg 3, Avenue Stephen Pichon 75013 Paris Tél3, Avenue : 01 45Stephen 87 Pichon04 45 75013 | Paris Fax: 01 43 31 00 98 [email protected]él : 01 45 87 04 45 | Fax: 01 43 31 00 | 98 www.swankfilms.com [email protected] | www.swankfilms.com FRA96303 CATA L O G U E SWA N K de A a Z Titres Studio Année Titres Studio Année (500) jours ensemble The Walt Disney Company 2009 (S)ex List The Walt Disney Company 2011 # Pire soirée Sony 2017 007 Spectre MGM 2015 100, Les - Saison 1 Warner Bros. 2014 100, Les - Saison 2 Warner Bros. 2014 100, Les - Saison 3 Warner Bros. 2016 100, Les - Saison 4 Warner Bros. 2017 100, Les - Saison 5 Warner Bros. 2018 100, Les - Saison 6 Warner Bros. 2019 10 000 BC Warner Bros. 2008 1001 pattes The Walt Disney Company 1998 10 bonnes raisons de te larguer The Walt Disney Company 1999 10 Cloverfield Lane Paramount 2016 11'09''01: Onze minutes, neuf secondes, un cadre StudioCanal 2002 11 Commandements, Les Pathé Distribution 2003 11ème Heure, La Warner Bros. 2007 125 rue Montmartre Pathé Distribution 1959 127 heures Pathé Distribution 2010 12 chiens de Noël, Les First Factum LLC 2012 12 Rounds The Walt Disney Company 2009 13 Fantômes Sony 2001 13 fantômes de Scoobydou (Les) Warner Bros. 1985 13 hours Paramount 2016 15h17 pour Paris, Le (WB) Warner Bros. 2017 1900 Paramount 1976 1941 Sony 1979 1969 MGM 1988 1984 MGM 1984 20:30:40 Sony 2004 20 000 ans sous les verrous Warner Bros. -
4 Little Girls.Pdf
A Brief Introduction by John Lansingh Bennett Let’s Ground Ourselves for Just a Moment . Alabama’s Capital: Montgomery Largest City: Birmingham “Pittsburgh of the South” Setting the Stage 1948 Truman’s Executive Order ends segregation in the Armed Services. 1954 Brown v. Board of Education ends segregation in public schools. (Many schools remain segregated.) 1955 14-yr-old Emmett Till murdered for allegedly flirting with a white woman. Rosa Parks triggers Montgomery bus boycott. Setting the Stage 1957 Little Rock Nine blocked from integrating Central High School; Eisenhower sends federal troops to escort them. 1960 Greensboro Four refuse to leave a “whites only” Woolworth’s lunch counter without being served, sparking sit-ins elsewhere. 1961 Freedom Riders protest segregated bus terminals & attempt to use whites-only facilities. Setting the Stage 1963 In June, Gov. Wallace blocks U. of Alabama doorway to two black students. Standoff continues until Kennedy sends in the National Guard. In August, March on Washington for Jobs and Freedom. Rev. Martin Luther King gives “I Have a Dream” speech at the Lincoln Memorial. In September, bomb at 16th Street Baptist Church in Birmingham kills four and injures others. With members working in mining and industry in the 1950s, KKK chapters had ready access to dynamite and other bomb materials. In fact, Birmingham earned the nickname “Bombingham” for the 50 explosions in the city between 1947 and 1965. (One neighborhood was targeted so often it was nicknamed Dynamite Hill.) The bombing of the 16th Street Baptist Church was the third bombing in 11 days following a federal court order that mandated integration of Alabama schools. -
Oscarssowhite & the Problem of Women Musicians on Film
Cover: Pat O’Neill Untitled (shades) 1974 35 mm film mounted in glass, straight-grain Douglas fir wood frame 23 x 17 inches Table of Contents Anna Shechtman: Introduction Daphne Brooks: “Ain’t Got No, I Got Life”: #OscarsSoWhite & the Problem of Women Musicians on Film Jerome Christensen: Pure as Jesus and Cunning as Satan K. Austin Collins: Stakes Is High: On Spike Lee’s Chi-Raq J.D. Connor: Making Things Right: Star Wars Episode VII: The Force Awakens Derek Nystrom: Of Christians and Communists: Joel and Ethan Coen’s Hail, Caesar! — INTRODUCTION — Hollywood’s Self-Critique: Five Essays on Race and Class at the Movies Chris Rock’s monologue at this year’s Academy Awards — in which he called Hollywood “sorority racist” and the event itself the “White People’s Choice Awards” — was deceptively consistent with the industry’s own self-critique featured in many of this year’s top-grossing and critically acclaimed films. Hollywood, it seems, has learned to parry generic attacks on the industry’s sexism, racism, and classism with genre films that keep the system well oiled and, perhaps, the critics at bay. The five essays featured in this collection concern films that seek absolution for the industry’s consistently unsavory politics by addressing Hollywood’s politically incorrect history in their stories or backstories. Indeed, these are mostly historical films that depict racial protest and class warfare from the perspective of an industry that continually finds itself on the wrong side of American history when it comes to issues of race and class. Jerome Christensen writes about Trumbo, a biopic about Hollywood’s most successful blacklisted screenwriter, and a film whose producers nonetheless obfuscate its own shady production history.