Sacred Music Volume 124 Number 1
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Good Evening Everyone. Welcome to the First Member Call of the 2019-2021 NCCW Year
Good evening everyone. Welcome to the first member call of the 2019-2021 NCCW year. I am Pat Voorhes, NCCW President Elect. Tonight we are going to remember and reminisce about the 2019 NCCW Convention. We will begin tonight with part of the prayer Pope Francis wrote for us Christians to ask for inspiration to take up the commitment to creation set before us by the Gospel of Jesus: In the name of the Father and of the Son and of the Holy Spirit God of love…. I am joined tonight by first timers Wendy Plawski and Bridgett Adler from the Superior Diocese; first timer Karan Curtis from the Salt Lake City Diocese; NCCW Past President Bobbie Hunt; Susan Porter, Wasatch Deanery President, and Marianne Mulvihill 2nd Vice President for the SLC DCCW. I will read a brief summary of each day of the Atlanta 2019 convention and then my guests will give remarks of some special event that they found enjoyable. I also have remarks from other attendees who could not be with us tonight but wanted to share. The 99th Annual Convention of the National Council of Catholic Women was held at the Renaissance Atlanta Waverly Hotel & Convention Center. 600 women and priests gathered together to celebrate the theme, NCCW Caring for God’s Creation. Prior to the official Convention kick-off, an optional tour of the World of Coke was offered. Wednesday morning a Welcome Liturgy was held with the Chair of the Spiritual Advisors, Rev. Richard Dawson, as the principal celebrant and The Most Reverend Peter A. -
Abbey Article Aug15 2018.Indd
August 15, 2018 Voices Page 1 Regina Laudis in Bethlehem As Work Continues, Abbey Gives Thanks by Jean Dunn a number of safety issues, includ- BETHLEHEM — People think ing increased handicapped acces- of the Abbey of Regina Laudis sibility and a new HVAC system; as an oasis of calm, a place of added four new sleeping cells prayer and contemplation nes- and renovated others. tled in the hills of Bethlehem. New Horizons Phase II has In actuality, the past 10 been decidedly more dramatic, months at the Abbey have been involving not only continued ren- anything but peaceful. ovations, but the demolition and Phase II of the New Horizons rebuilding of major areas of the Project, a major renovation of the monastery. factory building that has served Among the areas demolished the monastic community since was the Abbey’s beloved chapel, an its founding more than 70 years intimate worship space used daily ago, began last fall, with all the by those within the monastic com- earth-moving, hammering and munity and countless others who ear-splitting activity inherent in sought it out over the years as a a job of that magnitude. place of prayer and spiritual peace. “We’re in the midst of framing According to Mother Telchilde, right now,” said Mother Alma the new chapel is coming along well, Egger, project manager. “It’s with the post-and-beam ceiling Verdi Construction Company continues work on Phase II of the New going very well. Verdi Construc- installed and the cupola in place. Horizons Project at the Abbey of Regina Laudis in Bethlehem, including tion has given us May 1, 2019, as “We wanted to preserve the the demolition and rebuilding of much of the original factory building a finish date.” warm, intimate feeling of the old that has served the monastery since its founding more than 70 years ago. -
Versus Populum Peragi Possit, Quod Expedit Ubicumque Possibile Sit
Fr. Z's Blog Once named: What Does The Prayer Really Say? – Commentary on Catholic issues & slavishly accurate liturgical translations – by Fr. John Zuhlsdorf o{]:¬) QUAERITUR: Justify ad orientem worship in light of GIRM 299 Posted on 22 April 2009 by Fr. John Zuhlsdorf From a reader: I’m a student at ___, studying Psychology and Theology. First off, IMy name’s __, and I’d like to thank you for your blog. I’ve learned a lot that I’ve been able to share with my friends about the Sacred Liturgy. The topic of ad orientam worship seems to come up a lot on your blog. Personally, I would prefer that Holy Mass be celebrated that way, but while studying the GIRM (I was in the seminary for a 3 semesters) I ran across paragraph 299: “The altar should be built apart from the wall, in such a way that it is possible to walk around it easily and that Mass can be celebrated at it facing the people, which is desirable wherever possible…”. You speak a lot about following the rubrics and the GIRM, saying mass the way Holy Mother Church commands us to. You’ve cited the GIRM to encourage things like chalice veils. How can you reconcile your endorsement of ad orientam worship in the Ordinary Form with your insistence on “Say the Black, Do the Red”? Not attacking you of course, Father, just wondering what your rationale is? I have written about GIRM 299 several times. Here is a good link to one entry: What Does GIRM 299 Really Say? The short answer is that you have been duped, probably on purpose. -
HARBINGER Open Minds Open Hearts
the HARBINGER open minds open hearts VOLUME LXXIII| APRIL 11, 2021 | No. 48B From the Pews, Mark Matlock THE GREATER GOOD Few will recall the name Dolores Hart. Born in 1938, she was a successful actress in the late 1950s and early 1960s. Her film debut was opposite Elvis Presley in “Loving You.” After that, Dolores made 10 films in five years including “King Creole” and “Where the Boys Are.” She also acted on Broadway, garnering a Tony Award nomination for “The Pleasure of His Company.” Dolores also fell in love, became engaged and planned her wedding. By all material accounts, she had it all: fame, fortune and love. So what happened to Dolores Hart? To help answer that question, read Acts 4:32-35. “Now the whole group of those who believed were of one heart and soul, and no one claimed private ownership of any possessions, but everything they owned was held in common. With great power the apostles gave their testimony to the resurrection of the Lord Jesus, and great grace was upon them all. There was not a needy person among them, for as many as owned lands or houses sold them and brought the proceeds of what was sold. They laid it at the apostles’ feet, and it was distributed to each as any had need.” Believing in Christ, the apostles knew “the greater good” was served in following God’s son on his journey of teaching and salvation. Imagine if someone came up and asked you to leave your family, sell your possessions and follow a young, scruffy-looking teacher? Mildly put, it would be a challenge to say yes. -
October 2017
St. Mary of the St. Vincent’s ¿ En Que Consiste Angels School Welcomes El Rito Del Ukiah Religious Sisters Exorcismo? Page 21 Page 23 Pagina 18 NORTH COAST CATHOLIC The Newspaper of the Diocese of Santa Rosa • www.srdiocese.org • OCTOBER 2017 Noticias en español, pgs. 18-19 Pope Francis Launches Campaign to Encounter and Since early May Catholics around the diocese have been celebrating the 100th anniversary of the Apparitions of Our Welcome Migrants Lady of the Most Holy Rosary in Fatima. The Rosary: The Peace Plan by Elise Harris from Heaven Catholics are renewing Mary’s Rosary devotion as the Church commemorates the 100th anniversary of the Fatima apparitions by Peter Jesserer Smith (National Catholic Register) “Say the Rosary every day to bring peace to the world promised as the way to end the “war to end all wars.” and the end of the war.” The great guns of World War I have fallen silent, but One hundred years ago at a field in Fatima, Por- these words of Our Lady of the Rosary have endured. tugal, the Blessed Virgin Mary spoke those words to In this centenary year of Our Lady’s apparitions at three shepherd children. One thousand miles away, Fatima, as nations continue to teeter toward war and in the bloodstained fields of France, Europe’s proud strife, Catholics have been making a stronger effort to empires counted hundreds of thousands of their spread the devotion of the Rosary as a powerful way “Find that immigrant, just one, find out who they are,” youth killed and wounded in another battle vainly (see The Rosary, page 4) she said. -
Life Together in One Heart Chronicle
Life Together in One Heart Chronicle Contemporary scholarship reminds us that Benedict did not "invent" Christian monasticism in the West, nor did he create his monastic vision out of whole cloth. He drew on the riches of monastic communities and tradition which preceded him, arranging the inherited wisdom in a fresh way, and giving it the stamp of his own personality and vision. Benedict clearly saw himself as part of a larger monastic tradition in the church, both eastern and western, and sought to pass it on freshly in new circumstances. Both at the beginning of his own Rule for Monks (in the Prologue), and again at the end (in Chapter 73), Benedict recalls the monastic teaching of Saint Basil the Great (330-379 C.E.). He frames his own "little rule for beginners" with references to the spirituality of this great monastic leader of the Eastern Church, and with the encouragement to learn from his writings. Basil's great passion was the common life: it is only there, he taught, in the ordinary daily life with others, that we have any chance of growing into persons and communities increasingly permeated with the values of the Gospel. Without others, how do we grow in humility and patience, in solidarity and respect? Without others with whom we share life, how will we learn to embrace practical service to the neighbor? As Basil asked so pointedly, "Whose feet will we wash?" How else will we become a living body, breathing together in rhythm with the Breath of the Holy Spirit? As Christians and as monks, we hope to embrace Basil's challenge -- one which Benedict clearly understood as central to our vocation. -
Chch Article July 16
What Christ Church Cathedral Means To Me, by Sister John Mary Adshead. I am a novice at the Benedictine Abbey of Regina Laudis in Connecticut. Later this year I will be professing my monastic vows, a key step in my monastic life. At my place in choir, there is a photo of Christ Church Cathedral: not as it was, but as it is now, with its gaping wound a symbol of a still suffering City. It was in this cathedral that God first spoke to my heart, and as we chant our prayers each day at the Abbey, I pray for the Cathedral’s restoration, and take this prayer with me as I move into vows. I was born in Christchurch in 1967. My parents, Samuel and Katherine Adshead, were Lecturers at the University of Canterbury for almost 30 years and devout Anglicans. The Cathedral was our parish, and we attended church there every Sunday, but its place in my life went far beyond this role. As a girl at Saint Margaret’s I sang in our Christmas carol concerts there (and sometimes read lessons from the “eagle” pulpit); we also sang there with Christ’s College. I took organ lessons with David Childs, and to play a Bach fugue within the resonance of a neo-Gothic cathedral was an awe-inspiring experience for a young girl. In addition, I would regularly meet my father after school outside the Cathedral, to take the bus home, and my girlfriend Shelley and I, as teenagers, would often arrange to meet at the top of the spire before going off shopping, just because it seemed the right place to start. -
An Argument for the Wider Adoption and Use of Traditional Academic Attire Within Roman Catholic Church Services
Transactions of the Burgon Society Volume 17 Article 7 10-21-2018 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services Seamus Addison Hargrave [email protected] Follow this and additional works at: https://newprairiepress.org/burgonsociety Part of the Catholic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Higher Education Commons, History of Christianity Commons, and the Religious Education Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Hargrave, Seamus Addison (2018) "An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services," Transactions of the Burgon Society: Vol. 17. https://doi.org/10.4148/2475-7799.1150 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 17 (2017), pages 101–122 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services By Seamus Addison Hargrave Introduction It has often been remarked that whilst attending Church of England or Church of Scotland services there is frequently a rich and widely used pageantry of academic regalia to be seen amongst the ministers, whilst among the Catholic counterparts there seems an almost near wilful ignorance of these meaningful articles. The response often returned when raising this issue with various members of the Catholic clergy is: ‘well, that would be a Protestant prac- tice.’ This apparent association of academic dress with the Protestant denominations seems to have led to the total abandonment of academic dress amongst the clergy and laity of the Catholic Church. -
A Cta Œ Cumenica
2020 N. 2 ACTA 2020 ŒCUMENICA INFORMATION SERVICE OF THE PONTIFICAL COUNCIL FOR PROMOTING CHRISTIAN UNITY e origin of the Pontical Council for Promoting Christian Unity is closely linked with the Second Vatican Council. On 5 June 1960, Saint Pope John XXIII established a ‘Secretariat for Promoting Christian Unity’ as one of the preparatory commissions for the Council. In 1966, Saint Pope Paul VI conrmed the Secretariat as a permanent dicastery CUMENICA of the Holy See. In 1974, a Commission for Religious Relations with the Jews was established within the Secretariat. In 1988, Saint Pope John Paul II changed the Secretariats status to Pontical Council. Œ e Pontical Council is entrusted with promoting an authentic ecumenical spirit in the Catholic Church based on the principles of Unitatis redintegratio and the guidelines of its Ecumenical Directory rst published in 1967, and later reissued in 1993. e Pontical Council also promotes Christian unity by strengthening relationships CTA with other Churches and Ecclesial Communities, particularly through A theological dialogue. e Pontical Council appoints Catholic observers to various ecumenical gatherings and in turn invites observers or ‘fraternal delegates’ of other Churches or Ecclesial Communities to major events of the Catholic Church. Front cover Detail of the icon of the two holy Apostles and brothers Peter and Andrew, symbolizing the Churches of the East and of the West and the “brotherhood rediscovered” (UUS 51) N. 2 among Christians on their way towards unity. (Original at the Pontical -
Paul Collins (Ed.), Renewal and Resistance Journal of the Society
Paul Collins (ed.), Renewal and Resistance PAUL COLLINS (ED.), RENEWAL AND RESISTANCE: CATHOLIC CHURCH MUSIC FROM THE 1850S TO VATICAN II (Bern: Peter Lang, 2010). ISBN 978-3-03911-381-1, vii+283pp, €52.50. In Renewal and Resistance: Catholic Church Music from the 1850s to Vatican II Paul Collins has assembled an impressive and informative collection of essays. Thomas Day, in the foreword, offers a summation of them in two ways. First, he suggests that they ‘could be read as a collection of facts’ that reveal a continuing cycle in the Church: ‘action followed by reaction’ (1). From this viewpoint, he contextualizes them, demonstrating how collectively they reveal an ongoing process in the Church in which ‘(1) a type of liturgical music becomes widely accepted; (2) there is a reaction to the perceived in- adequacies in this music, which is then altered or replaced by an improvement ... The improvement, after first encountering resistance, becomes widely accepted, and even- tually there is a reaction to its perceived inadequacies—and on the cycle goes’ (1). Second, he notes that they ‘pick up this recurring pattern at the point in history where Roman Catholicism reacted to the Enlightenment’ (3). He further contextualizes them, revealing how the pattern of action and reaction—or renewal and resistance—explored in this particular volume is strongly influenced by the Enlightenment, an attempt to look to the power of reason as a more beneficial guide for humanity than the authority of religion and perceived traditions (4). As the Enlightenment -
7 Questions for Harri Wessman Dante Anarca
nHIGHLIGHTS o r d i c 3/2016 n EWSLETTE r F r o M G E H r MA n S M U S i KFÖ r L A G & F E n n i c A G E H r MA n 7 questions for Harri Wessman dante Anarca NEWS Rautavaara in memoriam Colourstrings licensed in China Fennica Gehrman has signed an agreement with the lead- Einojuhani Rautavaara died in Helsinki on 27 July at the age ing Chinese publisher, the People’s Music Publishing of 87. One of the most highly regarded and inter nationally House, on the licensing of the teaching material for the best-known Finnish com posers, he wrote eight symp- Colourstrings violin method in China. The agreement honies, vocal and choral works, chamber and instrumen- covers a long and extensive partnership over publication of tal music as well as numerous concertos, orchestral works the material and also includes plans for teacher training in and operas, the last of which was Rasputin (2001–03). China. The Colourstrings method developed byGéza and Rautavaara’s international breakthrough came with his Csaba Szilvay has spread far and wide in the world and 7th symphony, Angel of Light (1994) , when keen crit- is regarded as a first-class teaching method for stringed ics likened him to Sibelius. His best-beloved orchestral instruments. work is the Cantus arcticus for birds and orchestra, for which he personally recorded the sounds of the birds. Apart from being an acclaimed composer, Rautavaara had a fine intellect, was a mystical storyteller and had a masterly command of words. -
X Helsinki Week
X Helsinki Bach Week th th Oct. 29 - Nov. 5 2010 www.cantoresminores.net/bach Fri Oct. 29th 2010 7 PM J. S. Bach: Messu h-molli Helsinki Cathedral Anna-Kristiina Kaappola, soprano, Hilke Andersen, alto, 35, 17/10 € Niall Chorell, tenor, Tuomas Pursio, bass, numbered rows Tapiola Camber Choir, Tapiola Sinfonietta. Conductor Hannu Norjanen. Sun Oct. 31st 2010 3 PM J. S. Bach and Helsinki City Hall Auditorium Performers and programme to be announced later Entrance free (tickets available at City Hall Virka Info beginning Oct. 24th) In cooperation with the City of Helsinki Sun Oct. 31st 2010 6 PM Urmas Sisask: Mass nr. 5 Helsinki Cathedral Urmas Sisask: Mass nr. 5 and music by J. S. Bach 25/10€ Taaniel Kirikal, countertenor/baritone The Boys Choirs of St. Michael (Tallinn) and Tarto (Estonia) Collegium Consonante. Conductor Lehari Kaustel. Mon Nov. 1st 2010 7 PM Organ Concert - Tapio Tiitu Helsinki Cathedral Organ Music with theme B-A-C-H 15/10 e Tapio Tiitu, organ Tue Nov. 2nd 2010 7 PM J. S. Bach and HEBO Old Church (Helsinki) Tuomas Pursio, bass, Anna-Maaria Oramo, cembalo 25/10€ Helsinki Baroque Orchestra In cooperation with the Helsinki Early Music Festival Thu Nov. 4th 2010 7 PM Organ Concert - Kalevi Kiviniemi Helsinki Cathedral Organ Music by J. S. Bach, Joh. Brahms and César Franck 15/10 e Kalevi Kiviniemi, organ Fri Nov. 5th 2010 7 PM Joh. Brahms: German Requiem Helsinki Cathedral Memorial concert of prof. Christian Hauschild (1939-2010) 35,17/10€ Helena Juntunen, soprano, Juha Kotilainen, baritone (numbered rows) Cantores Minores, Lohja City Orchestra.