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Masterclass: Piano/ Vocal Duo: Martin Katz, Piano Martin Katz

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Masterclass: Piano/ Vocal Duo: Martin Katz, Piano Martin Katz Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 3-21-2019 Masterclass: Piano/ Vocal Duo: Martin Katz, Piano Martin Katz Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Katz, Martin, "Masterclass: Piano/ Vocal Duo: Martin Katz, Piano" (2019). All Concert & Recital Programs. 5996. https://digitalcommons.ithaca.edu/music_programs/5996 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Piano/Vocal Duo Masterclasses Martin Katz, piano Ford Hall Thursday, March 21st, 2019 7:00 pm Hockett Family Recital Hall Friday, March 22nd, 2019 3:00 pm Piano/Vocal Duo Masterclass I from "La Regata Veneziana" (Carlo Pepoli) Gioachino Rossini I. Anzoleta avanti la regata (1792-1868) II. Anzoleta co passa la regata Melanie Lota, soprano & Connor Buckley, piano from "Ariettes oubliées" (Paul Verlaine) Claude Debussy I. Green (1862–1918) II. C’est l’extase langoureuse Monica Ramich, soprano & Sungmin Kim, piano from "Ariettes oubliées" (P. Verlaine) C. Debussy I. Il pleure dans mon coeur Do not go, my love (Sir Rabindranath Tagore) Richard Hageman (1881-1966) Julia Callaghan, soprano & Sungmin Kim, piano from “Hermit Songs” Samuel Barber I. St. Ita’s Vision (Attrib. to St. Ita, 8th c.) (1910-1981) II. Promiscuity (9th Century) Sure, on this Shining Night (James Agee) Hannah Cayem, soprano & Lynda Chryst, piano from “Cinco Canciones Negras” Xavier Montsalvatge I. Cancíon de cuna para dormir a un Negrito (1912-2002) (Valdés) Nachtstück D672 (Mayrhofer) Franz Schubert (1797-1828) Marqis Griffith, baritone & Joon Sang Ko, piano from “Early Snow” (Mary Oliver) Lori Laitman I. Last Night the Rain Spoke to Me (b. 1955) II. Blue Iris Megan Jones, soprano & Joon Sang Ko, piano ALTERNATE DUO from “Rise and Fall” (Gene Scheer) Jake Heggie I. Water Stone (b. 1961) from “Ariettes Oubliées” (P. Verlaine) C. Debussy I. Chevaux de Bois Virginia Douglas, soprano & Alexei Aceto, piano Piano/Vocal Duo Masterclass II Ständchen, op. 17, No. 2 (von Schack) Richard Strauss Nur Mut!, op. 17, No. 5 (von Schack) (1864-1949) Jamila Drecker-Waxman, soprano & Shelly Goldman, piano Laue Sommernacht (Otto Julius Bierbaum) Alma Mahler (1879-1964) Erin O’Rourke, soprano & Maria Rabbia, piano Ouvre ton coeur (Lacour Delâtre) Georges Bizet Chanson d’avril, op. 21, No. 1 (L. Bouilhet) (1838-1875) Isabel Vigliotti, soprano & Alexei Aceto, piano Fleur jetée (Silvestre) Gabriel Fauré Green (P. Verlaine) (1845-1924) Emily Dimitriou, mezzo-soprano & Shelly Goldman, piano from “Songs of Travel” (R.L. Stevenson) Ralph Vaughan Williams I. The Roadside Fire (1872-1958) Seamus Buxton, tenor & Lynda Chryst, piano from "Three Poems of Fiona MacLeod", Charles Tomlinson Griffes op. 11 (Fiona MacLeod) (1884-1920) I. The Lament of Ian the Proud II. Thy Dark Eyes to Mine Catherine Kondi, soprano & Lynda Chryst, piano ALTERNATE DUOS Frühlingsglauben D686 (Ludwig Uhland) F. Schubert Cassandra LaRose, soprano & Sungmin Kim, piano Der Tod und das Mädchen, D531 (Matthias Claudius) F. Schubert Stella Rivera, soprano & Joon Sang Ko, piano Martin Katz, piano “The gold standard of accompanying.” New York Times “Martin Katz must surely be considered the dean of collaborative pianists,” said the Los Angeles Times. As one of the world’s busiest collaborators, he has been in constant demand by the world’s most celebrated vocal soloists for four decades. In addition to Mr. Blumberg, he has appeared and recorded regularly with Marilyn Horne, Frederica von Stade, Samuel Ramey, Karita Mattila, Piotr Beczala, Jose Carreras, Cecilia Bartoli, Kiri Te Kanawa, Soile Isokoski, Kathleen Battle, and Lawrence Brownlee, just to name a few. Season after season, the world’s musical capitals figure prominently in his schedule. Mr. Katz is a native of Los Angeles, where he began piano studies at the age of five. He attended the University of Southern California and studied the field of accompanying with its pioneer teacher, Gwendolyn Koldofsky. While yet a student, he was given the unique opportunity of accompanying the master classes and lessons of such luminaries as Lotte Lehmann, Jascha Heifetz, Pierre Bernac, and Gregor Piatigorsky. In more recent years, conducting has also played a role in Mr. Katz’s career. He has partnered several of his soloists on the podium for orchestras of the B.B.C., Houston, Washington, D.C., Tokyo, New Haven and Miami He has conducted staged productions of more than twenty operas for both the Merola Program, the Pacific Music Festival and the University Opera Theatre in Ann Arbor. Finally, the professional profile of Martin Katz is completed with his commitment to teaching. For three decades, the University of Michigan has been his home, where he has been chair for the School of Music’s program in collaborative piano. He has been a pivotal figure in the training of countless young artists, both singers and pianists, who are working all over the world. In addition to his work there, he is a regular guest at innumerable music schools and institutes throughout North America, Canada and Europe. Mr. Katz is the author of a comprehensive guide to accompanying, “The Complete Collaborator,” published by Oxford University Press, which is widely regarded as the seminal textbook on this specialized subject..
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