8 Events for Your Art Calendar This Week, from Ming Smith's Air
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Leena Holmström Pro Gradu.Pdf (3.162Mt)
KUVAAJATYYPIT TULKINNAN TYÖKALUINA The World Atlas of Street Photography -teoksen sata projektia Sisältää taiteellisen osion Pro gradu -tutkielma Leena Holmström Taiteiden tiedekunta Audiovisuaalinen mediakulttuuri Lapin yliopisto 2018 Lapin yliopisto, taiteiden tiedekunta Työn nimi: Kuvaajatyypit tulkinnan työkaluina. The World Atlas of Street Photography -teoksen sata projektia. Sisältää taiteellisen osion. Tekijä: Leena Holmström Koulutusohjelma: Audiovisuaalinen mediakulttuuri Työn laji: Pro gradu -tutkielma Sivumäärä: 97 + 4 liitesivua Vuosi: 2018 Tiivistelmä Tutkin pro gradu -työssäni katuvalokuvauksen genreen sijoittuvien nykytaiteilijoiden ku- vausmenetelmiä. Aineistona on sata valokuvaprojektia, jotka on esitelty The World Atlas of Street Photography -teoksessa (Jackie Higgins, 2014.) Tutkimukseni pääkysymys on: Millaisia kuvaajatyyppejä aineistoon sisältyy, kun tarkastelen nykykuvaajien kuvausme- netelmiä klassisen katuvalokuvauksen viitekehyksessä? Katuvalokuvauksen periaatteet pohjautuvat erityisesti Henri Cartier-Bressonin 1950-luvulla valokuvauksesta julkaise- miin ohjeisiin, joissa keskeistä on suora havainnointi ja sattuman merkittävä osuus. Tyypittelin aineiston kahteen pääluokkaan, sivustakatsojiin ja ohjaajakuvaajiin. Tyypitte- lyn perusteena oli kuvaajan puuttuminen tai puuttumattomuus kuvaustilanteeseen. Sivus- takatsojat jaoin alaluokkiin: flanöörit, semiohjaajat ja tutkija-keräilijät. Ohjaajakuvaajat olivat vastaavasti: kohtauksen rakentajat, henkilökuvien ohjaajat, lavastajat, efektiiviset valaisijat ja yhdistelmäkuvaajat. -
A Imagem Da Música No Espaço Público Em Ponta Grossa (Pr) De 2010 a 2014: Implicações Geográficas Do Fotojornalismo Cultural
UNIVERSIDADE ESTADUAL DE PONTA GROSSA SETOR DE CIÊNCIAS EXATAS E NATURAIS PROGRAMA DE PÓS-GRADUAÇÃO EM GEOGRAFIA DOUTORADO EM GEOGRAFIA RAFAEL SCHOENHERR A IMAGEM DA MÚSICA NO ESPAÇO PÚBLICO EM PONTA GROSSA (PR) DE 2010 A 2014: IMPLICAÇÕES GEOGRÁFICAS DO FOTOJORNALISMO CULTURAL PONTA GROSSA 2017 RAFAEL SCHOENHERR A IMAGEM DA MÚSICA NO ESPAÇO PÚBLICO EM PONTA GROSSA (PR) DE 2010 A 2014: IMPLICAÇÕES GEOGRÁFICAS DO FOTOJORNALISMO CULTURAL Tese apresentada para obtenção do título de Doutor em Geografia na Universidade Estadual de Ponta Grossa, Programa de Pós-Graduação em Geografia, curso de Doutorado em Geografia Orientador: Prof. Dr. Leonel Brizolla Monastirsky PONTA GROSSA 2017 Dedicado aos músicos e fotógrafos de Ponta Grossa. Ao amigo Victor Emanoel Folquening (in memorian). AGRADECIMENTOS Ao Programa de Pós-Graduação em Geografia da Universidade Estadual de Ponta Grossa (UEPG), aos docentes e colegas discentes, pela acolhida e qualidade das reflexões. Aos programas de pós-graduação em Geografia e Sociologia da Universidade Federal do Paraná (UFPR), por permitir relevante formação complementar necessária a esta pesquisa. Ao Sindicado dos Docentes da UEPG (Sinduepg), por garantir dedicação exclusiva (Tide) aos professores temporários – e pelo aprendizado na luta! Aos três parceiros de vida universitária que foram fundamentais para se levar esta ideia ao Doutorado em Geografia: Sérgio Luiz Gadini (que incentivou, mais uma vez, a escrita de um projeto de pesquisa); Alnary Nunes Rocha Filho (in memorian); e Leonel Brizolla Monastirsky, defensor e conhecedor sensível do patrimônio cultural local (que inclui a universidade pública), fiel militante das trajetórias interdisciplinares e solidário a este modesto esforço de um pretendente a ‘jornalista-geógrafo da cultura’. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................ -
7.10 Nov 2019 Grand Palais
PRESS KIT COURTESY OF THE ARTIST, YANCEY RICHARDSON, NEW YORK, AND STEVENSON CAPE TOWN/JOHANNESBURG CAPE AND STEVENSON NEW YORK, RICHARDSON, YANCEY OF THE ARTIST, COURTESY © ZANELE MUHOLI. © ZANELE 7.10 NOV 2019 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Under the High Patronage of Mr Emmanuel MACRON President of the French Republic [email protected] - London: Katie Campbell +44 (0) 7392 871272 - Paris: Pierre-Édouard MOUTIN +33 (0)6 26 25 51 57 Marina DAVID +33 (0)6 86 72 24 21 Andréa AZÉMA +33 (0)7 76 80 75 03 Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex [email protected] / www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com Press information of images available to the press are regularly updated at press.parisphoto.com Press kit – Paris Photo 2019 – 31.10.2019 INTRODUCTION - FAIR DIRECTORS FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) - PUBLISHERS/ART BOOK DEALERS (BOOK SECTOR) - KEY FIGURES EXHIBITOR PROJECTS - PRINCIPAL SECTOR - SOLO & DUO SHOWS - GROUP SHOWS - PRISMES SECTOR - CURIOSA SECTOR - FILM SECTEUR - BOOK SECTOR : BOOK SIGNING PROGRAM PUBLIC PROGRAMMING – EXHIBITIONS / AWARDS FONDATION A STICHTING – BRUSSELS – PRIVATE COLLECTION EXHIBITION PARIS PHOTO – APERTURE FOUNDATION PHOTOBOOKS AWARDS CARTE BLANCHE STUDENTS 2019 – A PLATFORM FOR EMERGING PHOTOGRAPHY IN EUROPE ROBERT FRANK TRIBUTE JPMORGAN CHASE ART COLLECTION - COLLECTIVE IDENTITY -
Nyserenade Layout.Pdf
New York Serenade New York Serenade Ciro Frank Schiappa Photographs Michele Primi Texts In partnership with To Anita 8 Birthplaces Joel Meyerowitz 10 New York Serenade Michele Primi 14 Photographs 112 Notes on New York Serenade Nicoletta Leonardi 115 Thanks to 117 Biographies Birthplaces Joel Meyerowitz Every age has its creative bursts of energy. In the 20th century we had—just to name a few—the rise of cubism in Paris, German expressionism in Berlin, and the Jazz Age in Chicago, New York, New Orleans, and the south. The Blues ran through the south and made its way north. Abstract expressionism appeared in New York, followed by pop art, minimalism, rock, and on and on, with every generation discovering for itself the form that best defines it. Often these new waves of expression are born far from the so-called hip city centers. Then, as we have seen so many times, development, gentrification, and rising prices push the artists out of these small neighborhoods, rapidly obliterating landmark locations and any memory of where and how these now established genres came into being. If we are lucky, decades later some intrepid explorers come along. The young, passionate, and curious to see for themselves how so much creative force burst into life in these humble precincts. Ciro Frank Schiappa and Michele Primi, two young Italians, took it upon themselves to do the urban anthropology required to dig out the story of where rock was born in the New York City of the 1960s carrying around an old Deardorff, 8 x 10 inch, wooden view camera. -
Melbourne Street Photography 2015
Melbourne Street Photography 2015 Melbourne Street Photography Melbourne Street Photography 2015. 1 2 Contents Urbanity Image Review #10 7 Is it a bench or street photography? 8 Mamiya 7II Rangefinder Review 11 Juxtaposition – Cheap Shots! 15 Selfie Respect 16 Contrasting Time 17 How to lead a more interesting life through Street 19 Photography&... Working on Selfie Respect… Street Photography Self Portra... 23 Compact Cameras – Undiscovered Brilliance 36 Project : Pablo Picasso’s “The Bull” ... 38 SITHOM Exhibition – An Interview with Andrew Wilson 41 SITHOM Exhibition – An Interview with Eko Julianto 44 Compact Obsession Continues… 47 SITHOM Exhibition – An Interview with Lois Romer 48 SITHOM Exhibition – An Interview with M.Turker Emeklier 51 Film Never Die – Melbourne’s Polaroid Heart 57 Mr Xpan – Fotodudenz (Matthew Joseph) Interview 64 Hong Kong Analogue Camera Trail Preview Video 73 Hong Kong Analogue Camera Trail Introduction 74 Hong Kong Analogue Camera Trail – Dot Well Camera ... 76 Hong Kong Analogue Camera Trail – All Good Friend Camera ... 81 SITHOM Exhibition – An Interview with Zoë Mongey 85 Hong Kong Analogue Camera Trail – M&K Kamera &... 89 Hong Kong Analogue Camera Trail – David Chan – ... 93 3 Hong Kong Analogue Camera Trail – Sencery – Cha... 102 Trent Parke – The Black Rose Exhibition Visit –... 104 Hong Kong Analogue Camera Trail – Shogun Camera ̵... 109 Hong Kong Analogue Camera Trail – Matsuya Camera R... 114 Minox 35GT 117 Polaroid Resurrection – Exhibition Review 122 Hong Kong Analogue Camera Trail – Camera Film Photo 126 Hong Kong Analogue Camera Trail – Filme 133 Hong Kong Analogue Camera Trail – Lee Wai Commercial 137 Buil... Hong Kong Analogue Camera Trail – Breguet Camera 138 Hong Kong Analogue Camera Trail – C9.99 Antique Cameras 141 Hong Kong Analogue Camera Trail – M&K Kamera Lee .. -
Street Photography
STREET PHOTOGRAPHY 9782100711352_Gibson_07.inddLivre 1.indb 1 6 03/07/201420/06/2014 11:08:01 17:10 PHILIPPE CHAUDRÉ • VINCENT BURGEONDAVID GIBSON STREET PHOTOGRAPHY Le savoir-faire 100Ddu photographe de rue Traduit de l’anglais par FABIENNE GONDRAND David Gibson, Londres, 2003 / page précédente : 2004 Livre 1.indb 2 03/07/2014 11:08:02 9782100711352_Gibson_07.inddPTitre_9782100702367.indd 1 7 11/08/1320/06/2014 14:33 17:10 PHILIPPE CHAUDRÉ • VINCENT BURGEONDAVID GIBSON STREET PHOTOGRAPHY Le savoir-faire 100Ddu photographe de rue Traduit de l’anglais par FABIENNE GONDRAND 9782100711352_Gibson_07.inddLivrePTitre_9782100702367.indd 1.indb 3 1 7 03/07/201411/08/1320/06/2014 14:3311:08:02 17:10 À ma mère : Margaret Gibson (1923-2008) En couverture : David Gibson, Londres, 2011 L’édition originale de cet ouvrage est parue en 2014 au Royaume-Uni sous le titre The Street Photographer’s Manual © 2014 Quintet Publishing Limited. © Dunod, 2014 pour la traduction française 5 rue Laromiguière, 75005 Paris www.dunod.com ISBN 978-2-10-071135-2 Traduction : Fabienne Gondrand Relecture : Charlotte Monnier Couverture : WIP Mise en page : Arclémax Ouvrage imprimé en Chine Crédits photo Estate of André Kertész/Higher Pictures : André Kertész 43 Estate of Saul Leiter : Saul Leiter 125 Simone Giacomelli : Mario Giacomelli 107 Collectif In-Public : Narelle Autio 173 – Paul Russell 9 – Nick Turpin 12-13 – Matt Stuart 15, 67 – Richard Bram 28 – Andrew Morley-Hall 31 – Nils Jorgensen 40-41, 65, 91 – Jesse Marlow 136-137 – Gus Powell 48 – David Solomons 166-167