Safari 5 Aka Safari Annual 1

Total Page:16

File Type:pdf, Size:1020Kb

Safari 5 Aka Safari Annual 1 the first report for dfk from a creeping Jesus this is a SaFari publication, it has not been proofread One hundred twenty-five copies of this symposium were printed in the United States of America and published on April 15, 1960. This symposium is NOT for sale, there are NO copies available. The copies were distributed as follows, The Spectator Amateur Press Society, 40; the contributors, 71; The Library of Congress, 2; friends of the im­ mediate family, science fiction or otherwise, 12. Copyright ©, 1960, by Earl and Nancy Kemp, 2019 North Whipple Street, Chicago 47, Illinois, SPaulding 2-7387. All rights reserved. WHO KILLED Otim# Fustic? an affectionate autep&f, ......... LIKE AN INTRODUCTION I was reading the 48th mailing of The Spectator Amateur Press Society and discovered the following quote: “It is in some ways surprising that much of In Search of Wonder appeared originally in fanzines; there isn’t any criticism of this quality appearing in fanzines today. As a matter of fact, there isn’t any in the prozines either...” The statement was made by Bob Leman in the fourth issue of his SAPSzine, Nematode. I said to myself, “God, he’s right, ” and kept on reading. For about a paragraph... Then I went back and read the quote again. “Why are there no pieces of serious constructive criticism appearing within the field?” Naturally I couldn’t answer this it presupposes a knowledge I don’t possess, even if I do speak to myself with adjectives like “God”. Immediately a self-imposed edict came heralding to the rescue: IF YOU WANT SOMETHING DONE, DO IT YOURSELF. Move in fast, get the facts, hit hard, splash! Competence, Roman candles, splash! Blanket the field, Quality, splash! Catchy, skyrockets, splash! Splash: WHO KILLED SCIENCE FICTION? ***** For well over two years I had heard far too many people decrying the death of magazine science fiction, and like Bob Leman, mourning the lack of critical soul- searching from within the field. How shall I go about it? I determined first that I would restrict this critical Colossus to the magazine field only and decided on five specific points of enquiry, which were: 1) Do you feel that magazine science fiction is dead? 2) Do you feel that any single person, action, incident, etc. is responsible for the present situation? If not, what is responsible? - 7 - 3) What can we do to correct it? 4) Should we look to the original paperback as a point of salvation? 5) What additional remarks, pertinent to the study would you like to contribute? The next step was to prepare a letter setting forth these five points. The original intent was to abstract the replies to this questionnaire into tabular form, write a small article about the findings and publish them in SaFari, extending the circulation for the issue to cover all those who had responded to the enquiry. Who should I send the questionnaires to? It was essential that the replies come only from within the field, consequently a. rigid control was placed on the questionnaire mailing list, restricting it to (as I said in the questionnaire) “everyone within the sf field who has ever expressed an intelligent critical look at the field. Since most of us have derived some measure of enjoyment, recognition and income from the field over the past many years I feel it is up to us to make a definite step toward understanding (at least) and overcoming (if possible) the threats before us.” In order to assure a greater volume of response, realizing that the people from whom I wanted answers were accustomed to being paid for their verbage, I said that the report would be published, which it is. I said that the report would not be for sale, and it is not. I said that circulation of the report would be restricted to the contribu­ tors and to The Spectator Amateur Press Society, and that it would be published on April 15, 1960. That date is now! As the first few replies to the questionnaire arrived I knew that it would be an impossible task to abstract them and settle for a brief resume in article form. Among the first to arrive was that of Algis Budrys; a report of such nature and quality that the entire article demanded to be included. And more followed it, of such magnitude that only by printing the entire piece could justice be done to the author. Hence, shoot the budget to hell, print everything that comes in. And now you have it, the complete report on WHO KILLED SCIENCE FICTION! The title of the study itself bares little or no relationship to the actual five points under observation. It was merely to serve as splash — fuel to light the fire that would get the five questions answered. Apparently it worked, because there were some “who’s” named. It would have been impossible for me to answer the questions personally once I started reading the replies as they arrived because I found my opinions becoming very highly influenced by others. Reluctantly then, you will find my own answers excluded from this report (but just for the record I will answer only one, point one: I definitely believe that magazine science fiction is dead). There will be no attempt on the part of Nancy, myself or SaFari to conduct a follow-up on this report. Contributors to this symposium of a professional status within the field are encouraged to send any afterthoughts directly to The Institute of Twenty-First Century Studies. The Secretary for the Committee on Publications has authorized me to say that a continuation of this study fits directly into the pattern of research now under way at the Institute and he joins me in encouraging you to send any further material directly to the Institute. ***** And now if you please, the abstract report: - 8 - From an initial 108 questionnaires mailed there were 71 responses. Of this number one was unsolicited (Edmund R, Meskys; included here because he answered the five points) and one additional reply was not counted in the figure of 71 (that of Rodney Palmer, included in the report as an example of a complete outside-the-field view, but excluded from the count of 71 because he did not have a copy of the 5 points under study). Or, a total of 70 solicited answers from the original 108 for a 64.8% return, which anyone can tell you is something like a new world’s record. No attempt was made to tabulate the many references to Dianetics, psionics, quackery, saucerism, Shaverism and/or pseudo-science or references to “Litera- ture”, professionalism and/or “Maturity” (wherein the literature and maturity have respectively a capital L and a capital M, underscored). It is perhaps significant to note that from the authors contributing to this study four have indicated that they are no longer writing for the science fiction magazines and/or are no longer writing science fiction at all. Now, let’s take the specific five points under discussion and examine the results: 1) Do you feel that magazine science fiction is dead? NO: 55 replies, of which 38 qualified their £no’ by following it with “but. „and an alarming percentage of these 38 indicated that the death struggle was already in sight. YES: 11 replies, stating either ‘yes’ or definitely dying already (this figure includes my personal vote). 2) Do you feel that any single person, action, incident, etc. is responsible for the present situation? NO: 24 replies. YES: Several people were specifically named, but in numbers too small to make any tabulation significant, 2a) If not, what is responsible? As contributory causes the following were named in order of frequency: 19, dull, boring and inferior material being published; 18, changing market and/or times and outside interests; 13, television; 12, inexcusable distribution practices; 11 each, comics and paperbacks, Sputnik and/or The Race For Space; 10, incompatible word rates and a narrowing market; 9, “science fiction” movies; 6, rising costs, including magazine cover prices; 5, fans and/or readers and 4 each, “ability to read disappear­ ing, ” “Decay in English literature” and authors. In addition to this, 15 contributions indicated editors as being either responsible for the present poor situation or that they should endeavor to adopt a “hands off” policy in the case of re-writes for item #3. 3) What can we do to correct it? This is untabulatable. The most frequently appearing remedy is the last item mentioned above (at 2a) that editors should endeavor to adopt a “hands off” policy in the case of re-writes (15 responses). Also running, in order of frequency: 9, writers should work harder (each of these 9 -- a professional author), of these one added “for less”; 7, readers and/or fans should adopt a “quality” approach with what is currently appearing within the field (reading studiously, commenting intelligently and in general taking a more active interest) and 5 indicated that we should purchase all the maga­ zines published, regardless . 4) Should we look to the original paperback as a point of salvation? YES: 24 replies. NO: 16 replies. - 9 - 5) What additional remarks, pertinent to the study would you like to contribute? This, of course, is untabulatable, but instead forms the bulk of this symposium -- the entire publication that you are now holding before you. Read on then . Somewhere here are the thoughts of others that confirm your own suspicions -- or random thoughts that will lead you down unsuspected paths to, we hope improvement and most certainly profit.
Recommended publications
  • Sam Moskowitz a Bibliography and Guide
    Sam Moskowitz A Bibliography and Guide Compiled by Hal W. Hall Sam Moskowitz A Bibliography and Guide Compiled by Hal W. Hall With the assistance of Alistair Durie Profile by Jon D. Swartz, Ph. D. College Station, TX October 2017 ii Online Edition October 2017 A limited number of contributor's copies were printed and distributed in August 2017. This online edition is the final version, updated with some additional entries, for a total of 1489 items by or about Sam Moskowitz. Copyright © 2017 Halbert W. Hall iii Sam Moskowitz at MidAmericon in 1976. iv Acknowledgements The sketch of Sam Moskowitz on the cover is by Frank R. Paul, and is used with the permission of the Frank R. Paul Estate, William F. Engle, Administrator. The interior photograph of Sam Moskowitz is used with the permission of the photographer, Dave Truesdale. A special "Thank you" for the permission to reproduce the art and photograph in this bibliography. Thanks to Jon D. Swartz, Ph. D. for his profile of Sam Moskowitz. Few bibliographies are created without the help of many hands. In particular, finding or confirming many of the fanzine writings of Moskowitz depended on the gracious assistance of a number of people. The following individuals went above and beyond in providing information: Alistair Durie, for details and scans of over fifty of the most elusive items, and going above and beyond in help and encouragement. Sam McDonald, for a lengthy list of confirmed and possible Moskowitz items, and for copies of rare articles. Christopher M. O'Brien, for over 15 unknown items John Purcell, for connecting me with members of the Corflu set.
    [Show full text]
  • FANTASY REVIEW Accept That I Am Now Cured, Or Half- a Journal for Readers, Writers and Cured, Or on the Way to Tecovery
    FA NI TASY REVIE VV Vol. If. No. 10 SIXPENCE AUG.-SEP.'48 DEYELOPMENT The pla,n to tnvite famtasy fa,ns to assist in financing a new publishing company to taJre over .New Tgorlds, is now being referred to writers and otJrers who may partici- pato in tlre renture. The story of fantasy-fiction's development in this oGuntry is one of mag:azines that have failed eventually if not soon after their launching, or that have not materialised at all. Always such projects have been stalled by hesitant publishers, adverse conditions or, now, the frustrations of the paper shortage. Yet thqse who refuse to accept these repeated setbacks as any more ttran temporary have found a widespread interest among Britain's fantasy followers in the prcposal for continuing New Worl<ls through an organisation which they would set up and control them- selves. It is suggested that not only those who would produce and distribute the magazine, but the authors whose stories it would present, should share the financial brunt of re.launching it on a sound commercial basis. and that those readers interested enough should be invited to give further backing to the project. Whether any profit would accrue to all these sponsors, apart from the satisfaction of rescuing the magazine from its suspension, i,s a matter of some doubt. But the prime movers of the proposal feel confldent that on such a mutually co-operative basis the venture would have every chance of succeeding and, equally important, of maklng possible more ambitious enterprises which would ensure the continued development of British fantasy by those who are most con- cerned with its sensible presentation.
    [Show full text]
  • “I Am So Happy to to Read and Treasure. the Pictures
    Our chronoscope looks Number 18: back to the fabulous Autumn 2010 fifties..... RELAPSE “I am so happy to have this fine fanzine to read and treasure. The pictures alone are wonderful.” - David Hartwell, e-mail comment. 'Maybe all this awful science fiction will liven things up around here!' SF hits the libraries — see editorial. With the usual apologies to ‘Giles ’ SIDE: 'Tales from the White Horse’ by Frank Arnold; ‘Extracts from Bill Temple’s Diaries’ by Joe Patrizio; ? e:er Phillips - Lost Memories’ by Mike Ashley; ‘The Hardback Explosion' by Phil Harbottle; AND MORE. RIIXPSI -ocussing firmly on the fifties (and tty saying that after a few drinks) our chronoscope this time looks back : a brief period when science fiction in Britain seemed to have come of age. Once again I’ve unearthed tales and images c7* 2 time gone by, to which I hope you'll respond by writing to me, Peter Weston, at 53 Wyvern Road. Sutton Coldfield, B74 2?S or by e-mail to [email protected]. On request I’ll send the pdf of Relapse when published, with a printed edition ::7 the favoured few who contribute or express interest. It will also go onto the eFanzines website after four weeks (where pre. :ous issues can be found) and with your help we will continue to document the rich history of British SF fandom. “Another bleary-eyed late night courtesy of The Never-Ending Symposium. (Next morning, tr. daughter looked at me and actually inquired, were my eyes all right? r - David Redd. LoC I'd better explain the cover, something which came about through a visit I made earlier this year to that ■ e i-kr.own dealer in books and magazines Bob Wardzinski, who turned out to be living less than ten miles from my Boumem: _w ?olt-hole.
    [Show full text]
  • Universidade Federal Do Paraná
    UNIVERSIDADE FEDERAL DO PARANÁ WILLIAN PERPÉTUO BUSCH HISTÓRIA DA FICÇÃO CIENTÍFICA NOS ESTADOS UNIDOS: DO HERÓI CIENTISTA DE JOHN W. CAMPBELL AO HERÓI ANTROPÓLOGO DE URSULA KROEBER LE GUIN CURITIBA 2019 WILLIAN PERPÉTUO BUSCH HISTÓRIA DA FICÇÃO CIENTÍFICA NOS ESTADOS UNIDOS: DO HERÓI CIENTISTA DE JOHN W. CAMPBELL AO HERÓI ANTROPÓLOGO DE URSULA KROEBER LE GUIN Dissertação apresentada ao Curso de Pós- Graduação em História, Setor de Ciências Humanas, da Universidade Federal do Paraná, como requisito parcial à obtenção do título de Mestre em História. Orientador: Prof. Dr. Rafael Faraco Benthien. CURITIBA 2019 FICHA CATALOGRÁFICA ELABORADA PELO SISTEMA DE BIBLIOTECAS/UFPR - BIBLIOTECA DE CIÊNCIAS HUMANAS COM OS DADOS FORNECIDOS PELO AUTOR _______ Fernanda Emanoéla Nogueira - CRB 9/1607 _________________ Busch, Willian Perpétuo História da ficção científica nos Estados Unidos : do herói cientista de John W. Campbell ao herói antropólogo de Ursula Kroeber Le Guin. / Willian Perpétuo Busch. - Curitiba, 2019. Dissertação (Mestrado em História) - Setor de Ciências Humanas da Universidade Federal do Paraná. O rientador: Prof. Dr. Rafael Faraco Benthien 1. Literatura norte-americana - História e crítica. 2. Ficção científica americana. 3. Heróis na literatura. 4. Antropologia. I. Título. CDD - 813.09 MINISTÉRIO DA EDUCAÇÃO SETOR SETOR DE CIÊNCIAS HUMANAS UNIVERSIDADE FEDERAL DO PARANÁ UFPR watt. : r 1 PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO HISTÓRIA - 40001016009PO TERMO DE APROVAÇÃO Os membros da Banca Examinadora designada pelo Colegiado do Programa de Pós-Graduação em HISTÓRIA da Universidade Federai do Paraná foram convocados para realizar a arguição da Dissertação de Mestrado de WILLIAN PERPÉTUO BUSCH intitulada: HISTÓRIA DA FICÇÃO CIENTÍFICA NOS ESTADOS UNIDOS: DO HERÓI CIENTISTA DE JOHN W.
    [Show full text]
  • FANI TASY F Itevi F VV -, Vol
    FANI TASY F iTEVI F VV -, Vol. If. No. 9 SIXPENCE JUN.-JUL. '48 . NEW WORLDS' CRISIS Reoders to Share in New Publishing Project To save .New Wo,rlds' from the fate of .Fantasy'follocF ing the close.down of Pendulum publications. British science fiction readers will be invited to pa.rticipate in a. plan to establish a. publishing company of their owrr. , ,. The scheme. whose prime movers include the edirors of oo[n magazrnes, was broactred at the first get_together of fantasy writers and readers for four I'ears, lield in London at Whitsun. Editor John Carnelt revealed ihat N"ro was Worlds held up indeflnitely.!.et because the publishels had suspended operations. the last (October '47) issue had been oversold by 9,000 copies and the fourth, which was ready for press, tvould have met an even greater demand. The paper situation was such that no other puillisher would be likely to take over the magazine. But a felv who were concerned with its further advancement had agreed to join in launching a new company which, at the flrst opportunity, would use existing facilities for producing and distributing, and would also provide an opportunity for readers to give the enterprise further financial backing. These plans, and other ventures ilrat woutd develop if they were successful, were being prepared in detail and would be announced later. Mr. Carnell said that although every attempt at a regular British science flction publication had failed sooner or later, the reaction to Fa^ntasy and New Worlds had clearlv demonstrated the scope for such a magazine if it rvere doni by people who really kne',rr the fleld.
    [Show full text]
  • Foundation the International Review of Science Fiction Foundation 117 the International Review of Science Fiction
    Foundation The International Review of Science Fiction Foundation 117 The International Review of Science Fiction In this issue: Foundation Vol: 43 No.117 Spring 2014 Vol: Foundation Brian Baker and Christopher McKitterick on Frederik Pohl Dean Conrad on Richard Matheson and Jude Roberts on Iain M. Banks Susan Gray and Christos Callow Jr. on science fiction theatre Andrew Milner on how (not) to periodise sf as a genre Victoria Byard on An Adventure in Space and Time and Paul March-Russell at Tate Britain Timothy Jarvis and James Machin on The Weird In addition, there are reviews by: Bodhissatva Chattopadhyay, Jacob Edwards, Iain Emsley, Grace Halden, Richard Howard, Leimar Garcia-Siino, Paul Kincaid, Anna McFarlane, Chris Pak, Patrick Parrinder, Andy Sawyer and Alvaro Zinos-Amaro Of books by: Brian Attebery and Veronica Hollinger, Andrew Blum, Andrew M. Butler, Al Ewing, Neil Gaiman, Simon J. James, Nicholas Joll, Cynthia J. Miller and A. Bowdoin Van Riper, Cherie Priest, J.-H. Rosny aîné, Eric Frank Russell and Paul Williams Cover: Frederik Pohl (c. 1968) and Richard Matheson Credit: New England Science Fiction Association and New York Magazine Foundation is published three times a year by the Science Fiction Foundation (Registered Charity no. 1041052). It is typeset and printed by The Lavenham Press Ltd., 47 Water Street, Lavenham, Suffolk, CO10 9RD. Foundation is a peer-reviewed journal. Subscription rates for 2014 Individuals (three numbers) United Kingdom £20.00 Europe (inc. Eire) £22.00 Rest of the world £25.00 / $42.00 (U.S.A.) Student discount £14.00 / $23.00 (U.S.A.) Institutions (three numbers) Anywhere £42.00 / $75.00 (U.S.A.) Airmail surcharge £7.00 / $12.00 (U.S.A.) Single issues of Foundation can also be bought for £7.00 / $15.00 (U.S.A.).
    [Show full text]
  • The Fantastic Science Fiction of Maurice Renard
    DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 1994 The Fantastic Science Fiction of Maurice Renard Arthur B. Evans DePauw University Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the French and Francophone Literature Commons, and the Modern Literature Commons Recommended Citation Arthur B. Evans. "The Fantastic Science Fiction of Maurice Renard" Science Fiction Studies 21.3 (1994): 380-396. Available at: http://scholarship.depauw.edu/mlang_facpubs/10/ This Article is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. 380 SCIENCE-FICTION STUDIES, VOLUME 21 (1994) Arthur B. Evans The Fantastic Science Fiction of Maurice Renard Written during the latter half of that “Golden Age” of French speculative fiction which stretched from 1880 to 1940, the sf of Maurice Renard (1875- 1939) occupies a rather paradoxical niche in the history of sf. Not only has it received starkly unequal treatment by literary critics in the US and in France, but also its highly heterogeneous character tends to challenge our more modern theories of genre specificity when defining the sf canon. For example, most European and French-Canadian sf scholars generally hold the work of Maurice Renard in very high esteem: Versins calls him “the best French sf writer of the years 1900-1930” (734), another critic describes Renard's short stories as “among the most gripping in French literature” (Bridenne 211), and another notes that Renard was “the first French author of the genre to see himself cited in René Lalou and Henri Clouard's History of Literature” (Van Herp 110).
    [Show full text]
  • Science Fantasy News 11
    The ten-mile long ship flickered, out of the hyper -inter -dimensional spacial plane and began to sink, lightly as a feather on its ravening drive tubes,towards the planet bel-ow. Defence was useless against such a monster... the Terrans stood, numbed and hopeless, as the ship touched ground, burying its gigantic mass fifty yards deep into the reinforced concrete. ' . Colossal lock doors flew open, and a motley horde armed with sub-atomic dele- tron blasters vomited forth. Then came the monstrous.fighting robots, and a whisp­ er of despair went through the watchers, for each automaton bore an enigmatic bun­ dle. • Yes, folks, it's another delivery of ;- We are glad to see another four fantasy titles appearing in the Kemsley 'Cherry Tree1 novels, @ l/6d., and their improvement over the first quartetts. These PB's are well bound, well printed and laid out, have now reasonably adult cover drawings, and the choice of titles is commendable-. Best of the new titles is 'SINISTER BARRIER' by Eric Frank Russell, the famous novel from No.l Unknown! Reprinted in book form by 'Worlds Work1 in 1941,it was lengthened and revised for the 'Fantasy Press' edition, which was reprinted to start 'Galaxy Novels'.It is this last edition that has been reprinted again. 'SINISTER BARRIER’, the best novel.ever written on Fortean data and the theme "I think we're property" needs no recommendation from us; ' note also, the first reprinting of (Cartier's)illustrations in a pocketbook. 'THE LAST SPACESHIP' contains three of old faith­ ful Leinster's TWS novelettes..
    [Show full text]