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ME 1 Workbook
Math Explorations Part 1 Workbook 2013 Edition Hiroko Warshauer Terry McCabe Max Warshauer Published by Stipes Publishing L.L.C. 204 W. University Ave. Champaign, Illinois 61820 Copyright © 2013 TEXAS Mathworks Publisher: Stipes Authors: Hiroko Warshauer, Terry McCabe, and Max Warshauer Project Coordinator: Hiroko Warshauer Project Designer: Namakshi P. Kant Contributing Teachers: Alexandra Eusebi, Krystal Gaeta, Diana Garza, Denise Girardeau, Sandra Guerra, Melinda Kniseley, Melissa Lara, Terry Luis, Barbara Marques, Pat Padron, Rolinda Park, Eduardo Reyna, Patricia Serviere, Elizabeth Tate, Edna Tolento, Lorenz Villa, Amanda Voigt, Amy Warshauer, Elizabeth Weed. Editorial Assistance, Problem Contributions, and Technical Support: Sam Baethge, Ashley Beach, Molly Bending, Tina Briley, Cheyenne Crooks, Rachel Carroll, Edward Early, Michelle Frei, Vanessa Garcia, Kristen Gould, Marie Graham, Michael Kellerman, Rhonda Martinez, Cody Patterson, Karen Vazquez, Alexander White, Sally Williams, Luis Sosa. Sponsors: RGK Foundation, Kodosky Foundation, Meadows Foundation, and Intel Foundation Copyright © 2013 Texas State University – Mathworks. All rights reserved. ISBN: 978-1-938858-03-1. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Texas Mathworks. Printed in the United States of America. For information on obtaining permission for use of material in this work, please submit written request to Texas Mathworks, 601 University Drive, San Marcos, TX 78666. Fax your request to 512-245-1469, or email to [email protected]. MATH EXPLORATIONS PART 1 WORKBOOK table of contents CH. 1 EXPLORING INTEGERS 1 Section 1.1 Building Number Lines .............................................. 1 Section 1.2 Less Than and Greater Than ..................................... -
Activities Guide
Fall 2018 Activities Guide ¡Con información esencial traducida al español! (páginas 10-18) YOUTH & ADULT Programs | Activities Events thprd.org Celebrate with us! Whether it’s a birthday, graduation, meeting, retreat or other event, find the perfect THPRD space to rent for your next celebration. Picnic Shelters Meetings & Classrooms AM Kennedy Park Cedar Hills Recreation Center Barsotti Park Conestoga Recreation & Aquatic Camille Park Center Cedar Hills Park Elsie Stuhr Center Jackie Husen Park Garden Home Recreation Center Raleigh Park Howard M. Terpenning Schiffler Park Recreation Complex Tualatin Hills Nature Center Specialty & Swim Aloha Swim Center Beaverton Swim Center Cedar Hills Recreation Center Conestoga Recreation & Aquatic Center Garden Home Recreation Center Harman Swim Center Tualatin Hills Aquatic Center Tualatin Hills Nature Center Sunset Swim Center Learn more at thprd.org/facilities or call 503-645-6433 CCC report a call to action for all to embrace equity Greetings from your elected board of directors! In June, the Coalition of Communities of Color released a landmark report on racial inequity in Washington County. The report – based on a two-year Table of Contents study funded in part by THPRD – focused on the very real challenges experienced by eight communities of color that collectively comprise one-third of all people living in THPRD Facilities and Map ..................... 2-3 the county. Registration Information ....................... 4-5 The populations highlighted are, in Drop-in Programs and Daily order of size: Latino, Asian and Asian Admissions .......................................... 6 American, African American, Slavic/ THPRD Scholarship Program .................... 8 Russian, Native American, Middle Eastern/North African, Hawaiian Volunteering at THPRD ............................ 9 and Pacifi c Islander, and African. -
Gaslightpdffinal.Pdf
Credits. Book Layout and Design: Miah Jeffra Cover Artwork: Pseudodocumentation: Broken Glass by David DiMichele, Courtesy of Robert Koch Gallery, San Francisco ISBN: 978-0-692-33821-6 The Writers Retreat for Emerging LGBTQ Voices is made possible, in part, by a generous contribution by Amazon.com Gaslight Vol. 1 No. 1 2014 Gaslight is published once yearly in Los Angeles, California Gaslight is exclusively a publication of recipients of the Lambda Literary Foundation's Emerging Voices Fellowship. All correspondence may be addressed to 5482 Wilshire Boulevard #1595 Los Angeles, CA 90036 Details at www.lambdaliterary.org. Contents Director's Note . 9 Editor's Note . 11 Lisa Galloway / Epitaph ..................................13 / Hives ....................................16 Jane Blunschi / Snapdragon ................................18 Miah Jeffra / Coffee Spilled ................................31 Victor Vazquez / Keiki ....................................35 Christina Quintana / A Slip of Moon ........................36 Morgan M Page / Cruelty .................................51 Wayne Johns / Where Your Children Are ......................53 Wo Chan / Our Majesties at Michael's Craft Shop ..............66 / [and I, thirty thousand feet in the air, pop] ...........67 / Sonnet by Lamplight ............................68 Yana Calou / Mortars ....................................69 Hope Thompson/ Sharp in the Dark .........................74 Yuska Lutfi Tuanakotta / Mother and Son Go Shopping ..........82 Megan McHugh / I Don't Need to Talk -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
External Mindfulness, Secure (Non)-Attachment, and Healing Relational Trauma: Emerging Models of Wellness for Modern Buddhists and Buddhist Modernism
Journal of Global Buddhism Vol. 17 (2016): 1-21 Research Article External Mindfulness, Secure (Non)-Attachment, and Healing Relational Trauma: Emerging Models of Wellness for Modern Buddhists and Buddhist Modernism Ann Gleig, University of Central Florida Much scholarly attention has been devoted to examining the incorporation of Buddhist-derived meditations such as Mindfulness Based Stress Reduction (MBSR) into psychotherapeutic and medical settings. This paper approaches the cross-fertilization of Buddhist and therapeutic notions of wellness from the opposite direction by exploring Dharma Punx teacher Josh Korda’s interweaving of psychoanalytic developmental theory and affective neuroscience into his Buddhist teachings. Korda provides a useful case study of some of the main patterns emerging from psychotherapeutically informed American Buddhist convert lineages. One of these, I argue, is a “relational turn,” a more context-sensitive approach to individual meditation practice and an increasing interest in developing interpersonal and communal dimensions of Buddhist practice. In conclusion, I consider what Korda’s approach and this relational turn suggests in terms of the unfolding of Buddhist modernism in the West. Keywords: Buddhism; Buddhism in America; Buddhism and Psychoanalysis shaved-headed man covered in bright tattoos and dressed casually in a green t-shirt and black sweat pants sat comfortably, one leg over another, in a chair at the front of the room. As he smiled at the sixty or so retreatants before him, a Asimilar glimmer to the chunky silver jewelry on his fingers and wrists came off his front teeth. With the ease that his informal attire suggested, Josh Korda shared that he was feeling excited and nervous. -
A TREATISE on DRAMATIC CONTEMPORARY BLACK John S
iâ,o / + THE BLACK SPIRIT: A TRILOGY OF ORIGINAL PLAYS AND A TREATISE ON DRAMATIC THEORY IN CONTEMPORARY BLACK DRAMA John S. Scott A Dissertation Submitted to the graduate school of 3owling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY March 1972 K /lû 3")v.rm - ■-Ê'IÀo vyû. \Qû> -p, X © 1972 John Sherman Scott ALL RIGHTS RESERVED ii ABSTRACT Through recent Black Drama has drawn considerable critical attention, the dramatic theories of contemporary 31ack playwrights have been neglected and misunderstood. This study creatively and theoretically explored the import of Black aesthetics and the intent of Black playwrights’ dramatic language and structure. The problem was to isolate and define the assumptions, language, and actions operating in Black aesthetics and, further, to identify my dramatic intentions and those of other Black playwrights. This study attempted to define what contemporary Black drama is about, suggested what it ought to be about, and postulated a basis for critical evaluation. A theoretical discussion and description of the Black Spirit provided a background for the specific notions of aesthetics and dramatic intention, which could be related to, compared with, and drawn from. Beauty, Order, Language and Action were discussed in relationship to the theory of the Black Spirit. Following, a trilogy of original plays is presented. These plays reflect the creative efforts of one 31ack playwright operating with a conscious awareness of the theoretical Potions of the Black Spirit. The study concluded that the Black Spirit is a pri mordial aesthetic of mellifluous, polyrhythmic, spontaneous and infinite dimensions. -
Regional Oral History Office University of California the Bancroft Library Berkeley, California
Regional Oral History Office University of California The Bancroft Library Berkeley, California Ben H. Bagdikian JOURNALIST, MEDIA CRITIC, PROFESSOR AND DEAN EMERITUS UC BERKELEY’S GRADUATE SCHOOL OF JOURNALISM Interviews conducted by Lisa Rubens in 2010 Copyright © 2011 by The Regents of the University of California ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Ben Bagdikian dated June 4, 2010. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Silicon Valley
SILICON VALLEY BY Mike Judge, John Altschuler & Dave Krinsky FADE IN: CREDIT SEQUENCE: WE SEE SHOT AFTER SHOT of what passes for exciting in the Valley - Billboards about things we don’t understand, packs of geeks, Logo T-shirts. Road signs that read CUPERTINO, MENLO PARK, PALO ALTO. The shit brown colored hills of Mountainview and past the entrances to Facebook, Google, CISCO, etc. We also see quick scenes of people pitching at accelerators, and the video of Steve Balmer ranting onstage. Larry Ellison. Elon Musk with a Rocket. Steve Wozniak trying to groove on his Segway. All mixed together in a high energy montage. EXT. EAST PALO ALTO - HACKER HOUSE WE PAN THROUGH a nondescript neighborhood and end on a not- well-maintained house with a scrubby yard. This could easily be the homestead of upwardly mobile white trash or downwardly mobile professionals. INT. HACKER HOUSE - DAY We pan through the denizens of Hacker House: An East Indian guy, DINESH, who always wears a rugby shirt and is now punching away furiously on his laptop; CALVIN, a black guy with braces and glasses who looks like a younger version of Eddie Murphy in Bowfinger; a fat white guy with a pony tail and a black shirt and black sweat pants, ROLAND, who seems to be drawing a Celtic tattoo on his arm with an ink pen; oddest of all is a skinny Asian fellow, JIN YANG, who is working away at a stand up work station. No matter what they are doing they also are plugged into something else and are eating instant Ramen. -
Fall of the House of Busch It Took Four Generations to Build Anheuser-Busch, One of the Most Celebrated Companies in America
65 Fall of the House of Busch It took four generations to build Anheuser-Busch, one of the most celebrated companies in America. And only one for it to come apart By Susan Berfield Illustration by David Parkins On Dec. 18, 2010, August Busch IV and his girlfriend, Adrienne Martin, a former Hooters waitress, aspiring art therapist, and divorced The death of Adrienne Martin is the mother of an 8-year-old boy, began what was, latest twist in a saga that has trans"xed for them, a typical night in. They enjoyed St. Louis. The Busches and their beer company had survived Prohibition, labor a steak dinner at Busch’s home. They drank strikes, and price wars, growing to oper- ate 12 breweries around the country, pro- for hours, and finally went to sleep around 3 in ducing 128 million barrels of beer in 2007 and taking in nearly $17 billion in revenue. the morning, according to the first of three The red, white, and blue Budweiser can versions Busch provided to authorities. is practically synonymous with America itself. But at a crucial time, the company He woke sometime after noon and went to the failed to adapt to a changing market, leav- ing it weakened and vulnerable to a for- kitchen to make two protein shakes. When he eign takeover. And it was August Busch IV, the last member of the family to lead the returned to the bedroom with Martin’s drink, brewery, who was there when it all came he tried to wake her. She was unconscious. -
Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACKIE MCLEAN NEA Jazz Master (2001) Interviewee: Jackie McLean (May 17, 1931 – March 31, 2006) Interviewer: William Brower with recording engineer Sven Abow Date: July 20-21, 2001 Repository: Archives Center, National Museum of American History. Smithsonian Institution Description: Transcript, 131 pp. Brower: My name is William Brower. I’m sitting with Jackie McLean at the Artists Collective in Hartford, Connecticut, on Friday, July the 20th, 2001. We’re conducting an oral history interview for the Smithsonian Jazz Oral History Project. The first thing I’d like to do is thank Mr. McLean for agreeing to participate in this oral history. McLean: Oh, it’s my pleasure. It’s very important. Brower: I want to start with what we were talking about before we actually started the formal interview and ask you to tell us about your recent trip to Europe, where you played, with whom you were playing, and then talk about how you’re handling your performance – the performance dimension of your life – right now. McLean: This most recent trip that I made – I made two trips to play with Mal Waldron. The first one was in Verona, Italy, a couple of weeks ago. That was a duo where Mal and I played for about 70 minutes solo, between he and I, duo. Then I went just last week over to the North Sea Festival in the Hague to play with Mal again, this time with his trio, with Andrew Cyrille, Reggie Workman, Mal, and I was special guest. -
Milt Jackson from Wikipedia, the Free Encyclopedia
Milt Jackson From Wikipedia, the free encyclopedia Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually Milt Jackson thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and postbop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the Milt Jackson, Village Jazz Lounge with the Bubba twelvebar blues at slow tempos. He preferred to set the Kolb Trio, late 1970s. vibraphone's oscillator to a low 3.3 revolutions per Background information second (as opposed to Lionel Hampton's speed of 10 Birth name Milton Jackson revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally. Born January 1, 1923 Detroit, Michigan Died October 9, 1999 (aged 76) Contents Manhattan, New York Genres Hard bop, AfroCuban jazz, modal 1 Biography jazz, mainstream jazz, postbop 2 Discography 2.1 With the Modern Jazz Quartet Occupation(s) Musician, soloist, composer, 2.2 As sideman bandleader 3 References Instruments Vibraphone, piano 4 External links Labels Impulse!, Atlantic, Prestige, Apple Associated acts John Coltrane, Ray Charles, Miles Biography Davis, Dizzy Gillespie, The Modern Jazz Quartet, Thelonious Jackson was born on January 1, 1923 in Detroit, Monk, Wes Montgomery Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style.