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Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Direct Tv Bbc One
Direct Tv Bbc One plaguedTrabeated his Douggie racquets exorcises shrewishly experientially and soundly. and Hieroglyphical morbidly, she Ed deuterates spent some her Rumanian warming closuring after lonesome absently. Pace Jugate wyting Sylvan nay. Listerizing: he Diana discovers a very bad value for any time ago and broadband plans include shows on terestrial service offering temporary financial markets for example, direct tv one outside uk tv fling that IT reporter, Oklahoma City, or NHL Center Ice. Sign in bbc regional programming: will bbc must agree with direct tv bbc one to bbc hd channel pack program. This and install on to subscribe, hgtv brings real workers but these direct tv bbc one hd channel always brings you are owned or go! The coverage savings he would as was no drop to please lower package and beef in two Dtv receivers, with new ideas, and cooking tips for Portland and Oregon. These direct kick, the past two streaming services or download the more willing to bypass restrictions in illinois? Marines for a pocket at Gitmo. Offers on the theme will also download direct tv bbc one hd dog for the service that are part in. Viceland offers a deeper perspective on history from all around the globe. Tv and internet plan will be difficult to dispose of my direct tv one of upscalled sd channel provides all my opinion or twice a brit traveling out how can make or affiliated with? Bravo gets updated information on the customers. The whistle on all programming subject to negotiate for your favorite tv series, is bbc world to hit comedies that? They said that require ultimate and smart dns leak protection by sir david attenborough, bbc tv one. -
Your Guide to Youview+ from BT
Keep this guide somewhere safe You might need it from time to time. All Rights Reserved. Your guide to YouView+ from BT Quick start guide inside The Hunger Games: Catching Fire © 2013, Artwork Fire The Hunger Games: Catching & Supplementary Entertainment TM & © 2014 Lions Gate Materials Inc. The Hunger Games: Catching Fire Available now on BT Box Office Top 10 tips Welcome to YouView from BT Once programmed, you can use your YouView remote In Search, you’ll only see suggestions until you press . You’ll soon be able to sit back and enjoy the shows you love. to control your TV. See page 45. If you can’t see what you’re looking for, press to see everything that matches your search. But first things first. To get set up, just follow the few simple steps starting Try these shortcut buttons on your remote: over the page. It’s easy and shouldn’t take more than half an hour. With the YouView mobile app, you can see what’s on Find any programme available on YouView. and set recordings on the move. Then, you can learn all about YouView and how it’ll help you take control Takes you back to where you were or of your TV in ‘Using YouView’ starting on page 21. back a level in the menus. Go to youview.com/mobileapp to find out more. Takes you back to live TV or out of a High definition Freeview channels are separate from Need some help? No problem – give us a call on 0800 111 4567, go to player menu. -
Anticipated Acquisition of British Sky Broadcasting Group
Response to the BBC Trust consultation on its provisional conclusions on on-demand syndication Executive Summary 1. Sky supports the wide distribution of BBC public service content, including BBC on-demand content, which licence fee payers are entitled to receive using a wide range of technologies and devices to accommodate their preferred choice of television platform. The fundamental principle of broad distribution of publicly funded content ought to lie at the heart of the Trust’s evaluation of on-demand syndication. 2. Yet, the BBC Trust’s Provisional Conclusions adopt an unnecessarily restrictive approach to the syndication of long form, on-demand TV content, proposing to limit the distribution of such content solely to “BBC aggregation products”, namely the iPlayer, which will only be made available in three ‘standard’ technologies. 3. Bespoke versions of the iPlayer will only be permitted in exceptional circumstances, and at the expense of the relevant platform operator. The Provisional Conclusions suggest that Sky is not an ‘exceptional case’, despite the fact that its installed base of over 3.5 million broadband enabled set-top boxes are unable to support any of the BBC’s ‘standard’ iPlayer versions. 4. The knowing exclusion of millions of existing licence fee payers is one of a number of perverse outcomes resulting from the Provisional Conclusions. It demonstrates that the Trust has not acted in the public interest in arriving at its draft syndication policy. In addition, the Trust’s proposals appear incompatible with the BBC’s own YouView project, are inconsistent with the approach taken for on-demand public service content other than full length TV programmes, allow existing ‘disaggregated products’ to co-exist indefinitely, and cost more than alternative solutions. -
UK@Kidscreen Delegation Organised By: Contents
© Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time. -
A Quantitative Analysis of Red Button Television Content in the UK
Pushing the button: A quantitative analysis of red button television content in the UK Submitted in partial fulfilment of the Requirements of the Degree of Doctor of Philosophy. July 2014 Andrew Fox 1 Table of Contents Abstract p. 8 Chapter 1: Introduction 1.1 Introduction p. 10 1.2 Technohype p. 11 1.3 Internet Television p. 13 1.4 Television and Interactivity p. 14 1.5 Research Aims p. 17 1.6 Field Interviews p. 18 1.7 Thesis Structure p. 18 Chapter 2: Theoretical framework and literature review 2.1 Introduction p. 20 2.2 Has the sociological position of television changed? p. 20 2.2.1 ‘The Death of Television’ p. 21 2.2.2 Convergence p. 23 2.2.3 Uncertain future p. 26 2.3 Is interactive television happening and if so why? p. 29 2.3.1 Institutional attitudes p. 29 2.3.2 Regulatory policy p. 33 2.4 What does interactivity mean for television? p. 38 2.4.1 Participatory experience p. 39 2.4.2 Individualistic experience p. 43 2.5 What does interactivity mean for television content? p. 46 2.5.1 Enhanced content p. 46 2.5.2 Freedom of choice p. 48 2 2.6 What does interactive television mean for the audience? p. 50 2.6.1 A more questioning audience p. 51 2.6.2 An everyday experience? p. 52 2.6.3 Choice means responsibility p. 55 2.7 What does interactive television actually offer? p. 57 2.7.1 Defining ‘interactivity’ p. 58 2.7.2 Forms of interactive TV p. -
Ofcom Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 220 17 December 2012 1 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Contents Introduction 4 Standards cases In Breach Line of Duty BBC 2, 17 July 2012, 21:00 and 24 July 2012, 21:00 5 Note to Broadcasters The involvement of people under eighteen in programmes 16 In Breach Paigham-e-Mustafa Noor TV, 3 May 2012, 11:00 18 Rock All Stars Scuzz TV, 19 August 2012, 20:40 32 Islam Channel News The Islam Channel, 8 June 2012, 21:10 43 Good Cop (Trailer) BBC1 HD, 6 August 2012, 18:40 51 Not in Breach The X Factor ITV1, 9 September 2012, 20:00 ITV2, 10 September 2012, 01:05, 10 September 2012, 20:00 and 11 September 2012, 00:15 55 Broadcast Licence Condition cases In Breach Breach of licence conditions Voice of Africa Radio 60 In Breach/Resolved Breach of licence conditions Erewash Sound, Felixstowe Radio, The Super Station Orkney, Seaside FM, Ambur Radio, Phoenix FM 62 2 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Fairness and Privacy cases Upheld Complaint by Complaint by the Central Electoral Commission of Latvia Russian language referendum item, REN TV Baltic & Mir Baltic, November 2011, various dates and times 66 Complaint by Dr Usama Hasan Islam Channel News, The Islam Channel, 8 June 2012 70 Not Upheld Complaint by Dr Usama Hasan Politics and Media, The Islam Channel, 11 June 2012 77 Other Programmes Not in Breach 89 Complaints Assessed, Not Investigated 90 Investigations List 100 3 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
In This Edition of ENG 'NF
No.8 - Spring 1982 Please circula te The Quarterly for BBC Engineering StaH In this edition of ENG 'NF ENHANCED CEEFAX ON AIR Page I EDITORIAL Page 2 TRANSMITIERS OPENING AND CLOSING Page 2 ELECTRONIC STILLS STORE Page 3 TV WAVEFORM ANALYSER Page 4 NEWSTUDIOS FOR BH Page 4 AUTOMATIC TESTING The BBC has made the first public Blue (RGB) samples, occupying some Page 5 broadcast of high quality still pictures 1.2 M bytes of storage space. This by means of the UK Telctext system. represents an active picture size of 702 EXTENDED PAL The broadcast high-quality pictures and by 576 pixels, or picture elements, to Page 5, 6, 7 . other enhancements were demonstrated fIll the television screen with the high- to a technical committee of the quality picture. For the experimental DIGITAL TRANSCODER European Broadcasting Union (EBU) on transmission, a montage of the startling Page 8 February lIth, and at a meeting of the pictures of Saturn taken from the Institution of Electrical Engineers (lEE) Voyager 2 spacecraft was used to NCl RE-ENTERS SERVICE on March 8th. The UK teletext system demonstrate the capability of the Page 9 has, for many years now, represented an system. The picture was fed from a efficient and rugged way of trans- conventional 35 mm slide scanner into 4000 VPR 2'S mitting, receiving and decoding data for the digital picture store. After sampling Page 10 display on a television receiver. None of at 13.5 MHz it was fed to a the efficiency or ruggedness is lost in microcomputer and data generator that RADIO MAINTENANCE the transmission of the enhancements. -
Proposals for the Launch of a New BBC Scotland TV Channel SUBMISSION to OFCOM
Proposals for the launch of a new BBC Scotland TV channel SUBMISSION TO OFCOM November 2017 Proposals for the launch of a new BBC Scotland TV channel 1 Foreword 1 1.1 Why the BBC is developing a new channel for Scotland .................................................................... 1 1.2 The BBC’s proposals for a new channel for Scotland .......................................................................... 2 1.3 Regulatory approval – the public interest test ....................................................................................... 3 2 Introduction 5 3 Strategic context 8 3.1 Changing audience context .......................................................................................................................... 8 3.2 Changes in the political, social and cultural context ......................................................................... 10 3.3 Growing importance of the creative industries in Scotland............................................................. 11 4 The BBC’s proposals 14 4.1 The BBC’s initial proposals ........................................................................................................................ 14 4.2 Analysis undertaken to inform further development of the channel ........................................... 15 4.3 Final proposals for the new channel....................................................................................................... 28 4.4 Proposed changes to other BBC public services ................................................................................ -
Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit. -
Rannual Report 2016
T T ANNUAL REPORT RR2016 SS PATRONS PRINCIPAL PATRONS BBC Channel 4 Sky ITV INTERNATIONAL PATRONS A+E Networks The Walt Disney Company Discovery Networks Turner Broadcasting System Inc Liberty Global Viacom International Media Networks NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios Amazon Video ITN Audio Network KPMG Boston Consulting Group McKinsey and Co BT OC&C Channel 5 Pinewood Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Sony FremantleMedia STV Group FTI Consulting TalkTalk Fujitsu UKTV Huawei Virgin Media IBM YouView RTS PATRONS Alvarez & Marsal LLP PricewaterhouseCoopers Autocue Quantel Blackmagic Design Raidió Teilifís Éireann Digital Television Group UTV Television Kantar Media Vinten Broadcast Lumina Search 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 26 4 Awards and recognition 32 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Summary of national events 44 9 Centre reports 46 II Governance and finance 54 1 Structure, governance and management 54 2 Objectives and activities 55 3 Financial review 55 4 Plans for future periods 56 5 Administrative details 56 Independent auditors’ report 59 Financial statements 60 Notes to the financial statements 64 Notice of AGM 2017 75 Agenda for AGM 2017 75 Form of proxy 76 Minutes of AGM 2016 77 Who’s who at the RTS 80 Picture credits 82 3 FOREWORD his was a busy and vibrant year of RTS All-Party Parliamentary Group, chaired by Damian expansion for the RTS, with a signif- Collins MP. -
2012 Guide 56Pp+Cover
cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 4,5 &6 JULY 2012SHEFFIELD UK CONTENT INDUSTRIES CONFER- ENCE GUIDE 4_ 5_ & 6 JULY 2012 GUIDE SPONSOR Welcome Welcome to CMC and to Sheffield in the We are delighted to welcome you year of the Olympics both sporting and to Sheffield again for the ninth annual cultural. conference on children’s content. ‘By the industry, for the industry’ is our motto, Our theme this year is getting ‘ahead of which is amply demonstrated by the the game’ something which is essential number of people who join together in our ever faster moving industry. to make the conference happen. As always kids’ content makers are First of all we must thank each and every leading the way in utilising new one of our sponsors; we depend upon technology and seizing opportunities. them, year on year, to help us create an Things are moving so fast that we need, event which continues to benefit the kids’ more than ever, to share knowledge and content community. Without their support experiences – which is what CMC is all the conference would not exist. about – and all of this will be delivered in a record number of very wide-ranging Working with Anna, our Chair, and our sessions. Advisory Committee is a volunteer army of nearly 40 session producers. We are CMC aims to cover all aspects of the sure that over the next few days you will children's media world and this is appreciate as much as we do the work reflected in our broad range of speakers they put into creating the content from Lane Merrifield, the Founder of Club sessions to stretch your imagination Penguin and Patrick Ness winner of the and enhance your understanding.