EOS C300 / EOS C300 PL Encouraged to Try to Correct the Interference by Systems
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Canon EOS 5D Mark II and 7D Digital SLR Cameras Add
CINEMA EOS REALiS Pro AV CAMERAS Table of Contents Table of Contents REALiS • THE CANON FILM & TV PRODUCTION ENVIRONMENT CAMCORDERS CASE STUDIES • The Camera House Buys Two Sets of Canon PL-Mount EF Cinema Zoom Lenses • Canon EOS 5D Mark II Digital SLR Cameras Streamline the Production of a Major Animated 3D Film Medical Education • Canon C300 Digital Cinema Cameras and Canon Cinema Lenses Provide The Tools For Crafting a Cinematic “Journey” For a Major Reality Series HD OPTICAL • Canon EOS C300 Digital Cinema Cameras Fly High In First-Ever Movie Filmed Completely on Airplanes SYSTEMS • Canon EOS 5D Mark II and 7D Digital SLR Cameras Add Muscle to Action Scenes in “Marvel’s The Avengers” • Canon HDTV Lenses Are Chosen For Super Bowl XLVI Game Coverage By Production Facilities Company NEP Broadcasting • Canon EOS 5D Mark II Digital SLR Cameras Capture Heroic Action in the Hands of Cinematographer Shane Hurlbut • Canon’s 5D Mark II DSLR Shows its Mettle During Production REFERENCE DISPLAYS of Iron Man 2 LV • HD Action Shots Captured With Canon EOS 5D Mark II Digital SLR Cameras Inspire Movie Audiences to Series Salute “Captain America: The First Avenger” • Rugged and Reliable Canon XF305 Professional HD Camcorders Document the Dangerous World of Coal Miners for a Reality TV Series • Canon XF305 Professional Tapeless HD Camcorder’s Auto Focus and Face-Detection Technology Enhances PROJECTORS Major Network TV Broadcast • Canon BU-45H Remote-Control Robotic Pan-Tilt Zoom Cameras Provide Multi-Purpose HD Video Performance For The Miami Heat -
Canon EOS C300 Mark III and CINE-SERVO 25-250 Special
Jon Fauer ASC www.fdtimes.com April 2020 Canon Report Special Report Canon EOS C300 Mark III Canon CINE-SERVO 25-250 Cover Photo by Ron Batzdorff Canon EOS C300 Mark III Super35 Camera Canon has an exciting new Super35 4K camera: the EOS C300 There is a vast inventory of Super35 lenses. Sure, you can use Mark III. them in windowed mode on Full Frame cameras or cropped in You may be surprised to hear “exciting” and “Super35” in the post. But what if you built a new Super35 camera that is similar same breath after all the huffing and puffing over Full Frame in in shape and weight to Canon’s popular C500 Mark II but made FDTimes. it to do more things? But now, Canon has come up with enough compelling new • C300 Mark III has a Super35 4K sensor. features and interesting innovations to catch the attention of even • C500 Mark II has a Full Frame 5.9K sensor. the most jaded cinematographers and rental houses who thought • C300 Mark III records 4K RAW up to 120 fps. they’d seen, or had, everything: • C500 Mark II records 5.9K RAW up to 60 fps. • Records Cinema RAW Light and XF-AVC internally. • C300 Mark III shoots Super35 4K XF-AVC Intra to 120 fps. • 4K 120 fps Cinema RAW Light internal recording. • C500 Mark II can crop to Super35 and shoot 4K XF-AVC Intra • Electronic image stabilization. up to 60 fps. • Dual Gain Ouput Sensor with improved dynamic range. The C300 Mark III and C500 Mark II both have: • Dual Pixel Focus Guide eyepiece display shows whether you’re • Recording to internal CFexpress Cards. -
Rental Catalog
RENTAL CATALOG CINEMA • VIDEO • AUDIO SAMYS.COM/RENT TABLE OF CONTENTS CINEMA & VIDEO CINEMA CAMERAS ......................................................................................................1 CANON CINEMA EOS .................................................................................................3 CINEMA PRIME LENSES..............................................................................................5 CINEMA ZOOM LENSES .............................................................................................. 7 SIGMA CINE LENSES ................................................................................................. 11 ROKINON CINE LENSES ............................................................................................ 11 CINEMA BATTERIES ...................................................................................................12 ARRI CAMERA SUPPORT SYSTEMS ...........................................................................13 MATTEBOXES ............................................................................................................14 FOLLOW FOCUS ........................................................................................................14 CANON CAMCORDERS ..............................................................................................16 GO PRO ACTION CAMERAS .......................................................................................17 SONY CAMCORDERS ................................................................................................18 -
Rental Catalog
RENTAL CATALOG LOS ANGELES • PLAYA VISTA • PASADENA SANTA ANA • SAN FRANCISCO SAMYS.COM/RENT PROFESSIONAL LOCATION SERVICES 24 HOUR CONCIERGE SERVICE WE OFFER DELIVERY AND PICKUP FOR ALL OF YOUR PRODUCTION NEEDS! PHOTO • LIGHTING • CAMERAS MOTION STYLING PRODUCTION SUPPLIES PRE-LOADED TRUCKS 24 HOUR SUPPORT/7 DAYS A WEEK CONTACT US FOR CUSTOM QUOTES & PACKAGES! EMAIL US! CALL OR TEXT US! [email protected] 310.795.0043 SAMY’S RENTAL LOCATIONS Los Angeles 431 S. Fairfax Ave., Los Angeles, CA 90036 Tel: (323) 938-4400 Fax: (323) 938-0947 Email: [email protected] Rental Hours: Mon-Fri: 8am-6:30pm; Sat: 9am-6pm. Rentals is CLOSED on Sundays. Store Hours: Mon - Fri: 9:30am - 6:30pm; Sat: 10am - 6pm; Sun: 11am - 5:00pm Playa Vista 12636 Beatrice St., Los Angeles, CA 90066 Tel: (310) 450-7062 Fax: (310) 450-3832 Email: [email protected] Hours: Mon - Fri: 8am - 6pm; Sat: 9am - 2pm; Sun: CLOSED Pasadena 1759 E. Colorado Blvd., Pasadena, CA 91103 Tel: (626) 796-3300 Fax: (626) 432-6731 Email: [email protected] Hours: Mon - Fri: 8am - 6pm; Sat: 10am - 6pm; Sun: 11am - 5pm Rentals is CLOSED on Sundays. SAMYS.COM/RENT iii SAMY’S RENTAL LOCATIONS Santa Ana 3309B S. Bristol St., Santa Ana, CA 92704 Tel: (714) 557-9400 Fax: (714) 708-2454 Email: [email protected] Hours: Mon - Fri: 9:30am - 6:30pm; Sat: 10am - 6pm; Sun: 10am - 6:00pm Rentals is CLOSED on Sundays. San Francisco 1090 Bryant St., San Francisco, CA 94103 Tel: (415) 621-7400 Email: [email protected] Hours: Mon - Fri: 8am - 6pm; Sat: 9:30am - 6pm; Sun: CLOSED Rentals is CLOSED on Sundays. -
Sandisk Pro Video Capacity Chart
SanDisk Pro Video Capacity Chart Recording Times‡ COMPACTFLASH AND SD MEMORY CARDS 16GB 32GB 64GB 128GB 256GB Canon EOS 1D-C 4K JPEG @ 513 Mbps 4 mins 8 mins 16 mins 32 mins 64 mins Panasonic DMC-GH4 4K @ 200 Mbps 10 mins 20 mins 40 mins 80 mins 160 mins JVC GY-HMQIOU 4K @ 144 Mbps 15 mins 30 mins 60 mins - - Canon EOS 5D Full HD ALL-I @ 81 Mbps 22 mins 44 mins 88 mins 176 mins 352 mins Mark III Canon EOS C300 50 Mbps 40 mins 80 mins 160 mins 320 mins 640 mins GoPro HERO 4 4K 30 @ 60 Mbps 33 mins 66 mins 133 mins - - Black Edition Sony PMQ-350L Full HD (HQ) @ 35 Mbps 50 mins 100 mins 200 mins 400 mins 800 mins Panasonic 3D @ 28 Mbps 75 mins 155 mins 315 mins 625 mins 1260 mins HDC-Z1000P Canon XA20 Full HD (HQ) 50 Mbps 85 mins 170 mins 340 mins 650 mins 1360 mins Nikon D800 Full HD (HQ) H.264/MPEG-4 AVC @ 24 Mbps 91 mins 182 mins 364 mins 728 mins 1456 mins SSD 250GB 500GB 1TB Blackmagic Design Cinema Camera RAW 2.5K 24p 30 mins 60 mins 120 mins Atomos Ninja 2 ProRes 422 240 mins 480 mins 960 mins Photo: Sébastien Devaud www.sandisk.com/provideo ‡ Based on host device manufacturers’ published data and SanDisk internal testing. Approximations: results will vary based on file size, resolution, compression, bit rate, content, host device, pre-loaded files and other factors. SanDisk is a trademark of SanDisk Corporation, registered in the United States and other countries. -
Canon Canada Announces New Eos C300 Mark Ii Digital Cinema Camera
CANON CANADA ANNOUNCES NEW EOS C300 MARK II DIGITAL CINEMA CAMERA With New Super 35mm Sensor and 4K Internal Recording, the Latest Addition to the Canon Cinema EOS Line Offers High Image Quality and a 15-stop Wide Dynamic Range MISSISSAUGA, ON., April 8, 2015 – Canon Canada Inc., a leader in digital imaging solutions, is proud to introduce the new EOS C300 Mark II Digital Cinema Camera for cinema, documentary, event and commercial videography. As the latest addition to the Canon Cinema EOS line of professional cameras, the EOS C300 Mark II features evolutionary updates including a new 8.85 Megapixel Super 35mm Cinema CMOS Sensor, new Dual DIGIC DV 5 Processors and a new Canon XF-AVC Codec that allows 10-bit 4:2:2 4K image data to be recorded internally, and an expanded dynamic range of up to 15 stops. Enhanced Features & Benefits To engineer the next evolutionary step up from the EOS C300 Cinema Camera, Canon has developed a new Super 35mm CMOS sensor that supports high-image-quality internal video recording from Full HD (1920x1080) and 2K DCI (2048x1080) to 4K UHD (3840x2160) and 4K DCI (4096x2160), utilizing Canon’s proprietary Over Sampling HD Processing to help meet the needs of multi-purpose productions. The new imaging sensor maximizes the amount of light that falls on each photosite through a wider pixel pitch, enhancing the EOS C300 Mark II camera’s sensitivity, while minimizing noise and supporting ISOs up to 102,400. The new sensor is also capable of twice the readout speed compared to the original, which in turn significantly reduces the occurrence of rolling shutter distortion. -
Cinema EOS-C300 C300PL.Pdf
2 Every cinematographer has a story to tell What you capture on set will define how your story unfolds. Great stories demand superb tonal accuracy, brilliant colour reproduction, subtle image adjustments and surprising angles and points of view, as well as digital robustness to survive extensive post-production. For all this, Canon has created the Cinema EOS system. A ground-breaking Designed from the professional HD cine ground up to serve camera system, Cinema the evolving needs of EOS system fuses Canon’s the cinematography proven video technology world, it comprises one and lens heritage with revolutionary EOS C300 EOS creativity to give you camera in two versions – unprecedented freedom industry-standard PL-lens to tell every story. mount or Canon’s EF mount – and a family of Canon EF and PL-mount interchangeable lenses with the optical performance, controls and usability you need to realise your creative vision 3 HD as it was meant to be Practicality, compatibility, simplicity and excellence in HD imagery. With the Cinema EOS system, Canon helps working professionals make HD the superb creative medium of the present. Make it new, give it impact and make it work within your budget. No matter what you’re shooting – Hollywood movies, indie documentaries, episodic TV series, commercials, music videos – the Cinema EOS system will raise your game without compromising your productivity 4 We spent years studying the film Those were the parameters we A system to grow with changing and TV industry and its changing gave our optical, electronic and needs - adding new lenses, needs before bringing this mechanical engineers. -
Canon EOS C300 Mark II User Guide Manual
PUB. DIE-0477-000B Digital Cinema Camera Instruction Manual Important Usage Instructions WARNING 2 To reduce the risk of fire or electric shock, do not expose this product to rain or moisture. WARNING To reduce the risk of fire or electric shock, do not expose this apparatus to dripping or splashing, and do not place objects filled with liquids, such as vases, on the apparatus. WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY. COPYRIGHT WARNING: Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be contrary to copyright laws. FCC NOTICE determined by turning the equipment off and on, Digital Cinema Camera, EOS C300 Mark II the user is encouraged to try to correct the Systems. interference by one or more of the following This device complies with Part 15 of the FCC measures: Rules. Operation is subject to the following two • Reorient or relocate the receiving antenna. conditions: (1) This device may not cause • Increase the separation between the harmful interference, and (2) this device must equipment and receiver. accept any interference received, including • Connect the equipment into an outlet on a interference that may cause undesired circuit different from that to which the receiver operation. is connected. Note: This equipment has been tested and • Consult the dealer or an experienced radio/TV found to comply with the limits for class B digital technician for help. device, pursuant to Part 15 of the FCC Rules. Use of shielded cable is required to comply with These limits are designed to provide reasonable class B limits in Subpart B of Part 15 of FCC protection against harmful interference in a Rules. -
This Article First Appeared in Fdtimes April 2020 Issue 101
Jon Fauer ASC www.fdtimes.com April 2020 Issue 101 Technique, Technology and Art in Motion Picture Production Worldwide Canon EOS C300 Mark III Canon CINE-SERVO 25-250 Panasonic LUMIX DC-S1H Apple ProRes RAW and Atomos Ninja V Cooke Tour 2020 DENZ FDC-LPL Blackmagic Pocket Cinema Camera Reports Focus Puller at Work ARRI OCU-1 & Master Grips on Location ARRI EF Mount, ERM FUJINON Premista Around the World Mole 20K & LED Spacelites Hunters, Rexer, SIGMA, RED Codex Dock & Reader for ARRI Teradek Bolt 4K Cover Photo by Ron Batzdorff www.fdtimes.com Art, Technique and Technology On Paper, Online, and now on iPad Film and Digital Times is the guide to technique and technology, tools and how-tos for Cinematographers, Photographers, Directors, Producers, Studio Executives, Camera Assistants, Camera Operators, Grips, Gaffers, Crews, Rental Houses, and Manufacturers. Subscribe It’s written, edited, and published by Jon Fauer, ASC, an award-winning Cinematographer and Director. He is the author of 14 bestselling Online: books—over 120,000 in print—famous for their user-friendly way of explaining things. With inside-the-industry “secrets-of the-pros” www.fdtimes.com/subscribe information, Film and Digital Times is delivered to you by subscription or invitation, online or on paper. We don’t take ads and are supported by readers and sponsors. Call, Mail or Fax: © 2020 Film and Digital Times, Inc. by Jon Fauer Direct Phone: 1-570-567-1224 Toll-Free (USA): 1-800-796-7431 subscribe Fax: 1-724-510-0172 Film and Digital Times Subscriptions www.fdtimes.com