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Connectivity & Mobility / XDCAM -Wireless Operations
/ Connectivity & Mobility / XDCAM -Wireless operations Sony Professional Solutions Europe February 2015 How to be first on air and on the web • Simple & Flexible • Cost-efficient • Aligned with European Regulations 2 Sony wireless operation solutions Live Streaming SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study File transfer 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control 3 File transfer File Transfer: benefits 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control • Nothing lost : picture , audio, TC , file name • Choice of transmission: Wi-Fi, 3G or 4G • High Resolution file transfer enabled 4 File transfer Ongoing and future development • Proxy Trimming • Central server • Cloud Wi-Fi Router Controlled by tablet/smartphone (Android/iOS) Wi-Fi remote control Mark In/Out for partial file creation (GUI image) • Multi-Link File Transfer : use multiple LTE links with any smartphone and any carrier • Near-Live File Transfer: For instant preview/edit, the file is transferring while recording 5 File transfer File Transfer: XAVC proxy formats Video Bitrate Frame Rate Profile Audio Wrapper Resolution (typical) AVC Proxy 50p, 59p 6-12Mbps SD 1280 x 720 MP/HP (16:9) AVC 23p, 24p, 25p, 29p 4-9Mbps MP/HP AAC-LC 2/ 4/ 6/ 8ch MP4 640 x 360 AVC 23p, 24p, 25p, 29p 1.5-3Mbps 128kbps for 2ch High rez (16:9) MP SxS 480 x 270 AVC 23p, 24p, 25p, 29p 384k-1Mbps (16:9) MP 6 File transfer XAVC proxy interoperability on NLE software Software Products Version Import Timecode Handing Proxy-HiRes Relink Adobe Premiere Pro CC 2014 ✔ ✔ ✔ Avid Media Composer 7.0.4 ✔ ✔ under study Apple Final Cut Pro X 10.1.1 ✔ ✔ under study Grass valley EDIUS PRO 7.31 ✔ ✔ under study Sony Creative Software 13 ✔ ✔ ✔ Vegas Pro 7 Live Streaming Live Streaming: benefits SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study • Cost efficient solution: single dongle. -
Jon Fauer ASC Issue 109
Jon Fauer ASC www.fdtimes.com Aug 2021 Issue 109 Art, Technique and Technology in Motion Picture Production Worldwide Aug 2021 • Issue 109 1 www.fdtimes.com Art, Technique and Technology On Paper, Online, and now on iPad Film and Digital Times is the guide to technique and technology, tools and how-tos for Cinematographers, Photographers, Directors, Producers, Studio Executives, Camera Assistants, Camera Operators, Grips, Gaffers, Crews, Rental Houses, and Manufacturers. Subscribe It’s written, edited, and published by Jon Fauer, ASC, an award-winning Cinematographer and Director. He is the author of 14 bestselling Online: books—over 120,000 in print—famous for their user-friendly way of explaining things. With inside-the-industry “secrets-of the-pros” www.fdtimes.com/subscribe information, Film and Digital Times is delivered to you by subscription or invitation, online or on paper. We don’t take ads and are supported by readers and sponsors. Call, Mail or Fax: © 2021 Film and Digital Times, Inc. by Jon Fauer Direct Phone: 1-570-567-1224 Toll-Free (USA): 1-800-796-7431 subscribe Fax: 1-724-510-0172 Film and Digital Times Subscriptions www.fdtimes.com PO Box 922 Subscribe online, call, mail or fax: Williamsport, PA 17703 Direct Phone: 1-570-567-1224 USA Toll-Free (USA): 1-800-796-7431 1 Year Print and Digital, USA 6 issues $ 49.95 1 Year Print and Digital, Canada 6 issues $ 59.95 Fax: 1-724-510-0172 1 Year Print and Digital, Worldwide 6 issues $ 69.95 1 Year Digital (PDF) $ 29.95 1 year iPad/iPhone App upgrade + $ 9.99 Film and Digital Times (normally 29.99) Get FDTimes on Apple Newsstand with iPad App when you order On Paper, Online, and On iPad a Print or Digital Subscription (above) Total $ __________ Print + Digital Subscriptions Film and Digital Times Print + Digital subscriptions continue to Payment Method (please check one): include digital (PDF) access to current and all back issues online. -
Panaflex Millennium Manual
THE PANAFLEX MILLENNIUM Operations Manual PANAVISION 6219 De Soto Avenue Woodland Hills, CA 818.316.1000 91367 text Nolan Murdock Gary Woods design and production Roger Jennings Richard J. Piedra Susan J. Stone photos Christina Peters © Copyright 2000, Panavision, Inc. Second edition: 09/00 THE PANAFLEX MILLENNIUM Operations Manual Table of Contents SECTION ONE _______________ GENERAL SPECIFICATIONS 1.1 .................................. Cable Specifications 1.2 .................................. Camera Specifications 1.3 .................................. Camera Illustrations 1.4 .................................. Side Camera Views 1.5 .................................. Front and Rear Camera Views 1.6 .................................. Ground Glass Options SECTION TWO ______________ PACKING AND SHIPPING 2.1 .................................. Packing and Transport 2.2 .................................. Accessory Cases SECTION THREE _____________ ASSEMBLY 3.1 .................................. Camera Assembly 3.2 .................................. Digital Display 3.3 .................................. Iris Rod Bracket 3.4 .................................. On-Board Monitor and Bracket 3.5 .................................. Panalens Lite with Video 3.6 .................................. Witness Camera Monitor and Bracket 3.7 .................................. Auxiliary Carrying Handle 3.8 .................................. Follow Focus 3.9 .................................. Eyepiece Option 3.10 ................................ Eyepiece Leveler -
FILM FORMATS ------8 Mm Film Is a Motion Picture Film Format in Which the Filmstrip Is Eight Millimeters Wide
FILM FORMATS ------------------------------------------------------------------------------------------------------------ 8 mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular or standard 8 mm and Super 8. There are also two other varieties of Super 8 which require different cameras but which produce a final film with the same dimensions. ------------------------------------------------------------------------------------------------------------ Standard 8 The standard 8 mm film format was developed by the Eastman Kodak company during the Great Depression and released on the market in 1932 to create a home movie format less expensive than 16 mm. The film spools actually contain a 16 mm film with twice as many perforations along each edge than normal 16 mm film, which is only exposed along half of its width. When the film reaches its end in the takeup spool, the camera is opened and the spools in the camera are flipped and swapped (the design of the spool hole ensures that this happens properly) and the same film is exposed along the side of the film left unexposed on the first loading. During processing, the film is split down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge, so fitting four times as many frames in the same amount of 16 mm film. Because the spool was reversed after filming on one side to allow filming on the other side the format was sometime called Double 8. The framesize of 8 mm is 4,8 x 3,5 mm and 1 m film contains 264 pictures. -
Caractéristiques Optiques De La Prise De Vue 65Mm État Des Lieux Des Techniques À L’Usage De Ce Format Large De Prise De Vue
ENS LOUIS LUMIERE La Cité du Cinéma, 20 rue Ampère, 93213, BP 12 La Plaine Saint-Denis Cedex, France Tél : 33 (0) 1 84 67 00 01 www.ens-louis-lumiere.fr Mémoire de fin d’études et de recherche Section Cinéma Promotion 2014 - 2017 Caractéristiques optiques de la prise de vue 65mm État des lieux des techniques à l’usage de ce format large de prise de vue Etienne SUFFERT Ce mémoire est accompagné de la partie pratique intitulée Caractéristiques et spécificités de la prise de vue en ARRI Alexa 65, essais et comparatifs optiques. Directeur de mémoire interne : Pascal MARTIN Coordinateur de mémoire et Président du Jury : David FAROULT Coordinatrice de la partie pratique (PPM) : Dominique TROCNET Etienne SUFFERT Mémoire de fin d’études - ENS Louis Lumière 2017 !2/!166 REMERCIEMENTS : Je tiens à remercier chaleureusement toutes les personnes qui de près ou de loin m’ont permis de réaliser ce mémoire et rendre possible sa partie pratique l’accompagnant. L’Ecole Nationale Supérieure Louis Lumière et en particulier : Pascal MARTIN Mon directeur de mémoire, pour ses conseils et son intérêt pour le sujet Tony GAUTHIER Pour son partage de connaissance et ses conseils Dominique TROCNET, Françoise BARANGER, John LVOFF Pour leur soutien administratif, leur compréhension et pour avoir rendu possible la réalisation de la PPM Laurent STEHLIN Pour son aide précieuse et ses conseils lors de l’élaboration de la PPM Didier NOVÉ, Arthur CLOQUET Pour l’accès et la réservation du matériel nécessaire à la PPM Alain SARLAT, Elena ERHEL Pour leur investissement et leur -
Jon Fauer ASC Issue 99 Feb 2020
Jon Fauer ASC www.fdtimes.com Feb 2020 Issue 99 Technique and Technology, Art and Food in Motion Picture Production Worldwide Photo of Claire Mathon AFC by Ariane Damain Vergallo www.fdtimes.com Art, Technique and Technology On Paper, Online, and now on iPad Film and Digital Times is the guide to technique and technology, tools and how-tos for Cinematographers, Photographers, Directors, Producers, Studio Executives, Camera Assistants, Camera Operators, Grips, Gaffers, Crews, Rental Houses, and Manufacturers. Subscribe It’s written, edited, and published by Jon Fauer, ASC, an award-winning Cinematographer and Director. He is the author of 14 bestselling books—over 120,000 in print—famous for their user-friendly way Online: of explaining things. With inside-the-industry “secrets-of the-pros” www.fdtimes.com/subscribe information, Film and Digital Times is delivered to you by subscription or invitation, online or on paper. We don’t take ads and are supported by readers and sponsors. Call, Mail or Fax: © 2020 Film and Digital Times, Inc. by Jon Fauer Direct Phone: 1-570-567-1224 Toll-Free (USA): 1-800-796-7431 subscribe Fax: 1-724-510-0172 Film and Digital Times Subscriptions www.fdtimes.com PO Box 922 Subscribe online, call, mail or fax: Williamsport, PA 17703 Direct Phone: 1-570-567-1224 USA Toll-Free (USA): 1-800-796-7431 1 Year Print and Digital, USA 6 issues $ 49.95 1 Year Print and Digital, Canada 6 issues $ 59.95 Fax: 1-724-510-0172 1 Year Print and Digital, Worldwide 6 issues $ 69.95 1 Year Digital (PDF) $ 29.95 1 year iPad/iPhone App upgrade + $ 9.99 Film and Digital Times (normally 29.99) Get FDTimes on Apple Newsstand with iPad App when you order On Paper, Online, and On iPad a Print or Digital Subscription (above) Total $ __________ Print + Digital Subscriptions Film and Digital Times Print + Digital subscriptions continue to Payment Method (please check one): include digital (PDF) access to current and all back issues online. -
Rental Guide
POCKET RentalGuide 2019 .. ARY AN RS N E I IV V N E N R A S . A . Y R R Y . A . 10 A S YEARS N R N E I V V E I R N S N A R A Y . To 2019 η Rentphotovideo κλείνει 10 χρόνια λειτουργίας και σας ευχαριστεί για την εμπιστοσύνη που της δείχνετε. Η Εταιρεία μας προσπαθεί πάντα να διασφαλίζει υψηλό επίπεδο στις υπηρεσίες και τα προϊόντα της. ΠΛΕΟΝ ΜΠΟΡΟΥΜΕ ΝΑ ΠΑΡΕΧΟΥΜΕ: • Μειωμένες τιμές σε πάνω από 700 προϊόντα. • Συνεχής ανανέωση εξοπλισμού. • Πληρέστερη λίστα φωτογραφικών μηχανών (Canon/Nikon/Sony/Fuji/Panasonic) • Πληρέστερη λίστα φωτογραφικών φακών. .. • Νέο σύστημα κρατήσεων με πλήρη ενημέρωση ARY AN RS N E I στον πελάτη. IV V N E N R A S . A • Κινηματογραφικός εξοπλισμός για κάθε παραγωγή.. Y R R Y . A . 10 A S • 340 τμ. εγκαταστάσεις για έλεγχο και παραλαβή YEARS N R N E I V V E εξοπλισμού. I R N S N A R A Y . • Νέο υποκατάστημα στο κέντρο Θεσσαλονίκης. • Αποστολή σε 1 ημέρα σε όλη την Ελλάδα. • Ειδικές τιμές στους σπουδαστές των κινηματοφραφικών σχολών. Η Rentphotovideo δραστηριοποιείται αποκλειστικά και μόνο με την ενοικίαση εξοπλισμού και σε σεβασμό προς τους πελάτες της και μην θέλοντας να είναι ανταγωνιστική δεν πραγματοποιεί φωτογραφικές και κινηματογραφικές παραγωγές. Rental Rate Periods Pick-up & Return Times Day Rate (Day) - One 24 hr period - Day bonus = pickup after 4:00 pm, - Return 11:30am (2) days later 3-Day Weekend Rate - Pickup Friday - Any time returns Monday before 11:30 Full Week Rate - 7 consecutive, 24hours periods Regular business hours I Monday - Friday 10:00am - 6:00pm Οι τιμές δεν περιλαμβάνουν Φ.Π.Α. -
Canon EOS C700
EOS C700 EOS C700 PL EOS C700 GS PL THE CINEMA EOS C700 DIGITAL CINEMA CAMERA Our flagship Cinema EOS C700 Digital Cinema Camera† incorporates professional feedback to comprise what many cinematographers having been asking for from Canon. Designed to be a flexible “A” camera for any type of shooting scenario, the EOS C700 features both internal 4K ProRes and XF-AVC recording, and can record uncompressed RAW up to 120 fps with the optional 4K Codex CDX-36150 recorder. The EF and PL mount versions of the camera feature a pixel resolution up to 4.5K and a dynamic range of 15 stops, while the EOS C700 GS PL features 14 stops of dynamic range, up to 4.2K resolution and a global shutter. EOS C700 EOS C700 PL / C700 GS PL (EF mount) (PL mount) Two New 4K Sensor Designs Refined Ergonomics and Design Electronic Viewfinder (EVF-V70) featuring The EOS C700 offers the option of two different The EOS C700 features a new design when Full HD 1920 x 1080 viewing, a Remote Operation sensor designs. The EOS C700 offers a 4.5K compared to previous Cinema EOS products. Unit (OU-700) that mimics all the functions of the CMOS sensor with 15 stops of dynamic range. The EOS C700 is a full-size cinema camera built-in Main Display and a Shoulder Support Unit The standard sensor will be offered in both PL allowing for both traditional studio style and (SU-15) with industry-standard rosettes on each and EF mounts. The EF mount version of the handheld configurations. -
THE BEST for HDR ARRI Cameras: the Ideal Route to HDR Deliverables
NEWS IBC ISSUE 2016 THE BEST FOR HDR ARRI cameras: the ideal route to HDR deliverables SKYPANEL S120-C MASTER GRIPS TRINITY The SkyPanel family grows with Ergonomic handheld control Combining mechanical stabilization a double-length LED soft light of camera and lens functions with new gimbal technology EDITORIAL DEAR FRIENDS AND COLLEAGUES For this issue we have illustrates our promise to protect customer HDR as our cover story, as it investment by prioritizing ALEXA XT owners, with is such a current topic in the various upgrade options giving them first access to industry. At ARRI we have long argued that higher the improved image quality, expanded recording dynamic range is at least as important as resolution options and new look management. when it comes to improving viewer experience, but Also in this issue Anthony Dod Mantle HDR workflows are still in their infancy and there ASC, BSC, DFF talks to us about his work on Oliver are many unresolved issues. The biggest question Stone’s Snowden, which was one of the earliest is how HDR can enhance visual storytelling, and it feature films to utilize our ALEXA 65 system and is is only the creative film and program makers who now about to hit theaters. During the intervening can answer that. Our article explores some of the period ALEXA 65 has firmly established itself as the issues and explains why – with HDR yet to be fully premier high-end motion picture camera system, established – many content producers with HDR being used on many more prestige productions, and UHD deliverables are choosing to shoot with inspiring a fruitful partnership between ARRI Rental ARRI cameras. -
UNDERWATER VIDEO 284 Housing and Accessories
UNDERWATER VIDEO 284 Housing and Accessories www.BandH.com HD10 High Definition UW Video Housing Pro8 Underwater Video Housing Pro6 Underwater Video Housing • 6-10 Standard manual controls- • 7 Mechanical Controls • 7 Mechanical Controls Power on/off, Record-start/stop, • Rugged PVC Material Construction • Rugged PVC Material Construction Zoom-Wide/Telephoto, White • Includes Color-Correcting Filter • Includes Color-Correcting Filter Balance, Auto focus, Auto/Manual and Wide-Angle Lens and Wide-Angle Lens focus Switch, ND filter • Ballast Release System Handles • Ballast Release System Handles • 250 ft depth rating • Rated Down to 250’ • Rated Down to 250’ • Close to neutral buoyancy at approx. 33 ft • BRS (Ballast Release System) for easy travel of if trouble f/ Panasonic DVX100B ................... #EQPP8DVX100Q���� 1249.95 f/ Canon FS-31/300 ............................. #EQP6CFS31���������CALL occurs on a dive, simply pull the quick release pin on one of for Sony PD170 ...................................#EQPP8PD170���������CALL f/ Panasonic PV-GS180 ........................ #EQP6GS180���������CALL the wings, the wing and handle (ballast) release, the housing f/ Canon GL2 .......................................#EQPP8GL2Q���� 1249.95 f/ Panasonic HDC-HS250 .............. #EQP6PHDCHS25���������CALL now becomes positive and shoots to the surface f/ Sony VX-2100 .................................#EQP8VX2100���� 1299.95 f/ Panasonic SDR-H80 .................... #EQP6PSDRH80���������CALL • Includes 2.5” Color LCD monitor with battery and -
Free Preview 68-69
Jon Fauer, ASC www.fdtimes.com Apr 2015 Free Preview 68-69 Art, Technique, and Technology in Motion Picture Production Worldwide Free 26 Page Preview of 96 Page Cover: Michael Keaton, Emma Stone, Emmanuel Lubezki, Alejandro González Iñárritu on Birdman. Photos by Alison Rosa © 2014 Twentieth Century Fox. Leica Summilux-C 18mm, CineTape, Preston FIZ, ARRI Alexa M. NAB 2015 Edition Birdman: Or (The Unexpected Virtue of the Unblinking Eye) them, lenses and lights to define new looks, filters and effects to degrade those looks in ways that will horrify the engineers, sensors will get bigger, with more resolution, as we viewers move closer and closer to the movie screen, monitor, tablet or phone. Some new products are not yet in this edition because their designers are racing to the finish. Some will arrive at NAB carrying prototypes, still soldering parts together in the taxi from airport to hotel. Other companies like to surprise us on opening day, revealing models under glass, pulling covers from mockups like rabbits from hats. They will astound us in press conferences and demos. AJA, Blackmagic, Cooke, Canon, Servicevision, Sony, and RED are a few of the companies with lots of buzz and rumors, cries and whispers. ARRI surprised us with a flurry of pre-NAB announcements, including the new Mini and Alexa upgrades. In this edition, Stefan Schenk, Managing Director at ARRI Cine Technik, discusses his Photo: Darren Decker © A.M.P.A.S. views on where things are and where they're going. The phone rang minutes before these pages went to press. -
Product Specifications
THE CINEMA EOS C700 DIGITAL CINEMA CAMERA Our flagship Cinema EOS C700 Digital Cinema Camera† incorporates professional feedback to comprise what many cinematographers having been asking for from Canon. Designed to be a flexible “A” camera for any type of shooting scenario, the EOS C700 features both internal 4K ProRes and XF-AVC recording, and can record 4K uncompressed RAW up to 120 fps with the optional 4K Codex CDX-36150 recorder. The EF and PL mount versions of the camera feature a pixel resolution up to 4.5K and a dynamic range of 15 stops, while the EOS C700 GS PL features 14 stops of dynamic range, up to 4.2K resolution and a global shutter. EOS C700 EOS C700 PL / C700 GS PL (EF mount) (PL mount) Two New 4K Sensor Designs Refined Ergonomics and Design Electronic Viewfinder (EVF-V70) featuring Full The EOS C700 offers the option of two different The EOS C700 features a new design when HD 1920 x 1080 viewing, a Remote Operation sensor designs. The EOS C700 offers a 4.5K compared to previous Cinema EOS products. Unit (OU-700) that mimics all the functions of the CMOS sensor with 15 stops of dynamic range. The EOS C700 is a full-size cinema camera built-in Main Display and a Shoulder Support Unit The standard sensor will be offered in both PL allowing for both traditional studio style and (SU-15) with industry-standard rosettes on each and EF mounts. The EF mount version of the handheld configurations. side and 15mm rods in front, allowing for easy handheld operation while still providing a quick camera features Dual Pixel CMOS AF Technology.