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Schriftsteller Schreiben Wieder Über Gott
10 Kultur Die Tagespost Dienstag, 30. April 2013 Nr.52 Schriftsteller schreiben wieder über Gott Vonder „Renaissance des Katholischen“bei Gegenwartsautoren –Ein Gespräch mit dem Schriftleiter der Zeitschrift „Communio“, Professor Jan-Heiner Tück VON ANJA KORDIK Die Pastoralkonstitution „Gaudium et und Hochschullehrer Hanns-Josef Ortheil. Tück, Schriftführer von „Communio“. Tat- genLiteratur kommt eher auf der Ebene der lium. VonAndreas Maier stammt die Aussa- spes“ nimmt in ihrem Artikel 62 das Ver- Aufneue,jeeigene Weise setzen sich diese sache sei, dass sich nach einer langen Phase Erfahrung und biografischen Prägung ins ge: „Irgendwann habe ich begonnen, mir hältnis vonReligion und Literatur in den Autoren mit ihren katholischen Prägungen in der Nachkriegsliteratur,inder Autoren Spiel –etwa bei Peter Handke, wenn er die das Wort ,Gott‘ zu gönnen, sonst habe ich Blick: „Aufihre Weise sind Literatur und auseinander,zum Teil durchaus kritisch, oft wie Hans Magnus Enzensberger,Arno sprachprägende Kraft vonLiturgie in die Li- extreme Schwierigkeiten, bestimmte Dinge Kunst für das Leben der Kirche vongroßer aber dankbar erinnernd. Bezügezur katho- Schmidt, auch Siegfried Lenz und Günther teratur überführt.“ auszusprechen. Es kann nicht sein, dass wir Bedeutung.Denn sie bemühen sich um das lischen Liturgie –Gottesdienstbesuche und Grass ihre „religiösen Antennen“gleich- Grundsätzlich existieren viele Berüh- das Wort Gott nurbenutzen, um uns zu Verständnis des eigentümlichen Wesens Beichterfahrungen werden geschildert, sam eingezogenhatten, -
ICE2014 Fascism Vs. Utopia in Ingeborg Bachmann's Malina
Fascism vs. Utopia in Ingeborg Bachmann's Malina . Nina Beguš [email protected] Resurrections: 21st International Conference of Europeanists Washington, D.C., March 14, 2014 Nina Beguš Fascism vs. Utopia in Malina CES 2014 1 / 15 Outline 1. Introduction 2. Elements of Fascism and Utopia 3. Conclusion Nina Beguš Fascism vs. Utopia in Malina CES 2014 2 / 15 Outline 1. Introduction 2. Elements of Fascism and Utopia 3. Conclusion Nina Beguš Fascism vs. Utopia in Malina CES 2014 2 / 15 Outline 1. Introduction 2. Elements of Fascism and Utopia 3. Conclusion Nina Beguš Fascism vs. Utopia in Malina CES 2014 2 / 15 componist Hanz Werner H poet Paul C novelist Max F Gruppe 47 etc. Modernism Inluences: H's and W's philosophy of language Introduction The author Ingeborg B (Klagenfurt, 1926 - Rome, 1973) Poet, playwright, author, essayist, translator Nina Beguš Fascism vs. Utopia in Malina CES 2014 3 / 15 componist Hanz Werner H poet Paul C novelist Max F Gruppe 47 etc. Inluences: H's and W's philosophy of language Introduction The author Ingeborg B (Klagenfurt, 1926 - Rome, 1973) Poet, playwright, author, essayist, translator Modernism Nina Beguš Fascism vs. Utopia in Malina CES 2014 3 / 15 Introduction The author Ingeborg B (Klagenfurt, 1926 - Rome, 1973) Poet, playwright, author, essayist, translator Modernism Inluences: H's and W's philosophy of language componist Hanz Werner H poet Paul C novelist Max F Gruppe 47 etc. Nina Beguš Fascism vs. Utopia in Malina CES 2014 3 / 15 Introduction Structure of the novel & characteristics of each chapter part 1: H 2: T T 3: L I M T main character Ivan father Malina genres fairytale, 34 dreams, dramatic dialog, interview, analyzed with letters, notation letters, notation Malina level emotional subconscious rational last sentence Vienna is silent. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
Heinrich Von Kleist
Heinrich von Kleist: Das gescheiterte Genie (Paper VIII, Paper X) Tue 2-3 (wks: 5-8), Taylor Institution Rm 2 This four-week lecture will cover the life and selected writings of Heinrich von Kleist. Besides the prescribed text for paper X, the play ‘Prinz Friedrich von Homburg’, the course will focus on the modernity and openness of Kleist’s work, making him up until the present day one of the most eminent authors in German language. His reputation becomes apparent in the continuous presence of his plays on German stages. While none of his works is autobiographic in a narrow sense, his narrative prose and his plays in many ways reflect the author’s personal struggle with emotions, sexuality and his failure ever to pursue a satisfactory career. To a certain extent, Kleist can be regarded as the contemporary counterpart to Johann Wolfgang von Goethe, the omnipotent embodiment of artistic genius. Finally, the lecture will address Kleist’s unabated relevance, exploring the ambiguities of justice and violence in texts like ‘Michael Kohlhaas’ and ‘die Hermannsschlacht’. This course will be held in German, which makes it particularly suitable for 2nd year students intending to spend their year abroad at a German university and for finalists who would like to improve their German language skills, in particular with relation to literature. To support language learning alongside the lecture’s literary subject matter, specific vocabulary will be addressed and the content will be recapitulated regularly throughout the lecture. Lecture plan: Week 5: Kleist: Leben – Themen – Rezeption Week 6: Widersprüche der Lektüre: Das Erdbeben in Chili Week 7: Die Geburt des Partisanen aus dem Geist der Poesie: Michael Kohlhaas / Die Hermannsschlacht Week 8: Traum und Wirklichkeit: Prinz Friedrich von Homburg Letters in German Literature: From Goethe's ‚’Werther’ to Kafka's 'Brief an den Vater' (Paper VIII, Paper X) Tue 9-10 (wks:1-8), 47 Wellington Square, Grnd Flr Lec Rm 1 This seminar will address the role of the letter in the history of German literature through selected examples. -
Bachmann in History: an Overview Sara Lennox
University of Massachusetts Amherst ScholarWorks@UMass Amherst Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann January 2006 Part One: Bachmann and History, Chapter 1. Bachmann in History: An Overview Sara Lennox Follow this and additional works at: https://scholarworks.umass.edu/umpress_cotmd Lennox, Sara, "Part One: Bachmann and History, Chapter 1. Bachmann in History: An Overview" (2006). Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann. 3. Retrieved from https://scholarworks.umass.edu/umpress_cotmd/3 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PART I Bachmann and History This page intentionally left blank CHAPTER 1 Bachmann in History AN OVERVIEW Avec ma main brulée, j’écris sur la nature du feu. —Ingeborg Bachmann, Malina, quoting Flaubert History left its scars on Ingeborg Bachmann’s life and work. She was the product of a turbulent period of Austrian history that included depression, Austro-fascism, National Socialism, defeat and occupation, eco- nomic recovery, and political restoration. She hated and condemned the political course that Austria and Germany had taken but, as a member of a generation before the emergence of the student movement and the second wave of femi- nism, felt powerless to influence the direction of political events. Although she rebelled against her era’s conceptions of femininity, she was also entrapped by them; an independent woman who lived by her writing, she suffered through self-destructive love affairs and numbed her pain with alcohol and tranquiliz- ers. -
Eingesandte Bücher
Eingesandte Bücher Barthel, Wolfgang; Marquardt, Hans-Jochen (Hrsg.): Beiträge zur Kleist-Forschung. Frankfurt, Oder: Kleist-Gedenk-und Forschungsstätte e. V. 2000. Bartoszewicz, Iwona: Formen der Persuasion im deutsch-polnischen Dialog. Unter suchungen zu politischen Reden zwischen 1989 und 1995. (Germanica Wratislavien sia 123. Acta Universitatis Wratislaviensis No 2182.) Wroclaw: Wydawnictwo Uni wersytetu Wroclaskiego 2000. Becker, Susanne: Gattungskonstruktionen in der Geschichte der zirkulierenden Literatur. Rekonstruktionsverfahren am Beispiel des abenteuerliterarischen Netzes 1840-1935. (UR Literatur - Imagination - Realität Bd. 24) Trier: WVT 2000. Brandt-Schwarze, Ulrike; u. a. (bearb.): Nachlaß Gottfried und Johanna Kinkel. Find buch. Bonn 2001. Brockmeier, Peter: Samuel Beckett. (Sammlung Metzler Bd. 332) Stuttgart / Weimar: Verlag]. B. Metzler 2001. Denneier, Iris: Von Namen und Dingen. Erkundungen zur Rolle des Ich in der Literatur am Beispiel von Ingeborg Bachmann, Peter Bichsel, Max Frisch, Gottfried Keller, Heinrich von Kleist, Arthur Schnitzler, Frank Wedekind, Vladimir Nabokov und W. G. Sebald. Würzburg: Verlag Königshausen & Neumann 2001. Glosch, Kathrin: "Cela m'etait egal". Zu Inszenierung und Funktion von Gleichgültigkeit in der französischen Literatur des 20. Jahrhunderts. (M & P Schriftenreihe für Wissenschaft und Forschung). Stuttgart / Weimar: Verlag]. B. Metzler 2001. Golz, Jochen; Müller, Wolfgang (Hrsg.): "Von Pol zu Pol Gesänge sich erneun ... " Das Europa Goethes und seine Nationalautoren. (Schriften der Goethe-Gesellschaft Bd. 67) Weimar: Hermann Böhlaus Nachfolger Weimar 2001. 224 S., geb., mit Schutz umschlag. Hahn, Karl-Heinz: "Dann ist Vergangenheit beständig ... " Goethe Studien. (Schriften der Goethe-Gesellschaft Bd. 68) Weimar: Hermann Böhlaus Nachfolger Weimar 2001. 240 S., geb., mit Schutzumschlag. Hammel, Andrea; Hassler, Silke; Timms, Edward (ed.): Writing after Hitler. The work of Jakov Lind. -
Ingeborg Bachmann's Literary Critique of the Journalistic Media
“Es ist ein unglaublicher Betrug.” Ingeborg Bachmann’s literary critique of the journalistic media by Gisela Nittel A dissertation submitted in fulfilment of the requirements for admission to the degree of Doctor of Philosophy August 2008 Department of Germanic Studies The University of Sydney Abstract Despite the consistency and regularity of Bachmann’s critique of journalists and journalistic content, there has been to date no dedicated study of her portrayal of the journalistic media in individual works or her work as a whole. This dissertation addresses this gap in Bachmann studies by undertaking a detailed and comprehensive analysis of Bachmann’s literary portrayal of the journalistic media from the time she first came into the literary spotlight in the early 1950s until her 1972 Simultan collection, the last work to be published in her lifetime. The primary focus of this dissertation is a close textual analysis of literary works in which Bachmann makes significant references to journalists and journalism, examining these references closely in the context of existing scholarly analyses. In a systematic analysis of each literary genre that Bachmann tackled—poetry, radio plays, short prose and novels—this study demonstrates that Bachmann’s critique of journalists and journalism recurs with notable frequency and consistency throughout her work from 1952 onwards. The detailed analyses show that Bachmann’s critique of the “fourth estate” ranges from the mildly critical to the vitriolic, and constantly returns to a core set of concerns about the misrepresentations perpetrated by the journalistic media. The negativity of Bachmann’s critique is, however, almost always offset (and even undercut) by evidence that the journalistic media are not always successful in their (according to Bachmann’s portrayal) deceitful and destructive practices. -
Contemporary German Crime Fiction the Children of Marx and Coca-Cola – Fifty Years 1968 Dr
Juergen Boos in Conversation with Helge Malchow and Kerstin Gleba Dark Nights – Contemporary German Crime Fiction The Children of Marx and Coca-Cola – Fifty Years 1968 Dr. Heimat – What I Always Wanted to Say about Germany the frankfurt magazine Books and the book trade in figures Books and the book trade in figures EDITORIAL In the sea of books A pile of all the new books published in A2016 pile of would all the rise new to books some published 2,180 metres in 2016In data for the Germany, change sea compared toof previous yearbooks in brackets 2016 would rise to some 2,180 metres Book consumption: Dear readers, 2016 data for Germany, change compared to previous year in brackets Who reads how often? New releases Book consumption: Who reads how often? Book market sales New releases Old habits die hard, and breaking them sometimes We look at a social phenomenon that forms the by distribution channel First edition Book market sales Daily / several takes time. You now hold in your hands the result focus of myriad new publications: it’s now 50 years Total Firstbook edition production by Salesdistribution in euros channel times a week Total72,820 book production(-4.9%) Daily / several of one such radical break: the frankfurt magazine, since students in Germany and elsewhere took to Sales in euros Online book Other times a week 72,820 (-4.9%) 42% 25% published by the Frankfurter Buchmesse. A liter- the streets in 1968 to call for radical change. We Onlinemarket book salesOther points 1.69 billion (+5.3%) 4,966 (+14.1%) 42% 25% ary magazine whose -
Erich Garhammer, Würzburg 2011 : [Recenzja]
Ewa Anna Piasta "Zweifel im Dienst der Hoffnung. Poesie und Theologie", Erich Garhammer, Würzburg 2011 : [recenzja] Lublin Studies in Modern Languages and Literature 35, 144-148 2011 LUBLIN STUDIES IN MODERN LANGUAGES AND LITERATURE 35, 2011, h t t p ://w w w .l s m l l .u m c s .l u b l i n . p l Ewa Anna Piasta Jan Kochanowski University Kielce, Poland Erich Garhammer: Zweifel im Dienst der Hoffnung. Poesie und Theologie, Echter-Verlag, Würzburg 2011, 318 S. Die Neuerscheinung des Würzburger Theologen und Germanisten Erich Garhammer, den ich dieses Jahr persönlich kennen lernen durfte, ist für die Literaturwissenschaftler und Theologen eine besonders interessante Publikation, die mit außerordentlichem Schwung und großer Akribie das interdisziplinäre Gebiet betritt. Der Autor geht hier den zahlreichen ineinander greifenden Aspekten der Wechselbeziehung zwischen Literatur / Poesie und Theologie nach. Das Buch liefert keine systematische Darstellung der Beziehungen aus dem Bereich von Theologie und Literatur, benennt keine Kategorien, die eine Untersuchungsgrundlage für die in dem vorliegenden Band gesammelten Aufsätze bilden und für weitere Forschung in diesem Feld ausschlaggebend würden. Dies darf jedoch als keine Schwäche betrachtet werden, da das Hauptanliegen des Buches im Nachspüren und der Deutung unterschiedlicher Aspekte des literarisch theologischen Dialogs besteht. In dem besprochenen Band wurden Zweifel im Dienst der Hoffnung. Poesie und Theologie 145 einzelne Aufsätze zusammengestellt, die jeweils andere Schwerpunkte der interdisziplinären Analyse setzen. Die Publikation besteht aus fünf Teilen, wobei der erste, betitelt als Portal - Theologie und Literatur, die vielseitige Thematik des Aufeinandertreffens von Poesie und Theologie ankündigt. Danach folgt das Kapitel Die Mühe des Dialogs - Theologie neu lesen, das der verzwickten Geschichte der beiden Bereiche seit dem frühen christentum auf die Spur geht, sowie das auf beiden Gebieten schon immer präsente Thema ,Schuld’ näher betrachtet. -
Women and War in the German Cultural Imagination
Conquering Women: Women and War in the German Cultural Imagination Edited by Hillary Collier Sy-Quia and Susanne Baackmann Description: This volume, focused on how women participate in, suffer from, and are subtly implicated in warfare raises the still larger questions of how and when women enter history, memory, and representation. The individual essays, dealing with 19th and mostly 20th century German literature, social history, art history, and cinema embody all the complexities and ambiguities of the title “Conquering Women.” Women as the mothers of current and future generations of soldiers; women as combatants and as rape victims; women organizing against war; and violence against women as both a weapon of war and as the justification for violent revenge are all represented in this collection of original essays by rising new scholars of feminist theory and German cultural studies. RESEARCH SERIES / NUMBER 104 Conquering Women: Women and War in the German Cultural Imagination X Hilary Collier Sy-Quia and Susanne Baackmann, Editors UNIVERSITY OF CALIFORNIA AT BERKELEY Library of Congress Cataloging-in-Publication Data Conquering women : women and war in the German cultural imagination / Hilary Collier Sy-Quia and Susanne Baackmann, editors. p. cm — (Research series ; no. 104) Papers from the 5th Annual Interdisciplinary German Studies Con- ference held at the University of California, Berkeley, March 1997. Includes bibliographical references. ISBN 0-87725-004-9 1. German literature—History and criticism—Congresses. 2. Women in literature—Congresses. 3. War in literature—Congresses. 4. Violence in literature—Congresses. 5. Art, Modern—20th century—Germany— Congresses. 6. Women in art—Congresses. 7. -
Space and Place in Postwar Germany
David Clarke, Renate Rechtien, eds.. The Politics of Place in Post-War Germany: Essays in Literary Criticism. Lewiston: Edwin Mellen Press, 2009. v + 291 pp. $119.95, cloth, ISBN 978-0-7734-4736-3. Reviewed by Paul O'Hanrahan Published on H-German (November, 2010) Commissioned by Benita Blessing (Oregon State University) On the cover of The Politics of Place, a photo‐ tions of the relations between culture, geography, graph of a prefabricated building in Leipzig in and ideology. A subtle analysis of how spatial the‐ 2007 serves as a reminder of the aesthetic unifor‐ orists define place and space precedes a consider‐ mity that characterized the intersection between ation of place in literature and reference to key politics and place in the construction of the Ger‐ events in the postwar German political context. A man Democratic Republic (GDR). Happily, the vol‐ complementary genealogy of German literature of ume of essays that follows, based on a 2005 sym‐ place is supplied in a later chapter by Thomas posium at the University of Cambridge, is remark‐ Möbius. The latter's survey of the tradition of able for its diversity and eclecticism. The confer‐ landscape imagery in GDR literature ranges far ence was originally conceived as an investigation beyond the volume's postwar parameters to pro‐ into the work of author Angela Krauß, but ex‐ vide a welcome study of the evolution of land‐ panded into a wide-ranging consideration of the scape representation in German poetry. Two es‐ function of place in postwar German writing. says with a Berlin focus by Simon Ward and An‐ Thoroughly embedded in literary texts, the vol‐ drew Webber anchor the volume's deliberations ume explores responses to location in Kraus, on place, while Berlin is also integral to Dennis Hanns-Josef Ortheil, W. -
Ruth Beckermann Discusses Her Latest Project the Dreamed Ones, Based
«This love has the character of a dream.» Ruth Beckermann discusses her latest project The Dreamed Ones, based on the correspondence between Ingeborg Bachmann and Paul Celan, which marks a departure for her by venturing into feature film territory. Our conversation about your last film, Those Who Go Those Who Stay, ended with the following sentences: "It is necessary to make the “hors-champ“ much more powerfully visible. Maybe it would be a good idea to make a film about everything that you can't film." Is it possible that using a literary text, with voices and listening – different sensory perceptions, different artistic forms of expression – has opened a window that permits The Dreamed Ones to venture into new film territory? RUTH BECKERMANN: This new film certainly does explore new territory. In The Dreamed Ones I not only worked with actors for the first time but also adopted a completely different approach; at the beginning I didn't know precisely how far I would move away from the essay film. The idea of using a literary text as the basis developed from a meeting with the literary critic Ina Hartwig, and over the course of a year I developed the screenplay for the film together with her. It went through a large number of versions, about 25. We met when we were both on the jury of the Wartholz Literature Prize. As we were driving from Vienna Airport to Reichenau/Rax we got talking about the exchange of letters between Ingeborg Bachmann and Paul Celan, which had been published a few years earlier under the title Herzzeit (Heart’s Time).