3Rd Dimension Veritas Et Visus October 2010 Vol 5 No 9
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Pediatric Ophthalmology/Strabismus 2017-2019
Academy MOC Essentials® Practicing Ophthalmologists Curriculum 2017–2019 Pediatric Ophthalmology/Strabismus *** Pediatric Ophthalmology/Strabismus 2 © AAO 2017-2019 Practicing Ophthalmologists Curriculum Disclaimer and Limitation of Liability As a service to its members and American Board of Ophthalmology (ABO) diplomates, the American Academy of Ophthalmology has developed the Practicing Ophthalmologists Curriculum (POC) as a tool for members to prepare for the Maintenance of Certification (MOC) -related examinations. The Academy provides this material for educational purposes only. The POC should not be deemed inclusive of all proper methods of care or exclusive of other methods of care reasonably directed at obtaining the best results. The physician must make the ultimate judgment about the propriety of the care of a particular patient in light of all the circumstances presented by that patient. The Academy specifically disclaims any and all liability for injury or other damages of any kind, from negligence or otherwise, for any and all claims that may arise out of the use of any information contained herein. References to certain drugs, instruments, and other products in the POC are made for illustrative purposes only and are not intended to constitute an endorsement of such. Such material may include information on applications that are not considered community standard, that reflect indications not included in approved FDA labeling, or that are approved for use only in restricted research settings. The FDA has stated that it is the responsibility of the physician to determine the FDA status of each drug or device he or she wishes to use, and to use them with appropriate patient consent in compliance with applicable law. -
Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia?
Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia? by Lina Sulaiman Alkahmous Submitted in partial fulfilment of the requirements for the degree of Master of Science at Dalhousie University Halifax, Nova Scotia November 2011 © Copyright by Lina Sulaiman Alkahmous, 2011 DALHOUSIE UNIVERSITY CLINICAL VISION SCIENCE PROGRAM The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia?” by Lina Sulaiman Alkahmous in partial fulfilment of the requirements for the degree of Master of Science. Dated: November 17, 2011 Supervisors: _________________________________ _________________________________ Readers: _________________________________ _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: November 17, 2011 AUTHOR: Lina Sulaiman Alkahmous TITLE: Does Occlusion Therapy Improve Control in Non-Diplopic Patients with Intermittent Exotropia? DEPARTMENT OR SCHOOL: Clinical Vision Science Program DEGREE: MSc CONVOCATION: May YEAR: 2012 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from -
3D Techniques
3D Techniques Univ.Prof. Dr.-Ing. Markus Rupp LVA 389.141 Fachvertiefung Telekommunikation (LVA: 389.137 Image and Video Compression) Last change: Jan 20, 2020 Outline • Binocluar Vision • Stereo Images: From first approaches to standardisation • 3D TV Univ.-Prof. Dr.-Ing. Markus Rupp 2 So far we did only this… This is an eye-pad not an IPad Binocular vision • Binocular vision is vision in which both eyes are used together. The word binocular comes from two Latin roots, bini for double, and oculus for eye.[1] Having two eyes confers at least four advantages over having one. First, it gives a creature a spare eye in case one is damaged. Second, it gives a wider field of view. For example, humans have a maximum horizontal field of view of approximately 200 degrees with two eyes, approximately 120 degrees of which makes up the binocular field of view (seen by both eyes) flanked by two uniocular fields (seen by only one eye) of approximately 40 degrees. [2] Third, it gives binocular summation in which the ability to detect faint objects is enhanced.[3] Fourth it can give stereopsis in which parallax provided by the two eyes' different positions on the head give precise depth perception.[4] Such binocular vision is usually accompanied by singleness of vision or binocular fusion, in which a single image is seen despite each eye's having its own image of any object.[4] Binocular vision • Some animals, usually prey animals, have their two eyes positioned on opposite sides of their heads to give the widest possible field of view. -
Robust Watermarking Techniques for Stereoscopic Video Protection Afef Chammem
Robust watermarking techniques for stereoscopic video protection Afef Chammem To cite this version: Afef Chammem. Robust watermarking techniques for stereoscopic video protection. Other [cs.OH]. Institut National des Télécommunications, 2013. English. NNT : 2013TELE0008. tel-00917964 HAL Id: tel-00917964 https://tel.archives-ouvertes.fr/tel-00917964 Submitted on 12 Dec 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE DE DOCTORAT CONJOINT TELECOM SUDPARIS et L’UNIVERSITE PIERRE ET MARIE CURIE Spécialité : Informatique et Télécommunication Ecole doctorale : Informatique, Télécommunications et Electronique de Paris Méthodes de tatouage robuste pour la protection de l'imagerie numérique 3D Présentée par Afef Chammem Soutenu le 27 Mai 2013 à paris Devant le jury composé de : Prof. Touradj Ebrahimi Head of the MMSPG, EPFL Rapporteur Prof. Laurent Lucas Head of the SIC Group, URCA Rapporteur Prof. Patrick Gallinari Head of the LIP6, UPMC Président Dr. Frédéric Dufaux CNRS Research Director, TelecomParisTech Examinateur Prof. Faouzi Ghorbel Head of the CRISTAL Lab, ENSI Examinateur Head of the New Formats and New Coding Project, Mme. Maryline Clare Examinateur Orange Labs Prof. Françoise Preteux Deputy Scientific Director, Mines ParisTech Directeur de thèse HDR. -
Course Notes
Siggraph ‘97 Stereo Computer Graphics for Virtual Reality Course Notes Lou Harrison David McAllister Martin Dulberg Multimedia Lab Department of Computer Science North Carolina State University ACM SIGGRAPH '97 Stereoscopic Computer Graphics for Virtual Reality David McAllister Lou Harrison Martin Dulberg MULTIMEDIA LAB COMPUTER SCIENCE DEPARTMENT NORTH CAROLINA STATE UNIVERSITY http://www.multimedia.ncsu.edu Multimedia Lab @ NC State Welcome & Overview • Introduction to depth perception & stereo graphics terminology • Methods to generate stereoscopic images • Stereo input/output techniques including head mounted displays • Algorithms in stereoscopic computer graphics Multimedia Lab @ NC State Speaker Biographies: David F. McAllister received his BS in mathematics from the University of North Carolina at Chapel Hill in 1963. Following service in the military, he attended Purdue University, where he received his MS in mathematics in 1967. He received his Ph. D. in Computer Science in 1972 from the University of North Carolina at Chapel Hill. Dr. McAllister is a professor in the Department of Computer Science at North Carolina State University. He has published many papers in the areas of 3D technology and computer graphics and has given several courses in these areas at SPIE, SPSE, Visualization and SIGGRAPH. He is the editor of a book on Stereo Computer Graphics published by Princeton University Press. Lou Harrison received his BS in Computer Science from North Carolina State University in 1987 and his MS in Computer Science, also from NCSU, in 1990. Mr. Harrison has taught courses in Operating Systems and Computer Graphics at NCSU and is currently Manager of Operations for the Department of Computer Science at NCSU while pursuing his Ph. -
Political Ecology in Large Format Films: Analyzing
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Political Ecology in Large-Format Films: Analyzing Environmental Representation & Audience Reception of Imax Nature Documentaries Jason Kemmitt Smith Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION POLITICAL ECOLOGY IN LARGE-FORMAT FILMS: ANALYZING ENVIRONMENTAL REPRESENTATION & AUDIENCE RECEPTION OF IMAX NATURE DOCUMENTARIES By JASON KEMMITT SMITH A Dissertation submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2007 The members of the Committee approve the dissertation of Jason Kemmitt Smith defended on November 13, 2006. ___________________________________ Andy Opel Professor Co-Directing Dissertation ___________________________________ Stephen McDowell Professor Co-Directing Dissertation ___________________________________ Phil Steinberg Outside Committee Member ___________________________________ Donna Nudd Committee Member Approved: _______________________________________________ Stephen McDowell, Chair, Department of Communication _______________________________________________ John Mayo, Dean, College of Communications The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS There are so many people I need to thank because of their support throughout my graduate career. Without their love, understanding, guidance, financial assistance and advice, I would not have been able to complete this project and receive my doctorate. First and foremost, I must express my gratitude for my faith in God, recovery, and the fellowship of Alcoholics Anonymous. Then, I must thank my mother, Suzanne P. Smith. Your undying devotion to your children over the years, while experiencing the loss of your husband and debilitating health has been nothing less than awe-inspiring. -
Subpixel-Filterung Für Eine Autostereoskopische Multiperspektiven-3-D- Darstellung Hoher Qualität
Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D- Darstellung hoher Qualität Dissertation zur Erlangung des akademischen Grades Dr.-Ing. der Universität Kassel Fachbereich Elektrotechnik/Informatik Fachrichtung Informatik vorgelegt von Dipl.-Inf. Dirk Müller Kassel im November 2005 Tag der mündlichen Prüfung: 09. Februar 2006 Erstgutachter: Prof. Dr.-Ing. Siegbert Hentschke Zweitgutachter: Prof. Dr.-Ing. Dieter Wloka Dirk Müller: 2 „Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D-Darstellung hoher Qualität“ Für Dorota 3 Dirk Müller: 4 „Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D-Darstellung hoher Qualität“ Danksagung Die Vorbereitung und Fertigstellung dieser Arbeit wurde mir durch meinen Doktorvater Herrn Prof. Hentschke und die ständige Unterstützung und Aufmunterung durch meine Eltern ermöglicht. Außerdem möchte ich die stets gute Zusammenarbeit mit meinen Kollegen der Fachgruppe Digitaltechnik an der Universität Kassel erwähnen. Allen genannten Personen gilt mein ganz besonderer Dank. 5 Dirk Müller: 6 „Subpixel-Filterung für eine autostereoskopische Multiperspektiven-3-D-Darstellung hoher Qualität“ Inhaltsverzeichnis 1 Einleitung................................................................................................... 11 2 S tand der Technik: 3- D -Display-Technologie und Autostereoskopie..15 2.1 Überblick................................................................................................................. 15 2.2 M otivation von 3- D -Displays................................................................................ -
Proximal Monitoring in Landscape Environments
Department of Mathematics and Statistics Proximal Monitoring in Landscape Environments Shuqi Ng This dissertation is presented for the Degree of Doctor of Philosophy of Curtin University December 2017 DECLARATION To the best of my knowledge and belief, this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Shuqi Ng March 2017 ABSTRACT With the implementation of the initiatives in reducing emissions from deforestation and forest degradation (REDD), the accurate determination of the spatio-temporal variation of carbon stocks is crucial. Woody vegetation is one of the more noteworthy carbon storage pools. However, ever-changing forest inventory makes it difficult for countries to accurately measure woody biomass and by extension, predict carbon stocks. Although the most accurate mensuration of biomass is to harvest a tree, the method is destructive and obstructs the REDD initiative. Non- destructive methods use dendrometric measurements that have been obtained from non-contact, remote sensing technologies to estimate biomass derived from allometric models. The commodity stereo-camera is an alternate consideration to remote sensing technologies currently used such as terrestrial laser scanning (TLS), which requires specialized equipment and some expertise in using the equipment. Improving technologies and software has enabled the photogrammetric measurements of objects to be reasonably accurate comparative to TLS. As a more mobile and cost-effective equipment, it also addresses some of the issues in using laser technology. In photogrammetric measurement, the application of spatial scale to the model is critical for accurate distance and volume estimates (Miller (2015)). -
Stereoscopic 3D Videos and Panoramas Stereoscopic 3D Videos and Panoramas
Christian Richardt Stereoscopic 3D Videos and Panoramas Stereoscopic 3D videos and panoramas 1. Capturing and displaying stereo 3D videos 2. Viewing comfort considerations 3. Editing stereo 3D videos (research papers) 4. Creating stereo 3D panoramas 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 2 Stereo camera rigs Parallel Converged (‘toed-in’) 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 3 Stereo camera rigs Parallel Converged (‘toed-in’) Kreylos Kreylos Oliver Oliver 2012 2012 © ©2012 Oliver 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 4 Computational stereo 3D camera system et al./ACM et Computational stereo camera system with programmable control loop S. Heinzle, P. Greisen, D. Gallup, C. Chen, D. Saner, A. Smolic, A. Burg, W. Matusik & M. Gross Heinzle ACM Transactions on Graphics (SIGGRAPH), 2011, 30(4), 94:1–10 2011 © 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 5 Commercial stereo 3D projection Polarised projection Wavelength multiplexing e.g. RealD 3D, MasterImage 3D e.g. Dolby 3D 3.0 - SA - BY - Commons/CC Wilkinson/Sound and Vision and Wilkinson/Sound NK, 3dnatureguy/Wikimedia Raoul Raoul ©2011 ©2011 Scott © 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 6 Medium-scale stereo 3D displays Active shutter glasses Autostereoscopy e.g. NVIDIA 3D Vision, 3D TVs 3.0 - SA - BY - ©2011 ©2011 MTBS3D/NVIDIA /Wikimedia Commons/CC /Wikimedia Cmglee © 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 7 Other stereo 3D displays Head-mounted displays (HMDs) Anaglyph stereo e.g. HTC Vive, Oculus Rift, Google Cardboard e.g. red cyan glasses, ColorCode 3-D, Inficolor 3D ©2016 HTC Corporation ©2016 HTC Taringa 2016 2016 © 2017-08-03 Christian Richardt – Stereoscopic 3D Videos and Panoramas 8 Cinema 3D Narrow angular range that spans a single seat et al. -
A Method for the Assessment of the Quality of Stereoscopic 3D Images Raluca Vlad
A Method for the Assessment of the Quality of Stereoscopic 3D Images Raluca Vlad To cite this version: Raluca Vlad. A Method for the Assessment of the Quality of Stereoscopic 3D Images. Signal and Image Processing. Université de Grenoble, 2013. English. tel-00925280v2 HAL Id: tel-00925280 https://tel.archives-ouvertes.fr/tel-00925280v2 Submitted on 10 Jan 2014 (v2), last revised 28 Feb 2014 (v3) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE pour obtenir le grade de DOCTEUR DE L’UNIVERSITÉ DE GRENOBLE Spécialité : Signal, Image, Parole, Télécommunications (SIPT) Arrêté ministériel : 7 août 2006 Présentée par Mlle Raluca VLAD Thèse dirigée par Mme Anne GUÉRIN-DUGUÉ et Mme Patricia LADRET préparée au sein du laboratoire Grenoble - Images, Parole, Signal, Automatique (GIPSA-lab) dans l’école doctorale d’Électronique, Électrotechnique, Automatique et Traitement du signal (EEATS) Une méthode pour l’évaluation de la qualité des images 3D stéréoscopiques Thèse soutenue publiquement le 2 décembre 2013, devant le jury composé de : Patrick LE CALLET -
GEITF Programme 2010.Pdf
MediaGuardian Edinburgh International Television Festival 27–29 August 2010 Programme of Events ON TV Contents Welcome to Edinburgh 02 Schedule at a Glance 28 Social Events 06 Friday Sessions 20 Friday Night Opening Reception / Saturday Meet Highlights include: TV’s Got to Dance / This is England and Greet / Saturday Night Party / Channel of the ‘86 plus Q&A / The Richard Dunn Memorial Lecture: Year Awards Jimmy Mulville / The James MacTaggart Memorial Lecture: Mark Thompson Sponsors 08 Saturday Sessions 30 Information 13 Extras 14 Workshops 16 EICC Orientation Guide 18 Highlights include: 50 Years of Coronation Street: A Masterclass / The Alternative MacTaggart: Paul Abbott / Venues 19 The Futureview: Sandy Climan / EastEnders at 25: A Masterclass The Network 44 Sunday Sessions 40 Fast Track 46 Executive Committee 54 Advisory Committee 55 Festival Team 56 Highlights include: Doctor Who: A Masterclass / Katie Price: Shrink Rap / The Last Laugh Keynote Speaker Biographies 52 Mark Thompson / Paul Abbott / Jimmy Mulville / Sandy Climan Welcome to Edinburgh man they call “Hollywood’s Mr 3D” Sandy Climan bacon sarnies. The whole extravaganza will be for this year's Futureview keynote to answer the hosted by Mark Austin who will welcome guests DEFINING question Will it Go Beyond Football, Films and onto his own Sunday morning sofa. Michael Grade F****ng?. In a new tie-up between the TV Festival will give us his perspective on life in his first public and the Edinburgh Interactive Festival we’ve appearance since leaving ITV. Steven Moffat will THE YEAR’S brought together the brightest brains from the be in conversation in a Doctor Who Masterclass. -
A Stereo/Photo Glossary Page 1 of 34
A Stereo/Photo Glossary Page 1 of 34 A STEREO/PHOTO GLOSSARY (Second edition, version 93.5/97.4a) by: Craig Daniels and Dr. Dale E. Hammerschmidt This short work is intended for anyone interested in stereoscopic pursuits, but particularly for those who are trying to create stereoscopic images. We hope that the words and phrases to be found here will become useful tools rather than obstacles in your approach to "3-D" imaging. We stress that this is a compendium of terms that we have found useful, confusing and/or interesting; while we have tried to make it accurate, we do not represent that it is complete or of great scholarly depth. Some entries are long, because we found the subject interesting or we knew a lot about it; some are short for the obvious other reasons! We have tried to keep the tone conversational, rather than strive for uniform and rigid style; we've not felt ourselves above an occasional wise-crack. Additions, corrections and improvements are always welcome --- we see ourselves as editors rather than authors. (Glossary is available via diskette or e-mail.) * ANSI: American National Standards Institute. See next entry. * ASA: (1) American Standards Association. Although the expression "ASA" is still applied to U.S. film speeds, the "American Standards Association" changed its name to the "American National Standards Institute" in 1969. Their standards are referenced by ANSI numbers such as "PH3.11-1953" (which describes the 5p format used in cameras like the Stereo Realist and the Kodak Stereo 35). (2) As a film speed, it now appears in conjunction with the European DIN number (see) in the format "100/21"" which, as such, is the "ISO" speed.