Traditional Witchcraft Grimoire Book of Shadows
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Magic and the Supernatural
Edited by Scott E. Hendrix and Timothy J. Shannon Magic and the Supernatural At the Interface Series Editors Dr Robert Fisher Dr Daniel Riha Advisory Board Dr Alejandro Cervantes-Carson Dr Peter Mario Kreuter Professor Margaret Chatterjee Martin McGoldrick Dr Wayne Cristaudo Revd Stephen Morris Mira Crouch Professor John Parry Dr Phil Fitzsimmons Paul Reynolds Professor Asa Kasher Professor Peter Twohig Owen Kelly Professor S Ram Vemuri Revd Dr Kenneth Wilson, O.B.E An At the Interface research and publications project. http://www.inter-disciplinary.net/at-the-interface/ The Evil Hub ‘Magic and the Supernatural’ 2012 Magic and the Supernatural Edited by Scott E. Hendrix and Timothy J. Shannon Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2012 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-095-5 First published in the United Kingdom in eBook format in 2012. First Edition. Table of Contents Preface vii Scott Hendrix PART 1 Philosophy, Religion and Magic Magic and Practical Agency 3 Brian Feltham Art, Love and Magic in Marsilio Ficino’s De Amore 9 Juan Pablo Maggioti The Jinn: An Equivalent to Evil in 20th Century 15 Arabian Nights and Days Orchida Ismail and Lamya Ramadan PART 2 Magic and History Rational Astrology and Empiricism, From Pico to Galileo 23 Scott E. -
Psychedelics and Entheogens: Implications of Administration in Medical and Non- Medical Contexts
Psychedelics and Entheogens: Implications of Administration in Medical and Non- Medical Contexts by Hannah Rae Kirk A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Biology (Honors Scholar) Presented May 23, 2018 Commencement June 2018 AN ABSTRACT OF THE THESIS OF Hannah Rae Kirk for the degree of Honors Baccalaureate of Science in Biology presented on May 23, 2018. Title: Psychedelics and Entheogens: Implications of Administration in Medical and Non-Medical Contexts. Abstract approved:_____________________________________________________ Robin Pappas Psychedelics and entheogens began as religious sacraments. They were apotheosized for their mind-expanding powers and were thought to open realms to the world of the Gods. It was not until the first psychedelic compound was discovered in a laboratory setting a mere hundred years ago that they entered into formal scientific study. Although they were initially well-received in academic and professional circles, research into their potential was interrupted when they were made illegal. Only recently have scientists renewed the investigation of psychedelic substances, in the hope of demonstrating their potential in understanding and healing the human mind. This thesis will explore the history of psychedelics and entheogens, consider the causes behind the prohibition of their research, and outline their reintroduction into current scientific research. Psychedelic compounds have proven to be magnifiers of the mind and, under appropriate circumstances, can act as medicaments in both therapeutic and non-medical contexts. By exploring the journey of psychedelic substances from sacraments, to therapeutic aids, to dangerous drugs, and back again, this thesis will highlight what is at stake when politics and misinformation suppresses scientific research. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Episode #030 – the Inspiring Wendy Rule
“The Infinite and the Beyond” hosted by Chris Orapello Episode #030 – The Inspiring Wendy Rule 1 Episode #030 – The Inspiring Wendy Rule The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Underline Theme: Awen and Inspiration Show Introduction MM, BB, 93, Hello and Welcome to the 30th Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. In this episode… We speak with Australian Visionary Songstress Wendy Rule and get to enjoy some of her music. “Creator Destroyer” from her album The Wolf Sky “Guided by Venus” from her album Guided by Venus “My Sister the Moon” from her album Guided by Venus “The Wolf Sky (Live)” from her album Live at the Castle on the Hill “Circle Open (Live)” from her album Live at the Castle on the Hill We learn about the controversial, “King of the Witches,” Alex Sanders in A Corner in the Occult. In the spirit of creativity we learn about the Awen in The Essence of Magic, but first lets hear “Creator Destroyer” a haunting track by Wendy Rule. Featured Artist “Creator Destroyer” by Wendy Rule Interview Part 1 : Wendy Rule ➢ Wild, passionate and empowering, Australian Visionary Songstress Wendy Rule, weaves together music, mythology and ritual to take her audience on an otherworldly journey of depth and passion. Drawing on her deep love of Nature and lifelong fascination with the worlds of Faerie and Magic, Wendy’s songs combine irresistible melodies with rich aural textures and a rare personal honesty. -
The Host in the Toad PDF
Cor Hendriks The Host in the Toad The Development of a Fairytale Motif (V34.2) In Thompson’s Motif-Index of Folk-Literature we find under V34. Miraculous working of the host as subdivision V34.2. Princess sick because toad has swallowed her consecrated wafer. Thompson refers for this to Tale Type 613 and the study of this type by Christiansen. Other motifs he refers to are B177. Magic Toad; C55. Tabu: losing consecrated wafer; C940.1. Princess’s secret sickness from breaking tabu; D2064.1. Magic sickness because girl has thrown away her consecrated wafer. At this last motif Thompson remarks: H1292.4.1. Question (propounded on quest): How can the princess be cured? Answer: She must recover consecrated wafer which rat has stolen from her first communion. 1 This question of how the princess can be cured is treated by Christiansen in his study of AT 613 and he remarks that the list of the different remedies is long, and that it is difficult to settle a tradition. A certain feature though he finds in some of the variants, more fully worked out or simply suggested: it is the incident that the princess’s disease was due to a mishap at her first communion, where she lost the consecrated wafer. A toad took it, and is sitting under the floor with it in its mouth, and it has to be given back to the princess (also a rat is found). This episode can be seen in 4 Norse, 1 Swedish, 4 Danish, 2 Icelandic, 2 German, 1 Dutch, 2 Belgian, 2 Czech, 1 Hungarian, 1 Bask, 1 Rumanian, 1 Slovak, 4 Finnish, 2 Russian, 2 White- Russian; and 6 Polish versions. -
Morgan Le Fay's Ultimate Treason Revealed
CORE Metadata, citation and similar papers at core.ac.uk Provided by Lehigh University: Lehigh Preserve Lehigh University Lehigh Preserve Theses and Dissertations 1993 Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The veils of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks Ann Maureen Cavanaugh Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Recommended Citation Cavanaugh, Ann Maureen, "Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The eiv ls of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks" (1993). Theses and Dissertations. Paper 201. This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. UH R: Cavanaugh,. nn Maureen T~TLE:, valon Revisited: Morgan La Fayus Ultimate I Treason Revealedaac ""'l DATE: October 10,1993 Avalon Revisited: Morgan Ie Fay's Ultimate Treason Revealed and 'The Veils of Wretched Love': uncovering sister Leopolda's Hidden Truths in Louise Erdrich's Love Medicine and Tracks by Ann Maureen Cavanaugh A Thesis Presented to the Graduate and Research Committee of Lehigh University in candidacy for the Degree of Master of Arts in the Department of English Lehigh university October 1993 "Yet in every winter's heart there is a quivering spring, and behind the veil of each night there is a smiling dawn. Now my despair has turned into hope." (Kahlil Gibran) Thanks Dad, Mom, Gr~ndmom, Bert, steen, Andrea, and Maurice for your loving support. -
Sane Magic Item Prices
Introduction • Consumables are items that are used some set Have you ever wondered how much an item truly costs? amount of times (usually once) and then are gone. Have you been wanting to find or craft an item but aren’t • Combat Items are items that primarily make the sure how it fits in to the grand scheme of things? Did you user better at killing things. Some also have other ever look at sovereign glue and say to yourself, “There is killing-unrelated effects, but these are not the no way that glue is worth 500,000 gp when Sentinal shield primary source of their utility. is worth 500gp”. Well you are in luck because this guide • Noncombat Items are items that primarily make is for you. the user better at solving problems in a killing- Brainstorming with the Giant In the Playground, /r/ unrelated manner. Some also make the user better DnDNext, and EnWorld forums, Saidoro has put together at killing things, but this is not the primary source a set of tables that break down the costs, reasons for the of their utility. costs, and DMG page to find the item. • Summoning Items are items that summon creatures to kill things or solve problems for you. • Gamechanging Items are items that can have major DM Preface effects on the way the players engage with the world Your world need not sell the magic items for the prices or that can resculpt the campaign world in some given below. Your world does not even need to sell the major way all on their own. -
A Short Course in Scrying
A Short Course in Scrying Benjamin Rowe copyright 1997, 1998 Introduction This paper was written in response to requests by participants of the “enochian-l” and “Praxis” internet discussion groups; it first appeared as a series of posts on those groups in early 1997. The current version has been slightly rewritten to enhance the clarity of the presentation, and to include a small amount of additional material. The techniques described herein are adaptations of techniques I learned from two sources. The first of these is Mr. Brian D., who taught me the basic method many years ago. The second is Mr. Paul Solomon and his group, the Fellowship of the Inner Light, who had transformed that method into the foundation of their system of spiritual work. Special thanks also to the “secret chiefs” of the Fellowship, for their direct and effective contribution to my work at a critical point. Some debts can never be repaid; the best that can be done is to pass on what was given. ïL Chapter 1. Preliminary Considerations To begin, the reader should understand that scrying is as much a learned skill as is reading or ice-skating. Persistent practice is necessary to teach the nervous system how to do it, even where the person has some innate talent. And as with other learned skills, there is a learning curve. At first there will be a long period when you don't seem to be making any significant progress. Then things will suddenly fall together and your practice will improve markedly in a short period, before leveling off again at something close to your highest level of skill. -
Competing Philosophies in Calderon's El Mayor Encanto, Amor
Bulletin of Spanish Studies, Volume LXXXVII, Number 2, 2010 The Figure of Circe and the Power of Knowledge: Competing Philosophies in Caldero´n’s El mayor encanto, amor JONATHAN ELLIS Oklahoma State University At first, Caldero´n’s mythological play follows the well-known story of Homer’s Odyssey. On their way home from the Trojan War, Ulises1 and his crew stop at the island of the witch Circe. Most of the Greeks search the island and arrive at the palace of Circe as their leader waits at the beach. Rather than be wary, they choose to indulge their desires and baser natures. As we know, Circe transforms all but one of them into beasts with a potion. However, from this point on Caldero´n begins to introduce significant changes into the story known from both Homer and Ovid. When Ulises confronts Circe, she gives him also a potion, but he does not drink, having learned of its danger and having learned how to render it useless.2 Defeated, Circe cries out, ‘¿Quie´n cielos airados, / quie´nma´s ha sabido que yo?’ (1515a).3 This early passage is key, indicating that she recognizes knowledge to be the basis of her power with which she attempts to control all of nature, the elements and men. However, 1 I have retained the Spanish spelling of the names throughout, in order to clearly distinguish between Caldero´n’s characters and those of Classical literature. 2 In Homer, Odysseus is aided by Hermes who provides the moly root as protection against the effects of Circe’s potion. -
D&D 4E DM Kit and Mordenkainen's Emporium Random Loot Tables
D&D 4e DM Kit and Mordenkainen’s Emporium Random Loot Tables Level 1 Level 2 Level 3 Level 4 1!Weapon of Surrounding 1!Way-Leader Weapon 1!Weapon of Defense 1!Seeker Weapon 2!Shock Weapon 2!Weapon of Surrounding 2!Way-Leader Weapon 2!Weapon of Defense 3!Warning Weapon 3!Warning Weapon 3!Luckblade 3!Giantslayer Weapon 4!Luckblade 4!Seeker Weapon 4!Weapon of Accuracy 4!Weapon of Submission 5!Way-Leader Weapon 5!Weapon of Submission 5!Shock Weapon 5!Weapon of Accuracy 6!Ebon Armor 6!Ebon Armor 6!Armor of the Charging Wind 6!Wintersnap Armor 7!Delver's Armor 7!Delver's Armor 7!Armor of Dogged Grit 7!Armor of Dogged Grit 8!Armor of the Charging Wind 8!Armor of the Charging Wind 8!Delver's Armor 8!Ebon Armor 9!Doppelganger Armor 9!Doppelganger Armor 9!Dwarven Armor 9!Armor of the Charging Wind 10!Wintersnap Armor 10!Dwarven Armor 10!Doppelganger Armor 10!Delver's Armor 11!Bag of Holding 11!Nolzur's Inkwell 11!Acrobat Boots 11!Chime of Opening 12!Vial of Darkness 12!Elixir of Clairvoyance 12!Bracers of Defense 12!Ironskin Belt 13!Bashing Shield 13!Elixir of Protection from Evil 13!Bashing Shield 13!Elixir of Levitation 14!Elixir of Treasure Finding 14!Ranging Defender Shield 14!Wand of Fear 14!Decanter of Endless Water 15!Symbol of Battle 15!Mountebank's Deck 15!Chime of Opening 15!Nolzur's Marvelous Pigments 16!Rod of Revenge 16!Orb of Inevitable Continuance 16!Guardian's Whistle 16!Lightning Wand 17!Orb of Relentless Sympathy 17!Horned Helm 17!Staff of Storms 17!Bracers of Defense 18!Shiver-Strike Ammunition 18!Symbol of Battle 18!Elixir of -
Pearls of Wisdom Cover Images Pearls of Wisdom Details of Tiraz Textile, Yemen Or Egypt, 10Th–12Th Centuries, Cotton with Resist-Dyed Warp (Ikat), Ink, and Gold Paint
Pearls of Wisdom Cover Images Pearls of Wisdom Details of tiraz textile, Yemen or Egypt, 10th–12th centuries, cotton with resist-dyed warp (ikat), ink, and gold paint. Kelsey Museum of Archaeology, 22621 (cat. no. 3). Published by The Arts of Islam Kelsey Museum of Archaeology at the University of Michigan 434 South State Street Ann Arbor, Michigan 48109-1390 http://www.lsa.umich.edu/kelsey/research/publications Distributed by ISD 70 Enterprise Drive, Suite 2 Bristol, CT 06010 USA phone: 860.584.6546 email: [email protected] christiane gruber and ashley dimmig Exhibition Website http://lw.lsa.umich.edu/kelsey/pearls/index.html © Kelsey Museum of Archaeology 2014 Kelsey Museum Publication 10 ISBN 978-0-9906623-0-3 Ann Arbor, Michigan 2014 Pearls of Wisdom The Arts of Islam at the University of Michigan christiane gruber and ashley dimmig Kelsey Museum Publication 10 Ann Arbor, Michigan 2014 Contents Catalogue Essay 1 Catalogue of Objects Introduction 27 Everyday Beauty Functional Beauty 32 Personal Adornment 40 Play and Protection Games and Toys 50 Amulets and Talismans 54 Surf and Turf 61 Media Metaphors Media Metaphors 70 Tiraz and Epigraphy 82 Coins and Measures 86 Illumination Lamps and Lighting 96 Illumination and Enlightenment 101 Bibliography 109 Acknowledgments 117 Accession Number/Catalogue Number Concordance 118 Subject Index 119 About the Authors 121 Handwriting is the necklace of wisdom. It serves to sort the pearls of wisdom, to bring its dispersed pieces into good order, to put its stray bits together.1 —Abu Hayyan al-Tawhidi (d. after 1009–1010) n his treatise on penmanship, the medieval calligrapher Abu Hayyan Fig. -
1401882258184.Pdf
The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS