Time and Ilusion in the Iceman Cometh
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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
The Philosophy of Eugene O'neill
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1929 The Philosophy of Eugene O'Neill Judith Reynick Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Reynick, Judith, "The Philosophy of Eugene O'Neill" (1929). Master's Theses. 440. https://ecommons.luc.edu/luc_theses/440 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1929 Judith Reynick THE FrlILO~OPHY OF EUG~~B O'NEILL JUDITH Ri!."'YN 10K A thesis submitted in partial fulfillment of the requirements i'or the degree of Master of Arts in Loyola University 1929 Judi th Reyni ck University of Chicago, Ph.B., 1921 • . Teacher of English, Schurz High School. TABLE ·OF GON'r~ . I. INTRODUCTION . 1. ate. temen t of problem 2. Method of dealing with problem·: 3. Brief sketch of au thor GROUPING' Romantic or objective Xaturalistic and autobiographical 3. Symbolic and subjective OONOLUS,IONS IV. LIS T OF PLAYS RE.'V lEi/ED v. BIBLIOGRAPHY F'..;:;",.-o_-----------------:--------, Eugene O'Neill, the American playwrightl That these terms are almost synonymous is the conclusion one is tl forced to, if , to him, a study of contemporary dramatic criticism of the last fourteen years is any criterion. -
Biography of Eugene O'neill
Biography of Eugene O’Neill Trevor M. Wise Eugene Gladstone O’Neill was born on October 16, 1888, at the Barrett hotel in New York city, New York, son of James o’Neill, a well-known matinee idol, and Mary Ellen (Ella) Quinlan. Much of O’Neill’s youth was spent in the wings of the theater as he toured the country with his parents and older brother Jamie, watching his father perform his most famous role—the Count of Monte Cristo. When not touring the country with his family, O’Neill attended Catholic boarding school at St. Aloysius Academy at Mount Saint Vincent in the Bronx borough of New York. he then spent four years at Betts Academy, a non-sectarian prep school in Stamford, Connecticut. O’Neill spent the summers with his family at the Monte Cristo Cottage in New London, Connecticut, the only permanent home O’Neill knew as a child. in 1903, at the age of fifteen, o’Neill became aware of his mother’s morphine addiction and was introduced to alcohol by his brother Jamie, setting him on a path of heavy drinking and alcohol abuse. in the fall of 1906, o’Neill enrolled in princeton University, only to be expelled in the following spring for his poor academic per- formance. in october 1909, o’Neill secretly married Kathleen Jenkins, his first of three wives. Shortly after the wedding, o’Neill set sail for honduras to prospect for gold, but found none. While abroad, O’Neill lived the life of a waterfront derelict, working odd jobs and drinking heavily, until he contracted malaria and was forced to return to the United States. -
Eugene O'neill and Samuel Beckett
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Theatrical Experience in search of God ; Pessimism and Promise: Eugene O’Neill and Samuel Beckett Seung- En, Song MPhil in English Literature The University of Edinburgh 2012 Song 1 Declaration I hereby declare that this thesis has been composed by myself only. Except for ideas and passages properly acknowledged in the text, this writing is all my own work. The work has not been previously submitted for any other degree or professional qualification. Signed, Seung-En, Song The University of Edinburgh Song 2 Acknowledgements Writing this thesis was a pilgrimage experience, leading me from darkness to light. It would not have been possible to complete this journey without the support of many people: my supervisor, Dr. Olga Taxidou, my academic advisor, M Van De Zande, Professor Choi, Dr. -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
The Hairy Ape As an Expressionist Play
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 The Hairy Ape As An Expressionist Play Rajesh S. Gore Assistant Professor and Head, Dept.of English Toshniwal College, Sengaon, Dist-Hingoli Abstract: Expressionism is a term first used by painter Julian Auguste Harve in 1901, while trying to distinguish his paintings from Impressionism. Expressionist movement in art was initiated in Germany in early 20th century under the influence of Swedish Playwright Strindberg. It was at its height between 1910-1925, just before, during and after the World War-I. In America, Expressionism made a strong impact on the plays of Eugene O'Neill such as ' The Emperor Jones (19221), The Hairy Ape (1922) and The Great God Brown (1926). The Hairy ape is the first expressionist play in America. The Hairy Ape is an expressionist play by Eugene O’Neil about a brutish, unthinking laborer known as Yank as he searches for a sense of belonging in world controlled by the rich. Keywords: Expressionism, Impressionism, brutish, unthinking, laborer, belonging. Eugene O'Neill is an eminent playwright of the 20th century American drama. He is not only the creator of the serious American drama, but he ranks with the greatest European dramatists of the 20th century. -
O'neill and Nietzsche: the Making of a Playwright and Thinker
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 O'Neill and Nietzsche: The Making of a Playwright and Thinker Regina Fehrens Poulard Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Poulard, Regina Fehrens, "O'Neill and Nietzsche: The Making of a Playwright and Thinker" (1974). Dissertations. 1385. https://ecommons.luc.edu/luc_diss/1385 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Regina Fehrens Poulard 0 'NEILL AND NIEI'ZSCHE: THE MAKING OF A PI.A'YWRIG HT AJ.'JD THDl'KER by Regina Foulard A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 1974 ACKNOWLEIGMENTS I wish to thank the director of llzy" dissertation, Dr. Stanley Clayes, and llzy" readers, Dr. Rosemary Hartnett and Dr. Thomas Gorman, for their kind encouragement and generous help. ii PREFACE Almost all the biographers mention Nietzsche's and Strindberg's influence on O'Neill. However, surprisingly little has been done on Nietzsche and O'Neill. Besides a few articles which note but do not deal exhaustively with the importance of the German philosopher1 s ideas in the plays of O'Neill, there are two unpublished dissertations which explore Nietzsche's influence on O'Neill. -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Ah, Wilderness! by Eugene O’Neill
By Eugene O’Neill Directed by Douglas C. Wager Spring 2002 Guthrie on Tour Study Guides are made possible by STUDY GUIDE T H E G U T H R I E T H E A T E R J O E D O W L I N G Artistic Director The Guthrie Theater receives support from the National Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from the National Endowment for the Arts. ============================================================================================================ Ah, Wilderness! by Eugene O’Neill With this production, the Guthrie honors the generosity of Target, Marshall Field's Project Imagine and the National Endowment for the Arts with support from the Heartland Arts Fund. =============================================================================================================== A S T U D Y G U I D E published by The Guthrie Theater Senior Editor: Michael Lupu Editor: Belinda Westmaas Jones Research: Dramaturg: Michael Maletic Kate Bredeson Jason Brown Sam Chase Produced with the support of: Jo Holcomb Jo Holcomb Belinda Westmaas Jones Sheila Livingston Michael Lupu Catherine McGuire Michael Maletic Julie McMerty Shane R. Mueller Carla Steen Patricia Vaillancourt Website Layout and Maintenance: Patricia Vaillancourt All rights reserved. No part of this Study Guide may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. -
LIVE from LINCOLN CENTER "The Nance" TCA Bios
“The Nance” TCA Panelist Biographies Douglas Carter Beane’s credits on Broadway include Rodgers + Hammerstein’s Cinderella (Tony Award nomination), The Nance (nominated for five Tony Awards and two Drama Desk Awards), Lysistrata Jones (Tony Award nomination), Sister Act (Tony Award nomination), the stage adaptation of the film Xanadu (Outer Critics Circle & HX Awards for Best Musical, Drama Desk Award for Best Book, and four Tony nominations including Best Musical) and The Little Dog Laughed (Tony Award; West End Olivier Award nomination). His other plays include As Bees In Honey Drown (Outer Critics Circle John Gassner Award), Mr. and Mrs. Fitch, Music From a Sparkling Planet, The Country Club, Advice From a Caterpiller, The Cartells, and Mondo Drama. He has written the libretto for the Metropolitan Opera's Die Fledermaus, which is currently in their repertory, and his ballet, Artists and Models, 1929 is a part of the dance show In Your Arms. He wrote the film adaptation of his play Advice From a Caterpiller as well as the screenplay of To Wong Foo, Thanks For Everything, Julie Newmar. His play The Cartells has been optioned by HBO to be turned into a series. Lincoln Center Theater will produce his next play, Shows For Days, this spring and he is developing a play in verse, Fairycakes, which he will both write and direct. He resides in New York City with his husband, composer Lewis Flinn, their son, Cooper and daughter, Gabrielle. Nathan Lane most recently played Hickey in the acclaimed Robert Falls production of The Iceman Cometh in Chicago. His credits at Lincoln Center Theater include The Nance, Some Americans Abroad and The Frogs. -
Press Kit (PDF)
Synopsis 1 The ocean is a wilderness reaching 'round the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences. - Henry David Thoreau, 1864 For the nineteenth century, the world beneath the sea played much the same role that "outer space" played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called "the reservoir of the soul": the place of the unconscious, of imagination and the fantastic. Proteus uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation. The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison. The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted four thousand species of these one-celled creatures. -
Spring 2015 Issue of the Foundation’S Newsletter
April 2015 SOCIETY BOARD PRESIDENT Jeff Kennedy [email protected] VICE PRESIDENT J. Chris Westgate [email protected] SECRETARY/TREASURER Beth Wynstra [email protected] INTERNATIONAL SECRETARY – ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY – Provincetown Players Centennial, 4-5 The Iceman Cometh at BAM, 6-7 EUROPE: Marc Maufort [email protected] GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] Jackson Bryer [email protected] Michael Burlingame [email protected] Robert M. Dowling [email protected] Thierry Dubost [email protected] Eugene O’Neill puppet at presentation of Monte Cristo Award to Nathan Lane, 8-9 Eileen Herrmann [email protected] Katie Johnson [email protected] What’s Inside Daniel Larner President’s message…………………..2-3 ‘Exorcism’ Reframed ……………….12-13 [email protected] Provincetown Players Centennial…….4-5 Member News………………….…...14-17 Cynthia McCown The Iceman Cometh/BAM……….……..6-7 Honorary Board of Directors..……...…17 [email protected] The O’Neill, Monte Cristo Award…...8-9 Members lists: New, upgraded………...17 Anne G. Morgan Comparative Drama Conference….10-11 Eugene O’Neill Foundation, Tao House: [email protected] Calls for Papers…………………….….11 Artists in Residence, Upcoming…...18-19 David Palmer Eugene O’Neill Review…………….….12 Contributors…………………………...20 [email protected] Robert Richter [email protected] EX OFFICIO IMMEDIATE PAST PRESIDENT The Eugene O’Neill Society Kurt Eisen [email protected] Founded 1979 • eugeneoneillsociety.org THE EUGENE O’NEILL REVIEW A nonprofit scholarly and professional organization devoted to the promotion and Editor: William Davies King [email protected] study of the life and works of Eugene O’Neill and the drama and theatre for which NEWSLETTER his work was in large part the instigator and model.