Between History and Memory: Cultural War in Contemporary Russian And
Title Page Between History and Memory: Cultural War in Contemporary Russian and Ukrainian Cinema by Tetyana Shlikhar B.A. in Philology and Translation, Taras Shevchenko National University, Ukraine, 2005 M.A. in Translation Studies, Taras Shevchenko National University, Ukraine, 2006 Ph.D. in Translation Studies, Taras Shevchenko National University, Ukraine, 2010 M.A. in Slavic Languages and Literatures, University of Pittsburgh, 2016 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2020 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Tetyana Shlikhar It was defended on July 31, 2020 and approved by David Birnbaum, Professor, Slavic Languages and Literatures Vladimir Padunov, Associate Professor, Slavic Languages and Literatures Randall Halle, Professor, German Dissertation Director: Nancy Condee, Professor, Slavic Languages and Literatures ii Copyright © by Tetyana Shlikhar 2020 iii Abstract Between History and Memory: Cultural War in Contemporary Russian and Ukrainian Cinema Tetyana Shlikhar, PhD University of Pittsburgh, 2020 Any approach to the past tailors our perception of the present, which is in turn inevitably elusive and unstable. The present is a site of contestation between memory and history, as well as a site for recounting the distant past by reflecting it through the prism of the present. The transition from the Soviet Union to independent states in 1991 triggered tensions within these newly created nation-states, with the collective and individual past being given a range of new interpretations. The connection between memory and identity obtained a renewed force.
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