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Nigredo Program
HOTEL CITY OPERA VANCOUVER PRESENTS HOTEL A one-act chamber opera by Nic Gotham and Ann-Marie MacDonald, commissioned in 1992 by Tarragon Theatre and Tapestry Opera, Toronto STARRING OCT 7 Tyler Duncan, Raymond • Sarah Vardy, Sophie Alan Corbishley • Stage Director Charles Barber • Music Director John Webber • Set and Lighting Design Barbara Clayden • Costume Design Jayson McLean • Production Manager Janet Lea and Nora Kelly • Producers COASTAL JAZZ PRESENTS Trudy Chalmers • General Manager KANDACE SPRINGS SUNDAY, OCTOBER 7 | 8PM | THE IMPERIAL TICKETS AT COASTALJAZZ.CA OR IN-PERSON AT RED CAT RECORDS @COASTALJAZZ This production is being given on the traditional territories of the Coast Salish peoples of the 1 Xʷməθkwəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Səl̓ílwətaʔ (Tsleil-Waututh) Nations. 2 FROM THE ARTISTIC DIRECTOR FROM THE STAGE DIRECTOR Charles Barber Alan Corbishley Welcome to the legendary Nigredo Hotel, In alchemy, nigredo, or blackness, means putrefaction or a bizarre, macabre and astonishing operatic thriller decomposition. Many alchemists believed that as a first step by Nic Gotham and Ann-Marie MacDonald. in the pathway to the philosopher’s stone, all alchemical As you will see, it is the story of an encounter between a beautiful ingredients had to be cleansed and cooked extensively to a but crazed woman who runs a shoddy hotel, and a brain surgeon uniform black matter. In analytical psychology, the term who takes refuge there after he crashes his car. became a metaphor ‘for the dark night of the soul, when Raymond and Sophie are two of the most unusual characters in an individual confronts the shadow within’… 20th C opera: brilliant, dazed, lonely, each possessing great insight into the other but little into themselves, sarcastic and corrosive, ...and this, in relation to the theories of famed psychologist Dr. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital. -
Okanagan Wine Festivals Awards
Fall Competition Judges Judges for the Fall Competition Benoit Beaudet Senior Merchandising Director. Established in Montréal, Québec for 18 years, he’s the 4th generation of Benoit Beaudet “Burgundy negociant”. Sid Cross Food processing engineer, degree in management he’s a former banker who joined the SAQ (Société des alcools du Québec) in Eric Degerman 2001 as a portfolio manager. Dennis Dwernychuk During the recent years, as Senior Director of Selection and Merchandising for specialty wines and spirits, has contributed Jurgen Gothe with his team to the growth of sales of the high-end market in DJ Kearney Quebec.took part at the creation of the “Cellier magazine” in 2006. In his mandate he has the privilege to merchandise a large and deep scale of wines from all over the world Judith Lane in a high-end international connoisseur market.He’s currently involved in the elaboration of the next- generation outlet and the new buying experience for the consumer. Tim Pawsey Barbara Philip Sid Cross is globally respected for his extensive knowledge of wine and food, his tasting ability and his memory. Sid is Wines Mireille Sauve Committee Chair for the world organization of The International Wine & Food Society (www.iwfs.org) headquartered in London John Schreiner England. Michael Vaughan He is a frequent wine judge, panelist and entertaining educator on wine and food. These include among others The Canadian Wine Awards, Lieutenant- Governor Awards For Excellence, Steamboat Springs Colorado Wine Festival, Vancouver Magazine Wine Competition, International Value Wine Awards, Vancouver Playhouse International Wine Festival, Whistler's Cornucopia, Best of BC for the BCLDB, Georgia Straight and the Vino Awards. -
The Music Scene Winter 2005 Issue
TMS 3-2cover2 2004-11-10 12:18 PM Page 1 www.scena.org Winter 2005 ISSUE 07 Focus on Higher Education Jazz: Teaching Improvisation Leila Getz & the Vancouver Recital Society: 25 Years of Possible François Girard on COC’s Siegfried Classical Holiday & Winter Picks Southern Ontario Winnipeg Calgary Tania Miller Edmonton New Direction in Victoria Vancouver Victoria Canada Post Publications Mail Sales Agreement n˚. 40025257 pub McGill FacoM an2 9/17/04 5:34 PM Page 1 www.mcgill.ca/music/events/concerts A Celebration! 2004-2005 Concerts Alexis Hauser, Gustav Mahler, Guy Bernard, trombone, Franz Schubert, Ludwig van Beethoven, Jonathan Crow, violin, Brian Cherney, Julian Wachner, Giuseppe Verdi Jean-Baptiste Lully, Hank Knox, Marie-Nathalie Lacoursière, Harry Somers, McGill Symphony Orchestra Alexis Hauser, François Racine, Julian Wachner McGill Baroque Orchestra Opera McGill Hank Knox, Concerti grossi, Johann Sebastian Bach, Giovanni Battista Locatelli, Carl Philip Emmanuel Bach, Capella Antica de McGill, Giacomo Carissimi McGill Symphonic and Concert Choirs, Robert Ingari, Maurice Duruflé, Denys Bouliane McGill Chamber Singers, Julian Wachner, Heinrich Schütz McGill Contemporary McGill Choirs Music Ensemble McGill Jazz Orchestra I, Gordon Foote, McGill Jazz Orchestra II, Ron Di Lauro, McGill Jazz Orchestra III McGill Jazz Orchestras McGill Wind Symphony Orchestra I, Harmonie de concert de l’Université de Montréal, Alain Cazes, James Box, trombone, McGill Conservatory Hector Berlioz, McGill Wind Symphony Orchestra II, Ron Di Lauro of Music -
Dmitri Hvorostovsky in Person • Entrevue
Festivals d'été • Summer Festivals Scena La GRATUIT Le guide canadien de FREE la musique classique Canada's Guide to Musicale Classical Music Vol. 3.8 - juin / June 1998 Chantal Juillet à Saratoga DOREMI : Jacob Harnoy Dmitri Hvorostovsky In Person • Entrevue Montréal • Québec • Toronto • Ottawa • Winnipeg Canada Post Publication Mail Sales Agreement No. 1225561 No. Agreement Sales Mail Publication Post Canada Envois de publication canadienne, Contrat de vente / vente de Contrat canadienne, publication de Envois La Scena Musicale - juin 1998 ¥ June 1998 - Vol. 3, No. 8 - Page 2 La Scena Musicale, publiŽe dix fois par annŽe, est consacrŽe au plaisir de la musique vocale et Sommaire / Contents instrumentale. Chaque numŽro contient un Chantal Juillet..............................................................................3 calendrier de concerts, de confŽrences, de films, dÕŽmissions ainsi que des critiques et des articles. DOREMI: Jacob Harnoy ..........................................................4, 5 Juin 1998 - June 1998 ¥ Vol. 3, no. 8 LSM est publiŽ par La Sc•ne musicale, une Dmitri Hvorostovsky ................................................................6,7 organisme ˆ but non-lucratif. ƒditeur/Publisher La Sc•ne musicale, Directeurs: Le calendrier / Calendar ..................................................8-10,15 Wah Keung Chan (PrŽsident), Philip La Scena Musicale is dedicated to the enjoyment of Calendrier dŽtachable / Pull-out Calendar ........................12-14 Anson(Vice-PrŽsident), Tom Holzinger classical music. It is published ten times per year. (TrŽsorier) Inside readers will find listings of live concerts, lec- Festivals d'ŽtŽ / Summer Festivals ....................................16-20 tures, films, broadcasts as well as articles and RŽdacteurs/Co-Editors reviews. LSM is published by La Sc•ne musicale, a Les disques / CD reviews....................................................21-22 Wah Keung Chan, Philip Anson registered non-profit organization. -
Hgdspr2013 Dec21.Pdf
NO EASY RIDE Reflections on My Life in the RCMP Ian T. Parsons On July 3, 1961, Ian Parsons reported to RCMP Depot Division in Regina as a raw recruit. It was the beginning of a 33-year adventure that took him from Newfoundland to Vancouver Island and many points between. By the time he retired with the rank of inspector, Parsons had a policeman’s trunk full of colourful stories and insightful observations that he now shares in this memoir. Parsons writes candidly of his many roles within the RCMP, from postings in rural detachments, where he dealt with diverse policing issues, to stints teaching at the Canadian Police College in Ottawa and at the RCMP Academy in Regina. Always an independent thinker, Parsons lectured sometimes-resistant RCMP senior officers on the adoption of new ways and helped introduce programs to modernize recruit training and make it more relevant to the demands of a rapidly changing Canadian society. In recent years, Parsons has observed the troubled state and tarnished reputation of his beloved force as it faces crisis after crisis. Against the entertaining backdrop of his life in red serge, he gives a thoughtful assessment of things gone wrong in the iconic institution and identifies the drastic steps necessary to save it. Memoir Heritage House • May 5.5 x 8.5, 240 pages, b/w photos 978-1-927527-16-0 • paperback • $19.95 Ian T. Parsons was born in Kamsack, Saskatchewan. Formally trained as a musician, he 978-1-927527-17-7 • epub • $9.99 joined the Lord Strathcona’s Horse Regimental Band in Calgary, Alberta, and in 1961 he 978-1-927527-18-4 • epdf • $9.99 enlisted with the RCMP.