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Malayalam Biopics: from Books to Films
MALAYALAM BIOPICS: FROM BOOKS TO FILMS Gayatri Binu Registered Number: 1324032 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Science in Communication Christ University Bengaluru 2015 Program Authorized to Offer Degree Department of Media Studies II Authorship Christ University Declaration Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Gayatri Binu Registered Number: 1324032 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ _____________________________________________________ Date: __________________________________ III IV I, Gayatri Binu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: V VI Abstract Malayalam Biopics: From Books to Films Gayatri Binu MS in Communication, Christ University, Bangalore This article talks about the difficulties that emerge when considering biographical films that are focused around biographical or autobiographical works of writing utilizing careful investigations of three Malayalam films. -
Annual Report 2016-17 Thunchath Ezhuthachan Malayalam University
THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT 2016-17 THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT CONTENTS 1. Vice Chancellor’s note 2. Aims and objectives 3. Milestones 4. ‘Akhsaram’ Campus 5. Academic activities 6. Library 7. Student’s welfare, hostels 8. Activities with social commitment 9. International co-operation., Gundert Chair 10. Projects 11. 11. Publications 12. Administration 13. Appendix Editor: Dr. P.B.Lalkar English Translation Team Prof. Madhu Eravankara ( Co-ordinator) Dr. M. Vijayalakshmy, Dr. A.P Sreeraj, Dr. Jainy Varghese, Sri K.S Hakeem Design & Lay-out : Lijeesh M.T. Printing : K.B.P.S. Kakkanad, Kochi P R E FA C E Justice (Retd.) P Sathasivam Prof. C Ravindranath K Jayakumar Chancellor Pro Chancellor Vice Chancellor It is with great pleasure that I am presenting the Annual Report of Malayalam University up to March 31, 2017. The university started functioning in 2012 and the admission formalities of the first batch of students were completed in August 2013. Initially we started with 5 M.A courses. When we look back in 2017, it is worthy to note that the university has achieved tremendous growth both in infrastructure and academic level. Within this short span of time, we could start 10 M.A. Courses and Research Programmes. The first two batches of M.A and one batch of M.Phil students are out. Amenities like Library, Studio and Theatre claims self sufficiency. 28 permanent teachers were also appointed. The year 2016-17 witnessed so many important developments. The new library- research block and Heritage Museum, were opened. The year was marked with variety of academic activities and visit of several dignitaries. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
E:\Secretariat\Secretariat 5-6
SECRETARIAT ASSISTANT PRELIMINARY EXAM Exam held on 05-06-2004 Time: 75 min. Max: 100 marks Questions 1 to 5: Choose synonymous word 1. To surprise somebody greatly: (a) Appraise (b) Antonyms (c) Astonish (d) Reveal 2. To make something more important that it really: (a) Excess (b) Elaborate (c) Stress upon (d) Exaggerate 3. Express one's opinion without evidence or full knowledge: (a) Specify (b) Speculate (c) Concede (d) Sensing 4. An event that will happen soon: (a) Imminent (b) Damnsure (c) Immense (d) Immutable 5. To lead somebody to do something: (a) Persuade (b) Placate (c) Persecute (d) Perpend Questions 6 to 10: Four words are given in each. Three of them can be grouped together applying a principle. One word does not belong to the group. Find it out. 6. (a) Violet (b) Blue (c) Magenda (d) Green 7. (a) Cucumber (b) Carrot (c) Brinjal (d) Ladies finger 8. (a) Yaswanth Sinha (b)Jaswant Singh (c) Shatrugnan Sinha (d) Manmohan Singh 9. (a) Cancel (b) Nullify (c) Void (d) Confirm 10. (a) G. Sankarakuruppu (b) O.N.V. Kuruppu (c) S.K. Pottekkadu (d) Thakazhi Sivasankarapillai Questions 11 to 13: Three words are given. There is a relationship between the first two words. Select a word that expresses a similar relationship with the third word from the given alternatives. 11. Pather Panjali : Sathyajith Ray; Athithi : (a) K.P. Kumaran (b) M.T. Vasudevan Nair (c) T.V. Chandran (d) P.A. Backer 12. Pareekkutty : Madhu; Chemban Kunju : (a) P.J. Antony (b) Jose Prakash (c) Govindankutty (d) Kottarakara Sreedharan Nair 13. -
Parichya Patra.P65
Student Paper PARICHAY PATRA Spectres of the New Wave : The State of the Work of Mourning, and the New Cinema Aesthetic in a Regional Industry 1 Introduction My title refers to Derrida’s controversial account of his concern with Marx amidst the din and bustle of the ‘end of history’. Time was certainly out of joint and the pluralistic outlook of the great thinker was pitted against the monolith that orthodox communists used to uphold. My primary concern in the paper would be an account of the Malayalam film industry in its post-New Wave phase as well as a handful of filmmakers whose works seem to be difficult to categorize. Within the domain of the popular and amidst the mourning from the film society circle for the movement that lasted no longer than a decade, these films evoke the popular memory of the New Wave. Though up in arms against the worthy ancestors, these filmmakers are unable to conceal their indebtedness to the latter. The New Wave too was not without its heterogeneity, and the “disjointed now” that I am talking about is something “whose border would still be determinable”. I would like to consider the possibility of moving towards translocal contexts without shifting our focus from a specific site of inquiry which, in this case, is Malayalam cinema. The paper will concentrate upon the phenomenon known JOURNAL OF THE MOVING IMAGE 81 as the resurfacing/resurgence of art cinema aesthetics in Indian cinema. Recent scholarly interest in the history of this forgotten film movement is noticeable, more so because it was ignored in the age of disciplinary incarnation of cinematic scholarship in India. -
Schedule Screening
THIRUVANANTHAPURAM SCREENING SCHEDULE PARTNERS NISHAGANDHI | TAGORE | KALABHAVAN KAIRALI | SREE | NILA | DHANYA | REMYA NEW THEATRE SCREEN 1, SCREEN 2, SCREEN 3 SREE PADMANABHA | SPI KRIPA CINEMAS IN ASSOCIATION WITH KSBCDC KERALA STATE BACKWARD CLASSES DEVELOPMENT Directorate of CORPORATION Kerala State Lotteries KERALA STATE YOUTH COMMISSION Dec. 07 FRIDAY 2018 09:00 am 11:30 am 03:00 pm 09:45 am 12:15 pm 03:15 pm Jumpman / Podbrosy Foxtrot One Step Behind the Working Woman Ray & Liz Maya Dir: Ivan I. Tverdovskiy Dir: Samuel Maoz Seraphim / Un Pas în /Isha Ovedet Dir:Richard Billingham Dir:Mia Hansen-Løve Urma Serafimior (Russia, Lithuania, (Israel, Switzerland, Dir: Daniel Sandu Dir:Michal Aviad (UK/108/2018) (France, Germany/ Ireland, Germany, (Romania, Germany, (Israel/94/2018) 107/2018) France/95/2018) France/113/2017) REMYA KAIRALI Bulgaria, France, Czech Republic/150/2018) 07KA01 WC 07KA02 WC 07KA03 WC 07RE01 WC 07RE02 WC 07RE03 WC 09:15 am 12:00 pm 03:15 pm 09:15 am 11:45 am 02:45 pm August at Akiko's Black Peter/Cerný Petr The World is Yours / Suleiman Mountain/ The Heiresses/ Namme Dir:Christopher Dir: Miloš Forman Le Monde Est A Toi Sulayman Too Las herederas Dir: Zaza Khalvashi Makoto Yogi (Czechoslovakia/85/1964) Dir: Romain Gavras Dir:Elizaveta Stishova Dir:Marcelo Martinessi (Georgia/91/2017) SREE (USA/75/2018) (France/100/2018) (Russia, Kyrgyzstan (Paraguay, Germany, /101/2017) Uruguay, Brazil, Norway, France/98/2018 07SR01 07SR02 07SR03 07NA01 07NA02 07NA03 WC RMF WC SCREEN 1 NEW WC WC WC 09:30 am 11:45 am 03:30 pm 06:30 -
Festival Hand Book
FIRST FESTIVAL HAND BOOK 25, 26, 27 Jan 2019 Munnar, Kerala, India 25, 26, 27 Jan 2019 Munnar, Kerala, India Organized by: Birds Club International Jayaraj foundation, Narayaneeyam, Muttambalam, Kottayam, Kerala, India, Pin: 686004 E-mail [email protected] | www.birdsclubinternational.com tribute Festival Director JAYARAJ Deputy Director PRADEEP M. NAIR Deputy Director (Programmes) PRADEEP NAIR Executive Committee JITHIN K, GOPIKRISHNAN, DEVAN MADHATHIL, UNNI RAMAPURAM Technical Support BALU PARAMESWAR Media Relations MANJU GOPINATH Content Co Coordinator RENEESH SHORNUR Festival Branding VIVEK VveQ Design Support JOBIN PAPER BOAT Production Controller(festival) SAJI KOTTAYAM Website Designers SHANI AZINOVA Signature Film SHANTHANU GOPINATHAN Signature Film Music SACHIN SHANKAR MANNATH Festival Book Chief Editor : JAYARAJ (Founder, Birds Club International) Book Design : SADEESH CHALIPPADAM, HISHAM Published by : Mrinal Sen Lenin Rajendran Birds Club International, [1923-2018] [1951-2019] Jayaraj foundation, Narayaneeyam, Muttambalam, Kottayam Message Message I am happy to learn that 1st Rain International Nature Film It gives me immense pleasure to know that the 1st Rain Festival (RINFF-2019) is being organised by Birds Club International Film Festival is being organised by Birds Club International in association with department of Tourism, International in Munnar from January 25-27, 2019. Government of India from 25th January, 2018 in Munnar. I am positive this festival would act as platform to facilitate The festival brings a good opportunity for filmmakers, conversation about nature mainly through films. Cinema professionals, students and the public to meet and initiate would act as a primary medium through which the importance much needed conversations concerning nature and wildlife. of protecting nature, wildlife and other global environment concerns would be brought to the fore. -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895. -
Mapping the Margins: an Interview with Meena Kandasamy Conducted at Sacred Heart College in Kochi, India on 12 November 20151 Sathyaraj Venkatesan and Rajesh James
ariel: a review of international english literature Vol. 49 No. 1 Pages 143–154 Copyright © 2018 Johns Hopkins University Press and the University of Calgary Interview Mapping the Margins: An Interview with Meena Kandasamy Conducted at Sacred Heart College in Kochi, India on 12 November 20151 Sathyaraj Venkatesan and Rajesh James Abstract: Caste-based discrimination is a grotesque socio-politi- cal reality in India. The term “Dalit” (or “untouchable”) refers to a person belonging to the lowest caste in the traditional Indian caste system. Inspired by B. R. Ambedkar, a Western-educated intellectual and the chief architect of the Indian constitution, Dalit writers have produced stories of resistance, stories of caste discrimination and social ostracization, and alternative and par- allel visions of casteless societies. As an author of contemporary Dalit writings, Meena Kandasamy describes a broad spectrum of Dalit experiences, and she voices concerns that are often unar- ticulated in the mainstream Indian literary canon. In so doing, Kandasamy not only helps to interpret the reality confronting Dalits but also reclaims their lost voices and identity. In conver- sation, Kandasamy speaks very much the way she writes—with bluntness and warmth. Keywords: Dalit, caste system, autobiography, translation, The Gypsy Goddess Meena Kandasamy is an Indian poet, translator, fiction writer, and Dalit activist based in Chennai, India. Unlike many of her contemporaries such as Preeti Shenoy, Kiran Manral, and Chitra Banerjee Divakaruni, her oeuvre is a response to issues related to caste politics, feminism, and gender violence that plague contemporary India. As the first Indian woman writer to champion the cause of Dalit individuals and their com- 143 Sathyaraj Venkatesen & Rajesh James munities in an upper-caste majoritarian India, Kandasamy is an out- spoken critic of the establishment and a spokesperson for the “others” and underprivileged in her society. -
Arts’ Play an Important Role in Moulding the Minds of Students .In This Age of Technology and Concrete Jungles, Art Is of Paramount Importance
Annual Report 2018 - 2019 ‘Arts’ play an important role in moulding the minds of students .In this age of technology and concrete jungles, art is of paramount importance. The Arts Club at Baselius College helps its student community to develop a positive nature and a creatively inclined student with a positive bent of mind and aesthetic approaches in every work he or she does. The Arts Club provides a place and platform for people who share a connection with the transformative artistic moments of the past, but are also part of defining the Baselian vision for the future. Ensuing forth is the Annual Report, for 2018-19 of the Arts Club, which shall provide a clear and complete picture of the Club’s accomplishments over this past year. The focus during the past year was twofold: a) maintaining the tradition of conducting distinguished contests for which the Arts Club is celebrated, b) Apart from participating in a multitude of events, the students get a first hand experience of organizing and managing the events, it caters to the creative needs of the students. Under the guidance of teachers -in-charge ( Prof. Jinu Mathew, Prof. Shetal Elizabeth Thomas and Dr.Krishnaraj M.V.) and committed and capable Union members, with special mention of the Arts club secretary Vishnu Prasad ( D3 Economics), the Arts Club has been able to conduct a handful of good programmes and also bag some notable achievements... The key events conducted under the auspices of Arts club ensued thu: Kerala Piravi celebrations ‘Agnithraya’: Arts Festival University Arts Festival- Alathalam 2019 at Kottayam ONAM CELEBRATIONS Onam was celebrated with full zest every year. -
Kerala State Chalachitra Academy Department of Cultural Affairs Government of Kerala
Kerala State Chalachitra Academy Department of Cultural Affairs Government of Kerala Recognised by Fédération Internationale des Associations de Producteurs de Films International Federation of Film Producers Associations THE FESTIVAL TEAM Chairman & Festival Director, IFFK: Kamal Vice-Chairperson & Artistic Director, IFFK: Bina Paul Secretary & Executive Director, IFFK: Mahesh Panju Treasurer: Y Muhammad Rijam Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Finance): Sajith C C Programme Manager (Programmes): Vimal Kumar V P Manager (Technical): Gopeekrishna S Print Unit Coordinator: P S Siva Kumar State Coordinator, Touring Talkies: Rijoy K J Festival Programme Assistants: Tony Xavier, Saiyed Farooq Festival Assistants: Madhavi Madhupal, Sree Vidya J Festival Cell: K Velayudhan Nair,Mary Ninan, K Venukuttan Nair, K Ravikumar, P Padmakumar, K Harikumar, Vijayamohan B, J Sukumaran, D Jayakumari, Jaya L, G Sasikala, John Kurian, Lizy M, Nishanth ST, Sandhya B, Arun R, Abhilash N S, Naveen L Johnson, Shamlal S, Abdulla, Shyam, Manu Madhavan, Vishnu Prashanth Guest Relations and Hospitality Trivi Art Concerns Bandhu Prasad-Aleyamma, Arjun A, Shelly J Morais, Rameez Mohammed, Jithin Mohan AS, Vishnu VI Media Relations Officer: B T Anilkumar Screening Schedule: Geethanjali Harikumar Technical Screening & KDM Management: Prasad Khatu Website Support: Satheesh S, Shajith R B, Girish KumarVS (C-DIT) Software Support: C-DIT Design Concept: B Priyaranjanlal Signature Film: Arun Sreepadam FESTIVAL BOOK Chief Editor: Mahesh Panju, Secretary, KSCA Executive Editor: Jithin KC Editorial Team: Dr. Sangeetha C, Nisam Asaf, Nidhin Nath, Anees Hassan, Aiswaria N, Goutham, Adila Kabeer, Nikhil R, Abhijith S, Goutham K, Anagha, Arundhathi, Arya Babu, Meenakshi J, Sayanth Page Design & Layout: Joby Ravindran Word Processing & Page Setting: Sivaprasad B Academy is grateful to various film journals, festival publications, Film Festival websites from which we have borrowed materials to put together this book. -
History of Malayalam Film *Prof
9ROXPH,,,,VVXH,0DUFK,661 History of Malayalam Film *Prof. B.P.Mahesh Chandra Guru University of Mysore ** Mr.Nagaraja Murthy *** Mr.M.Dileep Kumar **** Mr.Gundappa Preamble The Malayalam theatre practically gave birth to Malayalam cinema. The theatre personalities played a major role in the promotion of Malayalam film industry. The evergreen theatres of Kerala were founded by K.W.Joseph in Calicut (Davison) and Thrissur (Jose) Theatre. Malayalam film industry has grown in a remarkable way since its inception. There are several cultural, literary and intellectual personalities who have built Malayalam film industry over a period of time. A brief history of Malayalam films is presented in this article based on review of literature. Early Malayalam Films K.W.Joseph was the first person to show films in Kerala in 1913 through Jose electric Bioscope. Later J C Daniel a dentist by profession produced Vigathakumaran in 1928. It was a silent film produced by Travancore pictures, a temporary Malayalam studio. The second Malayalam film Marthandavarma was directed by Sunderraj on the basis of a novel written by C V Raman Pillai. In 1938, the first sound cinema was produced by T R Sundaram directed by M Sundaram of Nagercoil named Balan (Boy). Again in 1940 Nettoni directed a movie named Jnanambika which carried the screenplay and songs written by Muthukulam Raghavan Pillai. Before independence, in 1941 Madras United Artist Corporation produced Prahlada and no other films came until independence. ------------------------------------------------------------------------------------ *Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Karnataka, India, E-mail:[email protected] Mob-9448462590.