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Malayalam Biopics: from Books to Films
MALAYALAM BIOPICS: FROM BOOKS TO FILMS Gayatri Binu Registered Number: 1324032 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Science in Communication Christ University Bengaluru 2015 Program Authorized to Offer Degree Department of Media Studies II Authorship Christ University Declaration Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Gayatri Binu Registered Number: 1324032 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ _____________________________________________________ Date: __________________________________ III IV I, Gayatri Binu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: V VI Abstract Malayalam Biopics: From Books to Films Gayatri Binu MS in Communication, Christ University, Bangalore This article talks about the difficulties that emerge when considering biographical films that are focused around biographical or autobiographical works of writing utilizing careful investigations of three Malayalam films. -
1019 View Industry Trends.Indd
view In B Ajithkumar’s Eeda (2018), Anand and Aishwarya play space in Malayalam cinema. “Feminist” has been turned a reimagined Romeo and Juliet. Their families are no Mon- into a bad word by the internet trolls of Kerala, bastardising tagues and Capulets, nor are they Sanjay Leela Bhansali’s it as “feminichi” to bestow it upon outspoken actors like Ram and Leela. Instead, Aishwarya comes from a family of Parvathy TK and Rima Kallingal. In Dileesh Pothan’s communists and Anand is from Thondimuthalum Driksakshi- a family of right-wing national- yum (2017), the town’s famous ists. The Shakespearean narra- right-wing rabble-rouser is sent tive is set against a backdrop of to the police station by his own political rivalry. Eeda minces no wife and mother, whom he dis- words and withholds no images. TRUTH misses as feminists. In this IIn Aishwarya’s home, there is a year’s smash-hit Kumbalangi framed portrait of Lenin. In a BE TOLD Nights, Bobby misbehaves with key scene, the right-wing politi- his girlfriend Baby in a theatre cal party’s chief alludes to the From taking on the right wing to and is taught a lesson on consent violent sacrifi ces that are re- outing everyday sexism, Malayalam while watching Arjun Reddy quired for their movement, near (2017). The choice of fi lm is no a picture of the current leader of cinema enters a new age of woke coincidence considering its tes- India. To the chief’s other side fi lmmaking, fi nds Aditya Shrikrishna tosterone-induced box-offi ce run are images of past RSS leaders. -
Annual Report 2016-17 Thunchath Ezhuthachan Malayalam University
THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT 2016-17 THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT CONTENTS 1. Vice Chancellor’s note 2. Aims and objectives 3. Milestones 4. ‘Akhsaram’ Campus 5. Academic activities 6. Library 7. Student’s welfare, hostels 8. Activities with social commitment 9. International co-operation., Gundert Chair 10. Projects 11. 11. Publications 12. Administration 13. Appendix Editor: Dr. P.B.Lalkar English Translation Team Prof. Madhu Eravankara ( Co-ordinator) Dr. M. Vijayalakshmy, Dr. A.P Sreeraj, Dr. Jainy Varghese, Sri K.S Hakeem Design & Lay-out : Lijeesh M.T. Printing : K.B.P.S. Kakkanad, Kochi P R E FA C E Justice (Retd.) P Sathasivam Prof. C Ravindranath K Jayakumar Chancellor Pro Chancellor Vice Chancellor It is with great pleasure that I am presenting the Annual Report of Malayalam University up to March 31, 2017. The university started functioning in 2012 and the admission formalities of the first batch of students were completed in August 2013. Initially we started with 5 M.A courses. When we look back in 2017, it is worthy to note that the university has achieved tremendous growth both in infrastructure and academic level. Within this short span of time, we could start 10 M.A. Courses and Research Programmes. The first two batches of M.A and one batch of M.Phil students are out. Amenities like Library, Studio and Theatre claims self sufficiency. 28 permanent teachers were also appointed. The year 2016-17 witnessed so many important developments. The new library- research block and Heritage Museum, were opened. The year was marked with variety of academic activities and visit of several dignitaries. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
22 Female Kottayam Trailer
22 female kottayam trailer click here to download 22 Female Kottayam is a Malayalam feature film directed by Aashiq Abu, starring Fahad Fazil and Rima. Oru Indian Pranayakadha Movie Official Trailer | Fahadh Faasil, Amala Paul, Innocent | Latest Movie - Duration. 22 Female Kottayam, also known as 22FK, is a Malayalam-language Indian thriller film directed by Aashiq Abu and starring Rima Kallingal and Fahadh Faasil in the lead roles. It was set and filmed in Bangalore. The story concerns the travails of year-old nurse Tessa (Rima Kallingal) from Kottayam who was raped Music by: Bijibal; Rex Vijayan (BGM). Crime · A 22 year old nurse who was betrayed and raped exerts some extreme revenge on her tormentors. 22 Female Kottayam Movie Review: Critics Rating: 3 stars, click to give your rating/review,The film,is about a nurse settled in Bangalore, and how some events change the course of her life. T. All about 22 Female Kottayam - Malayalam movie, Directed by Aashiq Abu, Starring Fahadh Faasil, Rima Kallingal, Pratap K Pothen, T G Ravi, Sathar, Srinda Ashab, Music by Rex Vijayan, Bijibal, Videos, Stills, Wallpapers, Synopsis, Promotional Events. 22 Female Kottayam. Starring: Rima Kallingal, Fahad Fazil. Genres: Drama. 22 Female Kottayam, also known as 22FK, is a Indian rape and revenge film directed by Aashiq Abu and starring Rima Kallingal and Fahad Fazil in the lead roles. So naturally all eyes are on Aashiq's next film which is curiously titled 22 Female Kottayam. Starring Fahad Fazil and Rima 22 Female Kottayam tells the story of two friends Tessa Abraham and Cyril C Mathew, their love and relationship. -
Regional Specificities Represented Through Food in Malayalam Films: a Study Focused on Films Angamaly Diaries and Maheshinte Prathikaram
==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:1 January 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ==================================================================== Regional Specificities Represented through Food in Malayalam Films: A Study Focused on Films Angamaly Diaries and Maheshinte Prathikaram Navami P and Amrutha K J ===================================================================== Introduction Andrei Tarkovsky, once said, “Relating a person to the whole world: that is the meaning of cinema”. Acceptance and applause amassed by cinema since from the time of its inception shall be owed to this reel-real relation portrayed. And for the thrill of being represented somewhere in the reel length, we part our time for this creative expression which got crowned with the title “The Cinderella of All Art.” Afore said representation need not be always the representation of an individual. It can be the manifestation of certain circumstances, lived in experiences, cultural or ethnic background or even the food we eat. Closely mentioning food, it is not just always a curry. Outgrown from being treated as basic amenity, today the food decorates a prominent place in our literature and art. And, of course, in cinema too. The stories and emotions it conceals in its colour and flavour are abundant. Anything can be portrayed through food whether be motherly love or home coming feeling. In a broader aspect the on-screen food may have the potential to speak out the specificities of a locale. Thus, there is nothing wrong if we say, food through the unique lens of film craft something that is the reflective of the society around. -
E:\Secretariat\Secretariat 5-6
SECRETARIAT ASSISTANT PRELIMINARY EXAM Exam held on 05-06-2004 Time: 75 min. Max: 100 marks Questions 1 to 5: Choose synonymous word 1. To surprise somebody greatly: (a) Appraise (b) Antonyms (c) Astonish (d) Reveal 2. To make something more important that it really: (a) Excess (b) Elaborate (c) Stress upon (d) Exaggerate 3. Express one's opinion without evidence or full knowledge: (a) Specify (b) Speculate (c) Concede (d) Sensing 4. An event that will happen soon: (a) Imminent (b) Damnsure (c) Immense (d) Immutable 5. To lead somebody to do something: (a) Persuade (b) Placate (c) Persecute (d) Perpend Questions 6 to 10: Four words are given in each. Three of them can be grouped together applying a principle. One word does not belong to the group. Find it out. 6. (a) Violet (b) Blue (c) Magenda (d) Green 7. (a) Cucumber (b) Carrot (c) Brinjal (d) Ladies finger 8. (a) Yaswanth Sinha (b)Jaswant Singh (c) Shatrugnan Sinha (d) Manmohan Singh 9. (a) Cancel (b) Nullify (c) Void (d) Confirm 10. (a) G. Sankarakuruppu (b) O.N.V. Kuruppu (c) S.K. Pottekkadu (d) Thakazhi Sivasankarapillai Questions 11 to 13: Three words are given. There is a relationship between the first two words. Select a word that expresses a similar relationship with the third word from the given alternatives. 11. Pather Panjali : Sathyajith Ray; Athithi : (a) K.P. Kumaran (b) M.T. Vasudevan Nair (c) T.V. Chandran (d) P.A. Backer 12. Pareekkutty : Madhu; Chemban Kunju : (a) P.J. Antony (b) Jose Prakash (c) Govindankutty (d) Kottarakara Sreedharan Nair 13. -
Parichya Patra.P65
Student Paper PARICHAY PATRA Spectres of the New Wave : The State of the Work of Mourning, and the New Cinema Aesthetic in a Regional Industry 1 Introduction My title refers to Derrida’s controversial account of his concern with Marx amidst the din and bustle of the ‘end of history’. Time was certainly out of joint and the pluralistic outlook of the great thinker was pitted against the monolith that orthodox communists used to uphold. My primary concern in the paper would be an account of the Malayalam film industry in its post-New Wave phase as well as a handful of filmmakers whose works seem to be difficult to categorize. Within the domain of the popular and amidst the mourning from the film society circle for the movement that lasted no longer than a decade, these films evoke the popular memory of the New Wave. Though up in arms against the worthy ancestors, these filmmakers are unable to conceal their indebtedness to the latter. The New Wave too was not without its heterogeneity, and the “disjointed now” that I am talking about is something “whose border would still be determinable”. I would like to consider the possibility of moving towards translocal contexts without shifting our focus from a specific site of inquiry which, in this case, is Malayalam cinema. The paper will concentrate upon the phenomenon known JOURNAL OF THE MOVING IMAGE 81 as the resurfacing/resurgence of art cinema aesthetics in Indian cinema. Recent scholarly interest in the history of this forgotten film movement is noticeable, more so because it was ignored in the age of disciplinary incarnation of cinematic scholarship in India. -
Schedule Screening
THIRUVANANTHAPURAM SCREENING SCHEDULE PARTNERS NISHAGANDHI | TAGORE | KALABHAVAN KAIRALI | SREE | NILA | DHANYA | REMYA NEW THEATRE SCREEN 1, SCREEN 2, SCREEN 3 SREE PADMANABHA | SPI KRIPA CINEMAS IN ASSOCIATION WITH KSBCDC KERALA STATE BACKWARD CLASSES DEVELOPMENT Directorate of CORPORATION Kerala State Lotteries KERALA STATE YOUTH COMMISSION Dec. 07 FRIDAY 2018 09:00 am 11:30 am 03:00 pm 09:45 am 12:15 pm 03:15 pm Jumpman / Podbrosy Foxtrot One Step Behind the Working Woman Ray & Liz Maya Dir: Ivan I. Tverdovskiy Dir: Samuel Maoz Seraphim / Un Pas în /Isha Ovedet Dir:Richard Billingham Dir:Mia Hansen-Løve Urma Serafimior (Russia, Lithuania, (Israel, Switzerland, Dir: Daniel Sandu Dir:Michal Aviad (UK/108/2018) (France, Germany/ Ireland, Germany, (Romania, Germany, (Israel/94/2018) 107/2018) France/95/2018) France/113/2017) REMYA KAIRALI Bulgaria, France, Czech Republic/150/2018) 07KA01 WC 07KA02 WC 07KA03 WC 07RE01 WC 07RE02 WC 07RE03 WC 09:15 am 12:00 pm 03:15 pm 09:15 am 11:45 am 02:45 pm August at Akiko's Black Peter/Cerný Petr The World is Yours / Suleiman Mountain/ The Heiresses/ Namme Dir:Christopher Dir: Miloš Forman Le Monde Est A Toi Sulayman Too Las herederas Dir: Zaza Khalvashi Makoto Yogi (Czechoslovakia/85/1964) Dir: Romain Gavras Dir:Elizaveta Stishova Dir:Marcelo Martinessi (Georgia/91/2017) SREE (USA/75/2018) (France/100/2018) (Russia, Kyrgyzstan (Paraguay, Germany, /101/2017) Uruguay, Brazil, Norway, France/98/2018 07SR01 07SR02 07SR03 07NA01 07NA02 07NA03 WC RMF WC SCREEN 1 NEW WC WC WC 09:30 am 11:45 am 03:30 pm 06:30 -
Festival Hand Book
FIRST FESTIVAL HAND BOOK 25, 26, 27 Jan 2019 Munnar, Kerala, India 25, 26, 27 Jan 2019 Munnar, Kerala, India Organized by: Birds Club International Jayaraj foundation, Narayaneeyam, Muttambalam, Kottayam, Kerala, India, Pin: 686004 E-mail [email protected] | www.birdsclubinternational.com tribute Festival Director JAYARAJ Deputy Director PRADEEP M. NAIR Deputy Director (Programmes) PRADEEP NAIR Executive Committee JITHIN K, GOPIKRISHNAN, DEVAN MADHATHIL, UNNI RAMAPURAM Technical Support BALU PARAMESWAR Media Relations MANJU GOPINATH Content Co Coordinator RENEESH SHORNUR Festival Branding VIVEK VveQ Design Support JOBIN PAPER BOAT Production Controller(festival) SAJI KOTTAYAM Website Designers SHANI AZINOVA Signature Film SHANTHANU GOPINATHAN Signature Film Music SACHIN SHANKAR MANNATH Festival Book Chief Editor : JAYARAJ (Founder, Birds Club International) Book Design : SADEESH CHALIPPADAM, HISHAM Published by : Mrinal Sen Lenin Rajendran Birds Club International, [1923-2018] [1951-2019] Jayaraj foundation, Narayaneeyam, Muttambalam, Kottayam Message Message I am happy to learn that 1st Rain International Nature Film It gives me immense pleasure to know that the 1st Rain Festival (RINFF-2019) is being organised by Birds Club International Film Festival is being organised by Birds Club International in association with department of Tourism, International in Munnar from January 25-27, 2019. Government of India from 25th January, 2018 in Munnar. I am positive this festival would act as platform to facilitate The festival brings a good opportunity for filmmakers, conversation about nature mainly through films. Cinema professionals, students and the public to meet and initiate would act as a primary medium through which the importance much needed conversations concerning nature and wildlife. of protecting nature, wildlife and other global environment concerns would be brought to the fore. -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895. -
SCREENING SCHEDULE (Dominican Republic / Qatar / 2017 / 102) Poland / 2017 / 115) 2017 / 109) W Scr
fk.in .if www NISHAGANDHI | TAGORE | KALABHAVAN KAIRALI | SREE | NILA | DHANYA | REMYA NEW THEATRE SCREEN 1, SCREEN 2, SCREEN 3 SREE PADMANABHA | AJANTA | KRIPA SCREENING SCHEDULE PARTNERS TECHNICAL PARTNERS EXHIBITION 07-15 December, 10.00 AM- 06.00 PM 90 Years of Malayalam Cinema at Kanakakkunnu Palace IN CONVERSATION 02.00-03.00 PM, Nila Theatre 9th December Mahamat Saleh Haroun in conversation with Veena Hariharan 10th December Trevor Jamieson in conversation with Bina Paul 12th December Alexander Sokurov in conversation with C S Venkiteswaran 13thDecember Anup Singh in conversation with K M Kamal 14th December K P Kumaran in conversation with Meera Sahib SEMINAR, SYMPOSIUM, PRESENTATION & DISCUSSIONS 09 December, 03.30 PM, Hotel Hycinth Technical Workshop: Challenges of Sync Sound Recording Keynote: Resul Pookutty Speakers: Manish Mundra (Drishyam Films) Bishwadeep (Sound Recordist), Anwar Rasheed (Filmmaker) 09th December, 06.00PM, Sree Theatre Homage: K R Mohanan & I V Sasi Speakers: P V Gangadharan, K P Kumaran, T V Chandran, Sathyan Anthikkad, Seema, V K Sreeraman 10th December, 06.00PM, Nila Theatre Aravindan Memorial Lecture Aparna Sen 11th December, 2.00-3.00 PM, Nila Theatre Panel Discussion on New Hong Kong Cinema 12-13 December,10.00AM, Hotel Apollo Dimora, Workshop for Women Filmmakers 14th December, 11.00 AM, Hotel Hycinth PK Nair Colloquium: Tradition of Dissent Speakers: N S Madhavan, Anita Dubey, Sadanand Menon, Anand Patwardhan, Alencier Ley Lopez 09-14 December, 3.30-4.30 PM, V C Harris Pavilion (Tagore Theatre) Meet the Directors 09-14 December, 04.30-06.00 PM, V C Harris Pavilion (Tagore Theatre) Open Forum Dec.