Ceremonial Drinking in the Viking Age
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Reluctant Readers and Game Literature an Intertextual Analysis of World of Warcraft: Chronicle I
Bachelor’s thesis, 15 credits Reluctant readers and game literature An intertextual analysis of World of Warcraft: Chronicle I Author: Hampus Söderberg Supervisor: Anna Greek Examiner: Anna Thyberg Term: Spring 2019 Subject: English Level: Bachelor Course code: 2ENÄ2E Abstract World of Warcraft and World of Warcraft: Chronicle I are in this essay analyzed as motivators for reluctant readers. World of Warcraft: Chronicle I is analyzed from small-scale and large-scale intertextual comparison to Greek and Norse mythology. The aim of this essay is to introduce alternative literature outside the literary canon in the EFL classroom in Sweden. The aim is to connect gaming an outside school activity with reading. The analysis is divided into three parts, the first part focuses on the amount of reading that is done while playing a game like World of Warcraft. The second part focuses on intertextuality in the Chronicle to Greek and Norse mythology. Lastly, how the knowledge of intertextuality in the Chronicle can be used to interact with likeminded people by posting on forums in discussed. The goal is to connect gaming and reading to motivate reluctant readers. Key words World of Warcraft, WoW, World of Warcraft: Chronicle I, Reluctant readers, Intertextuality, Upper secondary school, EFL. Table of Content 1 Introduction 1 2 Teaching Reluctant Readers 4 3 Intertextuality 7 4 Problematizing WoW in the EFL classroom 8 5 Method 13 6 Analysis – Quest, Forums, World of Warcraft and World of Warcraft: Chronicle I 14 6.1 World of Warcraft: Chronicle I and The Pantheons 17 6.2 Norse Mythology 20 6.3 Odyn 20 6.4 Hodir 23 6.5 Thorim 24 6.6 Tyr 25 6.7 Community Forums 26 7 Conclusion 30 Works Cited 32 “I play hearthstone and have played Warcrafts 1-3. -
Norse Myth Guide
Norse Myth If it has a * next to it don’t worry about it for the quiz. Everything else is fair game within reason as I know this is a lot. Just make sure you know the basics. Heimdall -Characteristics -Can hear grass grow -Needs only as much sleep as a bird -Guards Bifrost -Will kill and be killed by Loki at Ragnarok -He is one of the Aesir -Has foresight like the Vanir -Other Names -Vindhler -Means "wind shelter" -The White God As -Hallinskidi -Means "bent stick" but actually refers to rams -Gullintani -Received this nickname from his golden teeth -Relationships -Grandfather to Kon the Young -Born of the nine mothers -Items -Gjallarhorn -Will blow this to announce Ragnarok -Sword Hofund -Horse Golltop -Places -Lives on "heavenly mountain" Himinbjorg -Stories -Father of mankind -He went around the world as Rig -He slept with many women -Three of these women, Edda, Amma, and Modir, became pregnant -They gave birth to the three races of mankind -Jarl, Karl, and Thrall -Recovering Brisingamen -Loki steals Brisingamen from Freya -He turns himself into a seal and hides -Freya enlists Heimdall to recover the necklace -They find out its Loki, so Heimdall goes to fight him -Heimdall also turns into a seal, and they fight at Singasteinn -Heimdall wins, and returns the necklace to Freya -Meaning of sword -A severed head was thrown at Heimdall -After this incident, a sword is referred to as "Heimdall's head" -Possession of knowledge -Left his ear in the Well of Mimir to gain knowledge Aegir* -Characteristics -God of the ocean/sea -Is sometimes said -
An Examination of the Role of Wealhtheow in Beowulf
Merge Volume 1 Article 2 2017 The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf Tera Pate Follow this and additional works at: https://athenacommons.muw.edu/merge Part of the Other Classics Commons Recommended Citation Pate, Tara. "The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf." Merge, vol. 1, 2017, pp. 1-17. This Article is brought to you for free and open access by ATHENA COMMONS. It has been accepted for inclusion in Merge by an authorized editor of ATHENA COMMONS. For more information, please contact [email protected]. Merge: The W’s Undergraduate Research Journal Image Source: “Converged” by Phil Whitehouse is licensed under CC BY 2.0 Volume 1 Spring 2017 Merge: The W’s Undergraduate Research Journal Volume 1 Spring, 2017 Managing Editor: Maddy Norgard Editors: Colin Damms Cassidy DeGreen Gabrielle Lestrade Faculty Advisor: Dr. Kim Whitehead Faculty Referees: Dr. Lisa Bailey Dr. April Coleman Dr. Nora Corrigan Dr. Jeffrey Courtright Dr. Sacha Dawkins Dr. Randell Foxworth Dr. Amber Handy Dr. Ghanshyam Heda Dr. Andrew Luccassan Dr. Bridget Pieschel Dr. Barry Smith Mr. Alex Stelioes – Wills Pate 1 Tera Katherine Pate The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf Old English literature is the product of a country in religious flux. Beowulf and its women are creations of this religiously transformative time, and juxtapositions of this work’s women with the women of more Pagan and, alternatively, more Christian works reveals exactly how the roles of women were transforming alongside the shifting of religious belief. -
TERMS for BEOWULF Wyrd
TERMS FOR BEOWULF Wyrd: a concept in AngloSaxon culture roughly corresponding to fate or an individual’s destiny (derived from weorþan, which means “to become.” Comitatus: The bond / contract between the Chieftan/Lord and his vassals. The Lord’s vassals are a band of loyal/noble followers; men who have sworn to defend the Chieftan with their lives in exchange for protection, victory, and spoils. TRADITIONALLY, in this relationship, the vassals promise at least 40 days of military service, money for the Lord’s eldest daughter’s dowry, money if the Lord’s eldest son is knighted, money if the lord goes on a crusade, money for the Lord’s ransom if he is captured, advice if asked. Symbel – a rite of AngloSaxon paganism – sometimes referred to as a “drinking rite.” It is a symbolic ritualistic celebration. During this celebration, attendees are seated by order/rank of importance. The ritual begins with a FORESPEECH in which the host welcomes his guests and provides context/reason for the gathering. It is followed by the POURING, which is when the Lady of the house pours mead to the men – in order of rank. She starts by pouring mead into the horn. This act represents the idea of “watering the world tree” and bringing the past to the present. Once the POURING is complete, the FULLS commences. The FULLS is a series of boasts about the three most important gods to the situation at hand. The FULLS is followed by the MINNI, which is a toast to dead ancestors. Next comes the GIFTGIVING when the host presents important/worthy attendees with gifts to recognize them. -
An Examination of Scandinavian War Cults in Medieval Narratives of Northwestern Europe from the Late Antiquity to the Middle Ages
PETTIT, MATTHEW JOSEPH, M.A. Removing the Christian Mask: An Examination of Scandinavian War Cults in Medieval Narratives of Northwestern Europe From the Late Antiquity to the Middle Ages. (2008) Directed by Dr. Amy Vines. 85 pp. The aim of this thesis is to de-center Christianity from medieval scholarship in a study of canonized northwestern European war narratives from the late antiquity to the late Middle Ages by unraveling three complex theological frameworks interweaved with Scandinavian polytheistic beliefs. These frameworks are presented in three chapters concerning warrior cults, war rituals, and battle iconography. Beowulf, The History of the Kings of Britain, and additional passages from The Wanderer and The Dream of the Rood are recognized as the primary texts in the study with supporting evidence from An Ecclesiastical History of the English People, eighth-century eddaic poetry, thirteenth- century Icelandic and Nordic sagas, and Le Morte d’Arthur. The study consistently found that it is necessary to alter current pedagogical habits in order to better develop the study of theology in medieval literature by avoiding the conciliatory practice of reading for Christian hegemony. REMOVING THE CHRISTIAN MASK: AN EXAMINATION OF SCANDINAVIAN WAR CULTS IN MEDIEVAL NARRATIVES OF NORTHWESTERN EUROPE FROM THE LATE ANTIQUITY TO THE MIDDLE AGES by Matthew Joseph Pettit A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2008 Approved by ______________________________ Committee Chair APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
The Gendered Feast: Experiencing a Georgian Supra Laura Joy Linderman
The Gendered Feast: Experiencing a Georgian Supra Laura Joy Linderman Abstract: The supra is a traditionalized feast in post-Soviet Georgia characterized by abundant food and ritualized drinking. It is extremely common in social life, especially in rural Georgia. Secular rituals, social occasions, national and religious holidays and life cycle transitions are accompanied by the ubiquitous supra. The supra has been examined by anthropologists as a site for macro level analyses that put forward structural or cultural theories for the underlying meaning of this ritual-for-all-occasions. Women’s experiences of and roles in the supra have often been overlooked or misrepresented in these studies. In this thesis I investigate women’s varied roles at a supra and problematize the idea that the supra demonstrates a model of society, with a paragon of masculinity at the center. I question the static image of an idealized supra that is only capable of reproducing a particular cultural model and argue that the supra is flexibly employed with a great deal of social life being oriented around preparing and participating in supras. Women’s experiences of the supra (like men’s) is different depending on the type of supra, the other participants involved, the age of the woman, her class and her particular geographical location. Keywords: post-Soviet, Georgia (Republic), cultural anthropology, feast, banquet, ritual, gender Introduction The supra was the worst and best experience I had in Georgia. Georgians have supras about 3 times a week to celebrate different things, whether it be a wedding, holiday, etc. In this case, the supra was for us. -
The Middle Ages. 449- 1485 Life and Culture • Middle Ages Is the Period of Time
The Middle Ages 449-1485 The Middle Ages The Middle Ages. 449- 1485 Life and culture • Middle Ages is the period of time Art that extends between the ancient classical period and the Language history Renaissance • Middle Ages extends from the The spread of Christianity Roman withdrawal and the Anglo Saxon invasion in 5th century to the accession of the House of Tudor in Beowulf th the late 15 century 1 Maspa Sadari The Middle Ages 449-1485 The Middle Ages The earlier part of this period is called The dark Ages • Middle Ages is divided in two parts: the first is named Anglo Saxon Period or Old English Period (449-1066); the second is named the Anglo Norman Period or Middle English period (1066- 1485) 2 Maspa Sadari The Middle Ages 449-1485 Anglo Saxon or Old English period (449-1066) • In 449 the tribes of Jutes, angles and Saxons from Denmark and Northern Germany started to invade Britain defeating original Celtic people who escaped to Cornwall, Wales and Scotland. 3 Maspa Sadari The Middle Ages 449-1485 The language of these tribes was the Anglo- Saxon • The country was divided into 7 kingdoms, which soon had to face Viking invasions. The joined the forces and managed to defeat Vikings 4 Maspa Sadari The Middle Ages 449-1485 Life and culture • Life in Saxon England: society was based on the family unit, the clan, the tribe • The code of values was based on courage, loyalty to the ruler, generosity. The most important hero in a poem of this period is Beowulf 5 Maspa Sadari The Middle Ages 449-1485 The culture was military, based on war -
How Uniform Was the Old Norse Religion?
II. Old Norse Myth and Society HOW UNIFORM WAS THE OLD NORSE RELIGION? Stefan Brink ne often gets the impression from handbooks on Old Norse culture and religion that the pagan religion that was supposed to have been in Oexistence all over pre-Christian Scandinavia and Iceland was rather homogeneous. Due to the lack of written sources, it becomes difficult to say whether the ‘religion’ — or rather mythology, eschatology, and cult practice, which medieval sources refer to as forn siðr (‘ancient custom’) — changed over time. For obvious reasons, it is very difficult to identify a ‘pure’ Old Norse religion, uncorroded by Christianity since Scandinavia did not exist in a cultural vacuum.1 What we read in the handbooks is based almost entirely on Snorri Sturluson’s representation and interpretation in his Edda of the pre-Christian religion of Iceland, together with the ambiguous mythical and eschatological world we find represented in the Poetic Edda and in the filtered form Saxo Grammaticus presents in his Gesta Danorum. This stance is more or less presented without reflection in early scholarship, but the bias of the foundation is more readily acknowledged in more recent works.2 In the textual sources we find a considerable pantheon of gods and goddesses — Þórr, Óðinn, Freyr, Baldr, Loki, Njo3rðr, Týr, Heimdallr, Ullr, Bragi, Freyja, Frigg, Gefjon, Iðunn, et cetera — and euhemerized stories of how the gods acted and were characterized as individuals and as a collective. Since the sources are Old Icelandic (Saxo’s work appears to have been built on the same sources) one might assume that this religious world was purely Old 1 See the discussion in Gro Steinsland, Norrøn religion: Myter, riter, samfunn (Oslo: Pax, 2005). -
A Concise Dictionary of Middle English
A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122 -
Stefan Arnason's Lineage on His Father's Side
Stefan Arnason’s lineage on his father’s side This is an edited and translated version of a lineage that Judith Fulford (née Arnason) got from the Íslendingabók (see glossary below). I’ve also combine this with information found in the Book of Settlements, the Sturlunga and Njall Sagas, and information on Geni. Please let me know if you spot any errors or other issues. (Jon) The idea was to take Stefan Arnason’s direct patrilineal line back as far as it would go –– a line of fathers and sons with the names highlighted in red. I’ve also added dates of key events in Iceland’s history to try to put some of these lives into the context of the times they lived in. 1 Stefan Arnason (1882 – 1956) Born: August 6, 1882. Died: December 17, 1956. Husband of Gudrun Sigurbjorg Arnason. In 1904 Stefan emigrated to Canada Father of Olof Gudrun Steeves, Einar Arni Arnason, Herman Arnason, Marvin Skafti Arnason, Katrin Margret Morgan, Valgier Snorri Arnason, Evelyn Ingibjorg Arnason, Mildred Lillian Hooke, Stephan Arnason, Anna Sigridur McLeod, Helen Donovan and Norman Gisli Arnason 2 Árni Jónatansson (1840 – 1921) Born: May 21, 1840 at Reykjadal. Died: January 19, 1921, Farmer at Þríhyrningi 1885–98 and Auðbrekku 1883–5 & from 1898 on. Husband of Gudrun Jonsdottir Father of Stefan Arnason, Valgier Sigurjon Arnason, Sigurbjorg Arnadottir, Gudrun Arnadottir, Hildur Sigrun Arnadottir, Jonaton Arnason, Anna Steinunn Arnadottir, Svanfridur Arnadottir, Snorri Jonsson Arnason, Hilmar Arnason, Sigrun Arnadottir and Ingolfur Arnason Note: This is the ancestor the surname Arnason was derived from. 3 Jónatan Eiríksson (1817 – 1879) Born: August 10, 1817 at Skriðulandi at Aðaldal, Died: May 17, 1879 at Sámstöðum at Öngulstaðahreppi Farmer at Bergsstöðum at Aðaldal. -
The Mead-Hall Community
Journal of Medieval History 37 (2011) 19–33 Contents lists available at ScienceDirect Journal of Medieval History journal homepage: www.elsevier.com/locate/ jmedhist The mead-hall community Stephen Pollington* 46 Beeleigh East, Fryerns, Basildon, Essex, SS14 2RR, UK abstract Keywords: Mead-hall The paper provides background context to the Anglo-Saxon concept Feasting of the ‘mead-hall’, the role of conspicuous consumption in early Gift giving medieval society and the use of commensality to strengthen hori- Ritual zontal and vertical social bonds. Taking as its primary starting point Anglo-Saxon England the evidence of the Old English verse tradition, supported by linguistic and archaeological evidence and contemporary compar- ative material, the paper draws together contemporaneous and modern insights into the nature of feasting as a social medium. The roles of the ‘lord’ and ‘lady’ as community leaders are examined, with particular regard to their position at the epicentre of radiating social relationships. Finally, the inverse importance of the mead- hall as a declining social institution and a developing literary construct is addressed. Ó 2010 Elsevier Ltd. All rights reserved. The term ‘mead-hall’ is no longer current among English-speakers; it is used here as a shorthand notation for the Germanic customs and observances surrounding the consumption and distribution of food and drink in a ceremonial setting, the giving and receiving of honorifics and rewards, and the establishment of a communal identity expressed through formal relationships to a pair of individuals whom we may call the ‘lord’ and ‘lady’. It further relates to a set of traditions concerning hospitality offered to strangers, informal entertainment and the maintenance of wider social relationships. -
Sniðmát Meistaraverkefnis HÍ
MA ritgerð Norræn trú Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Leiðbeinandi: Terry Adrian Gunnell Október 2019 Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Adrian Gunnell 60 einingar Félags– og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október, 2019 Að hitta skrímslið í skóginum Ritgerð þessi er lokaverkefni til MA-gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Caroline Elizabeth Oxley, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Caroline Oxley MA in Old Nordic Religion: Thesis Kennitala: 181291-3899 Október 2019 Abstract Að hitta skrímslið í skóginum: Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view This thesis is a study of animal shape-shifting in Old Norse culture, considering, among other things, the related concepts of hamr, hugr, and the fylgjur (and variations on these concepts) as well as how shape-shifters appear to be associated with the wild, exile, immorality, and violence. Whether human, deities, or some other type of species, the shape-shifter can be categorized as an ambiguous and fluid figure who breaks down many typical societal borderlines including those relating to gender, biology, animal/ human, and sexual orientation. As a whole, this research project seeks to better understand the background, nature, and identity of these figures, in part by approaching the subject psychoanalytically, more specifically within the framework established by the Swiss psychoanalyst, Carl Jung, as part of his theory of archetypes.