DOCSLIB.ORG

1 Jubileumsmagasin Gustav Vigeland 1869–1943

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 Jubileumsmagasin Gustav Vigeland 1869–1943 VIGELANDJUBILEET 2019 Gustav Vigeland 1869–1943 Jubileumsmagasin 1 VIGELANDJUBILEET 2019 Innhold 2 Hilsen fra byråd og ordfører 43 Lyden av Vigeland 3 Velkommen fra 46 Jubileumsmynt: Vigeland-museet Vigeland rett i lomma 4 Gustav Vigeland tidslinje 48 Vigeland-brev tilgjengelig 6 Jubileumsutstilling: på nett Vigeland i verden 49 Vigeland seminaret 2019: 14 Bursdagsfest i Towards Modernity in Vigelandsparken Sculpture 15 Omvisninger og 50 Utstilling i Stockholm: skulpturvandringer Gustav Vigeland. 18 Fire samtidskunstnere om Skulpturens kraft och känsla Gustav Vigeland 52 Skrivestipend 24 Vigeland-museets 54 Dukketeater: foredragsrekke Sinnataggen vil ha ferie 26 Vandreutstilling: 55 De Naive Angsten står i sofaen 56 Bevaring for evigheten 30 Essay: 60 Publikasjoner i 2019 Gips bronse hjerteblod 61 Miniøya & Vigeland jubileet 34 Skulpturkurs for barn Studenter kaster nytt lys og voksne på Vigeland 36 Utstilling: Sommerkonserter Sidesprang fra gotikken Eventyrtur i Frognerparken 38 Ultima & Vigeland Oslobiennalen 40 Utstilling: Konstellasjoner 62 Vigeland-skulpturer i Norge av kjærlighet. Vigeland i lys 64 Arrangementskalender av Michelangelo 42 Utstillinger Mandal og Lindesnes Hilsen fra byråd og ordfører Velkommen fra Vigeland-museet VIGELANDJUBILEET VIGELANDJUBILEET 2019 2019 Velkommen ustav Vigeland er uten tvil vår største billedhugger gjennom tidene. I 2019 Foto: Oslo kommune / Sturlason Foto: er det 150 år siden han ble født, og dette G markeres med et stort, nasjonalt jubileum. Gjennom det kommende året skal vi Hilsen fra feire mannen bak en av våre største turistattrak- sjoner, Vigelandsparken i Oslo – men vi skal ordfører også rette søkelyset mot mangfoldet i Vigelands produksjon. Han var blant annet en anerkjent Norges mest anerkjente skulptør var fra Mandal, portrettkunstner, og det var som skaperen av men bodde i hovedstaden mesteparten av sitt liv. noen av landets flotteste monumenter at han Gustav Vigeland har gitt oss alle en skatt og befestet sin stilling i norsk kunst historie. kunstnerisk gave som vi er stolte over. Denne målsetningen har vært med oss når vi Vigelands produksjon omfatter portrettbyster, Oslo kommune / Sturlason Foto: har planlagt programmet for jubileumsåret; vi statuer og noen av landets flotteste monumenter. ønsker at publikum skal oppdage nye sider ved Livsverket skulle likevel bli Vigelandsparken i / Vigeland-museet Unni Irmelin Kvam Foto: Vigelands kunst. Vandreutstillingen Gustav Frognerparken med over 200 skulpturer, deriblant Den kunsten som Vigeland. Angsten står i sofaen, som er produsert kjente statuer som Sinnataggen, Monolitten og i samarbeid med Nasjonalmuseet, er viktig i Livshjulet. bor i oss denne sammenhengen. Gjennom denne utstillin- Vigelandsparken er sannsynligvis verdens gen vil publikum over hele landet få muligheten største skulpturpark utført av én enkelt kunstner. Hva er Oslo uten Sinnataggen og Monolitten? til å oppdage de vakre og følsomme, men ofte Parken er åpen hele året døgnet rundt. Den er en I år feirer vi Gustav Vigeland. Hans bidrag til vår angstfylte, skulpturene Vigeland laget tidlig i livet, perle som er tilgjengelig og gratis. identitet som by kan ikke overvurderes. lenge før Vigelandsparken var påtenkt. Vi i Oslo har et nært og kjært forhold til Vi lever livene våre omgitt av kunst som vi tar Høydepunktet i feiringen må likevel sies å Vigelands parken. Det er en inkluderende park for gitt, men sammen eier vi oslofolk Norges være den store jubileumsutstillingen som åpner som det er flott å gå tur i og vise frem for besøk- fineste kunstsamling. Bare av Gustav Vigeland for publikum 12. april i Vigeland-museet. Utstillin- ende. Det å iaktta Vigelands skulpturer er fan- eier vi rundt 1 600 skulpturer, 12 000 tegninger gen Paralleller. Gustav Vigeland og hans samti­ tastisk og gir stor glede og inspirasjon. Parken og 400 tresnitt. Fordelt på ca. 1 000 steder i Oslo dige er en storstilt skulpturutstilling der Vigeland besøkes årlig av over en million mennesker og er har vi 18 500 verk i kunstordningen, og gjennom for første gang vises sammen med noen av de Oslos største turistattraksjon. Edvard Munchs og Rolf Stenersens testamenter, mest betydningsfulle kunstnerne i hans samtid, Jeg er glad for at 150-årsjubileet for Gustav eier vi mer enn 28 000 kunstverk bare av Munch. blant andre Auguste Rodin og Aristide Maillol. Ved Vigelands fødsel vil løfte fram mangfoldet i kunst- Kunsten er en viktig del av byens DNA, den binder å plassere Vigeland inn i en slik sammenheng, nerens produksjon, blant annet i jubileums- oss sammen. legges det til rette for at publikum kan få et nytt utstillingen Paralleller som åpner 12. april. Jeg Det sier litt om Vigelands format at han fikk / Vigeland-museet Unni Irmelin Kvam Foto: blikk på hans kunst. synes også det er flott med den forestående Oslos politikere med på å bygge et atelier til ham Programmet for Vigelandjubileet 2019 inne- vandre utstillingen som vil gi hele Norge anledning på Frogner i 1921, i bytte mot alt han hadde laget holder også konserter, byvandringer, foredrag, til å ta del i feiringen. til da og alt han kom til å lage til sin død. For oss seminar, skulpturverksteder, og ikke minst en stor Tusen takk til Vigeland-museet og alle som som bor her er Vigelands kunst en følgesvenn bursdagsfest i Vigelandsparken lørdag 22. juni. har bidratt. På vegne av Oslo ønsker jeg til lykke til trilleturer og treningsturer, til alt det hverdags- Det er mange som bidrar til programmet, og de vil med jubileums feiringen! livet som byfolk driver med utendørs. bli presentert nærmere i dette jubileums- Jeg tror det er grunnleggende bra å vokse magasinet. Her skal vi nøye oss med å rette en Marianne Borgen opp i en internasjonal kulturby, der en liten tur hjertelig takk til dem alle sammen. Ordfører i Oslo med T-banen fører rett til store kunstopplevelser. Vårt mål er at de mange arrangementene i Vigelands kunst er virkelig noe hele byen har jubileumsåret vil øke kunnskapen om, og felles, og noe av det vi er mest stolte av å vise interessen for, Gustav Vigeland, samt skape frem. Det er følelser hugd i stein, det er grunn- begeistring for hans kunst. Velkommen til leggende om hva det er å være menneske. Det Vigeland jubileet 2019! er den kunsten vi bor i og det er den kunsten som bor i oss. Guri Skuggen Prosjektleder for Vigelandjubileet Rina Mariann Hansen Byråd for kultur, idrett og frivillighet Jarle Strømodden Museumsleder 2 3 Gustav Vigeland tidslinje VIGELANDJUBILEET VIGELANDJUBILEET 2019 2019 Gustav Vigeland 1869 1900–10 Født 11. april i Mandal, nest 1900–1901 1907 1908 eldst i en søskenflokk på Møtte 16-årige Inga Syvert- Vedtak om bestilling av Avduking av Abel­ fire. Fikk tidlig utfolde seg sen, som skulle bli hans Vigelands Fontene til Eids- monumentet i Slottsparken kreativt i farens møbel- samboer og assistent de volls plass foran Stortinget. – Vigelands definitive verksted. neste 20 årene. Tilbrakte ett Denne planen ble aldri reali- gjennom brudd som billed- år i Frankrike og England sert, og Fontenen ble senere hugger. der han studerte gotisk innlemmet i Vigelands park- 1880–90 arkitektur og skulptur. anlegg på Frogner. Utnevnt til ridder av St. 1884 1886 1889 Olavs orden i januar 1901. Kom til Kristiania 15 år Reiste hjem til Mandal, der Arbeidet i atelieret til gammel for å gå i lære hos hans tuberkulosesyke far Brynjulf Bergslien og fulgte 1902 treskjærer Torsten K. døde kort tid etter. Studerte undervisningen til Mathias Overtok et gammelt, kom- Fladmoe. Ble halvannet år i flittig alt fra illustrerte utstil- Skeibrok på Tegneskolen. munalt atelier på Hammers- hovedstaden. lingskataloger til anatomi- Debuterte på Statens borg. Flyttet fra Pilestredet bøker. Kunstutstilling med gruppen til en leilighet i Fredensborg- Hagar og Ismael. veien 1. Inga, som nå var 19 1906 1888 år, flyttet inn sammen med Fontenemodellen ble utstilt Etter to år på Sørlandet ham, offisielt som hans hus- på Kunstindustrimuseet reiste han tilbake til hoved- holderske. i Kristiania. Utstillingen var staden der han endelig fikk en enorm suksess, med muligheten til å realisere rundt 30 000 besøkende. sitt ønske om å bli billed- Vigelands Fontene fikk hugger. også internasjonal opp- merksomhet. 1920–47 1890–1900 1924 1891 1895–1896 1899 Bystyret godkjente forslaget Hans første studietur gikk Studiereiser til Berlin, Holdt sin andre og siste om plassering av fontene- til København, og varte Firenze, Roma og Napoli. separatutstilling i Kristiania, anlegget på Frogner, og han i nesten ett år. Fikk atelier- som fikk strålende kritikker viet resten av sitt liv til plass hos billedhugger 1898 og befestet hans posisjon skulpturparken. Monolitten Vilhelm Bissen d.y. Model- Pengemangel fikk Vigeland som en av Norges fremste ble modellert i leire i 1924– lerte sitt første hovedverk, til å påta seg det første opp- billedhuggere. Datteren 25. Flyttet inn i atelier- Forbannet . draget for Nidarosdomen i Else ble født. Barnets mor boligen på Frogner. Trondheim. I alt utførte han var Laura Mathilde Ander- 1893 44 skulpturer for Domkirken sen, som Vigeland innledet 1929 Første reise til Paris, der i perioden 1898–1902, og et forhold til i 1894 da hun Hedret med storkors av St. han besøkte Rodins atelier. han arbeidet i flere perioder stod modell for Helvete. I Olav. Huggingen av Monolit­ på stedet. 1901 fødte hun sønnen ten starter. Det tok tre stein- Gustav. huggere 13 år å få arbeidet ferdig. 1943 1947 Pådro seg en hjerteinfeksjon Vannet i fontenen ble 1921 1922 i januar og ble innlagt på skrudd på for første gang. Undertegnet en kontrakt Giftet seg med Ingrid Lovisenberg sykehus, der Vigelands tidligere atelier med Oslo kommune, der Vilberg. han døde 12. mars. og bolig åpnet som han overdro til kommunen museum. Samlingen inne- 1894 alt han hadde laget og kom holder ca. 1 600 skulpturer, Åpnet sin første separat- til å lage i fremtiden, mot at 12 000 tegninger og 420 utstilling i oktober. Utstillin- kommunen bygget et atelier tresnitt. I tillegg forvalter gen bestod av 51 arbeider og fremtidig museum for Vigeland-museet flere tusen og var den hittil største hans arbeider.
Load more

Recommended publications
  • March 2002 Mars 2002
    March 2002 Mars 2002 A Little in English Litt på norsk Fiancé Eats Engagement Ring Kjæresten spiste forlovelsesringen Norwegian Janne Grim wanted to surprise her Janne Grim ville overraske sin kjæreste, Svein boyfriend, Svein Frøytland, with an engagement Frøytland, med forlovelsesring gjemt i julegrøten ring in his Christmas porridge at a party with på julefest med familie og venner tilstede. Men friends and family present. But poor Svein stakkars Svein la ikke merke til ringen før den failed to notice the ring until it was on its way to var på vei til magesekken. ”Nå er jeg 24 karat his stomach. “Now I’m 24 carats heavier,” says tyngre,” sier Svein. Det lykkelige paret er nå Svein. The happy couple, now famous kjent over hele Skandinavia. Ringen måtte throughout Scandinavia, had to wait for the ring ventes via naturlige kanaler. to return by natural means. Fra Dagbladet From Dagbladet 9-11-01 Relief Fund Raises $91,000 for Salvation Army Big Christmas Demand for Lutefisk in Norway Lutefisk, that love-it-or-leave-it dish, is making a comeback in its homeland. For many years, lutefisk was a popular dish both SALVATION ARMY LIEUTENANT Colonel over the Christmas holiday and throughout David Grindle (center) accepts a check for the year in Norway. In recent years, however, $91,000 donated by members and lodges to it has been avoided year-round. This the 9-11-01 Relief Fund. Presenting the Christmas, in restaurants and at parties check are Jim Olson, International Board across Norway, lutefisk was back. Secretary; John Lund, CEO; Larry Hauge, Trondheim restaurant Havfruen began simply Salvation Army Board; Linda Halet, asking guests who was not ordering the jelly- Foundation Manager; and Joanne Simons, like fish, and few decided otherwise.
    [Show full text]
  • Modernist Sculpture Parks and Their Ideological Contexts— on the Basis of the Oeuvres by Gustav Vigeland, Bernhard Hoetger and Einar Jónsson
    47 (4/2017), pp. 143–169 The Polish Journal DOI: 10.19205/47.17.8 of Aesthetics Małgorzata Stępnik* Modernist Sculpture Parks and Their Ideological Contexts— On the Basis of the Oeuvres by Gustav Vigeland, Bernhard Hoetger and Einar Jónsson Abstract The purpose of this article is to explore the ideological contexts of sculptural works by Northern modernists: Gustav Vigeland (1869–1943) from Norway, Bernhard Hoetger (1874–1949) from Germany, and the Icelander Einar Jónsson (1874–1954). The original iconographies of the Vigelandsanlegget in Oslo, Hoetger’s Platanenhein in Darmstadt, as well as Jónsson’s oeuvres collected in Reykjavik, will be interpreted in relation to wider discourses—i.e. Nietzschean influence, a particular taste for the esoteric (theosophy) and, last but not least, a noticeable aversion to classical form. Keywords early Nordic modernism, sculpture parks Anguish! Anguish! I am o’erwhelmed by heavenly visions and greatness of worlds by the motley whirl of the living. Myriad—voices the All rushes on me, confuses with thick-crowding visions— that I, who should in the midst of the zenith sit like immovable eye, solitary, am whirl’d on myself, like a mote among motes. Henrik Wergeland, To an Illustrious Poet 1 * Maria Curie-Skłodowska University in Lublin, Poland Faculty of Art Email: [email protected] 1 As cited in: I. Ch. Gröndahl, Henrik Wergeland. The Norwegian Poet, trans. I. Grön- dahl, London 1919, p. 26. 144 Małgorzata Stępnik __________________________________________________________________________________________________ The suggestive image of “the motley whirl of the living” that appears in the motto—taken from an ode written by Henrik Wergeland, a notable Norwe- gian poet—evokes numerous associations.
    [Show full text]
  • Virginia Viking 37-7
    September 2013 Volume 37 No. 07 VIRGINIASons of Norway Hampton Roads VIKING Lodge No. 522 President: Bob Rumney Vice President: Michael J. Beck Secretary: june cooper Treasurer: Ragnhild Zingler editor: Thomas Russell The President’s Corner Issue 07, September 2013 Greetings: As we approach the end of summer District President’s Message. we need to start thinking of lodge meetings and lodge activities. The next few months of 2 2013 will be very busy. Here is a list of September to December Activities. upcoming activities; 3 • The first lodge meeting will be Sept 13 Financial Benefits Counselor Starting at 6:30 PM. This will be a potluck Limited Edition Ornaments dinner. A regular lodge meeting will follow with 4 a lot of items to discuss and vote on, as well as awards to present Gustav Vigeland’s Park 5 • The Annual Neptune Parade will be held on 28 Sept. The Viking Long Boat is ready and we Working Together for You (Financial will have a new trailer. We will need marchers waving flags and Benefits) showing our Norwegian pride. 6 th • The city of Virginia Beach will be celebrating its 50 Anniversary 18 Norwegian Apple Pie (Eplepai) Sept – 21 Sept. International guests will arrive on 18 Sept. This New Royal Postage Stamps includes representatives from the sister cities of Moss Norway, 7 Miyazaki Japan, Bangor Northern Ireland and Alcalde de San Juan Del Sur Nicaragua. September Birthdays 8 • On Thursday 19 September (1:30 – 2:45 PM ) there will be a re- dedication ceremony at the Norwegian Lady. Please plan to attend Visit us at: hrson.zzl.org this event.
    [Show full text]
  • This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
    “This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.
    [Show full text]
  • Gustav Vigeland
    IBSEN COURIER This newsletter and others can be viewed/printed in color at: http://www.llund.com/newsletters/ Visit our web page at: http://www.llund.com/sons.htm SONS OF NORWAY September 2011 HENRIK IBSEN LODGE No. 3-393 Officers 2011 elcome back accepted my invitation and will be our W everyone!! guest at our November meeting. They will President:* Kenneth Johnson present a forty minute presentation on [email protected] Well it was a hot Norwegian immigration. I’m sure all our Vice President:* summer and I hope families can relate. Helen Timony everyone made it Secretary:* Anita Kindberg through okay. We As we move through the next year I want Treasurer:* Presidents Message are now beginning to remind all our officers of their individ- Kristine Holvik our 2011-2012 busi- ual responsibilities and that we need to Financial Secretary:* ness season but before I mention the continue with the idea of having a chair- Cynthia Biancospino things I think you should know I first person for all our events. Counselor:* Asbjørn Lageraaen want to say thanks to those who sup- Social Director: ported our lodge and of course our sum- As previously mentioned we will not have Darlene Kern mer get-to-gether events. a regular September meeting at the Assistants: Crystal NiFong & Oriya Bartow church but rather when we will be at Editor: A special thanks to Asbjørn our past LOV. Our next regular meeting will be Lawrence Lund President and Counselor for covering for October 21st and I hope that we will all Sports & Recreation Director: me and our VP Helen when we were un- eat together again.
    [Show full text]
  • Gustav Vigeland: Renowned Antiquity and Renaissance Sculptor Vigeland Park Covers Over 80 Acres in Oslo, Norway
    Gustav Vigeland: Renowned Antiquity and Renaissance Sculptor Vigeland Park covers over 80 acres in Oslo, Norway. There are 212 sculptures in bronze, granite or wrought iron created by Gustav Vigeland (1869‐1943). His sculptures were made between 1906 and 1942. It is the world’s largest sculpture park by a single artist. The park is open year‐round to the public because he donated all his works to the city of Oslo, where he died. The park was designed and architecturally laid out by Vigeland. The park was started in the 1920s but did not become a reality until 1949. The park has several sections shown and explained below. The park’s theme is the circle of life. Gustav chose the sculptures to be without clothes to not date them, therefore they are timeless. Gustav Vigeland was born Adolf Gustav Thorsen in southern Norway. His modest upbringing included a strict father, Eiesaeus Thorsen, a master carpenter. Thorsen was strict in religious matters, but also an alcoholic. After loosing money in a shipping investment, Gustav’s father opened a pub. His drinking caused his wife, Anne (Aanensdatter)Thorsen leave him with their three children and move in with her father. Gustav’s last name Vigeland, which he adopted in his 20s, is traced to a small far west area where he was born, a place called Vigeland (Viking land). As a youth he wanted to be a sculptor. He had learned to draw and do wood carving in school. His father’s death, but his grandfather’s care during his youth would later be seen in his sculptures.
    [Show full text]
  • Port of Bergen
    Cruise Norway The complete natural experience A presentation of Norwegian destinations and cruise ports Cruise Norway Manual 2007/2008 ANGEN R W NNA : GU OTO H Index P Index 2 Presentation of Cruise Norway 2-3 Cruise Cruise Destination Norway 4-5 Norwegian Cruise Ports 6 wonderful Norway Distances in nautical miles 7 The “Norway Cruise Manual” gives a survey of Norwegian harbours Oslo Cruise Port 8 providing excellent services to the cruise market. This presentation is edited in a geographical sequence: It starts in the North - and finishes Drammen 10 in the South. Kristiansand 12 The presentation of each port gives concise information about the most 3 Small City Cruise 14 important attractions, “day” and “halfday” excursions, and useful, practical information about harbour conditions. The amount of information is limited Stavanger 16 due to space. On request, more detailed information may be obtained from Eidfjord 18 Cruise Norway or from the individual ports. The “Norway Cruise Manual” is the only comprehensive overview of Ulvik 20 Norwegian harbours and the cooperating companies that have the Bergen 22 international cruise market as their field of activity. The individual port authorities / companies are responsible for the information which Vik 24 appears in this presentation. Flåm 26 An Early Warning System (EWS) for Norwegian ports was introduced in 2004 Florø 28 - go to: www.cruise-norway.no Olden/Nordfjord 30 T D Geirangerfjord 32 N Y BU Ålesund 34 NANC : Molde/Åndalsnes 36 OTO PH Kristiansund 38 Narvik 40 Møre and Romsdal Lofoten 42 Vesterålen 44 Y WA R NO Harstad 46 ation Tromsø 48 Presenting V INNO Alta 50 .
    [Show full text]
  • Эммануэль Вигеланн EMANUEL VIGELAND and the “Tomba Emmanuelle”
    эмМануэль вигеланн EMANUEL VIGELAND and the “Tomba Emmanuelle” ЭММАНУЭЛЬ ВИГЕЛАНН (1875–1948) – ИЗВЕСТНЫЙ НОРВЕЖСКИЙ ХУ- EMANUEL VIGELAND (1875-1948) WAS A RENOWNED NORWEGIAN ARTIST, ДОЖНИК, ПРОСЛАВИВШИЙСЯ СВОИМИ ВИТРАЖАМИ И ФРЕСКАМИ. МНО- ESPECIALLY FAMOUS FOR HIS STAINED GLASS WORKS AND FRESCO ГОГРАННОСТЬ ЕГО ТАЛАНТА ПРОЯВЛЯЛАСЬ, ПОМИМО ВСЕГО ПРОЧЕГО, В PAINTINGS. THE VERSATILITY OF HIS TALENT WAS MANIFESTED IN THE VARIETY РАЗНООБРАЗИИ МАТЕРИАЛОВ, ПОСЛУЖИВШИХ ОСНОВОЙ ДЛЯ СОЗДА- OF MATERIALS HE WORKED WITH TO CREATE AN EXTENSIVE COLLECTION OF НИЯ ВНУШИТЕЛЬНОГО СПИСКА ПРОИЗВЕДЕНИЙ. ОДНАКО ЭММАНУЭЛЯ ARTWORK. HOWEVER, EMANUEL IS OFTEN OVERSHADOWED BY HIS BETTER ЧАСТО ЗАСЛОНЯЮТ ЕГО БОЛЕЕ ЗНАМЕНИТЫЙ БРАТ ГУСТАВ ВИГЕЛАНН KNOWN BROTHER GUSTAV VIGELAND AND BY EDVARD MUNCH, ANOTHER ИЛИ ЕЩЕ ОДИН ВЕЛИКИЙ ХУДОЖНИК ТОГО ЖЕ ВРЕМЕНИ, ЭДВАРД МУНК. GREAT ARTIST OF THE SAME PERIOD. В ДЕТСТВЕ ЭММАНУЭЛЬ ВИГЕЛАНН БЫЛ ОЧЕНЬ ПРИВЯЗАН К СВОЕМУ DURING HIS CHILDHOOD, EMANUEL ENJOYED A CLOSE RELATIONSHIP СТАРШЕМУ БРАТУ, КОТОРЫЙ ПОБУДИЛ ЕГО НАЧАТЬ РИСОВАТЬ. ПОСТУПИВ WITH HIS BROTHER WHO ENCOURAGED HIM TO START DRAWING. HE В 1894 ГОДУ В КОРОЛЕВСКУЮ АКАДЕМИЮ ХУДОЖЕСТВ В ОСЛО, ВИГЕЛАНН ENTERED THE ROYAL ART ACADEMY IN OSLO IN 1894, HIS FIRST STEP СДЕЛАЛ ПЕРВЫЙ ШАГ К ПРОФЕССИИ ХУДОЖНИКА. В ПОСЛЕДУЮЩИЕ TOWARDS BECOMING AN ARTIST. IN THE FOLLOWING YEARS, VIGELAND ГОДЫ ОН ПРОДОЛЖИЛ УЧЕБУ В КОПЕНГАГЕНЕ И ПАРИЖЕ. В 1900–1902 CONTINUED HIS STUDIES IN COPENHAGEN AND PARIS, AND BETWEEN ГОДАХ ЭММАНУЭЛЬ ПУТЕШЕСТВУЕТ ПО ИТАЛИИ, ИСПАНИИ И АНГЛИИ. 1900 AND 1902 TRAVELLED TO ITALY, SPAIN AND ENGLAND. THIS BROUGHT ЗНАКОМСТВО С ЕВРОПЕЙСКИМ СИМВОЛИЗМОМ ОКАЗАЛО БОЛЬШОЕ HIM UNDER THE INFLUENCE OF EUROPEAN SYMBOLISM AND INSPIRED HIM ВЛИЯНИЕ НА ЕГО ТВОРЧЕСТВО, В КОТОРОМ ПОЯВЛЯЮТСЯ ХАРАКТЕРНЫЕ TO DEVELOP FIGURE PAINTING WITH SOMBRE AND DRAMATIC SHADES.
    [Show full text]
  • Gustav Vigeland. the Power and Feeling of Sculpture Thiel Gallery 15 June – 29 September, 2019
    Gustav Vigeland. The power and feeling of sculpture Thiel Gallery 15 June – 29 September, 2019 The human condition and the power of eroticism and melancholy were the underpinning themes for the Norwegian sculptor Gustav Vigeland (1869–1943). He devoted his entire life to art and worked intently on completing his monumental sculptural projects. After a bohemian existence in 1890s Europe, he returned to Norway, to make portraits and innovative monuments. The final decades of his life were spent mainly on creating Vigelandsparken in Christiania (now Oslo). This exhibition seeks to give a fuller picture of the artist behind Vigelandsparken, Vigeland’s efforts to promote his artistic endeavours, and the importance of social networks. Vigeland was driven by his artistic visions, not least when it came to shape a public space for the existential quest of modern man. With its eight bronze sculptures, the Thiel Gallery has the largest collection of Vigeland’s art outside Norway. Four of these can be seen in the Gallery’s park: Man Embracing a Woman (1905), Man and Woman (1906), Old Man and Young Girl (1906), and Mother and Child (1907). Ernest Thiel supported Vigeland at a pivotal point in his artistic career. Their relationship is a fascinating aspect of the common Swedish-Norwegian cultural heritage. This exhibition is a tribute to the 150th anniversary of Gustav Vigeland, which is celebrated in 2019. Spiritual portrayal of bohemian and modern life Gustav Vigeland has a unique position among Norwegian sculptors, with a vast body of work and singular imagery focusing on mankind. He grew up in Mandal in southern Norway, but moved to Christiania when he was only 15, where he was apprenticed to a wood carver.
    [Show full text]
  • 01-26-18 Compressed 421.Pdf
    the Inside this issue: NORWEGIAN Norway’s oldest man hails from North Dakota american story on page 12 Volume 129, #2 • January 26, 2018 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $4 USD The Travel Issue: Our world in living color WHAT’S INSIDE? « Jeg vet ikke hvor jeg skal Nyheter / News 2-3 denne gangen, men jeg vet jeg Sports 4-5 Northern Norway’s second city skal reise langt. » Business 6 – Odd Børretzen Arts & Entertainment 7 What to do and see on your visit to Bodø Opinion 8-9 VANESSA BRUNE Norway near you 10-11 Stavanger, Norway Norwegian Heritage 12-13 Travel 14-21 Bodø is a city with only 50,000 inhabitants in 1. Go on a self-guided street-art tour northern Norway, situated 60 miles from the Lofoten One of the newer attractions of Bodø (and one that Taste of Norway 22-23 Islands and over 300 miles from Tromsø farther north. Tromsø doesn’t offer to this extent) is all the street art Norsk Språk 24-25 Not many travelers know about Bodø, and many of around the city center that was created in 2015 for the Fiction 26 those who do use it only as a pit stop to get to Lofoten. UpNorth Festival. Ask for a map at the visitor center to Books 27 Others don’t even stop here at all and head to Tromsø make sure you get to see all the pieces that are still left. instead, which arguably offers more sights and attrac- Bulletin Board 28 tions but is thus also more crowded and expensive.
    [Show full text]
  • September Og Oktober 2013 Volume 38 No
    september og oktober 2013 Volume 38 No. 5 FOSSELYNGEN/NORWAY HOUSE CALENDAR OF EVENTS SEPTEMBER 9 Monday Lodge General Mtg – Social/Cultural Doors open at 5, dinner at 6, followed immediately by program. Homemade Dinner (NOT a Potluck) at Low Nominal Cost Vennlig Troll (Youth Club) Presentation (Page 3) 18 Wednesday Norway House Board Meeting 7 PM 28 Saturday Torsk Supper 4-7 PM (Page 2) OCTOBER 5 Saturday 23rd Annual Indoor Scandinavian Festival at Ronald Reagan Elementary School -- 10 AM to 6 PM (Page 6) 14 Monday Lodge General Mtg – Social/Cultural Doors open at 5, dinner at 6, followed immediately by program. Darryl Wunrow – Speaker "Over the Sea to the USA” (Page 3) 16 Wednesday Norway House Board Meeting 7 PM 26 Saturday Torsk Supper 4-7 PM (Page 2) NOVEMBER Note: No Monday Evening Lodge Meeting in November 9 Saturday Torsk Supper and Bake Sale 4-7 PM 13 Wednesday Norway House Board Meeting 7 PM 22/23/24 Fri/Sat/Sun Folk Fair at Wisconsin State Fair Park (Page 4) DECEMBER Note: No Monday Evening Lodge Meeting in December 7 Saturday Lodge Christmas Party (See Nov/Dec 2013 Runespeak for Details.) 14 Saturday Torsk Supper and Bake Sale 4-7 PM TBD TBD Norway House Board Meeting/Christmas Party (Off-Site) Note: See cookie making schedule on Page 11. Contents of This Issue: Pg. 1: Calendar of Events Pg. 7: Engl/Norsk (Gustav Vigeland’s Park); Welcome New Members Pg. 2: President’s Report; Ride Share; Torsk; Officers; Office Hours Pg. 8: Fridtjof Nansen Remembered; Scandinavian Treasures Pg.
    [Show full text]
  • Induction Galleryguide Final.Pdf
    INDUCTION: TAUBA AUERBACH AND ÉLIANE RADIGUE This exhibition brings together two artists working in different artistic disciplines. Tauba Au- erbach (1981, San Francisco, CA) is a visual artist engaged in a variety of media, ranging from painting and photography to book design, weaving, glass, 3D printing, and musical instrument design. A student of classical music, Éliane Radigue (1932, Paris, France) is a composer of minimalist electro-acoustic music. This exhibition is the first iteration of a new series of two-person presentations at MOCA Cleveland called The Invitational, in which one artist invites another to collaborate. The format explores the relationships that exist be- tween artists across disciplines, countries, and historical contexts. Auerbach has long been interested in Radigue’s experimental music and shares many interests, from logic systems, to phenomenology, and Eastern philosophy. The two artists have been in dialogue over the past year over mail, email, and visits to Radigue’s home in Paris. Together they have choreographed an immersive exhibition that includes a rarely exhibited sound installation by Radigue and a new body of work created by Auerbach for this exhibition. OMNHT (1970) - an acronym for One More Night - is an early sound installation by Radigue that was intended to be felt, as much as heard. Presented for the first time in Galerie Rive Driot in 1970, this work has been installed only one other time, and never in the United States. The piece is designed in collaboration with sound engineer Bob Bielecki and uses more than sixty transducers (small speakers) positioned within the walls of the gallery to transmit sound.
    [Show full text]