Tejje Iseto Hampshire VOLUME NO
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Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
The Liberty Champion, Volume 21, Issue 5)
Scholars Crossing 2003 -- 2004 Liberty University School Newspaper Fall 10-21-2003 10-21-03 (The Liberty Champion, Volume 21, Issue 5) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_03_04 Recommended Citation "10-21-03 (The Liberty Champion, Volume 21, Issue 5)" (2003). 2003 -- 2004. 5. https://digitalcommons.liberty.edu/paper_03_04/5 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 2003 -- 2004 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Bandaging Best Baptist paper Searching for America's in the land Starlight Liberty Champion wins "Best Overall" Soldiers at student journalism conference . Student's play premieres SEE PAGE 10 SEE PAGE 5 SEE PAGE 4 The Liberty SERVING LIBERTY UNIVERSITY FOR TWENTY YEARS VOL. 21, NO. 5 ion LU graduate to speak OCTOBER 21, 2003 at 1MB fall conference I Have a Dream tour comes to LU By Ricky Haitiison NEWS REPORTER In a time when ministry in the Middle East seems about as dry as that region's climate, one missionary from the area reports that God is bringing about amazing victories in this Mus lim-saturated land. LU graduate Tommy Weir will be sharing some of these optimistic testimonies in next Monday's convocation, Oct. 27, as a part of this year's fall missions conference. "I will be speaking about...the need for aggressive evangelism if we are to have a har vest. It is an exciting time to serve in this part of the world. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
Tarnished Angels
The Dark Vision of Douglas Sirk 38 NOIR CITY I SPRING 2016 I filmnoirfoundation.org Imogen Sara Smith n a hot night in New Orleans, in a half-lit, elegantly shabby apartment, two troubled souls share a bottle of cheap wine and an intimate, confessional conversation. Next door, a raucous costume party is in full swing, revelers dancing like hopped-up zombies to relentless Dixieland jazz. The man and woman speak tenderly about betrayals and disillusion- O ment, building to a kiss that is jarringly interrupted by Death— a guy in a leering skull mask who bursts in from the party. This scene, from Douglas Sirk’s underappreciated drama The Tarnished Angels (1958), dramatizes one of the director’s key themes: people struggling for authentic connection, surrounded by an oppressive, sinister masquerade of happi- ness. Sirk is best known for baroquely stylized Technicolor melodramas, once dismissed as sudsy kitsch but now embraced by many cinephiles for their formalist rigor and their subversive notes of unease. The work of a European intellectual often saddled with projects he disdained, Sirk’s films are complex, oblique, and visually incisive. One of the few German refugee filmmakers who didnot specialize in film noir, Sirk shared his fellow exiles’ gimlet eye for his adopted country. His lush melodramas strike a dissonant note, resonating from the hollowness behind the false front of the American “good life.” Like his sophisticated noir films of the 1940s, they reveal an insatiable hunger bred by idealized visions of plenty, and the paradoxical seduc- tion of death in a willfully complacent society. -
2012 Holy Cross Baseball Yearbook Is Published by Commitment to the Last Principle Assures That the College Secretary:
2 22012012 HOOLYLY CRROSSOSS BAASEBALLSEBALL AT A GLLANCEANCE HOLY CROSS QUICK FACTS COACHING STAFF MISSION STATMENT Location: . .Worcester, MA 01610 Head Coach:. Greg DiCenzo (St. Lawrence, 1998) COLLEGE OF THE HOLY CROSS Founded: . 1843 Career Record / Years: . 93-104-1 / Four Years Enrollment: . 2,862 Record at Holy Cross / Years: . 93-104-1 / Four Years DEPARTMENT OF ATHLETICS Color: . Royal Purple Assistant Coach / Recruiting Coordinator: The Mission of the Athletic Department of the College Nickname: . Crusaders . .Jeff Kane (Clemson, 2001) of the Holy Cross is to promote the intellectual, physical, Affi liations: . NCAA Division I, Patriot League Assistant Coach: and moral development of students. Through Division I President: . Rev. Philip L. Boroughs, S.J. Ron Rakowski (San Francisco State, 2002) athletic participation, our young men and women student- Director of Admissions: . Ann McDermott Assistant Coach:. Jeff Miller (Holy Cross, 2000) athletes learn a self-discipline that has both present and Offi ce Phone: . (508) 793-2443 Baseball Offi ce Phone:. (508) 793-2753 long-term effects; the interplay of individual and team effort; Director of Financial Aid: . Lynne M. Myers E-Mail Address: . [email protected] pride and self esteem in both victory and defeat; a skillful Offi ce Phone: . (508) 793-2265 Mailing Address: . .Greg DiCenzo management of time; personal endurance and courage; and Director of Athletics: . .Richard M. Regan, Jr. Head Baseball Coach the complex relationships between friendship, leadership, Associate Director of Athletics:. Bill Bellerose College of the Holy Cross and service. Our athletics program, in the words of the Associate Director of Athletics:. Ann Zelesky One College Street College Mission Statement, calls for “a community marked Associate Director of Athletics:. -
September 2016
ZEUGHAUSKINO PROGRAMM Zeughauskino Deutsches Historisches Museum Unter den Linden 2 Juli – September 10117 Berlin T +49 30 20304-421 (Büro) 2016 T +49 30 20304-770 (Kinokasse) F +49 30 20304-424 → Douglas Sirk [email protected] → Tausend Takte Übermut www.zeughauskino.de → Slowakische Neue Welle INHALT VORWORT 1 Höhepunkte 2 Von Detlef Sierck zu Douglas Sirk Filmreihen Written on the Wind All I Desire Die Filme von Douglas Sirk 4 Aus dem Fernseharchiv 40 Berlin.Dokument 44 DEFA-Sportfilm 48 FilmDokument 52 Lachende Erben: Tausend Takte Übermut 54 Slowakische Neue Welle 60 Seit seiner Eröffnung im Jahr 1992 interessiert sich das Zeughauskino für das deutsche Exilkino. Neben kleinere Reihen, die ausgewählte S wie Sonderprogramm 68 Filme deutscher Emigranten vorstellten, sind im Laufe der Jahre um- fangreiche Retrospektiven getreten: mehrmonatige Programme, Wiederentdeckt 72 die es gestatteten, Gesamtwerke in ihren vielfältigen Schichtungen und Wendungen wahrzunehmen. Die Œuvres von Max und Marcel Aktuelle Ausstellungen Ophüls, von Fritz Lang und Robert Siodmak wurden auf diese Weise vorgestellt. Am 8. Juli startet mit einer Douglas-Sirk-Retrospektive Sonderausstellungen im Deutschen Historischen Museum 77 eine weitere Filmreihe in dieser Programmtradition. Douglas Sirk gehört zu den zentralen Filmregisseuren der Nachkriegs- Kalender zeit. Unter den deutschen Filmschaffenden, die in den Jahren vor dem Zweiten Weltkrieg in die USA auswanderten, nimmt er eine Son- Alle Termine im Überblick 78 derstellung ein, denn die Filmkarriere des gebürtigen Hamburgers begann erst im „Dritten Reich“, nachdem er 1934 – unter seinem Geburtsnamen Detlef Sierck – einen Vertrag bei der Ufa unterschrie- Filmwerkstatt ben hatte. Ein Großteil seines Werks entstand jedoch in den 1940er Angebote für Schulklassen 84 und 1950er Jahren im amerikanischen Exil. -
'Movie Memories'
‘MOVIE MEMORIES’ …USA…..1930s….1940s ‘THE GOLDEN AGE’ 1950s….1960s…..UK… SUSAN HAYWARD ISSUE 67 – SPRING 2010 MOVIE MEMORIES MAGAZINE HONORARY MEMBERS DINAH SHERIDAN – DORA BRYAN – DEBBIE REYNOLDS – ROBERT OSBORNE – MURIEL PAVLOW – PEGGY CUMMINS GOOGIE WITHERS – BELLA EMBERG – RENEE ASHERSON – ANNE AUBREY – PATRICIA DAINTON – JULIE HARRIS JANETTE SCOTT – FAITH BROOK – ELAINE SCHREYECK – JOANNA McCALLUM – ANN RUTHERFORD – LIZABETH SCOTT BERNARD CRIBBINS – SUSANNAH YORK – JEAN KENT – BRYAN FORBES – NANETTE NEWMAN – MICHAEL CRAIG Whilst welcoming everyone to the first issue of 2010, it is with much regret and sadness to have to announce the death of one of MVM’s longest serving honorary members – John McCallum. John, along with his wife of 62 years – the delightful Googie Withers and their charming eldest daughter Joanna McCallum, helped to thoroughly enthral and entertain many MVM members at the annual gathering back in September 2007, giving us all an afternoon to remember for a very long time. On that occasion, John kindly signed my copy of his excellent book ‘Life With Googie’ which naturally I will treasure even more now, along with his thoughtful and most gracious letters regarding MVM – and the enjoyment each magazine gave both Googie and himself. Not only a talented actor of the stage and screen, John went into the production side of the business in Australia – especially with the popular TV series ‘Skippy’ in the 1960s, which I remember with affection. John and Googie (pictured here in the 1950s) appeared together many times on the screen – and more so on the stage in a wide variety of successful productions spanning some fifty years. -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
My Replay Baseball Encyclopedia Fifth Edition- May 2014
My Replay Baseball Encyclopedia Fifth Edition- May 2014 A complete record of my full-season Replays of the 1908, 1952, 1956, 1960, 1966, 1967, 1975, and 1978 Major League seasons as well as the 1923 Negro National League season. This encyclopedia includes the following sections: • A list of no-hitters • A season-by season recap in the format of the Neft and Cohen Sports Encyclopedia- Baseball • Top ten single season performances in batting and pitching categories • Career top ten performances in batting and pitching categories • Complete career records for all batters • Complete career records for all pitchers Table of Contents Page 3 Introduction 4 No-hitter List 5 Neft and Cohen Sports Encyclopedia Baseball style season recaps 91 Single season record batting and pitching top tens 93 Career batting and pitching top tens 95 Batter Register 277 Pitcher Register Introduction My baseball board gaming history is a fairly typical one. I lusted after the various sports games advertised in the magazines until my mom finally relented and bought Strat-O-Matic Football for me in 1972. I got SOM’s baseball game a year later and I was hooked. I would get the new card set each year and attempt to play the in-progress season by moving the traded players around and turning ‘nameless player cards” into that year’s key rookies. I switched to APBA in the late ‘70’s because they started releasing some complete old season sets and the idea of playing with those really caught my fancy. Between then and the mid-nineties, I collected a lot of card sets. -
Notre Dame Scholastic, Vol. 86, No. 10
- • .ni^ filT •^•^l•T|•^• I r ••'•-^y-""••'• •''^••^'*--^^ -•-; ame VOL. 86. No. 10 FEBRUARY 1. 1946 NOTRE DAME, INDIANA Main Entrance to "Dormitory F," Notre Dame's New $400,000 Residence Hcdl ^^^W Through these portals two hundred new Freshnnen will enter into the traditions of Notre Dame •i Kiiii |i M I i^m V'l"*"' i^'»i'»'»T;'>J '-. .1*. ,»•. 1 -.^'.V^J.'J 1-.- . 'J I' .u>i|'<-v|iniiiu'|i»ii»nwY»» ^^Om Man ^eUi AMOUU^" It's our famous slogan prompted by the aim of this establishment "to serve in such an efficient, cour teous way that we'll be talked about." We want the personality of this store to be outstanding in friend liness, and we realize that this feeling of good will, to be mutual, must be sincere. Here — you are always a guest before you are a customer. GILBERT'S 813-817 S. Midiigan St. SOUTH BEND'S LARGEST STORE FOR MEN THE NOTRE DAME SCHOLASTIC i^tered as Moand-daM matter at Notra Oame. T~18-^- Aee^tanaa for —JW-K at speeial rate of postase. Seetio* 1103. OeL S. 1917. Antheri—< June U. Itlt. VOL. 86, NO. 10 FEBRUARY 1, 1946 NOTRE DJUKE. OIDUINA Students Follow Team Col. Robert Riordan Returns to N. D. To Chicogo Tomorrow A student basketball trip is an un After five years of absence from Notre more mature group of veterans. One common occurrence at Notre Dame. It Dame, Colonel Robert B. Riordan, of thing that did affect me was the weath is uncommon at many universities. -
Big Band Jump Newsletter
BIG BAND JUMP NEWSLETTER VOLUME XVIII BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 1992 HELEN WARD INTERVIEW_______ The Interview The Background BBJ: How did Benny Goodman find you? A reader's letter gave us the incentive to get in touch HW: Through a mutual friend. His name is George with Helen Ward. The reader wanted her phone Bassman, and I met George socially through my number, and we were happy to oblige, but as is often parents at age 17, and he knew Benny as a staff the case, Helen Ward is under standably wary of talking to un known fans or having her number given out. We did find her, how ever, living comfortably with her husband in suburban Washington, DC. She's no longer singing pro fessionally, even though the urge is still there as you'll discover in the following interview. Since Helen Ward was the first singer with Benny Goodman ... acknowledged as the band starting the Big Band Era, her experience is rich and meaningful. She is, by association, the" Queen of Swing," and the pioneer of the big band singer's art, setting the pattern for all who followed. She mentioned in an album note for her last recording that Big Band singers were hired mostly to "Look pretty and sing the lyrics of the popular songs of the day." She recalls that Benny Goodman told her, "Sing the melody, Helen," whenever she Helen Ward took liberties with an ad-lib phrase now and then. As a single with a smaller group, musician at NBC. When Benny was forming his band, which Helen prefers, she sings the melody, but he said Benny was looking for a singer, and why don't interprets it with tasteful "liberties" allowing us to I go down and meet him? I sang for him, and the rest revel in her personal and captivating style.