Carrizozo Outlook, 01-25-1918 William Kabler
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Another Round
Presents ANOTHER ROUND A film by Thomas Vinterberg 116 mins, Denmark, 2020 Language: Danish with English subtitles Official Selection: Cannes 2020 and TIFF 2020 Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama about friendship, freedom, love – and alcohol. SYNOPSIS There’s a theory that we should be born with a small amount of alcohol in our blood, and that modest inebriation opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin and three of his friends, all weary high school teachers, embark on an experiment to maintain a constant level of intoxication throughout the workday. If Churchill won WW2 in a heavy daze of alcohol, who knows what a few drops might do for them and their students? Initial results are positive, and the teachers’ little project turns into a genuine academic study. Both their classes and their results continue to improve, and the group feels alive again! As the units are knocked back, some of the participants see further improvement and others go off the rails. It becomes increasingly clear that while alcohol may have fueled great results in world history, some bold acts carry consequences. DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol. -
Borders and Beyond Crossings and Transitions in Modern Arabic Literature Edited by Kerstin Eksell and Stephan Guth
Borders and Beyond Crossings and Transitions in Modern Arabic Literature Edited by Kerstin Eksell and Stephan Guth 2011 Harrassowitz Verlag · Wiesbaden ISSN 0938-9024 ISBN 978-3-447-06645-7 Contents KERSTIN EKSELL Introduction ...................................................................................................................... 7 MAHER JARRAR Lebanon as a Borderland: Prolegomena to a Study of Liminality as Experience and Metaphor in the Post Civil-War Novel ................................................ 15 JUMANA BAYEH Borders and Hybridity: Subjectivity in Rabih Alameddine’s I, the Divine ............................................................ 35 SUNE HAUGBOLLE Emotional Archives and the Lebanese Migrant Experience: An Analysis of the Feature Film Zozo ............................................................................... 51 ASTRID OTTOSSON AL-BITAR A Challenging of Boundaries: The Use of Magical Realist Techniques in Three Iraqi Novels of Exile ........................... 63 TANIA AL SAADI Utopia/Dystopia through the Theme of Immigration in Two Arabic Short Stories .............................................................................................. 83 KERSTIN EKSELL The Legend of Al-Andalus: A trajectory across generic borders .................................................................................. 103 TETZ ROOKE Arabic World Literature: New Names, Old Games? ........................................................ 127 STEPHAN GUTH From Water-Carrying Camels to Modern Story-Tellers, -
Viølences Le Nouveau Cinéma Danois
La Revue du Ciné-club universitaire, 2018, no 1 Viølences le nouveau cinéma danois Ciné-club Universitaire Illustration SOMMAIRE 1ère de couverture: Valhalla Rising, (Nicolas Winding Refn, 2009). Éditorial Groupe de travail du Ciné-club universitaire 1 Cerise Dumont Cerise Dumont, Manuel Vielma, Julien Praz, Diana Barbosa Pereira, Julien Dumoulin Division de la formation et des étudiants (DIFE) Activités culturelles de l’Université Aux origines de la violence responsable: Ambroise Barras 3 Diana Barbosa Pereira coordination et édition: Christophe Campergue graphisme: Julien Jespersen Thomas Vinterberg 7 Affaires de familles Julien Dumoulin Une conscience chez Lars von Trier? 14 Julien Praz Amor Omnia ou la volonté du 21 sacrifice Manuel Vielma Quand l’espace attaque les corps 29 Cerise Dumont Recevoir La Revue du Ciné-club universitaire gratuitement chez vous? Abonnez-vous! en 1 minute sur culture.unige.ch/revue Éditorial Par Cerise Dumont «Il y a quelque chose de pourri au royaume du Danemark.»1 William Shakespeare Ces mots de Shakespeare, la nouvelle génération et la perversion humaines sont pourtant des thé- de cinéastes danois semble les comprendre mieux matiques centrales dans un grand nombre de leurs que personne. Ils les réactualisent perpétuellement films, au point que l’on peut soupçonner leurs repré- et les hurlent à la face du monde dans des œuvres sentations de jouer un rôle d’exutoire. On retrouve frappantes de violence et de noirceur. Ces réalisa- d’ailleurs cette dimension quasi cathartique dans teurs portent un regard intransigeant sur leur pays de nombreuses autres productions culturelles scan- et leur culture. Ils n’épargnent rien ni personne dinaves. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society. -
Ramapo Journal of Law and Society Fall 2020 Edition
Volume V, Number 1 Fall0 2020 Ramapo Journal of Law and Society Vol. V Fall 2020 Number 1 TABLE OF CONTENTS SPECIAL ARTICLES Why Women Should Make the Abortion Decision: Damned if you do, Damned if you don’t ……………………………………………………………………………….4 Christina San Fillipo, Ramapo College of New Jersey Creating Terrorists: Issues with Counterterrorism Tactics and the Entrapment Defense ……………………………………………………………………………….40 Carissa Prevratil California State University, Long Beach Transitional Justice: The Key to Democracy, Development, and Sustainable Peace within Transitioning Societies in Latin America ……………………………………………………………………………….58 Brianna Weissman, Ramapo College of New Jersey Fear of the Other Race: Decades of Institutional Racism, Unfair Legislation, and Hatred ……………………………………………………………………………….86 Jake Luppino, Ramapo College of New Jersey PERSPECTIVES Sexual Harassment on College Campuses: The Insufficiency of Title IX ……………………………………………………………………………… 121 Taylor Puluse, Ramapo College of New Jersey 1 Mission The Ramapo Journal of Law and Society is an interdisciplinary, online journal devoted to the publication of undergraduate scholarship in Law and Society. The Journal’s mission is to provide a platform to undergraduate students from across disciplines to engage with socio-legal issues in the context of the liberal arts. We understand law and society broadly to include discussions of law in society not just as rigid bodies of rules but as dynamic institutions shaped by historical forces and social imperatives. The journal will include submissions from varied fields of the social sciences and humanities, and hopes to build conversations across disciplines on the topical socio- legal issues of our times. The journal is published by an editorial board of students and faculty representing the Ramapo College undergraduate program in Law and Society, in collaboration with our colleagues at other colleges and universities nationwide. -
Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe
A Samuel Goldwyn Films Release Directed by Thomas Vinterberg (THE HUNT, THE CELEBRATION) Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe US Press Contacts Cinetic Marketing and PR Julie Chappell Nico Chapin Lydia Snapper [email protected] [email protected] [email protected] 1 LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama aBout friendship, freedom, love – and alcohol. SYNOPSIS Four friends, all teachers at various stages of middle age, are stuck in a rut. UnaBle to share their passions either at school or at home, they embark on an audacious experiment from an oBscure philosopher: to see if a constant level of alcohol in their Blood will help them find greater freedom and happiness. At first they each find a new-found zest, But as the gang pushes their experiment further, issues that have Been simmering for years come to a head and the men are faced with a choice: reckon with their Behavior or continue on the same course. Underscored By delicate and affecting camerawork, director Thomas Vinterberg's spry script, co-written with regular collaBorator ToBias Lindholm, uses this Bold premise to explore the euphoria and pain of an unBridled life. Playing a once Brilliant But now world- weary shell of a man, the ever surprising Mads Mikkelsen delivers a fierce and touching performance. 2 DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol. -
Submarino / Berlinale Competition a Family/ Berlinale Competition Super
vINTErBErG rETUrNS To rEALISM family entanglements ADMIratioN For THE oUTSIDEr The director of Festen/The Celebration, Thomas Berlin winner for A Soap, Pernille Fischer Christensen This tagline could well describe the spirit of the stories Vinterberg brings his latest filmSubmarino to the is back competing at the Berlinale with A Family. At the in the five films chosen by Berlinale’s Generation: Birger Berlinale Competition. A story about two estranged heart of the story about family ties is the relationship Larsen’s Super Brother and four short films,Megaheavy, brothers marked by an early tragedy. between a father and his daughter. Out of Love, Sun Shine and Whistleless. PAGE 3 PAGE 6 PAGE 9 & 15-20 FILM IS PUBLISHED BY #THE DANISH FILM68 INSTITUTE / febuarY 2010 submarino / Berlinale competition a family / Berlinale competition super brother / Berlinale Generation megaheavy / out of love / sun shine / whistleless / Generation short films PAGE 2 / FILM#68 / BERLIN ISSUE FILM#68/ BERLIN issue insiDe vINTErBErG rETUrNS To rEALISM FAMILY ENTANGLEMENTS ADMIrATIoN For THE oUTSIDEr ESSENTIAL BoNDS / BErLINALE CoMPETITIoN The director of Festen/The Celebration, Thomas Berlin winner for A Soap, Pernille Fischer Christensen This tagline could well describe the spirit of the stories Vinterberg brings his latest filmSubmarino to the is back competing at the Berlinale with A Family. At the in the five films chosen by Berlinale’s Generation: Birger Berlinale Competition. A story about two estranged heart of the story about family ties is the relationship Larsen’s Super Brother and four short films,Megaheavy, brothers marked by an early tragedy. between a father and his daughter. -
Submarino a Film by Thomas Vinterberg 01 Submarino Submarino
SUBMARINO A FILM BY THOMAS VINTERBERG 01 SUBMARINO SUBMARINO INTRODUCTION SUBMARINO is the story of two down-and-out brothers haunted by a tragic childhood. Troubled ex-con Nick fights painful memories and loneliness to try and reconnect with his brother, a struggling single father and heroin addict... From the acclaimed director of FESTEN (THE CELEBRATION), DEAR WENDY and IT’S ALL ABOUT LOVE. 02 03 SUBMARINO SUBMARINO SYNOPSIS Not yet out of elementary school, Nick and his younger brother have already been hardened by Nick communicates more easily with his ex-girlfriend’s brother Ivan. He opens up about having poverty, abuse and alcohol. But these two tough boys still find joy in their newborn baby brother. been recently released from prison for his brutal random violence when Ana broke up with him They gladly make up for the shortcomings of their neglectful alcoholic mother and give the infant two years ago. Nick has a soft spot for sex-obsessed overweight Ivan, down-and-out himself and in the loving care which all children deserve. Although shortlived, this glimmer of hope will haunt need of mental help. But Nick’s compassion misjudges the reality of Ivan’s illness... them well into adulthood... Nothing is more important to Nick’s brother than his six-year-old son Martin. No matter how much It’s winter and 30-something Nick is living alone in a gloomy tenement shelter. Moody and he loves his son, being a responsible father isn’t easy for a junkie. Despite the fact that he could anguished, Nick has difficulty controlling his anger. -
Swedish Film Magazine #2 2010
Swedish Film #2 2010 • A magazine from the Swedish Film Institute P UMP UP THE NOISE Johannes Stjärne Nilsson and Ola Simonsson want the Sound of Noise to ring all over Cannes Bill Skarsgård Another shining son BATHING MICKY In Competition in Cannes A SILENT CHILD In Directors’ Fortnight ... BUT FILM IS MY MISTRESS Bergman revisited www.sfi.se “Brighton Rock” © 2010 Optimum Releasing “Centurion” © 2010 Celador Films / Pathe Productions “Antichrist” © 2009 Zentropa “Dear Alice” © 2009 One Tired Brother “Eden Lake” © 2008 Rollercoaster Films “The Descent: Part 2” © 2009 Celador Films / Pathe Productions “Arn - The Kingdom at Road’s End” © 2008 AB Svensk Filmindustri “Mammoth” © 2009 Memfis Film “The Cottage” © 2008 Steel Mill Yorkshire / UKFC “Hush” © 2009 Warp X / Fear Factory (Hush) SWEDEN’S BEST KEPT SECRET In less than four years Filmgate have supplied high end cost effective visual effects and DI solutions for over 30 feature films in 9 countries. Since the introduction of our 2k grading and conform services we have graded three feature films and several short films as well as TV commercials. In 2009, with the aid of regional funding, we have expanded our services into co-production. Looking forward to 2010 not only do we have exciting and challenging visual effects projects ahead, such as the eagerly anticipated UK features “Centurion” and “Brighton Rock”, we are also involved with a slate of US, UK and French projects as co-producers. www.filmivast.se www.filmgate.se CEO’S LETTER Director, International Department Pia Lundberg Phone +46 70 692 79 80 Unforgettable surprises [email protected] SOME THINGS JUST refuse to go away, no autumn, and Andreas Öhman with Simple matter how hard you try to shake them off. -
Vampire in the Stockholm Suburbs: Let the Right One in and Genre Hybridity
JSCA 1 (1) pp. 55–70 Intellect Limited 2010 Journal of Scandinavian Cinema Volume 1 Number 1 © 2010 Intellect Ltd Article. English language. doi: 10.1386/jsca.1.1.55_1 feature article ROCHELLE WRIGHT University of Illinois Vampire in the Stockholm suburbs: Let the Right One In and genre hybridity ABSTRACT KEYWORDS The article argues that one crucial factor in the success of the Swedish vampire vampire films film Låt den rätte komma in/Let the Right One In (Alfredson, 2008) is that it genre seamlessly merges several apparently disparate genres to create a hybrid form that hybridity appeals to widely divergent audiences. A detailed analysis of the film demonstrates gender identity how it simultaneously draws on and departs from common themes and motifs of the Other indigenous Swedish film as well as vampire film tradition, combining elements of Sweden the horror film, the coming-of-age story and the realistic socio-psychological drama to create a unique mix of the innovative and the familiar. A comparison of critical responses in Sweden with those in the English-speaking world sheds further light on genre-specific expectations and ways the film transcends them. When John Ajvide Lindqvist’s Låt den rätte komma in/Let the Right One In was published in 2004, he declared it to be the first Swedish vampire novel since Victor Rydberg’s Vampyren/‘The Vampire’, published in 1848 (Ordfront 2004). Though this claim may be hyperbole, the horror genre, as opposed to crime fiction, has hardly been a staple of recent Scandinavian popular literature. 55 JSCA 1.1_Art_Wright_55-70.indd 55 11/1/10 11:53:53 AM Rochelle Wright Let the Right One In received almost universally positive reviews and was hugely popular with readers as well. -
Films by Thomas Vinterberg
Mongrel Media Presents THE HUNT A Film by Thomas Vinterberg (111 min., Denmark, 2012) Language: Danish (English subtitles) Official Selection Cannes Film Festival 2012 Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE HUNT – Cannes Official Selection ‐ Competition THE HUNT (2012) is a disturbing depiction of how a lie becomes the truth when gossip, doubt and malice are allowed to flourish and ignite a witch‐hunt that soon threatens to destroy an innocent man’s life. Mads Mikkelsen plays Lucas, a former school teacher who has been forced to start over having overcome a tough divorce and the loss of his job. Just as things are starting to go his way, his life is shattered. An untruthful remark throws the small community into a collective state of hysteria. The lie is spreading and Lucas is forced to fight a lonely fight for his life and dignity. Co‐founder of the Dogme movement and director of award‐winning international hit FESTEN (THE CELEBRATION), Thomas Vinterberg delivers yet another powerful drama that is sure to leave its mark. Vinterberg wrote the screenplay together with fellow writer‐director Tobias Lindholm. THE HUNT reestablishes their successful collaboration which began on the critically acclaimed SUBMARINO which premiered in competition at the 2010 Berlin Film Festival. Among others, SUBMARINO received the prestigious Nordic Council Film Award.