Moderne & Zeitgenössische Kunst 19. Juni 2014
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THE D.A.P. CATALOG Spring 2019 LATAM
LATAM THE D.A.P. CATALOG SPRING 2019 artbook.com I Phyllis Galembo: Mexico, Masks & Rituals Text by Víctor M. Espinosa, George Otis. Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico’s masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations—their personal and collective identifications—displayed on their bodies. Photographer Phyllis Galembo (born 1952) received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. -
Featured Releases Spring Highlights 107 Specialty Books
Annonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Thomas Evans, Megan Ashley DiNoia Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Artisti, from Title, published by SPBH Editions. See page X. BACK COVER IMAGE Backlist Highlights 206 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen , published by Karma Books, Index 215 New York. See page 119. Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane’, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists— both established and emerging—whose ages span seven decades and who hail from -
THE D.A.P. CATALOG Spring 2019 Mid-EAST
MID-EAST THE D.A.P. CATALOG SPRING 2019 artbook.com I William Klein: Celebration Text by William Klein. Here, looking back from the perspective of his 90 years, William Klein selects his favorite works, those that he considers to be the very best he has made over the course of his long career, in order to pay homage to the medium of photography itself. This book, appropriately titled Celebration, provides a tour of his most emblematic works, traversing New York, Rome, Moscow, Madrid, Barcelona and Paris, in powerful black and white or striking color. The book also includes a text by the author in which he reflects upon the photographic art and explains what prompted him to make this director’s cut, this exceptionally personal selection. A small-format but high-voltage volume, in page after page Celebration makes it clear why Klein’s achievement is one of the summits of contemporary photography. Born in New York in 1928, William Klein studied painting and worked briefly as Fernand Léger’s assistant in Paris, but never received formal training in photography. His fashion work has been featured prominently in Vogue magazine, and has also been the subject of several iconic photo books, including Life Is Good and Good for You in New York (1957) and Tok yo (1964). In the 1980s, he turned to film projects and has produced many memorable documentary and feature films, such as Muhammed Ali, the Greatest (1969). Klein currently lives and works in Paris, France. His works are held in the collections of the Museum of Modern Art in New York, the National Gallery of Art in Washington, DC, and the Art Institute of Chicago, among others. -
Wilhelm Arntz Papers Date (Inclusive): 1898-1986 Number: 840001 Creator/Collector: Arntz, Wilhelm F
http://oac.cdlib.org/findaid/ark:/13030/kt8d5nf2w0 No online items Finding aid for the Wilhem Arntz papers, 1898-1986 Isabella Zuralski. Finding aid for the Wilhem Arntz 840001 1 papers, 1898-1986 Descriptive Summary Title: Wilhelm Arntz papers Date (inclusive): 1898-1986 Number: 840001 Creator/Collector: Arntz, Wilhelm F. Physical Description: 159 Linear Feet(295 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Comprehensive research collection on twentieth century art, especially German Expressionism, compiled by the art expert Wilhelm Friedrich Arntz. A vast portion of the collection consists of research files on individual artists. Of particular interest are files concerning the so-called degenerate art campaign by the Nazis and the recovery of confiscated artwork after World War II. Extensive material documents Arntz's professional activities. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in German Biographical/Historical Note Wilhelm Friedrich Arntz (1903-1985) was a German lawyer, art expert and independent researcher of twentieth century art. He was also one of the early collectors of German Expressionism. Parallel to collecting artworks, he aquired publications on 20th century art and compiled a wealth of archival material, including newspaper clippings, correspondence of artists, art historians and dealers, and ephemeral items such as invitations to exhibition openings. Trained as a lawyer, Arntz began his professional career as political editor for the newspaper Frankurter Generalanzeiger, but he lost his job in 1933 after the Nazis came to power. -
April 2019 Fr. 10
April 2019 Fr. 10.– /€ 8.– *Aargauer Kunsthaus Big Picture 26.1.–28.4.2019 Das grosse Format Aargauerplatz CH–5001 Aarau Di–So 10–17Uhr Do 10–20 Uhr Collection de l’Art Brut www.aargauerkunsthaus.ch Kunst im Verborgenen CARAVAN 1/2019: Adolf Wölfli, Tonneau géant de Saint Adolf, um 1922, Marie Matusz Collection de l’Art Brut, Lausanne. Foto: Arnaud Conne, Atelier de numérisation – Ville de Lausanne FOKUS 16 Ida Applebroog —Zur Anatomie der Ohnmacht. Isabel Zürcher 26 Extraordinaire—oder das Konstrukt Wahnsinn. Ursula Meier 32 Cyprien Gaillard—Esgehtums Ganze, im Fragment. J. Emil Sennewald 40 Luzia Hürzeler —Distanz und letzteNähe. Sibylle Omlin 48 Toiles et toiles —Rencontredetrois regards. Nadia El Beblawi 52 Stéphanie Baechler —Cortina di ferro. Regaida Comensoli HINWEISE 54 DigitaleKunst/Users’ Choice —Meret Buser —Vierzäh Täghinterem Mond 55 Animation/Curator’s Choice —Špela Čadež /Aarau —Collection de l’ArtBrut 56 Baden —Margot Bergman /Baden —allerDings 58 Basel —Yoan Mudry /Basel —CécileWick, Marcel Scheible 59 Basel —Video-Geschichte/Bologna —Thomas Struth 60 Lausanne —Martine Franck/Lausanne —Lapeintureanglaise de Turner àWhistler 62 Paris —LaurenHuret /Porza —Teres Wydler 64 Romont —Glas im Dialog /Saalfelden —Anna Meyer 66 Winterthur —Thomas Stamm /Winterthur —Reality Check 68 Winterthur —Simone Holliger,Thomas Bonny 69 Zürich—Hanna Roeckle, Jocelyne Santos,Bardula,Serena Amrein 70 Zürich—Ding /Unding /Zürich—Kelvin Haizel 72 Zürich—Glanzlichter /Zürich—Precious Okoyomon BESPRECHUNGEN 74 Basel —MonikaDillier —Aneignung im Aquarell -
THE D.A.P. CATALOG MID-SUMMER 2019 Pipilotti Rist, Die Geduld [The Patience], 2016
THE D.A.P. CATALOG MID-SUMMER 2019 Pipilotti Rist, Die Geduld [The Patience], 2016. Installation view from Kunsthaus Zürich. Photo: Lena Huber. Courtesy the artist, Hauser & Wirth and Luhring Augustine. From Pipilotti Rist: Open My Glade, published by Louisiana Museum of Modern Art. See page 20. Mid-Summer 2019 New Releases 2 CATALOG EDITOR Back in Stock 9 Thomas Evans DESIGNER Lower-Priced Books 10 Martha Ormiston PHOTOGRAPHY Books for Summer 12 Justin Lubliner, Carter Seddon COPY WRITING More New Books 14 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia, Arthur Cañedo, Jack Patterson Recently Published by Steidl 26 FRONT COVER IMAGE Stefan Draschan. from Coincidences at Museums, published by Hatje Cantz. See page 5. SPRING/SUMMER ■ 2019 SPRING/SUMMER ■ 2019 Basquiat's "Defacement": The Untold Story Text by Chaédria LaBouvier, Nancy Spector, J. Faith Almiron. Police brutality, racism, graffiti and Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) on the wall of Keith the art world of the early-1980s Haring’s studio in 1983 to commemorate the death of a young black artist, who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway Lower East Side converge in one station. Defacement is the starting point for the present volume, which focuses on Basquiat’s response to anti-black racism and police brutality. Basquiat’s “Defacement” explores this chapter painting by Jean-Michel Basquiat in the artist’s career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s, an era marked by the rise of the art market, the AIDS crisis and ongoing racial tensions in the city. -
THE D.A.P. CATALOG Spring 2019 Asia
ASIA THE D.A.P. CATALOG SPRING 2019 artbook.com I William Klein: Celebration Text by William Klein. Here, looking back from the perspective of his 90 years, William Klein selects his favorite works, those that he considers to be the very best he has made over the course of his long career, in order to pay homage to the medium of photography itself. This book, appropriately titled Celebration, provides a tour of his most emblematic works, traversing New York, Rome, Moscow, Madrid, Barcelona and Paris, in powerful black and white or striking color. The book also includes a text by the author in which he reflects upon the photographic art and explains what prompted him to make this director’s cut, this exceptionally personal selection. A small-format but high-voltage volume, in page after page Celebration makes it clear why Klein’s achievement is one of the summits of contemporary photography. Born in New York in 1928, William Klein studied painting and worked briefly as Fernand Léger’s assistant in Paris, but never received formal training in photography. His fashion work has been featured prominently in Vogue magazine, and has also been the subject of several iconic photo books, including Life Is Good and Good for You in New York (1957) and Tok yo (1964). In the 1980s, he turned to film projects and has produced many memorable documentary and feature films, such as Muhammed Ali, the Greatest (1969). Klein currently lives and works in Paris, France. His works are held in the collections of the Museum of Modern Art in New York, the National Gallery of Art in Washington, DC, and the Art Institute of Chicago, among others. -
Current Concerns
11 December 2018 No 27/28 ISSN 1664-7963 Current Concerns PO Box CH-8044 Zurich Current Concerns Switzerland The international journal for independent thought, ethical standards, moral responsibility, Phone: +41 44 350 65 50 Fax: +41 44 350 65 51 and for the promotion and respect of public international law, human rights and humanitarian law E-Mail: [email protected] Website: www.currentconcerns.ch English Edition of Zeit-Fragen Ukraine stages new provocation in Kerch Strait: pursuing hidden agenda by Peter Korzun, Expert on wars and conflicts On 25 November, three Ukrainian naval Hungary ships made an unauthorised crossing Moldovan Ukraine through Russian territorial waters. The Romania Russian Coast Guard took measures Azov Sea Russia to force them to comply with the rules. Kerch They did not. There can be little doubt Serbia that Kiev sent those ships to deliberate- ly provoke Russia. Every ship that pass- Kerch Strait es through that waterway must contact Bulgare the Kerch Sea Port authorities, report her Black Sea route and destination, and be given per- Georgia mission to sail through. It’s really that simple, but Ukraine’s group of ships had not notified Russia in advance of their Greece plans. Warnings to stop their dangerous (map wikipedia/CC) maneuvering were met with a deaf ear. The Ukrainian vessels defiantly ignored try. The ongoing conflict with the self- vention on the Law of the Sea would take the requests to leave Russia’s territorial proclaimed republics has never prompted effect. Russia’s and Ukraine’s territorial waters. him to consider a state of emergency. -
THE D.A.P. CATALOG Spring 2019 LATAM
LATAM THE D.A.P. CATALOG SPRING 2019 artbook.com I Phyllis Galembo: Mexico, Masks & Rituals Text by Víctor M. Espinosa, George Otis. Since 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Masking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico’s masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations—their personal and collective identifications—displayed on their bodies. Photographer Phyllis Galembo (born 1952) received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library.