Dr Dale's Zombie Dictionary
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Milk Kulfi Recipe / Paal Ice / Homemade Kulfi Recipe
Jigarthanda Popsicle Recipe / Madurai Jil Jil Jigarthanda Kulfi Jigarthanda is a popular milk based energy drink sold in many restaurants and road side shops in south India. Jigar means “liver /heart /mind” Thanda means “cooling”. Jigarthanda Popsicle is prepared with almond tree gum (Badam Pisin), nannari syrup, milk and sugar. I already posted the authentic madurai Jigarthanda recipe in my blog. This is my favourite drink and I will never miss this drink when ever I go to Madurai. Coming to the jigarthanda popsicle recipe, here I used vanilla extract in place of nannari syrup and I used condensed milk in place of ice cream. I have no idea whether this jigardhanda popsicle available in shops, this is my own creative recipe by following the jigarthanda recipe. The idea of making this popsicle was in my mind for long time, at last I tried it last week. Woo-ooh, it was so rich, creamy and yummy. Here in US, summer has started it’s getting hot so this madurai jil jil jigarthada kulfi helps me to cool the body instantly. I bet the kids will love this for sure. Hope you will give this a try and let me know how it turned out. Also try my other popsicle recipes. 1. Homemade Kulfi 2. Pineapple Popsicle How to make Jigarthanda Popsicle Recipe Jigarthanda Popsicle Save Print Prep time 8 hours Cook time 30 mins Total time 8 hours 30 mins A creamy and yummy Jigarthanda popsicle is a milk based popsicle made with badam pisin, vanilla extract, milk and sugar. -
PRICES REALIZED DETAIL - Animation Auction 52A, Auction Date: 12/1/2012
26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation Auction 52A, Auction Date: 12/1/2012 LOT ITEM PRICE 4 X-MEN “OLD SOLDIERS”, (2) ORIGINAL PRODUCTION CELS AND BACKGROUND $275 FEATURING “CAPTAIN AMERICA” & “WOLVERINE”. 5 X-MEN “OLD SOLDIERS”, (2) ORIGINAL PRODUCTION CELS AND BACKGROUND $200 FEATURING “CAPTAIN AMERICA” & “WOLVERINE” FIGHTING BAD GUYS. 6 X-MEN “PHOENIX SAGA (PART 3) CRY OF THE BANSHEE”, ORIGINAL PRODUCTION CEL $100 AND BACKGROUND FEATURING “ERIK THE REDD”. 8 X-MEN OVERSIZED ORIGINAL PRODUCTION CEL AND BACKGROUND FEATURING $150 “GAMBIT”, “ROGUE”, “PROFESSOR X” & “JUBILEE”. 9 X-MEN “WEAPON X, LIES, AND VIDEOTAPE”, (3) ORIGINAL PRODUCTION CELS AND $225 BACKGROUND FEATURING “WOLVERINE” IN WEAPON X CHAMBER. 16 X-MEN ORIGINAL PRODUCTION CEL AND BACKGROUND FEATURING “BEAST”. $100 17 X-MEN (2) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “NASTY BOYS”, $100 “SLAB” & “HAIRBAG”. 21 X-MEN (3) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “STORM”. $100 23 X-MEN (2) ORIGINAL PRODUCTION CELS AND (2) SKETCHES FEATURING CYCLOPS’ $125 VISION OF JEAN GREY AS “PHOENIX”. 24 X-MEN (2) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “CAPTAIN $150 AMERICA” AND “WOLVERINE”. 25 X-MEN (9) ORIGINAL PRODUCTION CELS AND PAN BACKGROUND FEATURING “CAPTAIN $175 AMERICA” AND “WOLVERINE”. 27 X-MEN (3) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “STORM”, $100 “ROGUE” AND “DARKSTAR” FLYING. 31 X-MEN THE ANIMATED SERIES, (2) ORIGINAL PRODUCTION CELS AND BACKGROUND $100 FEATURING “PROFESSOR X” AND “2 SENTINELS”. 35 X-MEN (2) ORIGINAL PRODUCTION PAN CELS AND BACKGROUND FEATURING $100 “WOLVERINE”, “ROGUE” AND “NIGHTCRAWLER”. -
Ask the Judge Questions About Dressage with Amy Mcelroy
Ask the Judge Questions about Dressage With Amy McElroy Amy McElroy is a USEF R judge, qualified to officiate at any USEF recognized show at all national dressage levels. She rides, trains and teaches at Fairlane Farm in Aiken and judges about a dozen dressage shows and events each year. In her popular Ask the Judge column, she answers readers’ questions about dressage. Dear Amy, in recent years. They come in many styles, are comfortable, cool and lightweight. Some even come with “bling.” I am getting ready to start this year’s show season at the Fourth There are also a few other recent changes in the rules for proper Level. I just got a gorgeous top hat for Christmas. My trainer has attire. The rules state that in Fourth Level and below “A short riding always told me that when I can come down the centerline in the coat of conservative color . is mandatory.” Proper conservative canter, it would be time for me to wear my top hat. When my colors are: black, grey, navy or brown. A newer rule says that coats husband learned that I would be showing Fourth level, he surprised may have contrast coloring, and/or piping. For example a black coat me with this gift. with light pink collars would be acceptable, or a grey coat with black So, now that I am ready and I have the hat, I have heard that I can collars. A cutaway coat is also permitted – this is like a modified no longer wear it in Fourth level. -
Emergencies in Paediatrics and Neonatology Published and Forthcoming Titles in the Emergencies in … Series
OXFORD MEDICAL PUBLICATIONS Emergencies in Paediatrics and Neonatology Published and forthcoming titles in the Emergencies in … series: Emergencies in Adult Nursing Edited by Philip Downing Emergencies in Anaesthesia Edited by Keith Allman, Andrew McIndoe, and Iain H. Wilson Emergencies in Cardiology Edited by Saul G. Myerson, Robin P. Choudhury, and Andrew Mitchell Emergencies in Children’s and Young People’s Nursing Edited by E.A. Glasper, Gill McEwing, and Jim Richardson Emergencies in Clinical Surgery Edited by Chris Callaghan, Chris Watson and Andrew Bradley Emergencies in Critical Care, 2e Edited by Martin Beed, Richard Sherman, and Ravi Mahajan Emergencies in Gastroenterology and Hepatology Marcus Harbord and Daniel Marks Emergencies in Mental Health Nursing Edited by Patrick Callaghan Emergencies in Obstetrics and Gynaecology Edited by S. Arulkumaran Emergencies in Oncology Edited by Martin Scott-Brown, Roy A.J. Spence, and Patrick G. Johnston Emergencies in Paediatrics and Neonatology, 2e Edited by Stuart Crisp and Jo Rainbow Emergencies in Palliative and Supportive Care Edited by David Currow and Katherine Clark Emergencies in Primary Care Chantal Simon, Karen O’Reilly, John Buckmaster, and Robin Proctor Emergencies in Psychiatry, 2e Basant Puri and Ian Treasaden Emergencies in Radiology Edited by Richard Graham and Ferdia Gallagher Emergencies in Respiratory Medicine Edited by Robert Parker, Catherine Thomas, and Lesley Bennett Emergencies in Sports Medicine Edited by Julian Redhead and Jonathan Gordon Head, Neck and Dental -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Melee Weapons, Ranged Weapons, Special Issue Wargear, Or Relics May Purchase a Zephyr Command Module As a Dedicated Transport
Codex: Ornthon v 1.0 A Galaxy Lost The story of the Ornthon race did not begin in this galaxy. Once they were native to a galaxy far away. But that would all come to change with the arrival of a menace from the stars. Scattered like chaff upon the wind, the Ornthon Heirs to a Galaxy race struggles to survive far from their true As far back as they have record, the Ornthon home. New aeries grow upon worlds here and race has always been filled with ambition. From there across the galaxy as survivors struggle to the first time they reached out to the stars, they rebuild glory now lost. The voices of ancestors knew themselves to be destined for greatness. cry out for vengeance even as voices from the This attitude permeates the entire racial deep whisper dreams of power. The Ornthon culture, and for a long time would seem to be race is in a fight for both survival in the galaxy, truth. and for control of a rapidly dividing culture. As they struck out into the larger galaxy the Once, things were not so. In time past and far race spread with a zeal that was unmatched by away the Ornthon knew peace and prosperity. their neighbors. The stories tell of battles, wars, Their race was first among equals and oversaw treaties, and assimilation. Heroes arose and fell vast swathes of the stars. In that time their race as an empire was forged. By the time the other was not divided, but acted as one for the great races had come risen up the Ornthon had betterment of all. -
Hat Should I Wear for a Horse Show? While the Answer to This Question
hat should I wear for a horse show? While the answer to this question will W vary depending on whether you are riding in a local schooling show or competing in a rated show (e.g. the “A” rated Midstates Horse Shows in Mason City, or the “B” rated Valley Park in Des Moines), the following information should help you figure out what is appropriate. If you have any questions about whether something is appropriate, ask your trainer. This is always good advice. Helmet & Hair Whether you are jumping huge fences or just sitting on your horse waiting for your lesson to begin, accidents can happen to anyone, at any time. Thus, any time you are mounted you need to be wearing a helmet with the chin-strap fastened. Purchase an ASTM/SEI-approved helmet that hasn’t been involved in a fall. After a serious impact resulting in obvious helmet damage, discard the helmet and buy a new one. You May wish to replace it even if there is no external damage. The general rule is to replace a helmet every 5 years, whether or not it has been involved in a fall. When trying on helmets, wear your hair as you’ll wear it when riding, as this will affect the fit. Helmets should fit snugly and be worn over the top of your head, with the brim resting just above your eyebrows. Do not wear your helmet perched on top of your head, or tilted back. If your helmet wiggles when you shake your head, it is too large. -
Mvrc Members' Dress Standards
MVRC MEMBERS’ DRESS STANDARDS MEN - TRADITIONAL APPLIES TO ALL DAY MEETINGS EXCLUDING SUMMER MEETINGS Gentlemen (including children 13 & over) are required to wear a collar and tie, tailored trousers and either a suit coat, sports coat or blazer. NOT PERMITTED: Any variation of runner including boat shoes, joggers, sandals, thongs or any dilapidated footwear. Denim and denim-look clothing, jeans, jodhpurs, shorts, shirts without a collar, polo shirts, parkas, windbreakers, tracksuits, jackets including bomber jackets, duffle coats, untailored leather jackets, peaked caps, beanies, pullovers or cardigans without a jacket, sporting guernseys. WOMEN APPLIES TO ALL MEETINGS Ladies are expected to maintain a suitable standard of dress in keeping with the distinction of the Members’ Reserve. NOT PERMITTED: Any variation of runner including joggers, rubber thongs or any dilapidated footwear. Denim and denim look clothing, jeans, jodhpurs, polo shirts, parkas, windbreakers, tracksuits, jackets including bomber jackets, duffle coats, untailored leather jackets, peaked caps, beanies, sporting guernseys, any clothing revealing excessive bare midriff. CHILDREN UNDER 13 YEARS Children 13 years and under are expected to maintain a suitable standard of dress at all race meetings. Visit thevalley.com.au for more info. MVRC MEMBERS’ DRESS STANDARDS MEN - RELAXED APPLIES TO ALL NIGHT MEETINGS AND SUMMER DAY MEETINGS Gentlemen (including children 13 & over) are required to wear a collared shirt (polo shirts not permitted) with tailored trousers or chinos. No tie is required, and suit coat, sports coat or blazer is optional. Dress shoes or leather boat shoes must be worn. NOT PERMITTED: Any variation of runner including joggers, sandals, thongs or any dilapidated footwear. -
Spring 2014 Men's Collections
Spring 2014 Men’s Collections ©2013 Ralph Lauren Corporation For Spring 2014, Ralph Lauren Purple Label presents the ultimate assortment of navy formalwear, charcoal suits and luxe sportswear with styles ranging from nautical to bright to monochromatic safari. Inspired by the time-honored tradition of Savile Row haberdashery and updated with modern proportions and palettes, formalwear features shawl-collared tuxedos and dinner jackets in navy and white wool. Suiting ranges from meticulously crafted two- and three-piece silhouettes in elegant navy and cool greys with subtle glen plaids to seasonal khaki gabardines and silk linens. Double-breasted lapel vests are modernized as part of trim-fitting three-piece suits. Luxurious silk ties with Art Deco-inspired prints, bengal-striped dress shirts and lightweight linen trousers exude polished 1920s flair made new for today’s gentleman. Nautical themed sportswear is updated with a high-contrast palette of black and white. Double-breasted sweater blazers in the finest cashmere are worn with crisp white shorts and wide-legged sailor pants in lightweight cotton. Graphic Art Deco-inspired block prints adorn spread collar sport shirts, swim trunks and silk scarves. Chunky ribbed cardigans and a black cashmere fisherman’s sweater add texture and depth to layered looks. Outerwear highlights include a military jacket in nylon twill and a black fireman coat crafted from bonded leather. Paying homage to the ultimate African safari, a collection of lightweight linens and artfully crafted leather outerwear is rendered in a palette of tonal creams and khakis. Layered looks feature chunky shawl-collar and roll-neck sweaters along with rumpled linen sport shirts. -
A Group Photograph with Beba the Cow, Happening on December 7, 2003, Zagreb
A Group Photograph with Beba the Cow, happening on December 7, 2003, Zagreb. CHEESE AND CREAM An Initiative to Protect the Milkmaids of Zagreb (Since 2002) A Project by Kristina Leko in collaboration with BLOK Actions, Events, Research, Archives, Website, Exhibition, Roundtable, Campaign www.sirivrhnje.org (also www.cheeseandcream.org) While working on the project On Milk and People, I became familiar with many issues important to farming families. I learned a lot on issues related to agricultural policy, the dairy industry, and economical restructuring. I became deeply aware of social changes that would result from the process of accommodating the European Union regulations in Croatia and, respectively, in my hometown of Zagreb. As I understood that one of the consequences would be the disappearance of the milkmaids in the Zagreb open markets, I decided to start an initiative that would help the milkmaids of Zagreb survive, as they are a paradigmatic part of Croatian social reality. Is it possible to join the European leveling of economic standards in a way that preserves important elements of local cultural identity? In 2002, in collaboration with the not-for-profit organization BLOK, we began our initiative aiming to protect the milkmaids of Zagreb as a cultural heritage. Since the summer of 2002 we organized several happenings, undertook research on the condition of the milkmaids, presented their situation in an exhibition and launched a small media campaign. In order to test and affect the public opinion a website was created. In order to influence the administrative and political decision making, ten officials from different institutions were invited and participated in a round table entitled «Could Zagreb Milkmaids possibly join the EU?». -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES English Behind Apocalypse The Cultural Legacy of 9/11 by Matthew Stuart Leggatt Thesis for the degree of Doctor of Philosophy May 2013 UNIVERSITY OF SOUTHAMPTON ABSTRACT HUMANITIES English Doctor of Philosophy BEHIND APOCALYPSE THE CULTURAL LEGACY OF 9/11 by Matthew Stuart Leggatt ‘Part One: 9/11 and the Death of the Capitalist Utopia’ focuses on how 9/11 has been memorialised, mythologised, and mobilised by contemporary culture. It examines a range of cultural materials from literature, film, and architecture, to 9/11 in the media. The section discusses, through a fusion of cultural and political thought, how the War on Terror became the inevitable continuation of the binary rhetoric of good and evil perpetuated since 9/11. -
Hunting Ettiquite
HUNTING ETIQUETTE I. PROPER ATTIRE A. Hound Exercising from July 6th until the last Saturday before Labor Day when the start of The Formal Cub Hunting begins in September. Just casual work clothes that are comfortable and tidy i.e. no tank tops or shorts, but sleeveless shirts and blue jeans are fine even headgear is casual like a cowboy hat or baseball hat- whatever one wears while working in his stable. B. Cubbing in September and October until opening meet, the first hunting day in November, hacking jackets and ties or turtlenecks with breeches and preferably brown boots (but not too mandatory if one has regular black boots – even with brown tops) or jodhpurs with high lace shoes or jodhpur boots. C. After opening meet: LADIES – Black or blue riding coats or black hunt coats with plain black buttons – four (4) in front, two (2) at waist line at back (don’t worry about cuff buttons), bowler hats are preferred proper attire, but Calientes will be tolerated. Breeches can be any color, but to be especially formal, you may wish to wear yellow. To be totally proper you should wear dummy (not sharp with rowels) spurs with straps that buckle in the middle of the front of your ankle joint and the spur up on the seam at the ankle joint (not at the heel of the boot) like those you would wear at your heel if wearing a jockey’s boot for racing. A white stock properly tied (so there is a criss- cross of the material over a square knot at your Adam’s apple at your throat with a safety pin fastening the criss-cross to the square knot in a vertical NOT HORIZONTAL.