The Exhaustion Doctrine in the United States
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Intellectual Property Protection Under the TRIPS Component of the WTO Agreement
J.H. REICHMAN* Universal Minimum Standards of Intellectual Property Protection under the TRIPS Component of the WTO Agreement I. Preliminary Considerations The absorption of classical intellectual property law into international economic law will gradually establish universal minimum standards' governing the relations between innovators and second comers in an integrated world market.2 This author's previous articles focused on the broader legal and economic implications of this trend.3 The object here is to convey a more detailed and comprehensive *B.A., Chicago, 1958; J.D., Yale, 1979. Professor of law, Vanderbilt Law School, Nashville, Tennessee. The author wishes to thank Rochelle Cooper Dreyfuss, Paul Edward Geller, Paul Goldstein, Robert E. Hudec, and David Nimmer for helpful comments and critical suggestions, John Henderson and Jon Mellis for their research assistance, and Dean John J. Costonis for the grants that supported this project. 1. For a perceptive analysis of the conditions favoring the growth of universal legal standards generally, see Jonathan I. Charney, Universal International Law, 87 AM. J. INT'L L. 529, 543-50 (1993) (stressing "central role" of multilateral forums "in the creation and shaping of contemporary international law" and the ability of these forums to "move the solutions substantially towards acquiring the status of international law"). 2. See, e.g., J.H. Reichman, The TRIPS Componentof the GATT 's Uruguay Round: Competitive Prospectsfor Intellectual Property Owners in an Integrated World Market, 4 FORDHAM INTELL. PROP., MEDIA & ENT. L.J. 171, 173-78, 254-66 (1993) [hereinafter Reichman, TRIPS Component]. For background to these negotiations, see also J.H. -
ELDRED V. ASHCROFT: the CONSTITUTIONALITY of the COPYRIGHT TERM EXTENSION ACT by Michaeljones
COPYRIGHT ELDRED V. ASHCROFT: THE CONSTITUTIONALITY OF THE COPYRIGHT TERM EXTENSION ACT By MichaelJones On January 15, 2003, the Supreme Court upheld the constitutionality of the Copyright Term Extension Act ("CTEA"), which extended the term of copyright protection by twenty years.2 The decision has been ap- plauded by copyright protectionists who regard the extension as an effec- tive incentive to creators. In their view, it is a perfectly rational piece of legislation that reflects Congress's judgment as to the proper copyright term, balances the interests of copyright holders and users, and brings the3 United States into line with the European Union's copyright regime. However, the CTEA has been deplored by champions of a robust public domain, who see the extension as a giveaway to powerful conglomerates, which runs contrary to the public interest.4 Such activists see the CTEA as, in the words of Justice Stevens, a "gratuitous transfer of wealth" that will impoverish the public domain. 5 Consequently, Eldred, for those in agree- ment with Justice Stevens, is nothing less than the "Dred Scott case for 6 culture." The Court in Eldred rejected the petitioners' claims that (1) the CTEA did not pass constitutional muster under the Copyright Clause's "limited © 2004 Berkeley Technology Law Journal & Berkeley Center for Law and Technology. 1. Sonny Bono Copyright Term Extension Act, 17 U.S.C. §§ 108, 203, 301-304 (2002). The Act's four provisions consider term extensions, transfer rights, a new in- fringement exception, and the division of fees, respectively; this Note deals only with the first provision, that of term extensions. -
The Collective Trademark: Invitation to Abuse
THE COLLECTIVE TRADEMARK: INVITATION TO ABUSE THaF, relatively recent statutory protection accorded collective trade and service marks encourages competitors to merchandise their products under a single trade emblem,' and thereby threatens interference with both antitrust and traditional trademark policies. Ordinarily, the users of a collective trade or service mark are a limited group of competitors belonging to an association which owns and registers, but does not itself use, the mark. 2 This type of mark was unprotected as such at common law,3 because the right to exclude others from appropriating a trademark could be acquired only by its owner through previous use.4 Today, however, the Lanham Act grants the collective mark 1. Collective marks were first authorized by federal law in the Act of June 10, 1938, ch. 332, 52 Stat. 638. For discussions of collective marks, see 3 CALLMANN, UNFAIR COMPETITION & TRADE- M.ARKs 1034-41 (2d ed. 1950) [hereinafter cited as CALLMANN] ; AMDUR, TRADE-MARK LAW & PRAcric 81-85 (Lanham Act ed. 1948) ; RoBERT, THE NEW TRADE-MARK MANUAL 6-7, 17, 44-46 (1947) (written under her maiden name by Assistant Commissioner of Patents Daphne R. Leeds) [hereinafter cited as ROBERT] ; Hancock, Notes From the Patent Office, 47 TRADEmARx REP. 458 (1957). Information on currently registered collective marks and their use was obtained for this Note in the Patent Office's Trademark Search Room, and through interviews with and questionnaires returned by several association-registrants. Information from these sources is cited as INTERVIEs. 2. "The term 'collective mark' means a trade-mark or service mark used by the mem- bers of a cooperative, an association or other collective group or organization and includes marks used to indicate membership in a union, an association or other organization." Trade- Mark Act of 1946 (Lanham Act) § 45, 60 Stat. -
Introduction to Trademark Law and Practice
WORLD INTELLECTUAL PROPERTY ORGANIZATION INTRODUCTION TO TRADEMARK LAW & PRACTICE THE BASIC CONCEPTS A WIPO TRAINING MANUAL GENEVA 1993 (Second Edition) ( ( WIPO PUBLICATION No 653 (El ISBN 92-805-0167-4 WIPO 1993 PREFACE The present publication is the second edition of a volume of the same title that was published by the World Intellectual Property Organization (WIPO) in 1987 and reprinted in 1990. The first edition was written by Mr. Douglas Myall, former Assistant Registrar of Trade Marks, United Kingdom. The present revised edition of the publication has been prepared by Mr. Gerd Kunze, Vevey, Switzerland, and reflects his extensive expertise and experience in the administration of the trademark operations of a large international corporation, Nestle S. A., as well as his intensive involvement, as a leading representative of several international non-governmental organizations, in international meetings convened by WIPO. This publication is intended to provide a practical introduction to trademark administration for those with little or no experience of the subject but who may have to deal with it in an official or business capacity. Throughout the text, the reader is invited to answer questions relating to the text. Those questions are numbered to correspond to the answers that are given, with a short commentary, in Appendix I. Arpad Bogsch Director General World Intellectual Property Organization February 1993 ( ( LIST OF CONTENTS CHAPTER 1. TRADEMARKS AND OTHER SIGNS: A GENERAL SURVEY 7 1.1 Use of trademarks in commerce . 9 1.2 What is a trademark?. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 9 1.3 Need for legal protection .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 10 1.4 How can a trademark be protected? . -
A Case for a Longer Term of Copyright in Canada - Implications of Eldred V
COMMENTAIRE A CASE FOR A LONGER TERM OF COPYRIGHT IN CANADA - IMPLICATIONS OF ELDRED V. ASHCROFT par Kamil Gérard AHMED* En 1993, une directive de l'Union européenne a obligé les États membres à prolonger dans leur droit interne la durée minimale du droit d'auteur de vingt ans, la portant ainsi à soixante-dix ans après le décès de l'auteur, et exclut cette prolongation ne s=appliquant pas aux États non membres qui n=offrent pas la même durée de protection. Cette directive a été le fer de lance de changements législatifs à l'échelle internationale. En 1998, le Congrès américain a adopté le Copyright Term Extension Act, qui prolonge de vingt ans la durée de la protection des droits d'auteur existants et futurs. En 2003, l'arrêt de la Cour suprême des États-Unis Eldred c. Ashcroft, a confirmé la légalité du Copyright Term Extension Act. La protection couvrant la vie de l'auteur et les soixante-dix années suivant son décès dans l'Union européenne et aux États-Unis a eu des répercussions au Canada, où le régime de protection dans la Loi sur le droit d'auteur couvre à ce jour la durée de vie de l=auteur plus cinquante ans. Le présent exposé soutient la position que le Parlement canadien ne doit pas ignorer les développements à l'égard du droit d'auteur dans l'Union européenne et aux États-Unis et qu'il devrait modifier la Loi sur le droit d'auteur du Canada afin de prolonger la durée du droit d'auteur à soixante-dix ans après le décès de celui-ci. -
The Orrin Hatch – Bob Goodlatte Music Modernization Act
The Orrin Hatch – Bob Goodlatte Music Modernization Act A Guide for Sound Recordings Collectors This study was written by Eric Harbeson, on behalf of and commissioned by the National Recording Preservation Board. Members of the National Recording Preservation Board American Federation of Musicians National Academy of Recording Arts and Sciences Billy Linneman Maureen Droney Alternate: Daryl Friedman American Folklore Society Burt Feintuch (in memoriam) National Archives and Records Administration Alternate: Timothy Lloyd Daniel Rooney Alternate: Tom Nastick American Musicological Society Judy Tsou Recording Industry Association of America Alternate: Patrick Warfield David Hughes Alternate: Patrick Kraus American Society of Composers, Authors and Publishers SESAC Elizabeth Matthews John JosePhson Alternate: John Titta Alternate: Eric Lense Association for Recorded Sound Collections Society For Ethnomusicology David Seubert Jonathan Kertzer Alternate: Bill Klinger Alternate: Alan Burdette Audio Engineering Society Songwriters Hall of Fame George Massenburg Linda Moran Alternate: Elizabeth Cohen Alternate: Robbin Ahrold Broadcast Music, Incorporated At-Large Michael O'Neill Michael Feinstein Alternate: Michael Collins At-Large Country Music Foundation Brenda Nelson-Strauss Kyle Young Alternate: Eileen Hayes Alternate: Alan Stoker At-Large Digital Media Association Mickey Hart Garrett Levin Alternate: ChristoPher H. Sterling Alternate: Sally Rose Larson At-Large Music Business Association Bob Santelli Portia Sabin Alternate: Al Pryor Alternate: Paul JessoP At-Large Music Library Association Eric Schwartz James Farrington Alternate: John Simson Alternate: Maristella Feustle Abstract: The Music Modernization Act is reviewed in detail, with a Particular eye toward the implications for members of the community suPPorted by the National Recording Preservation Board, including librarians, archivists, and Private collectors. The guide attemPts an exhaustive treatment using Plain but legally precise language. -
MADRID/2005/7 : Collective and Certification Marks: China
Information Notice No. 7/2005 WORLD INTELLECTUAL PROPERTY ORGANIZATION 34, chemin des Colombettes, P.O. Box 18, CH-1211 Geneva 20 (Switzerland) ‡ (41) 22 338 91 11 – Facsimile (International Trademark Registry): (41) 22 740 14 29 e-mail: [email protected] – Internet: http://www.wipo.int MADRID AGREEMENT AND PROTOCOL CONCERNING THE INTERNATIONAL REGISTRATION OF MARKS Collective and Certification Marks: China 1. The Trademark Office of the State Administration for Industry and Commerce of China (hereinafter called “the Office of China”) has drawn the attention of the International Bureau to the following. 2. Pursuant to the law and regulations of trademarks currently in force in China, the holder of a collective mark or of a certification mark is required to submit the following documentation to the Office of China where China has been designated in an international application or in a subsequent designation under the Madrid Agreement or Protocol: – an attestation of the status of the holder of the mark, such as a copy of the entry in the Register of Industry or Commerce, or a copy of the entry in the Register of Associations; and – regulations concerning the use of the mark, including, in the case of a collective mark, the name and address of each member of the organization in the name of which the mark is registered. 3. In the case of a certification mark, Chinese trademark law also requires the presentation of a document attesting that the holder of the mark is qualified to examine a given good or service and ensure that it is of the appropriate quality. -
ELDRED V. ASHCROFT: the CONSTITUTIONALITY of the COPYRIGHT TERM EXTENSION ACT by Michaeljones
COPYRIGHT ELDRED V. ASHCROFT: THE CONSTITUTIONALITY OF THE COPYRIGHT TERM EXTENSION ACT By MichaelJones On January 15, 2003, the Supreme Court upheld the constitutionality of the Copyright Term Extension Act ("CTEA"), which extended the term of copyright protection by twenty years.2 The decision has been ap- plauded by copyright protectionists who regard the extension as an effec- tive incentive to creators. In their view, it is a perfectly rational piece of legislation that reflects Congress's judgment as to the proper copyright term, balances the interests of copyright holders and users, and brings the3 United States into line with the European Union's copyright regime. However, the CTEA has been deplored by champions of a robust public domain, who see the extension as a giveaway to powerful conglomerates, which runs contrary to the public interest.4 Such activists see the CTEA as, in the words of Justice Stevens, a "gratuitous transfer of wealth" that will impoverish the public domain. 5 Consequently, Eldred, for those in agree- ment with Justice Stevens, is nothing less than the "Dred Scott case for 6 culture." The Court in Eldred rejected the petitioners' claims that (1) the CTEA did not pass constitutional muster under the Copyright Clause's "limited © 2004 Berkeley Technology Law Journal & Berkeley Center for Law and Technology. 1. Sonny Bono Copyright Term Extension Act, 17 U.S.C. §§ 108, 203, 301-304 (2002). The Act's four provisions consider term extensions, transfer rights, a new in- fringement exception, and the division of fees, respectively; this Note deals only with the first provision, that of term extensions. -
SITES Certification Using the Certification Mark
Trademark Policy and Branding Guidelines Updated April 2020 GBCI® Trademark Policy and Branding Guidelines 1 TABLE OF CONTENTS GETTING STARTED Using our trademarks and logos ....................................................................................................................................................................3 GBCI Using the logo ......................................................................................................................................................................................................4 In text ......................................................................................................................................................................................................................5 Arc Using the logo ......................................................................................................................................................................................................7 In text ......................................................................................................................................................................................................................8 LEED Proven Provider Using the logo ......................................................................................................................................................................................................10 In text ......................................................................................................................................................................................................................10 -
Guarding Against Abuse: the Costs of Excessively Long Copyright Terms
GUARDING AGAINST ABUSE: THE COSTS OF EXCESSIVELY LONG COPYRIGHT TERMS By Derek Khanna* I. INTRODUCTION Copyrights are intended to encourage creative works through the mechanism of a statutorily created1 limited property right, which some prominent think tanks and congressional organizations have referred to as a form of govern- ment regulation.2 Under both economic3 and legal analysis,4 they are recog- * Derek Khanna is a fellow with X-Lab and a technology policy consultant. As a policy consultant he has never worked for any organizations that lobby or with personal stakes in copyright terms, and neither has Derek ever lobbied Congress. He was previously a Yale Law School Information Society Project Fellow. He was featured in Forbes’ 2014 list of top 30 under 30 for law in policy and selected as a top 200 global leader of tomorrow for spear- heading the successful national campaign on cell phone unlocking which led to the enact- ment of copyright reform legislation to legalize phone unlocking. He has spoken at the Con- servative Political Action Conference, South by Southwest, the International Consumer Electronics Show and at several colleges across the country as a paid speaker with the Fed- eralist Society. He also serves as a columnist or contributor to National Review, The Atlan- tic and Forbes. He was previously a professional staff member for the House Republican Study Committee, where he authored the widely read House Republican Study Committee report “Three Myths about Copyright Law.” 1 See Edward C. Walterscheld, Defining the Patent and Copyright Term: Term Limits and the Intellectual Property Clause, 7 J. -
1 Golan V. Holder
Golan v. Holder: A Farewell to Constitutional Challenges to Copyright Laws Jonathan Band [email protected] On January 13, 2012, the Supreme Court by a 6-2 vote affirmed the Tenth Circuit decision in Golan v. Holder. (Justice Kagan recused herself, presumably because of her involvement in the case while she was Solicitor General.) The case concerned the constitutionality of the Uruguay Round Agreements Act (URAA), which restored copyright in foreign works that had entered into the public domain because the copyright owners had failed to comply with formalities such as notice; or because the U.S. did not have copyright treaties in place with the country at the time the work was created (e.g., the Soviet Union). The petitioners were orchestra conductors, musicians, and publishers who enjoyed free access to works removed by URAA from the public domain. The Court in its decision made clear that constitutional challenges to a copyright statute would not succeed so long as the provision does not have an unlimited term, and does not tread on the idea/expression dichotomy or the fair use doctrine. Justice Breyer wrote a strong dissent that contains many interesting observations concerning the economic theory of copyright; how the URAA reflects a European rather than American approach to copyright; orphan works; and the causes of infringement. The American Library Association (ALA), the Association of Research Libraries (ARL), and the Association of College and Research Libraries (ACRL) joined an amicus brief written by Electronic Frontier Foundation in support of reversal. This brief, referred to as the ALA brief, received significant attention in both the majority and dissenting opinions. -
What Does the WTO Analysis of 17 USC ß 110(5) Mean
Sarah E. Henry The First International Challenge to U.S. Copyright Law: What Does the WTO Analysis of 17 U.S.C. ß 110(5) Mean to the Future of International Harmonization of Copyright Laws Under the TRIPS Agreement? 20 Penn State International Law Review 301 (2001) I. Introduction June 15, 2000 was a landmark date in the development of international copyright law. A World Trade Organization ("WTO") dispute settlement body ("Panel") published a panel report, which 2 found that Section 110(5) of the United States Copyright Act of 19761 as amended in 1998, was incompatible with US obligations under the Uruguay Round Multilateral Agreement on Trade- Related Aspects of Intellectual Property Rights ("TRIPS Agreement")3. 4 The Panel has recom- mended that the US amend 110(5) in order to conform with the TRIPS Agreement. 5 At issue was the Fairness in Music Licensing Act ("FMLA"), an amendment to Section 110(5) enacted by Congress in October, 1998.6 The same day FMLA became law on January 26, 1999, the European Community ("EC"), comprised of fifteen-member nations,7 brought a challenge under the World Trade Organization's dispute settlement procedures.8 The EC complaint, fueled initially by complaints from performers' rights organizations,9 concluded that the practical effect of the FMLA resulted in royalty losses totaling approximately Euro 28 million per annum.10 Thereafter, Australia, Brazil, Canada, Japan, and Switzerland joined in the EC complaint, participating in formal discus- 1 United States Copyright Act of 1976, Act of Oct. 19, 1976, Pub. L. No. 94-553, 90 Stat.