PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDI- ACCORDEON Anastasia Georgaki Ioannis Zannos Nikolaos Valsamakis, Music Department, Audiovisual Arts Technological Institute of University of Athens, Department, Ionian Crete, Department of Music Athens, Greece University, acoustics and Technology,
[email protected] Corfu, Greece Rethymnon, Greece
[email protected] [email protected] ABSTRACT particularities of the vocal signal, or the refinement of established sound synthesis techniques. For example This paper presents research on controlling synthetic one of the techniques based on estimating the spectral voice via a MIDI accordion. As motivation for this envelope, while allowing the precise extraction of research served the goal of reviving "lost instruments", formants of high frequencies of female voices, poses that is of using existing traditional instruments “lost” to many difficulties at the level of analysis [13]. On the new music genres as interfaces to control new types of other task of automatic generation of control sound generation in novel and future genres of music. parameters is further complicated by the non-linearity We worked with a MIDI-accordion, because it of the vocal signal [1]. provides expressive control similar to the human breath While research on the synthesis of the singing through the mechanism of the bellows. The control voice is well established and widely present in interface of the two hands is also suited for computer music and related fields, the aspect of characteristics of the singing voice: The right hand controlling the synthetic voices through real instruments controls the pitch of the voice as traditionally used, is yet understudied. Systems like Squeezevox1[2] and while the left hand chooses combinations of timbres, COWE present new ways on controlling synthetic phonemes, longer phonetic units, and different kinds of voices from real instruments with special MIDI vocal expression.