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Boston Symphony Orchestra Concert Programs, Season 13, 1893-1894

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Boston Symphony Orchestra Concert Programs, Season 13, 1893-1894 DOStOfl Music Halu Boston === Symphony Si WJ *"f •/ fl THIRTEENTH SEASON, Orchestra 1893-94. EMIL PAUR, Conductor. PROGRAMME OF THE Second Rehearsal and Concert WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP. Friday Afternoon, October 20, At 2.30 o'clock. Saturday Evening, October 21, At 8 o'clock. PUBLISHED BY C. A. ELLIS, MANAGER. (37) ; MASON & HAMLIN RECEIVED HIGHEST HONOR ON D O AT World's Columbian Exposition, CHICAGO, 1893. SPECIAL MENTION. ; Conceded by Judges' Report to be of great value by which tuning is made easier, and because of which the Mason & Hamlin Piano is declared to remain in tune longer than any other piano. Pronounced a Unique and Artistic Instrument, and a decided advance in construction. MASON & HAMLIN ORGAN AND PIANO CO, 154 and 155 TREMONT STREET, BOSTON. (38) Second Rehearsal and Concert. Friday Afternoon, October 20, at 2,30. Saturday Evening, October 2 1 , at 8.00, PROGRAMME. Robert Volkmann Overture to Shakspere's " Richard III.," in F-sharp minor, Op. 68 Jules Massenet - Recitative, "Celui dont la parole," and Air, "II est doux, il est bon," from "He'rodiade" Antonin Dvorak - - Slavonic Rhapsody No. 2, in G minor, Op. 45 (First time.) " " Ludwig van Beethoven Recitative, Abscheulicher ! wo eilst du hin ? and Aria, "Komm Hoffaung, lass den letzten Stern," from "Fidelio," Act I., No. 9 Franz Schubert ----- Symphony No. 9, in C major I. Andante (C major; - 2-2 Allegro, ma non troppo (C major) - 2-2 II. Andante con moto (A minor) - 2-4 III. Scherzo: Allegro vivace (C majorj 3-4 Trio : Same tempo (A major) 3-4 IV. Finale : Allegro vivace (C major) 2-4 Soloist, Mme. NORDICA. The Programme for the next Public Rehearsal and Concert will be found on page 65. (39) MANUFACTURERS OF GRAND, QUARE AND UPRIGHT EUGEN D' ALBERT : From fullest conviction, I declare them to be the best In- struments of America. ........ DR. HANS VON BULOW : Their sound and touch are more sympathetic to my ears and hands than all others of the country. I declare them the absolutely best i?i America. ....... ALFRED GRUNFELD: I consider them the best instruments of our times. P. TSCHAIKOVSKY : Combines with great volume of tone rare sympathetic and noble tone color and perfect action. ....... WAREROOMS BALTIMORE, WASHINGTON, 22 and 24 E. Baltimore Street. 817 Pennsylvania Avenue NEW YORK, 148 Fifth Avenue. E. W. TYLER, Sole Agent, 178 Tremont St., BOSTON (40) (Friedrich) Robert Volkmann (born at Lommatzach, Saxony, on April 6, 1815, died in Buda-Pesth on October 30, 1883) was a pupil of his father's on the pianoforte and organ and of Friebel on the violin and 'cello ; later he studied under August Ferdinand An acker at Freiberg, and took a course in musical theory under K. F. Becker in Leipzig. In 1839 ne settled in Prag as music-teacher, and went to Buda-Pesth in the same capacity in 1842. In 1854 he went to Vienna, where he lived until 1858, in which year he re- turned to Buda-Pesth. Volkmann's life was a singularly unhappy one : he got little recognition from the public, his compositions brought him in next to nothing, and his whole career was one unintermittent struggle with abject poverty. He was one of the sincerest of artists, and, although modest to a degree, had that respect for his own talent that forbids a man prostituting it to base uses : he could not bring himself to write fashionable pot-boilers nor apply himself to any composition he deemed unworthy of art. At times he was so poor that he could not even afford to buy music-paper ; and many of his sketches were made on odds and ends of any sort of paper, on which he Horsford's Acid Phosphate Is the most effective and agreeable remedy in existence for preventing in- digestion, and relieving those diseases arising from a disordered stomach. " Dr. W. W. Gardner, Springfield, Mass., says : I value it as an excel- lent preventive of indigestion, and a pleasant acidulated drink when properly diluted with water, and sweetened." Descriptive pamphlet free on application to Rumford Chemical Works, - Providence, It, I, BEWARE OF SUBSTITUTES AND IMITATIONS. For sale by all Druggists. (41) ALLARDM—— LABIGS' T7HL0R. Riding Habits, Street Gowns, Jackets, and Capes made from models of the latest London fashions and from those of our own artist. In our Dressmaking Department we are exhibit- ing a beautiful line of silks, laces, and woollens, many of which are exclusive and cannot be duplicated elsewhere. Paris model dresses are received ORDERS EXECUTED AT SHORT NOTICE. 252 to 258 Boylston St., Boston. OYSTERS AND SALADS A SPECIALTY. 25 Temple PI. and 33 West St. GENUINE VIENNA ICES. JACOB THOMA, Notman Photo. Co. VIOLIN MAKER, FROM VIENNA. STUDIOS, B0ST0N - } 1 480Boylston'St. ( (Awarded a Prize Medal at the Vienna Exposition.) All the Newest Styles of Old Violins, Violas, 'Cellos, Artist Italian Strings, PHOTOGRAPHS : Silver G's, MEZZO-TINTS, Artist Bows, Paris Rosin, Violin Cases all kinds, etc. IVORY FINISH, etc. of INSTRUMENTS TAKEN IN EXCHANGE. Flash-light Pictures made at Residences ARTISTIC REPAIRS A SPECIALTY. "WEDDING PARTIES, BOWS REHAIRED. FANCY DRESS PARTIES. DINNER PARTIES. Music Hail Building, Room 7, - - BOSTON. Repairer for the Boston Symphony Orchestra. (42) ruled the staves himself. In his last years he was in want of the actual necessaries of life, had no clothes in which he could appear in the street, was too proud to beg and of a too timid and retiring disposition to make his wants known to what few acquaintances he had. Probably no one knew of his condition until he actually died of want. Volkmann's fame as a composer has been largely posthumous : after his sad death his works began to make their way with the public, and he began to take rank among the foremost composers of his day. He has been de- scribed as a " classicist with romantic yearnings," an epithet which is not without a certain appositeness. He belonged to the not small class of mu- sicians in Germany in his day to whom modern romanticism had undeniable charms, but who were rather frightened by what seemed to them the ex- cesses of Liszt, Wagner, and their followers. He tried to engraft modern romanticism upon the old classic stock, so to speak, the result of which was that he formed for himself a somewhat composite style, treating the tradi- tional forms of composition with much skill and a certain genial progres- sive freedom, while borrowing many orchestral effects from the newer come-outers. His list of works is not long, the best known of them being two symphonies, three serenades for string orchestra, six string-quartets, and the overture to Shakspere's Richard III. Overture to Shakspere's "Richard III.," in F-sharp minor, Op. 68. Robert Volkmann. Some dark, forbidding harmonies on the strings and some of the more sombre wind instruments lead to a short imitative passage in the strings : New England Conservator!] ol jnusii (FOUNDED BY DR. EBEN TOURJEE.) RICHARD H. DANA, President. CARL FAELTEN, Director. The Courses of Study are arranged with a view to giving a broad and comprehensive musical education. The Faculty hive been chosen with reference not only to their standing as artists,* but also with regard to their ability as teachers of the highest excellence. Tun ASSOCIATED DEPARTMENTS of Music, Elocution, Fine Arts, and Modern Languages, together with their liberal courses of Frei < !ollati -nil Advantages, provide the most ample means for acquiring a thorough and complete knowledge of one or all of these subjects at comparatively small cost. Mons. Alexandre Guilmant, addressing the Faculty and students on the occasion of his recent visit to the Conservatory, said: " It is a great pleasure to me to meet you together. This Conservatory is a great astonishment to me. I had never dreamed of SO large a one in America. I feel it is also equally thorough. It remindsme of the Paris Conservatoire, and 1 feel that it is doing similar work. I feel the greatest interest in your work, and am sure the Consei vatory is on a mo H earnest and solid basis. I wish it all prosperity." Send for wileruZar , or oall at the institution. F. W. HALE, General Manager. Franklin Square, Boston, Mass. * During la I season the following members of the Faculty appeared as soloists in these concerts: Hiss Louiv \. I.'imer, Mi rs. rleinriuh Meyn, George M. Nowell, Carl Stasny, and Leo Schitlz. (43; : all is gloomy, save for an occasional outburst of passionate rage. This slow introduction, which is, upon the whole, short, is followed immediately by the main Allegro of the overture, which begins with a tremulous phrase in F-sharp minor, entering in successive imitations in the several string parts. A strong climax leads to the entrance of the second theme, a plain- tive, sobbing melody given out first by the clarinet. After this has been worked up at some length, a return of the sombre harmonies of the slow introduction leads to the well-known melody "The Campbells are coming" — called in the score " an old English war-song" (?) — on the higher wood wind, with snare-drum and triangle. This is followed by more and more stormy passages (evidently suggestive of the battle of Bosworth Field), until, in a whirling climax, the usurper king is killed. A short, solemn, slow movement brings the overture to a close in F-sharp major, The work is scored for full modern concert orchestra. Recitative, " Celui dont la parole" and Air, " // est doux, il est bon" FROM " HERODIADE." JULES MASSENET.
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