Washington Blues Destination
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LITERACY : Proofreading
LITERACY : Proofreading Circle the missing commas. Write corrections on the lines below. One example is done for you. Find and correct 5 more errors. Blues is a music genre and musical form originated in the Deep South of the United States around the 1870s. The genre developed from roots and spirituals.Blues incorporated spirituals work songs field hollers shouts chants and rhymed simple narrative ballads.The blues form ubiquitous in jazz rhythm and blues and rock and roll is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Example : spirituals, work 1. …………………………………………………………… 2. ………………………………………………………….. 3. ………………………………………………………….. 4. ………………………………………………………….. 5. …………………………………………………………... LITERACY: LITERACY : Proofreading 8.WG7c Circle the missing commas. Write corrections on the lines below. One example is done for you. Find and correct 5 more errors. Blue notes usually thirds or fifths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics bass lines and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative often relating the racial discrimination and other challenges experienced by African-Americans. -
Heat and Light
FREE SEPTEMBER 2014 BOOKS MUSIC FILM EVENTS HEAT AND LIGHT Ceridwen Dovey on Ellen van Neerven’s debut work of fiction page 6 THE CHILDREN ACT Brigid Mullane on Ian McEwan’s new novel page 9 THE READINGS NEW AUSTRALIAN WRITING AWARD The shortlist announced page 12 NEW IN SEPTEMBER SONYA HELEN LORELEI WES ROBERT HARTNETT GARNER VASHTI ANDERSON PLANT $29.99 $32.99 $27.99 $39.95 $21.95 page 7 $29.99 page 14 $32.95 page 22 page 14 page 21 You’ve looked after Dad’s reading needs, now look after your own. The Bone Clocks A mind-stretching, kaleidoscopic, globetrotting feast. When The Night Comes An evocative and gently told story about how kindness can change lives. The Paying Guests Vintage Sarah Waters – excruciating tension and real tenderness. The Secret Place A breathtakingly suspenseful disentangling of the truth. Get the whole story at hachette.com.au READINGS MONTHLY SEPTEMBER 2014 3 News INDIGENOUS LITERACY DAY This year, Indigenous Literacy Day is on Wednesday 3 September. The Indigenous Literacy Foundation (ILF) aims to raise literacy levels and improve the opportunities of Indigenous Australians living in remote and isolated regions. The foundation does this through a free book supply program that goes to over 200 organisations and communities, and through a community publishing project that publishes books and stories, largely written by children. The foundation needs your support to help raise funds to buy books and literacy resources for children in these communities. Readings will donate 10% of sales from our shops on this day to the Indigenous Literacy Foundation. -
Basie, Ballads, Bebop & Blues
BASIE, BALLADS, BEBOP & BLUES RECOMMENDED CLASSIC & NEWER WORKS FOR THE JAZZ ENSEMBLE, GRADES 2 – 4+ Compiled by Dr. Michael Parkinson Chair, Department of Music Webster University, St. Louis, Missouri © 2006 Educational Specialist – Benge Trumpets, Conn-Selmer, Inc. With the assistance of Robert Waggoner, Jim Cochran, and Ron Allen AND Tom Whaley, CMEA Jazz Representative (2005-2007) Works selected from the following publishing sources: Advance, Alfred, Barnhouse, Doug Beach (Kendor), CPP-Belwin, DPZ, FJH, Hal Leonard Heritage, Increase Music, JPM, Jazz at Lincoln Center (Alfred-JLC), Kendor, Kjos, Little Bear, Ludwig, Matrix, Really Good Music, Second Floor (Leonard), Sierra, Smart Chart, Stitzel, Three-Two, UNC & Walrus Bold face = recommended works; CAPITALIZED = outstanding choices, * Playable by a smaller ensemble BALLADS: TITLE: COMP/ARR: SOURCE and/or RECORDING: FEATURES: PUB: GR: A Child is Born Thad Jones Trumpet/Flugel Kendoe 3 AFTER YOU’VE GONE Layton/M. Taylor 1920s standard, Publisher’s disc Swing 8th, ensemble, piano Leonard 4 All The Things You Are J. Kern/S. Kenton 1950s Stan Kenton Orchestra Trombones, piano, sax soli Sierra 4 ALWAYS & FOREVER P. Metheny/B. Curnow 1990s Pat Metheny Group & Bob Curnow Big Band Alto sax, flugel horn, or guitar Sierra 4 At First Light Ellen Rowe Original , publisher’s disc Alto sax, light rock ballad Sierra 3 AUTUMN Bob Florence 1980s Bob Florence Orchestra (opt. doubles) Tenor sax feature Walrus 4 Beauty and the Beast G. Goodwin Band/Tenor Leonard 5 Black, Brown & Beautiful Oliver Nelson 1970s Oliver Nelson Orchestra Alto Sax (Johnny Hodges) Sierra 3 BLUE B. Shew/G. Brisker 1970s Louie Bellson Orchestra Trumpet (Bobby Shew) Beach/Kendor 4 Blue & Sentimental C. -
Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
How America Went Haywire
Have Smartphones Why Women Bully Destroyed a Each Other at Work Generation? p. 58 BY OLGA KHAZAN Conspiracy Theories. Fake News. Magical Thinking. How America Went Haywire By Kurt Andersen The Rise of the Violent Left Jane Austen Is Everything The Whitest Music Ever John le Carré Goes SEPTEMBER 2017 Back Into the Cold THEATLANTIC.COM 0917_Cover [Print].indd 1 7/19/2017 1:57:09 PM TerTeTere msm appppply.ly Viistsits ameierier cancaanexpexpresre scs.cs.s com/om busbubusinesspsplatl inuummt to learnmn moreorer . Hogarth &Ogilvy Hogarth 212.237.7000 CODE: FILE: DESCRIPTION: 29A-008875-25C-PBC-17-238F.indd PBC-17-238F TAKE A BREAK BEFORE TAKING ONTHEWORLD ABREAKBEFORETAKING TAKE PUB/POST: The Atlantic -9/17issue(Due TheAtlantic SAP #: #: WORKORDER PRODUCTION: AP.AP PBC.17020.K.011 AP.AP al_stacked_l_18in_wide_cmyk.psd Art: D.Hanson AP17006A_003C_EarlyCheckIn_SWOP3.tif 008875 BLEED: TRIM: LIVE: (CMYK; 3881 ppi; Up toDate) (CMYK; 3881ppi;Up 15.25” x10” 15.75”x10.5” 16”x10.75” (CMYK; 908 ppi; Up toDate), (CMYK; 908ppi;Up 008875-13A-TAKE_A_BREAK_CMYK-TintRev.eps 008875-13A-TAKE_A_BREAK_CMYK-TintRev.eps (Up toDate), (Up AP- American Express-RegMark-4C.ai AP- AmericanExpress-RegMark-4C.ai (Up toDate), (Up sbs_fr_chg_plat_met- at americanexpress.com/exploreplatinum at PlatinumMembership Business of theworld Explore FineHotelsandResorts. hand-picked 975 atover head your andclear early Arrive TerTeTere msm appppply.ly Viistsits ameierier cancaanexpexpresre scs.cs.s com/om busbubusinesspsplatl inuummt to learnmn moreorer . Hogarth &Ogilvy Hogarth 212.237.7000 -
Gene Ammons Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Gene Ammons 音樂專輯 串行 (专辑 & 时间表) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs -
Tour Dates Announced for 2018 Levitt National Tour
Contact: Vanessa Silberman Senior Director of Communications & Strategic Initiatives 213.201.6106 [email protected] For Immediate Release Tour Dates Announced for 2018 Levitt National Tour Acclaimed southern raconteur and multi-GRAMMY-winning gospel legends come together for an electrifying fusion of gospel, blues and rock Mark your calendars for a one-of- a-kind musical collaboration as southern raconteur Paul Thorn and his five-piece band team up with five-time GRAMMY-winning gospel legends, Blind Boys of Alabama as co-headliners of the 2018 Levitt National Tour! Now in its fourth year and created to celebrate the collective impact of the Levitt network of music venues in communities across the country, the 2018 Levitt National Tour will stop in seven Levitt cities starting June 1! Billed as the "Mission Temple Fireworks Revival," the Tour marks a celebration of the deep connection between Thorn and Blind Boys of Alabama. With individual sets by each artist, as well as side-by-side performances, Levitt audiences will be treated to songs from Don't Let The Devil Ride, Thorn's upcoming album due out this week featuring guest performances by Blind Boys of Alabama. Witnessing Thorn and these illustrious icons perform together will make for exhilarating evenings blending old-school gospel with rock, blues and country! 2018 Levitt National Tour concert dates (All shows are free to the public, no tickets required) Levitt Pavilion SteelStacks | Friday, June 1 Levitt Shell Memphis | Friday, June 29 Levitt Pavilion Arlington | Sunday, July 1 Levitt Pavilion Los Angeles | Saturday, July 14 Levitt Shell Sioux Falls (future site) | Friday, August 3 Levitt Pavilion Dayton | Saturday, August 11 Levitt Pavilion Denver | Sunday, August 19 No stranger to Levitt, Thorn has performed at the permanent Levitt venues in Memphis and Arlington, and looks forward to returning to Levitt stages as part of the Tour. -
NOTICE: the Copyright Law of the United States (Title 17, United States Code) Governs the Making of Reproductions of Copyrighted Material
NOTICE: The copyright law of the United States (Title 17, United States Code) governs the making of reproductions of copyrighted material. One specified condition is that the reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses a reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. RESTRICTIONS: This student work may be read, quoted from, cited, for purposes of research. It may not be published in full except by permission of the author. Jacklight: Stories Table of Contents Jacklight ...................................................................................................................................... 3 The Bacchanal........................................................................................................................... 20 Wothan the Wanderer................................................................................................................ 32 Trickster Shop ........................................................................................................................... 47 Party Games .............................................................................................................................. 57 Coyote Story ............................................................................................................................. 88 2 Jacklight At thirteen, Mary discovered her first rune in a raven’s half-decayed remains. -
Final Copy 2019 01 31 Charl
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Charles, Christopher Title: Psyculture in Bristol Careers, Projects and Strategies in Digital Music-Making General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Psyculture in Bristol: Careers, Projects, and Strategies in Digital Music-Making Christopher Charles A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Ph. D. -
1 2 | Lonestarmusic Lonestarmusic | 3
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.