Marco Dapper Makes You Quiver
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr. -
Session Yields Pay Raises, Additional Funds
Marshall University Marshall Digital Scholar The Parthenon University Archives Fall 9-6-1990 The Parthenon, September 6, 1990 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, September 6, 1990" (1990). The Parthenon. 2819. https://mds.marshall.edu/parthenon/2819 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. ---------------- - M Or $h U II Univ e rsity .•~ ====r=-===--. -~~- Vol 9 1 No 1 Hut1 l1 ngt o n V/ Vo H1U rsdc1y , Sept .. 6 . 1990 - . - Session yields pay raises, additional funds By Susan Douglas Hahn · in addition to the September $1,000 increase. major portion of the funding will be allocated to programs The Legislature allocated approximately $ 3. 7 million to Senior Coffespondent in higher education that need additional funding for ac the Board of Trustees to fund the pay increases. creditation or certification and EPSCoR, a federal program Actions during the recent special session for education Marshall also will receive part of$2.9 million, which has that offers matching funds for research development. will provide funding for faculty salary increases, accredita been earmarked by the Legislature to be distributed by the Marshall, West Virginia University, and West Virginia tion and research development. Department ofEducation and the Arts for scholarships, in Institute of Technology are involved in EPSCoR (Experi Faculty members, who received pay raises in July and field master's programs, acc,-editation of existing pro mental Program to Stimulate Competitive Research). -
Bowlography of Rock and Pop Concerts
BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul -
Film Directors by Deborah Hunn
Film Directors by Deborah Hunn Encyclopedia Copyright © 2015, glbtq, Inc. A portrait of actor Jack Entry Copyright © 2002, glbtq, Inc. Larson (left) with director Reprinted from http://www.glbtq.com James Bridges and their dog Max by Stathis Gay, lesbian and bisexual film directors have been a vital creative presence in cinema Orphanos. Courtesy Stathis since the medium's inception over one hundred years ago. Until the last two decades, Orphanos.Copyright © however, mainstream directors kept their work (and not infrequently their lives) Stathis Orphanos.All discreetly closeted, while the films of underground and experimental creators, Rights Reserved. although often confrontational in theme and technique, had limited circulation and financial support. More recently, new queer filmmakers have capitalized on increased (although by no means unproblematic) public acceptance to win critical recognition and commercial viability for their projects. The Hollywood Golden Era In the so-called Golden Era of Hollywood, there were a number of famous directors privately known for their alternative sexual preferences. These included George Cukor, Edmund Goulding, Mitchell Leisen, F.W. Murnau, Mauritz Stiller, James Whale, and Dorothy Arzner, who functioned with varying degrees of success in the industry. Cukor (1899-1983) is primarily famous as a prolific and assured director of women's films. His sexuality was a well known secret in Hollywood, and while it did not do substantial harm to his career, it is generally believed that his "fairy" reputation cost him the directorship of Gone With the Wind (1939), following objections from macho star Clark Gable. Although Cukor's work never overtly addresses gay issues, later critics and viewers have come to appreciate its many queer subtexts: Katharine Hepburn's cross dressing in Sylvia Scarlett (1935); the gloriously camp bitchiness in the dress and dialogue of the all women cast of The Women (1939); the effete figure of Kip in the classic Adam's Rib (1948). -
Library Given Top Award Wo On
Drink of the Week: VOLLEYBALL PREVIEW: Note to our readers: The next edition of the Spartan Daily Swedish vodka enlivened Spartan women go will be on Tuesday, Aug. 31, by berry infusion in for the kill Page 6 when we begin daily publication Page I for the semester. on Mfa chi CELEBRATING 70 YEARS 1934-2004 rig," Igor has vice two itial iuc- SPARTAN DAILY itt- rfax WWW.THESPARTANDAILY.COM ion FRIDAY, AUGUST 27, 2004 ty. VOLUME 123, NUMBER 2 the red ime rist Raising the past ... iave Library given top award wo on. will 'hat SJSU collaboration with city garners national acclaim ion rula By Elizabeth Nguyen over," Breivik said. "I didn't realize at the former Clark Library, Breivik were checked out by the public." the Editor we were getting a super award. We said. More people are able to take elp were the only library to get an award, "More people are using the library advantage of the university library's lish After only a year since its opening, so when they started talking about a for both the scholarly side of life and resources, Breivik said. "The things ard the Dr. Martin Luther King Jr. Joint library my heart was beating so the leisurely side of life," she said. we do have are just being used a lot Library has been recognized for its fast, I thought Because more," she said. "We have a far better collaboration as an academic and I was going to of the joint library for our students and for the les public library with the prestigious have a heart .. -
Bamboozle Busts out M'.Nn., Aug
Copyright 2007. Nielsen Business Media. Inc. All rights reserved. Boxscores should 13 (X) R E Concert Grosses bu submitted to Bob Allen. Nashville. 0\S Phoee 55- 32i -9'7' Far 615 321 -0878. For pncr,q 500 Allen. GROSS/ ARTISTAS) Attendance FOR MORE BOXSCORES GO TO: Venue, Date Capuoty promoter BILLBOARD.BIZ $5,389,571 VIRGIN FESTIVAL: THE POLICE, SMA:S -iING PUMPKINS & OTHERS Pimlico Race Course, Baltimore, 55,536, 0 Md., Aug. 4 -5 100.000 t I.M.P $3,913,290 RCCK TEE SELLS: RAGE AGAINST THE MACHINE & OTHERS Hyundai Pavilion at Glen Helen, 47,243 Live Nation, Guerilla Union © Devote, Calif., Aug. 11 sellout $2,295,415 DAVE MATTHEWS BAND, XAVIER ReDD Tweeter Center for the Performing 39,778 3.3,800 o Live Nation El Arts, Mansfield, Hass., Aug.1 -2 shov. ohE Ilou: $1,391,777 MICHAEL 3JBLÉ, JANN ARDENI i $45.25 Greek Theatre, L. os Angeles, 17,755 Nederlander Concerts, Beaver Productions Aug. 21 -23 thr s $1,346,129 KENNY CHESNEY, SUGARLAND, PAT GREEN LORDI at the 2017 Nissan Pavilion at Stone Ridge, 25,139 The Bristow, Va., Aug. 25 Live Nation, Messina Group/AEG Live Bamboozle Festival, in May sellout at Giants Stadium in East $1,336,470 RASCA_ FLATTS, JASON A_DEAN Rutherford, N.J. Mohegan Sun Arena, Uncasville, 15,913 Live Nation E Conn., July 13 -14 16242 trnn shows I$1,169,069 DAVE MATTHEWS BAND, TOOTS & TH? MAYTALS $íaifS36 Nissan Pavilion at Stone Ridge, 25,282 Live Nation Bristow, Va., Aug. 11 seilout 1:1 $1,152,710 DAVE MATTHEWS BAND, TOOTS & THE MAYTALS $65,/$40.50 Saratoga Performing Arts Center, 25,238 Live Nation Saratoga Springs, N.Y., Aug. -
September 23, 2011 | Volume IX Issue 10 CHA-CHA HEELS, LIQUID EYELINER, AND
OUT September 23, 2011 | Volume IX Issue 10 CHA-CHA HEELS, LIQUID EYELINER, AND... The Most Beautiful Woman in the World B y chucK Duncan If you’re a native of Baltimore (and even if you’re not), you certainly know John Waters and Divine. From John’s ear- ly short films from the late 60s to his 1972 calling card, Emmett C. Burns, Pink Flamingos, through 1988’s Hairspray, Waters and his Jr., Announces PAC muse Divine showed the rest of the world what the “reel” to Oppose Marriage Baltimore was like (and there was more than a little of the “real” in those films too). Equality Unfortunately, shortly after the release of Hairspray, Divine passed away suddenly at the true By Dana LaRocca height of his career (he was in Hollywood On September 9, Delegate Emmett C. Susan Lowe, preparing to tape an episode of Married Burns, Jr. (D-Baltimore County) met Mink Stole and Jeffrey … with Children at the time of his death), with eight other clergy at a church in Schwarz depriving the world of his talent and what west Baltimore to announce the for- during their might have come from his true “overnight” mation of “Progressive Clergy in interview stardom. Action” a political action committee. sessions in Today, Divine is a cult figure to many, The group is working with the help of Baltimore his legion of fans from around the world the Maryland Family Alliance, an af- photo: courtesy of Jeffrey Schwarz —continued on page 16 filiate of the Family Research Council (FRC). Delegate Burns has long been and Developed by a Combined Arms Center- an opponent of marriage equality. -
Virginia Beach Development Authority 2008/2009 Annual Report 1 Table of Contents
POWERFUL FORCES AT WORK VIRGINIA BEACH DEVELOPMENT AUTHORITY 2008/2009 ANNUAL REPORT 1 TABLE OF CONTENTS 4 Virginia Beach Development Authority (VBDA) 5 Virginia Beach Leadership Virginia Beach City Council City Staff Virginia Beach Department of Economic Development (VBDED) Staff 6 Mission Statement 7 Message from the Chair 8 Executive Summary 10 Verizon Wireless Virginia Beach Amphitheater 13 Financial Accomplishments 16 Economic Development Investment Program 17 Industrial Revenue Bonds 18 Small Business Development Support 19 Workforce Development 21 Northampton Boulevard Corridor/Burton Station 21 Historic Kempsville Area Master Plan Update 22 The Town Center of Virginia Beach 24 Oceana Land Use Conformity Program 26 Largest Business Projects for Fiscal Year 2008-2009 Outside VBDA-Managed Parks (Table) Within VBDA-Managed Parks (Table) 28 Existing Industry Initiatives and Accomplishments 30 Business Accomplishments 31 Marketing Trips, Fiscal Year 2008-2009 33 Minority Business Development Program 34 VBDA Impact on Economic Base (Table) 35 VBDA Land Inventory Summary (Table) 36 Dome Site 36 Convention Center Headquarters Hotel 37 Marketing Our Strengths CITY OF VIRGINIA BEACH DEVELOPMENT AUTHORITY (VBDA) CITY OF VIRGINIA BEACH LEADERSHIP Virginia Beach Department of Economic Development (VBDED) Staff Virginia Beach City Council William D. Sessoms Jr. Mayor Donald V. Jellig Page G. Lea Teresa H. Carrington Louis R. Jones Chair Vice Chair Secretary Vice Mayor Jellig Partners Capes Capital Management, Inc. Carrington Business Liaison to the Virginia Beach Consulting Group Development Authority Rosemary Wilson Liaison to the Virginia Beach Development Authority Warren D. Harris Glenn R. Davis Director Bill R. DeSteph Douglas D. Ellis Elizabeth A. Twohy C. Maxwell Bartholomew, Jr. -
Camera 12 Able to Show Blockbusters Forfirst Time in 40 Years, Theater Can Book Any Movies by Elizabeth Nguyen the Kind of Film We Always Played It
A ir WOMEN'S VOLLEYBALL: Student intertwines Profiles of Associated Students Board Spartans bit the road to face art with personal Executive University of San Francisco history Meet Rachel Greathouse, Page 9 Jonathan Stoll and Pearl Yuan Page 7 Page 4 CELEBRATING 70 YEARS 1934-2004 SPARTAN DAILY WWW.THESPARTANDAILY.COM VOLUME 123, NUMBER 4 WEDNESDAY, SEPTEMBER 1, 2004 Camera 12 able to show blockbusters Forfirst time in 40 years, theater can book any movies By Elizabeth Nguyen the kind of film we always played it. I Mat Pr odu. non Editor the past." The owners of Camera Cinemas, The 11.,ffie "vvr wins h theaters are the theaters that are usually known ill, irul ti show what IllOVIes Mat for showing more independent and now he finished. The contniveisy rut art films, became very concerned after whine .i theater Wl irks they could not book the high grossing vi all I Myst.. ,i1 studios to restrict blo.ckbuster. NyBloni said. , mon mainstream movies "There are eight or nine major stu- o mt.? s'eti'le, was brought to dios, each release A couple dozen films p . attention att,u the state attorney a year: he said. "Those decisions Ito gei,etal se ii gait examining anti- mipose 'clearance') are usually horuired trust allrgation, lw the owners of by smaller distributors of specialized the lownho.al. 5. ailletaCille111.1S, 'laud .1 and art films. They tend to follow suit. iwnier and When C.1111erd 12 Was built, the ineillaS, Said owners wanted to have half of the 12 - the ite, t. -
John Waters (Writer/Director)
John Waters (Writer/Director) Born in Baltimore, MD in 1946, John Waters was drawn to movies at an early age, particularly exploitation movies with lurid ad campaigns. He subscribed to Variety at the age of twelve, absorbing the magazine's factual information and its lexicon of insider lingo. This early education would prove useful as the future director began his career giving puppet shows for children's birthday parties. As a teen-ager, Waters began making 8-mm underground movies influenced by the likes of Jean-Luc Godard, Walt Disney, Andy Warhol, Russ Meyer, Ingmar Bergman, and Herschell Gordon Lewis. Using Baltimore, which he fondly dubbed the "Hairdo Capitol of the World," as the setting for all his films, Waters assembled a cast of ensemble players, mostly native Baltimoreans and friends of long standing: Divine, David Lochary, Mary Vivian Pearce, Mink Stole and Edith Massey. Waters also established lasting relationships with key production people, such as production designer Vincent Peranio, costume designer Van Smith, and casting director Pat Moran, helping to give his films that trademark Waters "look." Waters made his first film, an 8-mm short, Hag in a Black Leather Jacket in 1964, starring Mary Vivian Pearce. Waters followed with Roman Candles in 1966, the first of his films to star Divine and Mink Stole. In 1967, he made his first 16-mm film with Eat Your Makeup, the story of a deranged governess and her lover who kidnap fashion models and force them to model themselves to death. Mondo Trasho, Waters' first feature length film, was completed in 1969 despite the fact that the production ground to a halt when the director and two actors were arrested for "participating in a misdemeanor, to wit: indecent exposure." In 1970, Waters completed what he described as his first "celluloid atrocity," Multiple Maniacs. -
'I'm SO FUCKING BEAUTIFUL I CAN't STAND IT MYSELF': Female Trouble, Glamorous Abjection, and Divine's Transgressive Pe
CUJAH MENU ‘I’M SO FUCKING BEAUTIFUL I CAN’T STAND IT MYSELF’: Female Trouble, Glamorous Abjection, and Divine’s Transgressive Performance Paisley V. Sim Emerging from the economically depressed and culturally barren suburbs of Baltimore, Maryland in the early 1960s, director John Waters realizes flms that bridge a fascination with high and low culture – delving into the putrid realities of trash. Beginning with short experimental flms Hag in a Black Leather Jacket (1964), Roman Candles (1966), and Eat Your Makeup (1968), the early flms of John Waters showcase the licentious, violent, debased and erotic imagination of a small community of self-identifed degenerates – the Dreamlanders. Working with a nominal budget and resources, Waters wrote, directed and produced flms to expose the fetid underbelly of abject American identities. His style came into full force in the early 1970s with his ‘Trash Trio’: Multiple Maniacs (1970), Pink Flamingos (1972), and Female Trouble (1974). At the heart of Waters’ cinematic achievements was his creation, muse, and star: Divine.1 Divine was “’created’ in the late sixties – by the King of Sleaze John Waters and Ugly-Expert [makeup artist] Van Smith – as the epitome of excess and vulgari- ty”2. Early performances presented audiences with a “vividly intricate web of shame, defance, abjection, trauma, glamour, and divinity that is responsible for the profoundly moving quality of Divine as a persona.”3 This persona and the garish aesthetic cultivated by Van Smith aforded Waters an ideal performative vehicle to explore a world of trash. Despite being met with a mix of critical condemnation and aversion which relegated these flms to the extreme periph- ery of the art world, this trio of flms laid the foundation for the cinematic body of work Waters went on to fesh out in the coming four decades. -
By Billups Allen Billups Allen Spent His Formative Years in and Around the Washington D.C
By Billups Allen Billups Allen spent his formative years in and around the Washington D.C. punk scene. He graduated from the University of Arizona with a creative writing major and a film minor. He has worked in seven different record stores around the country and currently lives in Memphis, Tennessee where he works for Goner Records, publishes Cramhole zine, contributes music and movie writing regularly to Razorcake, Ugly Things, and Lunchmeat magazines, and writes fiction. (cramholezine.com, [email protected]) Illustrations by Codey Richards, an illustrator, motion designer, and painter. He graduated from the University of Alabama in 2009 with a BFA in Graphic Design and Printmaking. His career began by creating album art and posters for local Birmingham venues and bands. His appreciation of classic analog printing and advertising can be found as a common theme in his work. He currently works and resides at his home studio in Birmingham, Alabama. (@codeyrichardsart, codeyrichards.com) Layout by Todd Taylor, co-founder and Executive Director of Razorcake/Gorsky Press, Inc. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. This zine is made possible in part by support by the Los Angeles County Department of Arts and Culture. Printing Courtesy of Razorcake Press razorcake.org ne rainy weekday, my friend and I went to a small Baltimore shop specializing in mid-century antiques called Hampden Junque.