Liberty's Big Bet on F1
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Lyra Mckee 31 March, 1990 – 18 April, 2019 Contents
MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | MAY-JUNE 2019 Lyra McKee 31 March, 1990 – 18 April, 2019 Contents Main feature 16 The writing’s on the wall Exposing a news vacuum News t’s not often that an event shakes our 03 Tributes mark loss of Lyra McKee profession, our union and society as powerfully as the tragic death of Lyra McKee. Widespread NUJ vigils A young, inspirational journalist from 04 Union backs university paper Belfast, lost her life while covering riots Ethics council defends standards Iin the Creggan area of Derry. Lyra became a journalist in the post peace agreement era 05 TUC women’s conference in Northern Ireland and in many ways was a symbol of the Calls for equal and opportunities new Ireland. She campaigned for Northern Ireland’s LGBTQ 07 Honouring Lyra community and used her own coming out story to support Photo spread others. She was a staunch NUJ member and well known in her Belfast branch. “At 29 she had been named as one of 30 European journalists Features under 30 to watch. She gave a prestigious Ted talk two years 10 A battle journalism has to win ago following the Orlando gay nightclub shootings in 2016. She Support for No Stone Unturned pair had signed a two-book deal with Faber with the first book about children and young men who went missing in the Troubles due 12 Only part of the picture out next year. How ministers control media coverage The NUJ has worked with the family to create a fund 22 Collect your royal flush in Lyra’s name and the family said that they have been How collecting societies help freelances inundated with requests to stage events in her name. -
Perugia, 7 Marzo 2016 Come and Join Us! Con Questo Invito Abbiamo
Perugia, 7 marzo 2016 Come and join us! Con questo invito abbiamo lanciato la decima edizione del Festival Internazionale del Giornalismo. Perché per noi il giornalismo è principalmente partecipazione e conversazione. E il Festival vuole celebrare proprio questo aspetto in occasione della sua edizione 2016. La voglia di confrontarsi, il bisogno di raccontare storie, l’importanza fondamentale di condividere esperienze sono come sempre la cifra distintiva del Festival. Dove sta andando il giornalismo? Stiamo vivendo quello che potremmo definire uno stato di rivoluzione permanente. Un modello di business definitivamente in crisi, diversi modelli da sperimentare e diverse concezioni del giornalismo messe continuamente alla prova. Fact-checking, data journalism, explanatory journalism, il ruolo giornalistico delle piattaforme, paywall vs crowdfunding, l’era dei video e del mobile, robot journalism, realtà virtuale, il coinvolgimento dei lettori e il ruolo civico dell’informazione, la crisi dell’homepage, alla ricerca della “nuova” obiettività, il giornalismo mobile first, capire l’audience oltre le metriche, social networks vs media mainstream: ultimo atto, il caso Spotlight e il potere del giornalismo di cambiare le cose. Il pubblico e gli speaker in arrivo da tutto il mondo saranno impegnati ad affrontare questi temi che riguardano strettamente la riflessione giornalistica, ma anche tematiche legate all’attualità: i migranti, le guerre, il terrorismo, la rinascita dei nazionalismi, l’Europa in crisi e le nuove sfide della democrazia, la privacy e la sorveglianza di massa, la libertà di espressione e la lotta contro la censura, il ruolo delle organizzazioni non governative nel coprire territori di guerra. Come sempre arriveranno da tutto il mondo i volontari, 194 fra studenti, aspiranti giornalisti, fotografi provenienti 19 diversi paesi: Brasile, Bulgaria, Camerun, Egitto, Francia, Germania, Grecia, India, Iraq, Italia, Kenya, Lituania, Regno Unito, Russia, Slovenia, Spagna, Sri Lanka, Stati Uniti, Ungheria. -
How the TV Debates Were Organised in #GE2015 and Their Impact: the Full Story
How the TV debates were organised in #GE2015 and their impact: the full story blogs.lse.ac.uk/polis/2017/04/19/how-were-the-tv-debates-organised-in-ge2015-and-what-was-their-impact- the-full-story/ 2017-4-19 I wrote the chapter on broadcasting for the Cowley/Kavanagh Election 2015 book. Here is the section on the negotiations that led to the TV ‘debates’ and their impact – for the full chapter and the authoritative record of all aspects of that campaign, get the book here! By Charlie Beckett, Professor in the Department of Media and Communications, LSE and director of Polis, the LSE’s journalism think-tank. @CharlieBeckett In this election broadcasting tried to reflect a changing political landscape. Television in particular was challenged to adjust to the impact of the smaller parties such as the Greens, UKIP and the SNP. Editorially, broadcasters had to cover a diverse range of issues of varying degrees of scale, importance and relevance to different audiences. All journalists, but most obviously broadcasters, found themselves limited in scope by the unprecedented levels of party stage-management. There were the usual concerns about delivering impartiality and information but perhaps the hardest task for the broadcast journalists was to fulfil their key democratic functions at election time: to engage the public and to hold politicians to account. The strategic reluctance of the main parties to conduct more open campaigns meant that the desire for dramatic broadcasting to match the significance of the stakes was frustrated. Like all journalists, broadcasters were also misled by erroneous polling to construct a false narrative around the relative success of the two main parties. -
BARB Establishment Survey Annual Data Report Volume 2: BBC Areas
BARB Establishment Survey Annual Data Report Volume 2: BBC Areas January 2011 to December 2011 BARB ESTABLISHMENT SURVEY OF TV HOMES Page 1 DATA PERIOD: ANNUAL January - December 2011 Contents Page Introduction 2 Annual Data Tables: Volume 2 - BBC areas BBC London 3 BBC South East 31 BBC Midlands 59 BBC East 87 BBC West 115 BBC South West 143 BBC South 171 BBC Yorkshire and Lincolnshire 199 BBC North East & Cumbria 227 BBC North West 255 BBC Scotland 283 BBC Ulster 311 BBC Wales 339 BBC Midlands West 367 BBC Midlands East 395 See also Volume 1 - Total Network and Appendices Volume 3 - ITV areas Introduction Page 2 This reports contains the weighted data results from the Establishment survey for the period January - December 2011 Data is presented at different levels Household Set Individual Accordingly; bases do vary. Appendices can be found in the Volume 1 report. These contain details of the survey objectives, sample design, response rates and standard definitions. A copy of the questionnaire is also included at the end of the report. BBC London Page 3 Contents Page Household Table 1.1: Social Grade 4 Table 1.2: Housewife Age 5 Table 1.3: Size of Household 6 Table 1.4: Presence of Children 7 Table 1.5: Number of TV sets in household 8 Table 1.6: Screen size 9 Table 1.7: Location of ANY set in household 10 Table 1.8: Recorders 11 Table 1.9: Other TV equipment 12 Table 1.10: Computers and Internet 13 Sets Table 1.11: Screen Size 14 Table 1.12: Location of set 15 Table 1.13: Recorders 16 Table 1.14: Other TV equipment 16 Table 1.15: Main -
A Quiet Revolution
A quiet revolution The moral economies shaping journalists’ use of NGO-provided multimedia in mainstream news about Africa Katherine Wright Goldsmiths, University of London A thesis submitted for the degree of PhD in Media and Communications 2014 1 Declaration I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, nor material which has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. 2 Acknowledgements With grateful thanks to my study participants for their time, trust and candour - without you there would be no study. I also want to thank my supervisor, Natalie Fenton, who manages to combine the sharpest of minds with the warmest of hearts. Your support has meant so much to me over the past few years. The encouragement and constructive criticism of others at Goldsmiths has also been invaluable, especially Aeron Davis, Des Freedman and Gholam Khiabany, who all kindly read drafts of chapters for me. Next, I want to note my debt to my dear colleagues in Journalism at the University of Roehampton. I especially want to thank Ros Coward, whose passionate belief that practitioners should ‘get into’ research started me off down this route in the first place. In addition, the words of advice and support from colleagues at other institutions have been really helpful, especially those of Mel Bunce, Lilie Chouliaraki, Glenda Cooper, Nick Couldry, Shani Orgad, Chris Paterson, Martin Scott, Helen Yanacopulos and Silvio Waisbord. -
Lasa Journal 8 Pp.36- 43) to Set up a Working Group with Us
laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonoreset Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 9 May 1997 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de l'Association Internationale d'Archives Sonores et Audiovisuelle IASA Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 29 Exhibition Road, London SW7 2AS, UK. Fax 441714127413, e-mail [email protected] Reviews and Recent Publications Editor: Pekka Gronow, Finnish Broadcasting Company, PO Box 10, SF-00241, Helsinki, Finland. Fax 358014802089 The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from -1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est publie deux fois I'an et distribue a tous les membres. Veuilliez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionelles. Les numeros precedeentes (a partir de 1971) du IASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assoociation puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP. -
Al Pacino Receives Bfi Fellowship
AL PACINO RECEIVES BFI FELLOWSHIP LONDON – 22:30, Wednesday 24 September 2014: Leading lights from the worlds of film, theatre and television gathered at the Corinthia Hotel London this evening to see legendary actor and director, Al Pacino receive a BFI Fellowship – the highest accolade the UK’s lead organisation for film can award. One of the world’s most popular and iconic stars of stage and screen, Pacino receives a BFI Fellowship in recognition of his outstanding achievement in film. The presentation was made this evening during an exclusive dinner hosted by BFI Chair, Greg Dyke and BFI CEO, Amanda Nevill, sponsored by Corinthia Hotel London and supported by Moët & Chandon, the official champagne partner of the Al Pacino BFI Fellowship Award Dinner. Speaking during the presentation, Al Pacino said: “This is such a great honour... the BFI is a wonderful thing, how it keeps films alive… it’s an honour to be here and receive this. I’m overwhelmed – people I’ve adored have received this award. I appreciate this so much, thank you.” BFI Chair, Greg Dyke said: “A true icon, Al Pacino is one of the greatest actors the world has ever seen, and a visionary director of stage and screen. His extraordinary body of work has made him one of the most recognisable and best-loved stars of the big screen, whose films enthral and delight audiences across the globe. We are thrilled to honour such a legend of cinema, and we thank the Corinthia Hotel London and Moët & Chandon for supporting this very special occasion.” Alongside BFI Chair Greg Dyke and BFI CEO Amanda Nevill, the Corinthia’s magnificent Ballroom was packed with talent from the worlds of film, theatre and television for Al Pacino’s BFI Fellowship presentation. -
Select Committee of Tynwald on the Television Licence Fee Report 2010/11
PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3. -
Uida Al Estival ASSESSORATO DEL TURISMO, ARTIGIANATO E COMMERCIO ASSESSORATO DELLA PUBBLICA ISTRUZIONE, BENI CULTURALI, INFORMAZIONE, SPETTACOLO E SPORT
www.isoladellestorie.it uida al estival ASSESSORATO DEL TURISMO, ARTIGIANATO E COMMERCIO ASSESSORATO DELLA PUBBLICA ISTRUZIONE, BENI CULTURALI, INFORMAZIONE, SPETTACOLO E SPORT PROVINCIA DI NUORO UNIONE EUROPEA COMUNE DI GAVOI 2 Le storie hanno colori, odori, sapori, profumi che si sprigionano nell’aria e si percepiscono nitidi e intensi sulla scia delle parole. Parole che prendono forma e creano immagini precise, pro- iezioni di fantasie inaspettate. Perché questo è ciò che accade. Per un tem- po dilatato siamo ciò che leggiamo o ascoltiamo, protagonisti e spettatori, complici e schierati, figure sullo sfon- do e osservatori attenti. Sentiamo e pensiamo in modo inconsueto, camminiamo leggeri in una dimensione evanescente che ci sembra incredibilmente reale. Siamo quella storia. Felici di esserla. E’ però necessario lasciare liberi i sensi e leggera la mente, sapere ascol- tare e non avere timore di perdersi fra confini invisibili e spazi infiniti, fra vicoli stretti e nuovi incontri, pro- fumo di mirto e storie di vita. Siamo a Gavoi, Barbagia. Un piccolo paese dove le storie si vivono, si intrecciano e raccontano con la na- turalezza che contraddistingue l’affe- zionato popolo di lettori e viandanti che ogni anno vi si ritrova per par- tecipare al Festival Letterario della Sardegna, evento unico nel suo genere reso possibile, nel tempo, dalla se- rietà e partecipazione della comunità locale che accoglie tutti i presenti con grande generosità. Giovedì 30 GiuGno 2011 CHIESA SAN GAVINO MARTIRE ORE 21.30 Inaugurazione ORE 22.00 MISTICO MEDITERRANEO con Paolo Fresu: tromba A Filetta: voci corse Daniele Di Bonaventura: bandoneon 3 venerdì 1 luGlio 2011 PRELUDI MUSICALI MAISTUS DE SONUS LAUNEDDAS: Giancarlo Seu ORGANETTO: Matteo Mucaria .................................... -
NOMINATIONS in 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall
NOMINATIONS IN 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall – BBC Two STEPHEN GRAHAM This is England ’90 – Channel 4 LEADING ACTRESS CLAIRE FOY Wolf Hall – BBC Two RUTH MADELEY Don’t Take My Baby – BBC Three SHERIDAN SMITH The C Word – BBC One SURANNE JONES Doctor Foster – BBC One SUPPORTING ACTOR ANTON LESSER Wolf Hall – BBC Two CYRIL NRI Cucumber – Channel 4 IAN MCKELLEN The Dresser – BBC Two TOM COURTENAY Unforgotten - ITV SUPPORTING ACTRESS CHANEL CRESSWELL This is England ’90 – Channel 4 ELEANOR WORTHINGTON-COX The Enfield Haunting LESLEY MANVILLE River – BBC One MICHELLE GOMEZ Doctor Who – BBC One ENTERTAINMENT PERFORMANCE GRAHAM NORTON The Graham Norton Show – BBC One LEIGH FRANCIS Celebrity Juice – ITV2 ROMESH RANGANATHAN Asian Provocateur – BBC Three STEPHEN FRY QI – BBC Two FEMALE PERFORMANCE IN A COMEDY PROGRAMME MICHAELA COEL Chewing Gum – E4 MIRANDA HART Miranda – BBC One SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer SHARON HORGAN Catastrophe – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME HUGH BONNEVILLE W1A – BBC Two JAVONE PRINCE The Javone Prince Show – BBC Two PETER KAY Peter Kay’s Car Share –BBC iPlayer TOBY JONES Detectorists – BBC Four House of Fraser British Academy Television Awards – Nominations Page 1 SINGLE DRAMA THE C WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4 DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie, -
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2008 Programme Review
CHANNEL 4 REVIEW OF 2008 Major Themes in 2008 2008 was a year of dramatic creative renewal for Channel 4. In March, the organisation published Next on 4, a policy document laying out its public service vision for the future. Creative renewal in the schedule was evident even before then, with a raft of new programming in January occupying the space occupied in previous years by Celebrity Big Brother, which was rested. Over the course of the year, a range of authored series and campaigning programmes exemplified Channel 4’s renewed commitment to high-impact programming capable of engaging mass-market audiences, stimulating debate and generating interest in important social, political and cultural issues. However, Channel 4’s ability to fulfil its public service ambitions were curtailed by the downturn in the advertising market towards the end of the year, leading to significant reductions in the programming budget for both 2008 and 2009. In an increasingly competitive environment, Channel 4’s portfolio of channels and services maintained its viewing share at 11.9 per cent. The core channel share fell from 8.7 per cent in 2007 to 8.2 per cent in 2008. Next on 4 Dramatic changes are reshaping the UK broadcasting ecology, as it moves towards a fully digital world. Viewers will have access to dozens, if not hundreds of channels, as well as the rapidly growing variety of video services delivered online. In this context, Channel 4 reaffirmed its commitment in Next on 4 to remain a publicly-owned public service broadcaster whose primary purpose is the fulfilment of its legislative remit.