Puccini Tosca Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Puccini Tosca Mp3, Flac, Wma Puccini Tosca mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Tosca Country: UK Released: 1981 Style: Opera MP3 version RAR size: 1722 mb FLAC version RAR size: 1195 mb WMA version RAR size: 1479 mb Rating: 4.9 Votes: 547 Other Formats: AU FLAC DXD RA AIFF VOC TTA Tracklist A1 Atto I (Parte Prima) B1 Atto I (Conclusione) B2 Atto II (Parte Prima) C1 Atto II (Conclusione) D1 Atto III Credits Baritone Vocals – Sherrill Milnes Bass Vocals – Clifford Grant, Michael Rippon, Paul Plishka Chorus – The John Alldis Choir*, Wandsworth School Boys' Choir Chorus Master – John Alldis, Russell Burgess Composed By – Giacomo Puccini Conductor – Zubin Mehta Libretto By – Giuseppe Giacosa, Luigi Illica Orchestra – New Philharmonia Orchestra Soprano Vocals – Leontyne Price Tenor Vocals – Francis Egerton, Placido Domingo Notes Boxed set came with full size libretto. Barcode and Other Identifiers Matrix / Runout (Label Side A): CKBY 18732 Matrix / Runout (Label Side B): CKBY 18733 Matrix / Runout (Label Side C): CKBY 18734 Matrix / Runout (Label Side C): CKBY 18735 Other versions Category Artist Title (Format) Label Category Country Year Puccini*, Leontyne Puccini*, Leontyne Price, Placido Price, Placido Domingo, Domingo, Sherrill RCA Sherrill Milnes, New ARL2-0105 Milnes, New Red ARL2-0105 Italy 1973 Philharmonia Orchestra, Philharmonia Seal Zubin Mehta - Tosca Orchestra, Zubin (2xLP + Box) Mehta Puccini*, Leontyne Puccini*, Leontyne Price, Placido Price, Placido Domingo, Domingo, Sherrill Sherrill Milnes, New RCA ARK2-0105 Milnes, New Philharmonia Orchestra, Red ARK2-0105 US 1977 Philharmonia Zubin Mehta - Tosca Seal Orchestra, Zubin (2xCass, Album + Box, Mehta Album) Puccini*, Leontyne Puccini*, Leontyne Price, Placido Price, Placido Domingo, Domingo, Sherrill Sherrill Milnes, New RCA ARL2-0105 Milnes, New Philharmonia Orchestra, Red ARL2-0105 US Unknown Philharmonia Zubin Mehta - Tosca Seal Orchestra, Zubin (2xLP, Album, RE + Mehta Box) Giacomo Puccini, Giacomo Puccini, Placido Domingo, Placido Domingo, Sherrill Milnes, Zubin Sherrill Milnes, Zubin RC652 RCA RC652 Unknown Mehta, New Mehta, New Philharmonia Philharmonia Orchestra Orchestra - Tosca (2xCD, Album) Puccini*, Leontyne Puccini*, Leontyne Price, Placido Price, Placido Domingo, Domingo, Sherrill RCA Sherrill Milnes, New ARL2-0105 Milnes, New Red ARL2-0105 Spain 1974 Philharmonia Orchestra, Philharmonia Seal Zubin Mehta - Tosca Orchestra, Zubin (2xLP + Box, Album) Mehta Related Music albums to Tosca by Puccini 1. Giuseppe Verdi - Un Ballo In Maschera 2. Renata Scotto / Placido Domingo / Wixell / Knight / Andreoli / Ambrosian Opera Chorus / Philharmonia Orchestra / Lorin Maazel, Puccini - Madama Butterfly 3. Giuseppe Verdi ' Rolando Panerai ' Franco Bonisolli ' Margherita Rinaldi ' Viorica Cortez, Bengt Rundgren, Chor der Staatsoper Dresden, Staatskapelle Dresden, Francesco Molinari-Pradelli - Rigoletto 4. Puccini, Sutherland, Pavarotti, Caballe, Ghiaurov, Krause With Peter Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta - Turandot 5. Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Judith Blegen, Ruggero Raimondi, Vicente Sardinero, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti - La Bohème 6. Gaetano Donizetti - Thomas Schippers - Don Pasquale 7. Sutherland, Pavarotti, Caballe, Ghiaurov, Krause With Peter Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta - Turandot 8. Placido Domingo - Placido Domingo Collection 9. Giacomo Puccini - La Boheme 10. Giuseppe Verdi, Philharmonia Orchestra, Giuseppe Sinopoli - La Forza Del Destino.
Recommended publications
  • MANON LESCAUT De Giacomo Puccini
    T5 - MANON LESCAUT de Giacomo Puccini EL OTOÑO DE LA ÓPERA ITALIANA - 2020 operanostracursos.blog RICARDO MOLINA OLTRA Manon Lescaut de Giacomo Puccini ÍNDICE 1. La ópera y sus autores: Giacomo Puccini sobre un libretto de varios autores, basado en la proto-novela del Abée Prévost 2. Contexto histórico: La proto-novela “Histoire du Chevalier des Grieux et de Manon Lescaut” de Antoine François Prévost 3. Personajes principales 4. Sinopsis argumental 5. Momentos musicales destacables 6. Los grandes intérpretes de esta ópera 7. Valoración de Manon Lescaut, en si misma y en el conjunto de la obra de Giacomo Puccini Manon Lescaut de Giacomo Puccini 1.- La ópera y sus autores: Giacomo Puccini sobre un libretto de varios autores, basado en la proto-novela del Abée Prévost GIACOMO PUCCINI Manon Lescaut - Composición y estreno (1) Dramma lirico en 4 Actos, basado en la proto-novela francesa Histoire du Chevalier des Grieux et de Manon Lescaut, y según un libreto, de redacción más que complicada, en la que intervinieron hasta 6 libretistas. • Puccini pensaba que el fracaso de Edgar se debía a la debilidad del libreto, por ello en Manon Lescaut decide cuidarlo especialmente. Va a nacer la leyenda de los problemas de Puccini con sus libretistas: Riccordi le entrega un libreto de Ruggero Leoncavallo, que no le gusta nada; a continuación contratan a Marco Praga y Domenico Oliva, que discuten con Puccini y Praga abandona el proyecto; interviene en el libreto el propio Riccordi y también Puccini, y por fin lo acaba Luigi Illica, que con Giuseppe Giacosa serán los libretistas en sus tres óperas principales.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • RSTD OPERN Nov Dez 212X476 15.10.12 17:48 Seite 1
    RSTD OPERN_Nov_Dez_212x476 15.10.12 17:48 Seite 1 Opernprogramm November 2012 November Franz Liszt Legende der heiligen Elisabeth 20.00 - 22.35 Hermann: Kolos Kováts, Sophie: Éva Farkas, Ludwig: Sándor Sólyom-Nagy, Elisabeth: Éva Marton, 1 Friedrich II. von Hohenstaufen: József Gregor, Ungarischer Magnat: István Gáti, Seneschal: István Gáti. Donnerstag Ungarische Nationalphilharmonie, Leitung: Árpád Joó, 1984. November Léo Delibes Lakmé 20.00 - 21.55 Nilakantha: Clifford Grant, Lakmé: Joan Sutherland, Mallika: Huguette Tourangeau, Hadji: Graeme Ewer, 3 Gerald: Henri Wilden, Frederick: John Pringle, Ellen: Isobel Buchanan. Samstag Australian Opera Chorus, Elizabethan Sydney Orchestra, Leitung: Richard Bonynge, 1976. November Bedrichˇ Smetana Die verkaufte Braut 20.00 - 22.25 Marenka: Dana Burešová, Jenik: Tomáš Juhás, Kecal: Jozef Benci, Vašek: Aleš Vorácek, 6 Mícha: Gustáv Belácek, Háta: Lucie Hilscherová, Krušina: Svatopluk Sem, Ludmila: Stanislava Jirku. Dienstag BBC Singers, BBC Symphony Orchestra, Leitung: Jirí Belohlávek, 2011. November Wolfgang Amadé Mozart Le nozze di Figaro 20.00 - 23.00 Almaviva: Tom Krause, Gräfin: Anna Tomowa-Sintow, Susanna: Ileana Cotrubas, Figaro: José van Dam, Cherubino: Frederica 8 von Stade, Bartolo: Jules Bastin, Marcellina: Jane Berbié, Basilio: Heinz Zednik, Don Curzio: Kurt Equiluz. Donnerstag Chor und Orchester der Wiener Staatsoper, Leitung: Herbert von Karajan, 1977. November Christoph Willibald Gluck Alceste 20.00 - 22.25 Admete: Paul Groves, Alceste: Anne Sofie von Otter, Oberpriester: Dietrich Henschel, Euandros: Yann Beuron, 10 Herakles: Dietrich Henschel, Herold: Ludovic Tézier, Orakel: Nicolas Testé, Apollo: Ludovic Tézier. Samstag Monteverdi Choir, English Baroque Soloists, Leitung: Sir John Eliot Gardiner, 1999. November Christoph Willibald Gluck Paride ed Elena 20.00 - 22.30 13 Paride: Magdalena Kožená, Elena: Susan Gritton, Amore: Carolyn Sampson, Pallade: Gillian Webster.
    [Show full text]
  • Bellini's Norma
    Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
    [Show full text]
  • Montserrat Caballé Maruxa Mp3, Flac, Wma
    Montserrat Caballé Maruxa mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Maruxa Country: Spain Released: 1987 Style: Operetta MP3 version RAR size: 1256 mb FLAC version RAR size: 1328 mb WMA version RAR size: 1181 mb Rating: 4.7 Votes: 567 Other Formats: MOD MPC VQF AA ADX VOX MP4 Tracklist CD 1 Acto I CD 2 Acto II Credits Choir – Orfeó Gracienc Conductor – Enrique Garcia Asensio Libretto By – L. Pascual Frutos* Music By – A, Vives* Orchestra – Orquesta Sinfónica de Barcelona* Vocals – Ana Riera, Montserrat Caballé, Pedro Lavirgen, Ramon Contreras, Rosa María Riba, Vicente Sardinero, Víctor De Narke Barcode and Other Identifiers Barcode: 0035627158421 Other versions Category Artist Title (Format) Label Category Country Year Montserrat Caballé, Montserrat Caballé, Frutos*, Vives*, Vicente Frutos*, Vives*, Vicente Sardinero, Ana Riera, Sardinero, Ana Riera, Pedro Lavirgen, Víctor Pedro Lavirgen, Víctor De SCE 964/5 De Narke, Orfeó Narke, Orfeó Gracienc, Alhambra SCE 964/5 Spain 1974 Gracienc, Orquesta Orquesta Sinfónica de Sinfónica de Barcelona*, Enrique Barcelona*, Enrique Garcia Asensio - Maruxa Garcia Asensio (2xLP, Dlx) Related Music albums to Maruxa by Montserrat Caballé 1. P. Frutos, Luna, Lolita Torrentó, Marcos Redondo, Cayetano Renom, Óscar Pol, Orquesta Sinfónica Española, Rafael Ferrer - Molinos De Viento 2. Montserrat Caballé, Barcelona Symphony Orchestra, Eugenio M. Marco - Romanzas De Zarzuelas 3. Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Judith Blegen, Ruggero Raimondi, Vicente Sardinero, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti - La Bohème 4. Montserrat Caballé, London Symphony Orchestra, Charles Mackerras - Puccini Arias 5. Josefina Cubeiro, Carlo Del Monte, Dolores Perez, Luis Sagi-Vela, Vicente Sardinero - Grandes Duos De Zarzuela 6.
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Download Booklet
    MONTEVERDI © Lebrecht Music & Arts Photo Library ???????????? Claudio Monteverdi (1567 – 1643) The Coronation of Poppea Dramma musicale in a Prologue and two acts Libretto by Giovanni Francesco Busenello, English translation by Geoffrey Dunn Prologue Fortune Barbara Walker soprano Virtue Shirley Chapman soprano Love Elizabeth Gale soprano Opera Ottone, most noble lord Tom McDonnell baritone Poppea, most noble lady, mistress of Nero, Janet Baker mezzo-soprano raised by him to the seat of empire Nero, Roman emperor Robert Ferguson tenor Ottavia, reigning empress, repudiated by Nero Katherine Pring mezzo-soprano Drusilla, lady of the court, in love with Ottone Barbara Walker soprano Seneca, philosopher, preceptor to Nero Clifford Grant bass Arnalta, aged nurse and confidante of Poppea Anne Collins mezzo-soprano Lucano, poet, intimate of Nero, nephew of Seneca Emile Belcourt tenor Valletto, page of the empress John Brecknock tenor Damigella, lady-in-waiting to the empress Iris Saunders soprano Liberto, Captain of the praetorian guard Norman Welsby baritone First soldier Robin Donald tenor Second soldier John Delaney tenor Lictor, officer of imperial justice Anthony Davey bass Pallas Athene, goddess of wisdom Shirley Chapman soprano Chorus of Sadler’s Wells Opera Orchestra of Sadler’s Wells Opera Raymond Leppard 3 compact disc one Time Page Act I 1 Sinfonia 2:55 p. 30 Prologue 2 ‘Virtue, go hide yourself away’ 7:16 p. 30 Fortune, Virtue, Love Scene 1 3 ‘Again I’m drawn here’ 8:32 p. 31 Ottone, Soldier 2, Soldier 1 4 ‘My lord, do not go yet!’ 9:54 p. 32 Poppea, Nero Scene 2 5 ‘At last my hopes have ended’ 6:38 p.
    [Show full text]
  • CHAN 3045 Bookcover.Qxd 9/7/07 1:21 Pm Page 1
    CHAN 3045 bookcover.qxd 9/7/07 1:21 pm Page 1 CHANDOS O PERA IN ENGLISH CHAN 3045(4) PETE MOO ES FOUNDATION CHAN 3045 BOOK.qxd 13/7/07 3:15 pm Page 2 Richard Wagner (1813–1883) AKG Siegfried Second Day of the Festival Play The Ring of the Nibelung Music drama in three acts Poem by Richard Wagner English translation by Andrew Porter Siegfried ......................................................................................................................Alberto Remedios tenor Mime ..........................................................................................................................Gregory Dempsey tenor Wanderer..............................................................................................................Norman Bailey bass-baritone Alberich ......................................................................................................Derek Hammond-Stroud baritone Fafner ................................................................................................................................Clifford Grant bass Erda ..............................................................................................................................Anne Collins contralto Brünnhilde........................................................................................................................Rita Hunter soprano Voice of the Woodbird ..............................................................................................Maurine London soprano Sadler’s Wells Opera Orchestra Barry Tuckwell
    [Show full text]
  • Verdi's Simon Boccanegra: a Survey of the Discography
    Verdi’s Simon Boccanegra: A survey of the discography by Ralph Moore I think of Simon Boccanegra as something of a connoisseur’s opera, insofar as it surely contains some of Verdi’s most inspired music, yet has from its premiere rightly been criticised for its labyrinthine plot – a caricature of typically operatic complications – and its consequent lack of accessibility for audiences. For that reason, the first version soon fell out of favour after its 1857 premiere, but Verdi, no doubt with justification, thought highly enough of the music to undertake a revision twenty-three years later with the help of Arrigo Boito, and the result, the 1881 version, is the one almost invariably performed today. The most important addition was the Council Chamber Scene; the opera would be much the poorer without it, but Verdi also revised a good deal of the music to render it far more ductile and atmospheric. The opera presents an admixture of personal and political turmoil such as we encounter in other mature operas like Les vêpres siciliennes and Don Carlos, but also capitalises on two archetypal themes very prevalent in Verdi’s operas and to which he frequently returned, both of which prompted the best of his music: the depiction of a loving but tortured father-daughter relationship of the kind we also see in Luisa Miller, Rigoletto and Aida and his concern for statesmanship, as exhibited in the appeals for peace, patriotism and brotherhood, rallying calls stretching right back to his earliest operas, such as Nabucco, I Lombardi, Attila and La battaglia di Legnano.
    [Show full text]
  • Hector Lopez Tenor
    HECTOR LOPEZ TENOR Hector Lopez began his musical studies in the national conservatory of music in Mexico City as cellist, with Sona Poshotian and saxophon with Joel David Katz, singing with Francisco Araiza, Irma Gonzalez. He also studied conducting in the conservatory. He received a scholarship from SIVAM International Society of Values of Mexican Art, which allowed him to work with Maestros as Renata Scotto, Enrique Patrón, Teresa Rodriguez, Nico Castel, Denise Massé, Joan Dornemann . He has sung in Mexico, USA, Spain, Italy, under the direction of such conductors as Maestros Placido Domingo, Enrique Patrón, Alfredo Silipigni, Enrique Ricci, Cristian Mandeal, Christian Badea. In 2003 he is winner in the national singing competition CARLO MORELLI, and receives a scholarship for study in POPI (Portland Opera Performance Institute) with Tito Capobianco, Justino Diaz, Shirley Verret, Daniel Orlando, David Lofton. He studied with Dante Mazzola, Enza Ferrari, Umberto Finazzi, Marco Gandini, from the Academia alla Scala, preparing repertoire,and staging. In 2004 Ludovic Spiess, famous romanian tenor, asked Mr Lopez for colaborate with the National Opera of Bucharest, and since that year he is part of the ensemble in that opera house, his european debut is with LA TRAVIATA by G. Verdi, at the same theatre. Also he colaborates with National Opera in Chisinau, Opera na Zamku in Szcecin Poland, Radio Bucharest Orchestra, Filarmonica George Enescu, and others ; In Bucarest He studied with Mr. Spiess, and Cornel Stavru, another great Romanian tenor, many master classeswith Profesors as Viorica Cortez, Ion Piso, Ionel Pantea, Eduard Tumagian, Nelly Miricioiu, Kaludi Kaludov and others, actually his vocal teacher is Sorina Munteanu.
    [Show full text]