Nusantara: Delineating Its Authentic Map Based on Indigenous Sources
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Concise Ancient History of Indonesia.Pdf
CONCISE ANCIENT HISTORY OF INDONESIA CONCISE ANCIENT HISTORY O F INDONESIA BY SATYAWATI SULEIMAN THE ARCHAEOLOGICAL FOUNDATION JAKARTA Copyright by The Archaeological Foundation ]or The National Archaeological Institute 1974 Sponsored by The Ford Foundation Printed by Djambatan — Jakarta Percetakan Endang CONTENTS Preface • • VI I. The Prehistory of Indonesia 1 Early man ; The Foodgathering Stage or Palaeolithic ; The Developed Stage of Foodgathering or Epi-Palaeo- lithic ; The Foodproducing Stage or Neolithic ; The Stage of Craftsmanship or The Early Metal Stage. II. The first contacts with Hinduism and Buddhism 10 III. The first inscriptions 14 IV. Sumatra — The rise of Srivijaya 16 V. Sanjayas and Shailendras 19 VI. Shailendras in Sumatra • •.. 23 VII. Java from 860 A.D. to the 12th century • • 27 VIII. Singhasari • • 30 IX. Majapahit 33 X. The Nusantara : The other islands 38 West Java ; Bali ; Sumatra ; Kalimantan. Bibliography 52 V PREFACE This book is intended to serve as a framework for the ancient history of Indonesia in a concise form. Published for the first time more than a decade ago as a booklet in a modest cyclostyled shape by the Cultural Department of the Indonesian Embassy in India, it has been revised several times in Jakarta in the same form to keep up to date with new discoveries and current theories. Since it seemed to have filled a need felt by foreigners as well as Indonesians to obtain an elementary knowledge of Indonesia's past, it has been thought wise to publish it now in a printed form with the aim to reach a larger public than before. -
Traditional Culture: a Step Forward for Protection in Indonesia Peter A
American University Washington College of Law Digital Commons @ American University Washington College of Law Traditional Knowledge and Culture Public Impact 1-1-2009 Traditional Culture: A Step Forward for Protection in Indonesia Peter A. Jaszi American University Washington College of Law, [email protected] Follow this and additional works at: http://digitalcommons.wcl.american.edu/ pijip_trad_knowledge Part of the Intellectual Property Commons Recommended Citation Jaszi, Peter I. Traditional Culture: A Step Forward for Protection in Indonesia - A Research Report. Jakarta, Indonesia: Institute for Press and Development Studies, 2009. This Book is brought to you for free and open access by the Public Impact at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Traditional Knowledge and Culture by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. I. INDONSESIAN TRADITIONAL ARTS – ISSUES ARTICULTED BY ARTISTS AND COMMUNITY LEADERS AND POSSIBLE RESPONSES A. Background of the project The question of whether law can intervene usefully in support of the traditional arts is not a new one. In fact, it is fundamental to the post- colonial legal discourse, which emerged in its own right in the 1970’s, in response to more and more new states taking account of their national resources—including intangible ones. The international discussion that was launched more than 40 years ago continues to this day, with the Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) of the World Intellectual Property Organization providing much of the leadership. -
Historical Game of Majapahit Kingdom Based on Tactical Role-Playing Game
Historical Game of Majapahit Kingdom based on Tactical Role-playing Game Mohammad Fadly Syahputra, Muhammad Kurniawan Widhianto and Romi Fadillah Rahmat Department Information Technology, Faculty of Computer Science and Information Technology, University of Sumatera Utara, Medan, Indonesia Keywords: Cut-out Animation, History, Majapahit, Role-playing Game, Tactical Role-playing Game, Turn based Strategy, Video Game. Abstract: Majapahit was a kingdom centered in East Java, which once stood around year 1293 to 1500 C. Majapahit kingdom was the last Hindu-Buddhist kingdom that controlled Nusantara and is regarded as one of the greatest kingdom in Indonesia. The lack of modern entertainment content about the history of Majapahit kingdom made historical subject become less attractive. Therefore, we need a modern entertainment as one option to learn about the fascinating history of the kingdom of Majapahit. In this study the authors designed a video game about history of Majapahit kingdom with the genre of tactical role-playing game. Tactical role-playing game is a sub genre of role playing game by using system of turn-based strategy in every battle. In tactical role-playing game, players will take turns with the opponent and can only take action in their turn and each character will have an attribute and level as in role-playing game video game. This study used the A* algorithm to determine the movement direction of the unit and cut-out techniques in the making of animation. This study demonstrated that video games can be used as a media to learn about history. 1 INTRODUCTION only used as an entertainment, but also can be used as a story telling, and sometimes game also can be mixed Majapahit was a kingdom centered in East Java, with educational elements to train someone. -
Understanding the Nusantara Thought and Local Wisdom As an Aspect of the Indonesian Education
TAWARIKH: International Journal for Historical Studies, 2(2) 2011 Understanding the Nusantara Thought and Local Wisdom as an Aspect of the Indonesian Education Irmayanti Meliono ABSTRACT: This paper discusses of the Nusantara thought, local wisdom, and the Indonesian education. The complex, dynamic, and eclectic nature of the Indonesian cultures are based on the ethnics that have settled in Indonesia for some centuries and the foreign cultures of India, Arab, Dutch, China and others. The synthesis of these mixed cultures has caused the people of Nusantara then, now Indonesia, have a certain perception on a reality of life. It reϔlects the awareness of the people of Nusantara of their world-view and thoughts about values, symbols, and local wisdom. Therefore, the Nusantara thought, local wisdom, and multiculturalism are appropriate teaching material for the education of the Indonesian youth as they edify some values such as nationalism, harmony, and moral to build an identity. Finally, it is to institute an educational program in all levels such as teaching a cultural overview and a correct teaching method to present a teaching material using the Nusantara thought, local wisdom, and multiculturalism. This is a critical step to take as globalization has been fast in the ϔield of education, science, and technology. KEY WORDS: Culture of Indonesia, the Nusantara thought, local wisdom, multiculturalism, and education of the young generation. INTRODUCTION Education is one of the appropriate media that is accurate and effective to create a young generation who is able to generate an inquiring mind, wise, open-minded, and constructive attitude. The systemic education which contains the complimentary subsystems, distributed to the regions in the Indonesian archipelago, and to the different level of state and private educational institutions. -
Envisaged the Potential of Sustainable Sacred Tourism in Java Indonesia
International Journal of Business and Social Science Vol. 4 No. 12 [Special Issue – September 2013] Envisaged the Potential of Sustainable Sacred Tourism in Java Indonesia Hengky, S. H. Associate Professor School of Tourism, Hospitality, & Environmental Management (STHEM) College of Law, Government, & International Studies (COLGIS) Universiti Utara Malaysia (UUM), Sintok, Malaysia Associate Professor TRIGUNA, School of Economic, Bogor, Indonesia ITU (International Telecommunication Union) Fellow, UUM CUIC (Centre for University Industry Collaboration) Fellow, UUM Director of SHINE Institute, Bogor, Indonesia Email: [email protected]; [email protected] Abstract Indonesian domestic tourism industries reach 123 million tourists in 2011 and contributed $16.35 Billion. This research conducted from July 2011 till December 2012, 304 respondents were collected by purposive and stratified sampling, in Java Island where were inhabited by 58% of total Indonesian peoples. The data was tabulated by content analysis. The objective of this research is to envisage the potential of sustainable sacred tourism in Java Indonesia. Based on sustainable tourism, the carrying out of sustainable sacred tourism in Java Island showed 57.89 percent are sustainable sacred tourisms. The rest 42.11 percent of sustainable sacred tourisms would be improved by implementing sustainable tourism concept. High-end sustainable operation shares the benefits of sustainable sacred tourism with surrounding communities through employment as trickle-down effects of revenue that result of it. The benefit from sustainable sacred tourism is not only to improve environmental performance, but it is also improving domestic tourist visitation up to 42 percent and market share of domestic tourism as well. Keywords: Sustainable sacred tourism, sustainable tourism, trickle-down effects, Indonesia. -
Redefining the Evolution of Ornamented Aesthetic Principles of Langkasukan Art of the Malay Peninsula, Malaysia
This paper is part of the Proceedings of the 1st International Conference on Islamic Heritage Architecture and Art (IHA 2016) www.witconferences.com Allegorical narratives: redefining the evolution of ornamented aesthetic principles of Langkasukan art of the Malay Peninsula, Malaysia Sabariah Ahmad Khan Faculty of Art and Design, University Technology MARA, West Malaysia Abstract The origin of the Malay motif of Langkasuka was believed to encrust in all forms of art objects as early as from the 2nd century AD. The Langkasukan ornamentation which embodies the surface articulation of artefacts enfolds the historical construction of its indigenous culture and ethnicity. With close embedded intention, the Langkasukan ornamentations signify the relationship and graphic expression based on national artistry, racial, creativity, technical skill and religious cultural properties. The Langkasukan motif, characterised by a spiral formulation derived from Hinduism–Buddhism is attributed through a process of modification and stylistic transformation by the artisans and craftsmen of the east coast of Malaysia. Through the web of influences from varied aesthetic sources generated through polity, migration, trade and commerce, a distinctive character in the composition of the patterns deem a rebirth of vernacular aesthetic principles contributing to an embracement of stylistic methodology, present to this day. The principles of Malay art decoded the hermeneutics adaptation and application. The paper attempts to present an analytical study of 100 Malay artefacts ranging from weaponry, woodcarving, puppetry and illuminated manuscripts. The studies would narrate the descriptive nature of the hybrid patterns and manifestations of the early 1800s, with the infusion of Islamic and the abstract norm of animism, Buddhist iconographic symbols overlapping with Hindu traditional motifs and a twist of local flavour. -
Pencak Silat Sebagai Hasil Budaya Indonesia Yang Mendunia
Prosiding SENASBASA http://researchreport.umm.ac.id/index.php/SENASBASA (Seminar Nasional Bahasa dan Sastra) Edisi 3 Tahun 2018 Halaman 264-270 E-ISSN 2599-0519 PENCAK SILAT SEBAGAI HASIL BUDAYA INDONESIA YANG MENDUNIA Muhammad Mizanudin, Andri Sugiyanto, Saryanto Program Studi Pendidikan Bahasa dan Sastra Indonesia Fakultas Keguruan dan Ilmu Pendidikan Universitas Veteran Bangun Nusantara Sukoharjo [email protected], [email protected], [email protected] Abstrak Artikel ini mengangkat tema pencak silat yang menjadi budaya bangsa indonesia, Pencak silat adalah suatu seni bela diri Asia yang berakar dari budaya Melayu. Di Indonesia, pencak silat sudah di kenal sejak berabad-abad yang lalu. Pakar dan para pendekar pencak silat meyakini bahwa masyarakat melayu menciptakan dan menggunakan ilmu bela diri ini sejak masa prasejarah, karena pada masa itu manusia harus menghdapi alam yang keras dan liar. Pencak silat ini pada zaman itu bertujuan untuk bertahan hidup dengan melawan binatang buas. Teori yang ada pada pencaksilat yaitu diantaranya harus menguasai pernapasan, gerakan, jurus, dan materi. Di Indonesia sendiri terdapat induk organisasi pencak silat yang diberi nama Ikatan Pencak Silat Indonesia atau yang lebih dikenal dengan IPSI.Pencak silat ini sekarang sudah menjadi ajang lomba antar Negara yaitu ASEAN GAMES yang diadakan setiap 4 tahun sekali. Beberapa organisasi silat nasional maupun internasional mulai tumbuh dengan pesat. Seperti di Asia, Amerika Serikat dan Eropa. Silat kini telah secara resmi masuk sebagai cabang olah raga dalam pertandingan internasional, khususnya dipertandingkan dalam SEA Games. Kata Kunci : Pencak Silat, IPSI, ASEAN GAMES Abstract This article raises the theme of pencak silat which is the Indonesian culture, Pencak silat is an Asian martial art rooted in Malay culture. -
Accounting and Accountability Strategies of Gajah Mada's
IOSR Journal of Economics and Finance (IOSR-JEF) e-ISSN: 2321-5933, p-ISSN: 2321-5925.Volume 5, Issue 6. Ver. I (Nov.-Dec. 2014), PP 19-24 www.iosrjournals.org Accounting and Accountability Strategies of Gajah Mada’s Government: Analysis of Power – Knowledge Calysta Dessi Rosyinadia1 , EG Sukoharsono2 , A Djamhuri3 1 Postgraduate Program, Faculty of Economic and Business, University of Brawijaya. Malang-Indonesia 2 Faculty of Economic and Business, University of Brawijaya. Malang-Indonesia 3 Faculty of Economic and Business, University of Brawijaya. Malang-Indonesia Abstract: This study is aimed to more deeply analyze the history of accounting in Indonesia, particularly in the Majapahit empire in the reign of Gajah Mada as the mahapatih (Prime Minister). The role of Gajah Mada in the establishment of the unity of archipelago has a significant contribution to the development of the accounting ideas in Indonesia. In addition to the expansion of the territory expressed in the Palapa oath, Gajah Mada committed to his own mission to improve the economy of Majapahit Empire. Gajah Mada’s accounting strategy is one of successful strategy that formed Indonesian archipelago. In the age of Gajah Mada, Majapahit was one of the biggest ports with biggest warehouse in Asia frequently transited by foreigners from various countries. Moreover, Gajah Mada used his power to formulate legislation governing Majapahit taxes and penalties. In the Gajah Mada reign, Majapahit Empire is levied kinds of taxes, namely: (a) trade tax, (b) tax for foreigner, (c) exit-premit tax,(d) land tax, and (e) arts tax. Keywords: Gajah Mada, Accounting History of Indonesia, Foucault Power-Knowledge Framework I. -
Pancasila Paradigm: Methodology of Wawasan Nusantara for Accounting of Pancasila Zulkarim Salampessy Politeknik Negeri Ambon Indonesia, Ng [email protected]
Australasian Accounting, Business and Finance Journal Volume 12 | Issue 1 Article 7 Pancasila Paradigm: Methodology of Wawasan Nusantara for Accounting of Pancasila Zulkarim Salampessy Politeknik Negeri Ambon Indonesia, [email protected] Iwan Triyuwono Universitas Brawijaya Malang, Indonesia Gugus Irianto Universitas Brawijaya Malang, Indonesia Bambang Hariadi Universitas Brawijaya Malang, Indonesia Follow this and additional works at: http://ro.uow.edu.au/aabfj Copyright ©2018 Australasian Accounting Business and Finance Journal and Authors. Recommended Citation Salampessy, Zulkarim; Triyuwono, Iwan; Irianto, Gugus; and Hariadi, Bambang, Pancasila Paradigm: Methodology of Wawasan Nusantara for Accounting of Pancasila, Australasian Accounting, Business and Finance Journal, 12(1), 2018, 102-115. doi:10.14453/aabfj.v12i1.7 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Pancasila Paradigm: Methodology of Wawasan Nusantara for Accounting of Pancasila Abstract The purpose of this paper is to present the research methodology of the accounting paradigm “Pancasila”. Pancasila is the basic view of life appropriate to the citizens of Indonesia's independence. In the paradigm of Pancasila, there are contained elements of philosophical research or basic beliefs that underlie accounting thought and research. These elements are based on the nature of Pancasila human beings, i.e. the first point of Pancasila, Ketuhanan Yang Maha Esa (The Almighty God) contains elements of life, as a study of ontology; the second point, Kemanusiaan yang Adil dan Beradab (Just and Civilized Humanity), contains elements of the senses, the mind, and rasa as the study of epistemology; the third point, Persatuan Indonesia (the Unity of Indonesia), contains elements of Karsa (will) in concepts of Wawasan Nusantara as the study methodology, i.e. -
Environment, Trade and Society in Southeast Asia
Environment, Trade and Society in Southeast Asia <UN> Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (Sydney University) Anna Tsing (University of California Santa Cruz) VOLUME 300 The titles published in this series are listed at brill.com/vki <UN> Environment, Trade and Society in Southeast Asia A Longue Durée Perspective Edited by David Henley Henk Schulte Nordholt LEIDEN | BOSTON <UN> This is an open access title distributed under the terms of the Creative Commons Attribution- Noncommercial 3.0 Unported (CC-BY-NC 3.0) License, which permits any non-commercial use, distri- bution, and reproduction in any medium, provided the original author(s) and source are credited. The realization of this publication was made possible by the support of kitlv (Royal Netherlands Institute of Southeast Asian and Caribbean Studies). Cover illustration: Kampong Magetan by J.D. van Herwerden, 1868 (detail, property of kitlv). Library of Congress Cataloging-in-Publication Data Environment, trade and society in Southeast Asia : a longue durée perspective / edited by David Henley, Henk Schulte Nordholt. pages cm. -- (Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; volume 300) Papers originally presented at a conference in honor of Peter Boomgaard held August 2011 and organized by Koninklijk Instituut voor Taal-, Land- en Volkenkunde. Includes bibliographical references and index. ISBN 978-90-04-28804-1 (hardback : alk. paper) -- ISBN 978-90-04-28805-8 (e-book) 1. Southeast Asia--History--Congresses. 2. Southeast Asia--Civilization--Congresses. -
Silat: a Muslim Traditional Martial Art in Southern Thailand 125
Silat: A Muslim Traditional Martial Art in Southern Thailand 125 Chapter 3 Silat: A Muslim Traditional Martial Art in Southern Thailand Bussakorn Binson Introduction In Thai nomenclature, silat has various written forms, e.g. zila, sila, shila, zilat, sila, shilat, and zzila. It can also be called dika, buedika, buezila, buerasila, padik, and bueradika. In this chapter, “silat” will be used in accordance with the Encyclopaedia of Cultures in Southern Thailand (Ruengnarong 1999:8029) to depict an art form that is a blend of martial arts, folk performing arts, sport, and an element of the ritual occult all belonging to the Muslim social group of the Malay Peninsula. The most prominent martial art among Thai-Muslim communities in Southern Thailand is known as pencak silat. According to the Pattani Malay dialect - Thai Dictionary, “silat” is derived from “bersila” or “ssila” which means a form of traditional Malaysian martial art. Some linguists postulate that “silat” is derived from the Sanskrit word “shila” which means a fight to support honesty. Silat spread northward from the Malay Peninsula into Southeast Asia sev- eral hundred years ago. Its origin, however, is still ambiguous among Thais due to the absence of written evidence. A few legends have been maintained over the generations by lineages of silat masters in Southern Thailand. Whilst the history of silat is neither clear nor concise, most scholars acknowledge the art form is the result of the blending of a mixture of religious influences from Islam, Hinduism, and Buddhism and cultural influences from Indonesia, India, and China. In this chapter the author will describe the characteristics of silat in Southern Thailand by describing its knowledge transfer and the related rites and beliefs in both practice and performance. -
Negara Brunei Darussalam
Grids & Datums NEGARA BRU N EI DARUSSALAM by Clifford J. Mugnier, C.P., C.M.S. East Borneo has been settled from circa 1st century B.C. by Hindu geodetic reference system known as Borneo Triangulation 1948 and Pallavas from southeast India. Chinese and Arabic records indicate was established with the origin at Bukit Timbalai, Labuan Island where: that this ancient trading kingdom existed at the mouth of the Brunei Φo = 05° 17' 03.55" North, Λo = 115° 10' 56.41" East of Greenwich. River as early as the seventh or eighth century A.D. This early kingdom The reference ellipsoid used for the BT 1948 is the Modified Everest 1 was apparently conquered by the Sumatran Hindu Empire of Srivijaya where a = 6,377,298.556 m and /f = 300.8017. The BT68 results in the early ninth century, which later controlled northern Borneo and from the readjustment of the primary control of East Malaysia (Sabah, the Philippines. It was subjugated briefly by the Java-based Majapahit Sarawak plus Brunei) made by DOS, and the old Borneo West Coast Empire but soon regained its independence and once again rose to Triangulation of Brunei and Sabah (1930-1942), the Borneo East Coast prominence. In the early 15th century, with the decline of the Majapa- Triangulation of Sarawak and extension of the West Coast Triangula- hit kingdom and widespread conversion to Islam, Brunei became an tion in Sabah (1955-1960), and some new points surveyed between independent sultanate. It was a powerful state from the 16th to the 1961 and 1968.