Text Matters: A Journal of Literature, Theory and Culture Number 9 Roguery & (Sub)Versions Article 16 12-30-2019 Three Layers of Metaphors in Ross Macdonald’s Black Money Lech Zdunkiewicz University of Wrocław Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Zdunkiewicz, Lech. "Three Layers of Metaphors in Ross Macdonald’s Black Money." Text Matters: A Journal of Literature, Theory and Culture, no.9, 2020, pp. 259-270, doi:10.18778/2083-2931.09.16 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact
[email protected]. Text Matters, Number 9, 2019 http://dx.doi.org/10.18778/2083-2931.09.16 Lech Zdunkiewicz University of Wrocław Three Layers of Metaphors in Ross Macdonald’s Black Money A BSTR A CT In his early career, Kenneth Millar, better known as Ross Macdonald, emulated the style of Dashiell Hammett and Raymond Chandler. By the 1960s he had established himself as a distinct voice in the hardboiled genre. In his Lew Archer series, he conveys the complexity of his characters and settings primarily by the use of metaphors. In his 1966 novel Black Money the device performs three functions. In the case of minor characters, the author uses metaphors to comment on Californian society.