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Roger Sadowsky Interview, Bass Guitar Magazine UK
ROGER THAT 028 BASS GUITAR MAGAZINE 028-030 Sadowsky_rev3JH.indd 28 13/07/2015 18:17 BASSISTS ROGER SADOWSKY Roger Sadowsky, one of the world’s leading bass luthiers, stopped by at the London Bass Guitar Show to talk to Mike Brooks about his bass building philosophy stroll around Olympia during the “I recommended a good fret job, shielding the London Bass Guitar Show can be electronics, a better bridge and a preamp – actually, a noisy experience to say the only the second bass preamp I had ever installed. I was least – yet on both days of this using a circuit by Stars Guitars from San Francisco, a year’s event back in March, group that had come out of the Alembic school. That’s A there was a tangible buzz: an what I gave Marcus – but within a year, they went out audible sound of hushed of business and Marcus’s preamp died! They told me mutterings between those in attendance. “It is him, when they were closing up that the closest thing to isn’t it?”... “Is that really him? Here in London?” what they were making was a Bartolini TCT preamp. Who could they have been talking about, you ask? I used that until 1990, when I wanted to create my Well, yes it was true – one of the premier luthiers outboard preamp box and Alex Aguilar [of Aguilar of the bass world was there at the London Bass fame] helped me to design my own circuit.” Guitar Show, and boy did Roger Sadowsky make a Back in those days, there was no internet or social splash. -
Bajo Sexto Basics Bajo Sexto Basico
Bajo Sexto Basics Bajo Sexto Basico PREVIEW Created by Rodolfo Gonzalez ©2017 Bajo Sexto Basics/Bajo Sexto Basico Created by Rodolfo Gonzalez, Ed. D. © 2017 Table of Contents – Contenido Page(s)/pagina(s) I. Parts of the Bajo Sexto - Partes de el Bajo Sexto 3 II. Tuning the Bajo Sexto - Afinación de el Bajo Sexto 4 III. Bajo Sexto Chord Frame - Marco de Acordes 5 IV. A. Basic Major Chords – Acordes Mayores Basicos 6-7 B. Advanced Major Chords – Acordes Mayores Avanzados 8-10 V. A. Basic Minor Chords – Acordes Menores Basicos 12-13 B. Advanced Minor Chords – Acordes Menores Avanzados 13-15 VI. Basic Major Scales - Escalas Mayores Basicas 16-21 VII. Basic Minor Scales - Escalas Menores Basicas 22-27 VIII. Bass and Alternate Bass Notes– Notas de Bajo y Bajo Alternado (28) 29 IX. Chord Progressions – Círculos Basicos (28) 30 X. Passing Tones - Tonos de Paso (28) 31 XI.PREVIEW Bajo Sexto Players 32 XII. Six Song Styles - Seis Ritmos de Cancion 33-38 XIII. Songs for Bajo Sexto - Canciones para el Bajo Sexto 39-49 A. Vals: De Colores 39-40 B. Ranchera Lenta: La Barca De Oro 41-42 C. Polka: Cruz de Madera 43-44 XIV. Conjunto Groups/Grupos de Conjunto 44a D. Cumbia: La Muruca 45 E. Bolero: Cariño 46-47 F. Huapango: Besame Morenita 48-49 XV. About the Author/Informacion sobre el autor 50 2 Parts of the Bajo Sexto Partes de el Bajo Sexto Clavijero/Tuning Keys Cejilla/Nut Trastes/Frets Brazo/Neck PREVIEWBoca/Soundhole Caja de Resonancia/ Roseta/Rosetta Body Cuerdas/Strings Puente/Bridge 3 BASIC BAJO SEXTO CHORDS – TONO DE DO (Key of C) Primera De -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Ficha Técnica
FICHA TÉCNICA INSTRUMENTOS MUSICALES INSTRUMENTO DESCRIPCIÓN MARCA CÓDIGO UNSPSC CANT. ACORDEÓN DIATONICO ADG. DIMENSIONES - TAMAÑO: 31A X 32L. PESO: 7.5, COLOR: AZUL, TONALIDADES: ADG, NÚMERO 60131200 ACORDEON ADG 1 DE BOTONES: 31, NÚMERO DE FILAS: 3 FILAS, NÚMERO DE NOTAS: 8 NOTAS, ACCESORIOS: ESTUCHE + CORREA. ACORDEÓN ROJO BESAS. DIMENSIONES - TAMAÑO: 31A X 32L. PESO: 7,5. TONALIDAD: BESAS. NÚMERO DE BOTONES: ACORDEON BESAS 2 31. NÚMERO DE FILAS: 3 FILAS. 60131200 NÚMERO DE NOTAS: 8 NOTAS. ACCESORIOS: ESTUCHE + CORREA. ARPA LLANERA CON ESTUCHE. DE 32 CUERDAS EN CEDRO O 60131300 ARPA LLANERA 15 PINO, LLAVE AFINADORA Y FORRO INCLUIDOS. ATRILES DE BANDEJA TIPO DIRECTOR. 25" A 49" (65 CM A 124 CM), DESDE EL BORDE DE LA MESA HASTA EL PISO. BASE SOLDADA DE ACERO DE CALIBRE 12 QUE BRINDA DURABILIDAD. EL ACOPLAMIENTO DE LA BASE NO SE TAMBALEA. EL DELGADO POSTE DE 1" (2,5 60131500 ATRIL 111 CM) HACE QUE RESULTE SENCILLO TRANSPORTAR DOS ATRILES CON UNA SOLA MANO. LA MESA DE ALUMINIO DE 13½" X 20" (34 CM X 51 CM) POSEE UN SOPORTE DE ALUMINIO DE UNA SOLA PIEZA. EL AJUSTE DE ALTURA POR FRICCIÓN SENCILLA SOPORTA 9 LB (4 KG). BAJO ELECTRICO. CUERPO DE ALISO. MÁSTIL DE ARCE ATORNILLADO. DIAPASÓN DE SONOKELIN. LONGITUD DE LA ESCALA: 864CM (ESCALA BAJO ELECTRICO 8 LARGA). 24 TRASTES. ANCHO 60131300 DE LA CEJILLA: 40MM. 1 PASTILLA DE BOBINA DIVIDIDA. 1 PASTILLA DE BOBINA SIMPLE. HERRAJES DE CROMO. BANDOLA ANDINA ELECTRO ACUSTICA. TAPA ARMÓNICA EN PINO ABETO ALEMÁN O CEDRO ROJO CANADÁ MIL HILOS; ARO Y FONDO EN CEDRO PUERTO ASÍS MACIZO; MÁSTIL EN CEDRO PUERTO ASÍS REFORZADO CON BANDOLA ANDINA 15 NAZARENO; CLAVIJERO DE 60131300 PRECISIÓN; DIAPASÓN EN PALO DE ROSA CON ENTRASTADO ALTACA ( PLATEADO) DEBIDAMENTE ENCORDADO Y CON ESTUCHE DURO EN LONA. -
ICA 2010 Paper
Proceedings of the International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics) 25-31 August 2010, Sydney and Katoomba, Australia Experimental Approaches on Vibratory and Acoustic Characterization of Harp-Guitars Enrico Ravina (1) (1) University of Genoa, MUSICOS Centre of Research, Genoa, Italy PACS: 43.75.- z; 43.75.Gh ABSTRACT The paper describes the results of a research activity, still under development, oriented to the vibratory and acoustic characterization of harp-guitars. Vibration analyses show interesting differences between harp-guitars and classical guitars about displacements detected on the soundboard and on the bridge and their dependence to frequencies. Acoustic analyses detect very different responses of harp-guitars to various frequencies, showing also the different acoustic emission at sound holes. Comparisons between signals detected by external and surface internal micro- phones allow estimating effects of the acoustic damping in these particular instruments. INTRODUCTION later two designs are technically harp guitars with open strings. They were smaller in size as was fashionable at the Harp-guitars represent a separate and distinct category within time. Barry and Harley of London, excellent craftsmen, built the guitar family, are those most commonly and popularly these instruments for Light. Many of these table harp lutes, as referred to today as harp guitars. This particular category of they were called, are still around today. The desire for ex- instruments includes guitars with any number of additional tended range on a guitar was evident as composers, such as unstopped strings that can accommodate individual plucking. Fernando Sor (1778-1839) and Matteo Carcassi (1792-1853) The word "harp" is a specific reference to the unstopped open wrote music on a three necked, 21 strung guitar, called a strings, and is not specifically a reference to the tone, pitch hypolyre. -
Guitar Tunings
Big City String Company Strings ~ Guitar Tunings Guitar: Acoustic Tuning Low 6 5 4 3 2 1 High Classic Mayfield F# A# C# F# A# F# Electric Flamenco Collins F C F Ab C F Steinberger Half Bent F Bb Eb Ab C F Bass Guitar Fourths E A D G C F Banjo Open E E B E G# B E Mandolin Open A E A E A C# E International Nashville e a d G B E Picks High Plain D E A d G B E Accessories Standard E A D G B E Lute E A D F# B E How to Order Hendrix Eb Ab Db Gb Bb Eb Shop Drop D D A D G B E Drop D D A D G B D DADGAD D A D G A D Open D D A D F# A D D Minor D A D F A D D Modal D A D D A D Slack Key G 6 D G D G B E Slide Guitar Open G D G D G B D 7 & 8 String Richards G D G B D More Tunings G Minor D G D G Bb D Capo Reference Cross Harp Guide Cooder Db Ab Db F Ab Db Bass Guitar Kottke C# F# B E G# C# Open C C G C G C E C 6 C G C G A E Kaki King C G D G A D Leadbelly B E A D F# B Baritone B E A D F# B Baritone A D G C E A Big City String Company Strings ~ Tunings Guitar: Acoustic Tuning Low 6 5 4 3 2 1 High Classic Bajo Sexto E A D G C F Electric Flamenco Bandurria G# C# F# B E A Steinberger Banjo G D G B D Bass Guitar Tenor Banjo C G D A Banjo Plectrum Banjo C G B D Mandolin Bouzouki International C F A D Charango G C E A E Picks Cuatro B E A D G Accessories Dobro G B D G B D How to Order Dulcimer G C C C Shop Fiddle G D A E Mandola C G D A Mandolin G D A E Mandolin - Blues E B F# C# Oud G A B E A D Requinto A D G C E A Guitar Tunings Tenor Guitar C G D A Tiple A D F# B Ukulele Big City String Company Strings ~ Slack Key Guitar Tunings Guitar: Acoustic Tuning -
Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars
Gator Cases Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars Use Ctrl-F to search by Manufacturer or Model Number Manufacturer Model Type Fits (1) Fits (2) Fits (3) Fits (4) Fits (5) Alvarez AC60S Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez Artist Series AD60K Dao Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD60S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD70S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD80SSB Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez CYM95 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez MC90 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RC10 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RD20S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD8 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD9 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Aria PE-STD Series Electric Guitar GL-LPS GC-LPS GPE-LPS G-Tour LPS GW-LPS Cordoba 32E Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 32EF Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 45FM Classical Guitar GL-Classic GC-Classic GPE-Classic -
3. La Música Norteña Mexicana En Chile 133 ISBN 978-607-484-456-6 Tomo II
¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Transnacionalización de la música norteña mexicana ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Transnacionalización de la música norteña mexicana Luis Omar Montoya Arias Coordinador INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Transnacionalización de la música norteña mexicana Luis Omar Montoya Arias Coordinador INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA Luis Omar Montoya Arias, coordinador ÍNDICE ¡Arriba el Norte...! Música de acordeón y bajo sexto Tomo II Tomo II. Transnacionalización de la música norteña mexicana Presentación 9 Testimonio Musical de México, 59 Primera edición: diciembre de 2013 III. Medios masivos de comunicación 11 1. Cine y literatura en la música norteña mexicana 12 © y Instituto Nacional de Antropología e Historia 2. La radio en la construcción social de la música norteña 32 Córdoba 45, Col. Roma, Delegación Cuauhtémoc México, DF, 06700 mexicana www. inah.gob.mx IV. Cosmopolitismo 60 Quedan reservados los derechos de autor y de intérprete de piezas musicales u otros documentos que aparecen en esta obra discográfica. 1. La música norteña mexicana en Holanda 62 2. Corridos Prohibidos colombianos 88 ISBN 978-607-484-452-8 Obra completa 3. La música norteña mexicana en Chile 133 ISBN 978-607-484-456-6 Tomo II. Transnacionalización de la música norteña mexicana 4. Pioneros de la música norteña mexicana en Colombia 159 Queda prohibida la reproducción parcial o total, directa o indirecta, del contenido de la presente obra sin contar previamente con la autorización expresa y por escrito de los editores, en términos de la Ley Federal del Derecho V. -
Palmer-All.Pdf
PLAY LOUDER Electric Guitars This is our Mission The mission of Palmer Guitar Company is to provide affordable instruments that are the best value in quality and features and to support these products in a manner which will establish the utmost confidence in the brand. Palmer Guitars USA. Palmer instruments are developed with input and guidance from professional musicians, music educators and most importantly, Palmer Customers. Palmer is committed to providing an instrument that will encourage the artistic skills of its owner and to help make music a part of more lives. Take a closer look at Palmer instruments. We promise you will see the tradition, quality and innovation that goes into each and every one of our instruments. PLAY LOUDER Electric Guitars This is our Mission The mission of Palmer Guitar Company is to provide affordable instruments that are the best value in quality and features and to support these products in a manner which will establish the utmost confidence in the brand. Palmer Guitars USA. Palmer instruments are developed with input and guidance from professional musicians, music educators and most importantly, Palmer Customers. Palmer is committed to providing an instrument that will encourage the artistic skills of its owner and to help make music a part of more lives. Take a closer look at Palmer instruments. We promise you will see the tradition, quality and innovation that goes into each and every one of our instruments. ELECTRIC GUITAR Palmer PE-Core Palmer PE-Core-PK Electric Guitar I Standard Series Electric Guitar -
Tenor Banjo by Don Meade
The Irish Tenor Banjo by Don Meade The tenor banjo is only about a century old and Early banjos were not standardized instruments was not widely played in Ireland before the but typically had a soundbox made from a dried 1960s. Until recently, in fact, the instrument had gourd with one end cut off. A small drumhead a fairly poor reputation among traditional music made from the skin of a raccoon, groundhog or cognoscenti. Times (and banjo players) have other animal was tied or tacked in place over this changed, however, and the oft-maligned opening. The neck was fretless, sometimes little “bodhrán on a stick” is now one of the most more than a stick thrust through the gourd body. popular “traditional” instruments in Irish music. Strings might be made from braided horse hair, Banjo virtuoso Mick Moloney says Irish banjo thread, gut, hemp or any other tough fiber. maker Tom Cussen’s list of Irish tenor players Unlike African lutes, on which the strings are now includes some 7,000 names! There are now attached to sliding tuning rings set around the more people playing Irish dance music on the neck, American banjos were, from an early point tenor banjo than are using the instrument for in their evolution, tuned with violin-style pegs. anything else. Before going into details of Irish banjo style, a bit of a history lesson is required The banjo in its classic form has a short, high- to explain this development. pitched string (“chanterelle”) that terminates at a peg on the side of the neck, as well as several African Roots full-length strings. -
CORDAS Inter & PT.Xlsm
INSTRUMENTS TUNING AND SCALE LENGHT 20/07/2017 Instrument Scale Type END Notes Classical 4/4 High Tension 650 mm Nylon E B G D A E Classical 3/4 High tension 577 mm Nylon E B G D A E Acoustic Guitar Bronze 0,011 650 mm Steel Ball E B G D A E Acoustic Guitar 3/4 Bronze 580 mm Steel Ball E B G D A E Baritone Guitar 766 mm Nylon B F# D A E B Tenor Guitar 577 mm Nylon A D G C Acoustic bass - 32 inch 812 mm Taped Ball G D A E Algerian Mondol 10C 650 mm Steel Loop B B G G D D A A E E Algerian Mondol 8C 650 mm Steel Loop B B G G D D A A Balalaika Alto 520 mm mix Ball A E E Balalaika Prima 445 mm Nylon A E E Banjo Guitar 650 mm Steel Ball E B G D A E Banjo Mandola 468 mm Steel Loop E E A A D D G G Banjo Portuguese 364 mm Steel Loop E E A A D D G G Banjo Trompete 300 mm Steel Loop E E A A D D G G Caipira 564 mmSteelBall E E B B G G E E B B Cap-verde 364 mm Steel Ball D B G D Cav Brasilian & Original 342 mm Steel Ball D B G D Cuatro Puerto Rico 515 mm Nylon G G D D A A E E B B Cuatro Venuzuelano 484 mm Nylon B F# D A Domra Alto 490 mm Nylon D A E Domra Prima 395 mm Nylon D A E Irish Bouzouki 650 mm Steel Loop D D A A D D G G Mandocello 610 mm Steel Loop E E A A D D G G Mandocello EU 650 mm Steel Loop A A D D G G C C Mandola 468 mm Steel Loop E E A A D D G G Mandola Octave 563 mm Steel Loop E E A A D D G G Mandolin 364 mm Steel Loop E E A A D D G G Portuguese Amarantina 505 mm Steel Loop A A E E B B A A D D Portuguese Beiroa 520 mm SteelLoop D D B B G G D D A A D D Portuguese Braguesa 505 mm Steel Loop A A E E B B A A D D Portuguese Braguinha 342 -
![CATALOGO DE INSTRUMENTOS DE CUERDA [ STRINGED INSTRUMENT CATALOG ] HILARIO "LAYO" JIMENEZ Master Luthier 1](https://docslib.b-cdn.net/cover/3663/catalogo-de-instrumentos-de-cuerda-stringed-instrument-catalog-hilario-layo-jimenez-master-luthier-1-2143663.webp)
CATALOGO DE INSTRUMENTOS DE CUERDA [ STRINGED INSTRUMENT CATALOG ] HILARIO "LAYO" JIMENEZ Master Luthier 1
CATALOGO DE INSTRUMENTOS DE CUERDA [ STRINGED INSTRUMENT CATALOG ] HILARIO "LAYO" JIMENEZ Master Luthier 1 uscando autenticidad y artesanía tradicional, nos unimos con el eeking authenticity and traditional craftsmanship, we collaborated Sr. Hilario “Layo” Jiménez para ofrecer características cruciales, with Master Luthier Hilario “Layo” Jimenez about crucial features, Bespecificaciones, medidas y dibujos de diseño detallado. Nuestra Sspecifications, measurements and detailed design drawings. Our misión fue servir de puente entre las importantes técnicas artesanales mission was to bridge the gap between important traditional handcrafted y la incorporación de fabricación moderna e innovadora. Gradualmente, techniques while incorporating modern manufacturing innovations. surgió un innovador prototipo hibrido H. Jimenez™ Bajo Quinto con una Slowly, an innovative, hybrid prototype H. Jimenez™ Bajo Quinto emerged mezcla de tradición e innovación. with a blend of Tradition and Innovation. MARIO QUINTERO Los Tucanes de Tijuana 3 onrando el diseño tradicional y métodos de construcción a la onoring traditional design and construction methods while vez que incorpora características innovadoras, H. Jimenez ha incorporating innovative features, H. Jimenez created a new Hcreado Bajo Quintos con un nuevo nivel de calidad que son únicos Hquality level of Bajo Quintos that are unique in the Norteño, en los mercados de la música Norteña, Conjunto, y Tex-Mex. Nuestros Conjunto, Tejano and Tex-Mex music genres. Our Bajo Quintos offer Bajos Quintos ofrecen diseños tradicionales Florentinos, y uno de línea traditional Florentine cutaways, non-cutaways, and a thin-line model. delgada. Cada modelo tiene un puente Thunderwing™ H. Jimenez con Each model features an H. Jimenez designed Thunderwing™ bridge with montura para un desempeño óptimo y el diseño de soporte especial de saddle for optimum performance adjustability and the special H.