DOCSLIB.ORG

Writing Nominations for Foreign Language (Non

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WRITING NOMINATIONS FOR FOREIGN LANGUAGE FILMS * Denotes winner [Updated thru 88th Awards (2/16)] 1945 (18th) Original Screenplay * MARIE-LOUISE (Switzerland). Richard Schweizer. 1946 (19th) Original Screenplay CHILDREN OF PARADISE (France). Jacques Prevert. Screenplay OPEN CITY (Italy). Sergio Amidei, F. Fellini. 1947 (20th) Motion Picture Story A CAGE OF NIGHTINGALES (France). Georges Chaperot, Rene Wheeler. Original Screenplay SHOE-SHINE (Italy). Sergio Amidei, Adolfo Franci, C. G. Viola, Cesare Zavattini. 1949 (22nd) Screenplay THE BICYCLE THIEF (Italy). Cesare Zavattini. Story and Screenplay PAISAN (Italy). Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero, Roberto Rossellini. 1950 (23rd) Motion Picture Story BITTER RICE (Italy). Giuseppe De Santis, Carlo Lizzani. 1951 (24th) Screenplay LA RONDE (France). Max Ophuls, Jacques Natanson. 1954 (27th) Motion Picture Story BREAD, LOVE AND DREAMS (Italy). Ettore Margadonna. FORBIDDEN GAMES (France). François Boyer. 1955 (28th) Motion Picture Story THE SHEEP HAS FIVE LEGS (France). Jean Marsan, Henry Troyat, Jacques Perret, Henri Verneuil, Raoul Ploquin. Story and Screenplay MR. HULOT'S HOLIDAY (France). Jacques Tati, Henri Marquet. 1956 (29th) Motion Picture Story THE PROUD AND THE BEAUTIFUL (France). Jean Paul Sartre. UMBERTO D. (Italy). Cesare Zavattini. Screenplay--Original LA STRADA (Italy). Federico Fellini, Tullio Pinelli. * THE RED BALLOON (France). Albert Lamorisse. © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 1 24.3 - 2 Writing – Foreign Language Films 1957 (30th) Story and Screenplay--written directly for the screen VITELLONI (Italy/France). Story by Federico Fellini, Ennio Flaiano, Tullio Pinelli; Screenplay by Federico Fellini, Ennio Flaiano. 1959 (32nd) Story and Screenplay--written directly for the screen THE 400 BLOWS (France). Francois Truffaut, Marcel Moussy. WILD STRAWBERRIES (Sweden). Ingmar Bergman. 1960 (33rd) Story and Screenplay--written directly for the screen HIROSHIMA, MON AMOUR (France/Japan). Marguerite Duras. 1961 (34th) Story and Screenplay--written directly for the screen BALLAD OF A SOLDIER (Union of Soviet Socialist Republics). Valentin Yoshov, Grigori Chukhrai. GENERAL DELLA ROVERE (Italy). Sergio Amidei, Diego Fabbri, Indro Montanelli. LA DOLCE VITA (Italy). Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rondi. 1962 (35th) Story and Screenplay--written directly for the screen * DIVORCE--ITALIAN STYLE (Italy). Ennio de Concini, Alfredo Giannetti, Pietro Germi. LAST YEAR AT MARIENBAD (France/Italy). Alain Robbe-Grillet. THROUGH A GLASS DARKLY (Sweden). Ingmar Bergman. 1963 (36th) Screenplay--based on material from another medium SUNDAYS AND CYBELE (France). Serge Bourguignon, Antoine Tudal. Story and Screenplay--written directly for the screen FEDERICO FELLINI'S 8-1/2 (Italy). Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi. THE FOUR DAYS OF NAPLES (Italy). Story by Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, Vasco Pratolini; Screenplay by Carlo Bernari, Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy. 1964 (37th) Story and Screenplay--written directly for the screen THE ORGANIZER (France/Italy/Yugoslavia). Age, Scarpelli, Mario Monicelli. THAT MAN FROM RIO (France/Italy). Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel Boulanger, Philippe De Broca. 1965 (38th) Story and Screenplay--written directly for the screen CASANOVA '70 (France/Italy). Age, Scarpelli, Mario Monicelli, Tonino Guerra, Giorgio Salvioni, Suso Cecchi D'Amico. THE UMBRELLAS OF CHERBOURG (France). Jacques Demy. 1966 (39th) Story and Screenplay--written directly for the screen * A MAN AND A WOMAN (France). Story by Claude Lelouch; Screenplay by Claude Lelouch, Pierre Uytterhoeven. 1967 (40th) Story and Screenplay--written directly for the screen LA GUERRE EST FINIE (France/Sweden). Jorge Semprun. 1968 (41st) Story and Screenplay--written directly for the screen THE BATTLE OF ALGIERS (Italy). Franco Solinas, Gillo Pontecorvo. © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 3 Writing – Foreign Language Films 1969 (42nd) Screenplay--based on material from another medium Z (Algeria). Jorge Semprun, Costa-Gavras. 1970 (43rd) Story and Screenplay--based on factual material or material not previously published or produced MY NIGHT AT MAUD'S (France). Eric Rohmer. 1971 (44th) Screenplay--based on material from another medium THE CONFORMIST (Italy/France). Bernardo Bertolucci. THE GARDEN OF THE FINZI CONTINIS (Italy). Ugo Pirro, Vittorio Bonicelli. Story and Screenplay--based on factual material or material not previously published or produced INVESTIGATION OF A CITIZEN ABOVE SUSPICION (Italy). Elio Petri, Ugo Pirro. 1972 (45th) Screenplay--based on material from another medium THE EMIGRANTS (Sweden). Jan Troell, Bengt Forslund. Story and Screenplay--based on factual material or material not previously published or produced THE DISCREET CHARM OF THE BOURGEOISIE (France). Story and Screenplay by Luis Buñuel; in collaboration with Jean-Claude Carrière. MURMUR OF THE HEART (France). Louis Malle. 1973 (46th) Story and Screenplay--based on factual material or material not previously published or produced CRIES AND WHISPERS (Sweden). Ingmar Bergman. 1974 (47th) Original Screenplay DAY FOR NIGHT (France). Francois Truffaut, Jean-Louis Richard, Suzanne Schiffman. 1975 (48th) Original Screenplay AMARCORD (Italy). Federico Fellini, Tonino Guerra. AND NOW MY LOVE (France). Claude Lelouch, Pierre Uytterhoeven. Screenplay Adapted from Other Material SCENT OF A WOMAN (Italy). Ruggero Maccari, Dino Risi. 1976 (49th) Screenplay Written Directly for the Screen--based on factual material or on story material not previously published or produced COUSIN, COUSINE (France). Story and Screenplay by Jean-Charles Tacchella; Adaptation by Daniele Thompson. SEVEN BEAUTIES (Italy). Lina Wertmüller. 1977 (50th) Screenplay--based on material from another medium THAT OBSCURE OBJECT OF DESIRE (Spain). Luis Buñuel, Jean-Claude Carrière. 1978 (51st) Screenplay Written Directly for the Screen AUTUMN SONATA (Sweden). Ingmar Bergman. 1979 (52nd) Screenplay Based on Material from Another Medium LA CAGE AUX FOLLES (France). Francis Veber, Edouard Molinaro, Marcello Danon, Jean Poiret. © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 4 Writing – Foreign Language Films 1980 (53rd) Screenplay Written Directly for the Screen MON ONCLE D'AMERIQUE (France). Jean Gruault. 1982 (55th) Screenplay Based on Material from Another Medium DAS BOOT (Federal Republic of Germany - West). Wolfgang Petersen. 1983 (56th) Screenplay Written Directly for the Screen FANNY & ALEXANDER (Sweden). Ingmar Bergman. 1985 (58th) Screenplay Written Directly for the Screen THE OFFICIAL STORY (Argentina). Luis Puenzo, Aida Bortnik. 1987 (60th) Screenplay Based on Material from Another Medium MY LIFE AS A DOG (Sweden). Lasse Hallström, Reidar Jönsson, Brasse Brännström, Per Berglund. Screenplay Written Directly for the Screen AU REVOIR LES ENFANTS (GOODBYE, CHILDREN) (France). Louis Malle. 1991 (64th) Screenplay Based on Material Previously Produced or Published EUROPA EUROPA (West Germany/France/Poland). Agnieszka Holland. 1994 (67th) Screenplay Written Directly for the Screen RED (Switzerland/France/Poland). Krzysztof Piesiewicz, Krzysztof Kieslowski. 1995 (68th) Screenplay Based on Material Previously Produced or Published THE POSTMAN (IL POSTINO) (Italy). Anna Pavignano, Michael Radford, Furio Scarpelli, Giacomo Scarpelli, Massimo Troisi. 1998 (71st) Screenplay Written Directly for the Screen LIFE IS BEAUTIFUL (Italy). Vincenzo Cerami, Roberto Benigni. 2000 (73rd) Screenplay Based on Material Previously Produced or Published CROUCHING TIGER, HIDDEN DRAGON (Taiwan). Wang Hui Ling, James Schamus, Tsai Kuo Jung. 2001 (74th) Screenplay Written Directly for the Screen AMÉLIE (France/Germany). Screenplay by Guillaume Laurant and Jean-Pierre Jeunet. Dialogue by Guillaume Laurant. 2002 (75th) Original Screenplay * TALK TO HER (Spain). Written by Pedro Almodóvar. Y TU MAMÁ TAMBIÉN (Mexico). Written by Carlos Cuarón and Alfonso Cuarón. 2003 (76th) Adapted Screenplay CITY OF GOD (Brazil/France/U.S.A.). Screenplay by Braulio Mantovani. Original Screenplay THE BARBARIAN INVASIONS (Canada). Written by Deny Arcand. © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 5 Writing – Foreign Language Films 2004 (77th) Adapted Screenplay THE MOTORCYCLE DIARIES (U.S.A./Germany/United Kingdom/Argentina/Chile/Peru/France). Screenplay by José Rivera. 2006 (79th) Original Screenplay LETTERS FROM IWO JIMA (U.S.A.). Screenplay by Iris Yamashita. Story by Iris Yamashita & Paul Haggis. PAN'S LABYRINTH (Spain/Mexico). Written by Guillermo del Toro. 2007 (80th) Adapted Screenplay THE DIVING BELL AND THE BUTTERFLY (France/U.S.A.). Screenplay by Ronald Harwood. 2011 (84th) Original Screenplay A SEPARATION (Iran). Written by Asghar Farhadi. 2012 (85th) Original Screenplay AMOUR (France/Germany/Austria). Written by Michael Haneke. © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission..
Recommended publications
  • Copyrighted Material

    Copyrighted Material

    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle

  • Beneath the Surface *Animals and Their Digs Conversation Group

    FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you.
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…

    CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…

    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
  • Feature Films

    Feature Films

    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
  • Download the List of History Films and Videos (PDF)

    Download the List of History Films and Videos (PDF)

    Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future.
  • Sight & Sound Films of 2007

    Sight & Sound Films of 2007

    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic

  • Film & Event Calendar

    1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension.
  • The 21St Hamptons International Film Festival Announces Southampton

    The 21St Hamptons International Film Festival Announces Southampton

    THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong.
  • World War II Meets French 331: Using Au Revoir Les Enfants to Discuss Religion, Ethics, And

    World War II Meets French 331: Using Au Revoir Les Enfants to Discuss Religion, Ethics, And

    World War II Meets French 331: Using Au revoir les enfants to Discuss Religion, Ethics, and Values _________________________________ Laura Dennis-Bay University of the Cumberlands Williamsburg, Kentucky Abstract This paper examines the treatment of religious and ethical themes in relation to the holocaust in Louis Malle’s film Au revoir les enfants, and suggests ways in which the film can enable discussion of religion, ethics and values in the French classroom.The film raises issues of philosophical and spiritual significance as it forces the viewer to grapple with some of the most atrocious events in human history. “Can we watch a movie?” Many college foreign language profes- sors hear all too often some variation of this refrain. Whatever the response, it seems that more often than not, the request is followed by something like “my high school teacher let us watch Beauty and the Beast in French.” Already suspecting, perhaps fearing the answer, the instructor might re- spond “Oh, the beautiful black and white film by Surrealist director and poet Jean Cocteau?” The answer, too many times, is a perplexed “No, I mean the Disney cartoon,” at which point it’s time to move on. This is not to argue against the use of film in the classroom. In fact, in the past few years I have added an increasing number of films at the Intermediate level and beyond, and even developed an entire course on film adaptations of literary works. Not only do films in the target language en- courage development of linguistic skills, particularly listening, in some cases they also serve as valuable cultural and historical artifacts.
  • The Myth of the Good Italian in the Italian Cinema

    The Myth of the Good Italian in the Italian Cinema

    ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt.
  • Animation Pedagogique Ecole Et Cinema Mardi 9 Mars 2012

    Animation Pedagogique Ecole Et Cinema Mardi 9 Mars 2012

    ANIMATION PEDAGOGIQUE ECOLE ET CINEMA MARDI 9 MARS 2012 Argent de poche (L') Son : Michel Laurent TRUFFAUT François Décors : Jean-Pierre Kohut-Svelko France 1976 Costumes : Monique Dury Genre : Comédie Dramatique Montage : Yann Dedet Ecriture cinématographique : Fiction Musique : Maurice Jaubert Ecole et cinéma 2004-2005 Chanson : Les Enfants s'ennuient le GÉNÉRIQUE dimanche, Charles Trenet Titre primitif : Abel et câlins Orchestre : Patrice Mestral Réalisation : François Truffaut Conseiller musical : François Porcile Scénario original : François Truffaut et Production : Les Films du Carrosse et les Suzanne Schiffman Artistes associés Scripte : Christine Pellé Producteur exécutif : Richard Hashimoto Image : Pierre-William Glenn Film 35 mm Couleurs M. Riffle / Francis Devlaeminck Format : 1/1,66 Le Commissaire, père de Sylvie / Jean- Durée : 1h43 Marie Carayon Distribution : AAA Distribution Sa femme / Kathy Carayon N° de Visa : 43 719 Patrick Desmouceaux/ Grégory Tournage : Juillet / août 1975, à Thiers Desmouceaux Sortie en France : 17 mars 1976 Bruno Rouillard / Bruno Staab Interprétation Julien Leclou Philippe Goldmann J.F. Richet, l'instituteur / Jean-François Corinne / Corinne Boucart Stevenin Patricia / Eva Truffaut Lydie Richet, sa femme / Virginie Thévenet Sylvie / Sylvie Grézel Mlle Petit / Chantal Mercier Laurent Riffle / Laurent Devlaeminck Nico / Nico Félix Madeleine Doinel / Laura Truffaut Mme Riffle / Tania Torrens Martine / Pascale Bruchon AVANT LA PROJECTION 1) Emission d’hypothèses à partir du titre: «L’argent de poche» La séquence vise à dépasser la première lecture du titre pour aller vers une lecture plus experte. Quand on demandera aux élèves d’émettre des hypothèses par rapport au titre, on peut anticiper des réponses d’élèves très centrées sur une histoire d’argent de poche.
  • Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv

    Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv

    INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.