WRITING NOMINATIONS FOR FOREIGN LANGUAGE FILMS

* Denotes winner [Updated thru 88th Awards (2/16)]

1945 (18th) Original Screenplay * MARIE-LOUISE (Switzerland). Richard Schweizer.

1946 (19th) Original Screenplay CHILDREN OF PARADISE (France). Jacques Prevert. Screenplay OPEN CITY (Italy). Sergio Amidei, F. Fellini.

1947 (20th) Motion Picture Story A CAGE OF NIGHTINGALES (France). Georges Chaperot, Rene Wheeler. Original Screenplay SHOE-SHINE (Italy). Sergio Amidei, Adolfo Franci, C. G. Viola, Cesare Zavattini.

1949 (22nd) Screenplay THE BICYCLE THIEF (Italy). Cesare Zavattini. Story and Screenplay PAISAN (Italy). Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero, Roberto Rossellini.

1950 (23rd) Motion Picture Story BITTER RICE (Italy). Giuseppe De Santis, Carlo Lizzani.

1951 (24th) Screenplay LA RONDE (France). Max Ophuls, Jacques Natanson.

1954 (27th) Motion Picture Story BREAD, LOVE AND DREAMS (Italy). Ettore Margadonna. FORBIDDEN GAMES (France). François Boyer.

1955 (28th) Motion Picture Story THE SHEEP HAS FIVE LEGS (France). Jean Marsan, Henry Troyat, Jacques Perret, Henri Verneuil, Raoul Ploquin. Story and Screenplay MR. HULOT'S HOLIDAY (France). Jacques Tati, Henri Marquet.

1956 (29th) Motion Picture Story THE PROUD AND THE BEAUTIFUL (France). Jean Paul Sartre. UMBERTO D. (Italy). Cesare Zavattini. Screenplay--Original LA STRADA (Italy). Federico Fellini, Tullio Pinelli. * THE RED BALLOON (France). Albert Lamorisse.

© Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 1 24.3 - 2 Writing – Foreign Language Films

1957 (30th) Story and Screenplay--written directly for the screen VITELLONI (Italy/France). Story by Federico Fellini, Ennio Flaiano, Tullio Pinelli; Screenplay by Federico Fellini, Ennio Flaiano.

1959 (32nd) Story and Screenplay--written directly for the screen THE 400 BLOWS (France). Francois Truffaut, Marcel Moussy. WILD STRAWBERRIES (Sweden). Ingmar Bergman.

1960 (33rd) Story and Screenplay--written directly for the screen HIROSHIMA, MON AMOUR (France/Japan). Marguerite Duras.

1961 (34th) Story and Screenplay--written directly for the screen BALLAD OF A SOLDIER (Union of Soviet Socialist Republics). Valentin Yoshov, Grigori Chukhrai. GENERAL DELLA ROVERE (Italy). Sergio Amidei, Diego Fabbri, Indro Montanelli. LA DOLCE VITA (Italy). Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rondi.

1962 (35th) Story and Screenplay--written directly for the screen * DIVORCE--ITALIAN STYLE (Italy). Ennio de Concini, Alfredo Giannetti, Pietro Germi. LAST YEAR AT MARIENBAD (France/Italy). Alain Robbe-Grillet. THROUGH A GLASS DARKLY (Sweden). Ingmar Bergman.

1963 (36th) Screenplay--based on material from another medium SUNDAYS AND CYBELE (France). Serge Bourguignon, Antoine Tudal. Story and Screenplay--written directly for the screen FEDERICO FELLINI'S 8-1/2 (Italy). Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi. THE FOUR DAYS OF NAPLES (Italy). Story by Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, Vasco Pratolini; Screenplay by Carlo Bernari, Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy.

1964 (37th) Story and Screenplay--written directly for the screen THE ORGANIZER (France/Italy/Yugoslavia). Age, Scarpelli, Mario Monicelli. THAT MAN FROM RIO (France/Italy). Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel Boulanger, Philippe De Broca.

1965 (38th) Story and Screenplay--written directly for the screen CASANOVA '70 (France/Italy). Age, Scarpelli, Mario Monicelli, Tonino Guerra, Giorgio Salvioni, Suso Cecchi D'Amico. THE UMBRELLAS OF CHERBOURG (France). Jacques Demy.

1966 (39th) Story and Screenplay--written directly for the screen * A MAN AND A WOMAN (France). Story by Claude Lelouch; Screenplay by Claude Lelouch, Pierre Uytterhoeven.

1967 (40th) Story and Screenplay--written directly for the screen LA GUERRE EST FINIE (France/Sweden). Jorge Semprun.

1968 (41st) Story and Screenplay--written directly for the screen THE BATTLE OF ALGIERS (Italy). Franco Solinas, Gillo Pontecorvo.

© Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 3 Writing – Foreign Language Films

1969 (42nd) Screenplay--based on material from another medium Z (Algeria). Jorge Semprun, Costa-Gavras.

1970 (43rd) Story and Screenplay--based on factual material or material not previously published or produced MY NIGHT AT MAUD'S (France). Eric Rohmer.

1971 (44th) Screenplay--based on material from another medium THE CONFORMIST (Italy/France). Bernardo Bertolucci. THE GARDEN OF THE FINZI CONTINIS (Italy). Ugo Pirro, Vittorio Bonicelli. Story and Screenplay--based on factual material or material not previously published or produced INVESTIGATION OF A CITIZEN ABOVE SUSPICION (Italy). Elio Petri, Ugo Pirro.

1972 (45th) Screenplay--based on material from another medium THE EMIGRANTS (Sweden). Jan Troell, Bengt Forslund. Story and Screenplay--based on factual material or material not previously published or produced THE DISCREET CHARM OF THE BOURGEOISIE (France). Story and Screenplay by Luis Buñuel; in collaboration with Jean-Claude Carrière. MURMUR OF THE HEART (France). Louis Malle.

1973 (46th) Story and Screenplay--based on factual material or material not previously published or produced CRIES AND WHISPERS (Sweden). Ingmar Bergman.

1974 (47th) Original Screenplay DAY FOR NIGHT (France). Francois Truffaut, Jean-Louis Richard, Suzanne Schiffman.

1975 (48th) Original Screenplay AMARCORD (Italy). Federico Fellini, Tonino Guerra. AND NOW MY LOVE (France). Claude Lelouch, Pierre Uytterhoeven. Screenplay Adapted from Other Material SCENT OF A WOMAN (Italy). Ruggero Maccari, Dino Risi.

1976 (49th) Screenplay Written Directly for the Screen--based on factual material or on story material not previously published or produced COUSIN, COUSINE (France). Story and Screenplay by Jean-Charles Tacchella; Adaptation by Daniele Thompson. SEVEN BEAUTIES (Italy). Lina Wertmüller.

1977 (50th) Screenplay--based on material from another medium THAT OBSCURE OBJECT OF DESIRE (Spain). Luis Buñuel, Jean-Claude Carrière.

1978 (51st) Screenplay Written Directly for the Screen AUTUMN SONATA (Sweden). Ingmar Bergman.

1979 (52nd) Screenplay Based on Material from Another Medium LA CAGE AUX FOLLES (France). Francis Veber, Edouard Molinaro, Marcello Danon, Jean Poiret.

© Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 4 Writing – Foreign Language Films

1980 (53rd) Screenplay Written Directly for the Screen MON ONCLE D'AMERIQUE (France). Jean Gruault.

1982 (55th) Screenplay Based on Material from Another Medium DAS BOOT (Federal Republic of Germany - West). Wolfgang Petersen.

1983 (56th) Screenplay Written Directly for the Screen FANNY & ALEXANDER (Sweden). Ingmar Bergman.

1985 (58th) Screenplay Written Directly for the Screen THE OFFICIAL STORY (Argentina). Luis Puenzo, Aida Bortnik.

1987 (60th) Screenplay Based on Material from Another Medium MY LIFE AS A DOG (Sweden). Lasse Hallström, Reidar Jönsson, Brasse Brännström, Per Berglund. Screenplay Written Directly for the Screen AU REVOIR LES ENFANTS (GOODBYE, CHILDREN) (France). Louis Malle.

1991 (64th) Screenplay Based on Material Previously Produced or Published EUROPA EUROPA (West Germany/France/Poland). Agnieszka Holland.

1994 (67th) Screenplay Written Directly for the Screen RED (Switzerland/France/Poland). Krzysztof Piesiewicz, Krzysztof Kieslowski.

1995 (68th) Screenplay Based on Material Previously Produced or Published THE POSTMAN (IL POSTINO) (Italy). Anna Pavignano, Michael Radford, Furio Scarpelli, Giacomo Scarpelli, Massimo Troisi.

1998 (71st) Screenplay Written Directly for the Screen LIFE IS BEAUTIFUL (Italy). Vincenzo Cerami, Roberto Benigni.

2000 (73rd) Screenplay Based on Material Previously Produced or Published CROUCHING TIGER, HIDDEN DRAGON (Taiwan). Wang Hui Ling, James Schamus, Tsai Kuo Jung.

2001 (74th) Screenplay Written Directly for the Screen AMÉLIE (France/Germany). Screenplay by Guillaume Laurant and Jean-Pierre Jeunet. Dialogue by Guillaume Laurant.

2002 (75th) Original Screenplay * TALK TO HER (Spain). Written by Pedro Almodóvar. Y TU MAMÁ TAMBIÉN (Mexico). Written by Carlos Cuarón and Alfonso Cuarón.

2003 (76th) Adapted Screenplay CITY OF GOD (Brazil/France/U.S.A.). Screenplay by Braulio Mantovani. Original Screenplay THE BARBARIAN INVASIONS (Canada). Written by Deny Arcand.

© Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 24.3 - 5 Writing – Foreign Language Films

2004 (77th) Adapted Screenplay THE MOTORCYCLE DIARIES (U.S.A./Germany/United Kingdom/Argentina/Chile/Peru/France). Screenplay by José Rivera.

2006 (79th) Original Screenplay LETTERS FROM IWO JIMA (U.S.A.). Screenplay by Iris Yamashita. Story by Iris Yamashita & Paul Haggis. PAN'S LABYRINTH (Spain/Mexico). Written by Guillermo del Toro.

2007 (80th) Adapted Screenplay THE DIVING BELL AND THE BUTTERFLY (France/U.S.A.). Screenplay by Ronald Harwood.

2011 (84th) Original Screenplay A SEPARATION (Iran). Written by Asghar Farhadi.

2012 (85th) Original Screenplay AMOUR (France/Germany/Austria). Written by Michael Haneke.

© Academy of Motion Picture Arts and Sciences. Document may not be republished without permission.