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P-Rock Paradigms, Queer Hip Hop and Riot Grrrl Whiteness
dig me out Discourses of Popular Music, Gender and Ethnicity edited by Maria José Belbel / Rosa Reitsamer. Art Centre Arteleku, Spain/Austria 2009 P-Rock Paradigms, Queer Hip Hop and Riot Grrrl Whiteness Exploring the intersections of music, gender, and ethnicity in feminist zines by Red Chidgey and Elke Zobl with Haydeé Jiménez Photo by Elke Zobl Ablaze! is a fanzine because we are fanz, fanatics, zealots, extremists, we are wild for stuff we’re wild for and that fact can’t change, except these passions are so real they have sell-by dates, determined by my own chemistry. - Karren Ablaze of UK fanzine Ablaze!, 1993. Zines could almost go by another name: the passion press. Fuelled by love rather than profit, zines are homemade, idiosyncratic, arty journals, which are as eccentric as their makers’ desires. Emerging in the early twentieth century from science fiction writing communities, these periodicals mutated into Xeroxed Football, TV, Rap, and Punk fanzines alongside the rise of everyday office technology and post-war fandoms. Zines are crucial to the development of subcultural identities and political ideologies. Fans themselves become cultural producers through writing, editing, designing, publishing and disseminating their own texts – sometimes alone and sometimes in a group. The spread of desktop publishing and wider zine networking in the late 1980s saw the zine scene explode: from cooking zines to subversive colouring books, survivor rape diaries to thrift store chic, DIY publications sprung up on any topics imaginable. The digital realm inalienably shaped zine culture, but paper zines still exist in their thousands – the in-your-hand nature of zines is hard to beat. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-15-1999 Columbia Chronicle (11/15/1999) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/15/1999)" (November 15, 1999). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/459 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. • • ' • t .... ' VOLUME 3 3,NUMBER 8 COLUMBIA COLLEGE CHICAGO MONDAY. NOVEMBER 15, 1999 CAMPUS VITALITY SPORTS America Online chief BadAlTS 111 thl' The Creature Feature heralds "l11c Internet Age" Rose Bowl a,lf.Uil:' PAGE2 INSIDE BACK PAGE . RcCEIVEC Threat of repay1ng grants ,. · ~ · 1 'J J999 for college drop-outs DANIELLE HAAS who withdrawals from college. Staff Writer Under the new law, colleges will return any portion of student aid that doesn't cover the period in which Under a new rule proposed by the U. S. Department the student was enrolled. of Education, students will be forced to repay Pell Because the new law is so complex, the U. S. Grants and other federal aid that they don't use for Department of Education will provide software and educational purposes, if they don't complete the worksheets to all colleges so that it may caculate the semester for which the financial aid is rendered. -
Words and Guitar
# 2021/24 dschungel https://jungle.world/artikel/2021/24/words-and-guitar Ein Rückblick auf die Diskographie von Sleater-Kinney Words and Guitar Von Dierk Saathoff Vojin Saša Vukadinović Zehn Alben haben Sleater-Kinney in den 27 Jahren seit ihrer Gründung aufgenommen, von denen das zehnte, »Path of Wellness«, kürzlich erschienen ist. Ein Rückblick auf die Diskographie der wohl besten Band der Welt. »Sleater-Kinney« (LP: Villa Villakula, CD: Chainsaw Records, 1995) 1995 spielten die beiden Gitarristinnen Corin Tucker und Carrie Brownstein erst seit einem Jahr unter dem Namen Sleater-Kinney, waren nach Misty Farrell und Stephen O’Neil (The Cannanes) aber bereits bei der dritten Besetzung am Schlagzeug angelangt, der schottisch-australischen Indie-Musikerin Lora MacFarlane. Nach einer frechen Single und Compilation-Tracks auf Tinuviel Sampsons feministischem Label Villa Villakula erschien dort das Vinyl vom Debütalbum, die CD-Version aber auf Donna Dreschs Queercore-Label Chainsaw. Selten klang Angst durchdringender als auf diesem derben wie dunklen Erstlingswerk, das mit zehn Liedern in weniger als 23 Minuten aufwartet. Corin Tucker kreischt sich die Seele aus dem Leib und Carrie Brownsteins Schreien auf »The Last Song« stellt mit Leichtigkeit ganze Karrieren mediokrer männlicher Hardcore-Bands in den Schatten. Mit Sicherheit nicht nur das unterschätzteste Album der Bandgeschichte, sondern des Punk in den neunziger Jahren überhaupt. »Call the Doctor« (Chainsaw Records, 1996) Album Nummer zwei zeigte eine enorme musikalische Weiterentwicklung. »Call the Doctor« ist das streckenweise intelligenteste Album von Sleater-Kinney, das sich einerseits vor der avancierten Musikszene im Nordwesten der USA verneigte, in der die Band entstanden war (Olympia, Washington), zugleich aber äußerst eigenständig vorwärtspreschte und bei allem Zorn auf die Ausprägungen misogyner Kultur Anflüge von Zärtlichkeit nicht scheute: Selten wurde Unsicherheit so ehrlich vorgetragen wie auf »Heart Attack«. -
The Art Worlds of Punk-Inspired Feminist Networks
! The Art Worlds of Punk-Inspired Feminist Networks ! ! ! ! ! ! A social network analysis of the Ladyfest feminist music and cultural movement in the UK ! ! ! ! ! ! A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities ! ! ! 2014 ! ! Susan O’Shea ! ! School of Social Sciences ! ! Chapter One Whose music is it anyway? 1.1. Introduction 12 1.2. Ladyfest, Riot Girl and Girls Rock camps 14 1.2.1. Ladyfest 14 1.2.2. Riot Grrrl 16 1.2.3. Girls Rock camps 17 1.3. Choosing art worlds 17 1.4. The evidence: women’s participation in music 20 1.5. From the personal to the political 22 1.6. Thesis structure 25 Chapter Two The dynamics of feminist cultural production 2.1. Introduction 27 2.2. Art Worlds and Becker’s approach 29 2.3. Punk, Riot Grrrl and Ladyfest 32 2.3.1. Punk 33 2.3.2. Riot Grrrl 34 2.3.3. Ladyfest 40 2.4. The political economy of cultural production 41 2.5. Social movements, social networks and music 43 2.6. Women in music and art and the translocal nature of action 48 2.6.1. Translocality 50 2.7. Festivals as networked research sites 52 2.8. Conclusion 54 Chapter Three Methodology 3.1. Introduction 56 !2 ! 3.2. Operationalising Art Worlds, research aims and questions 57 3.3. Research philosophy 58 3.4. Concepts and terminology 63 3.5. Mixed methods 64 3.6. Ethics 66 3.6.1. Ethics review 68 3.6.2. -
Cathay Bank Appoints Alan Wright to Sr
www.lasentinel.net Cathay Bank Appoints Alan Wright to Sr. Kareem Abdul Jabbar returns to UCLA to Vice President (See page A-4) talk about new book (See page B-2) VOL. LXXXI NO. 22 $1.00 + CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself” THURSDAY, SEPTEMBER JUNE 17,1, 2017 2015 FILE PHOTO Compton Mayor Aja Brown Los Angeles Sentinel Editorial Board Make no mistake eating have made their about it, the city of way into Compton and Compton is moving for- jobs for residents are ward and not backward now mandatory for new and the decision before businesses opening up in Hub City voters on Tues- the city. Voters approved day, June 6 is a simple Measure P to aid in the one. Who is best to con- fight against Compton’s tinue leading Compton notorious potholes and forward in the 21st cen- aging street infrastruc- tury? ture and even though Over the past four personality politics have years, Compton has tried to block the voters’ seen a renaissance and will in fixing the streets, renewed interest in the for the first time in a long care of the city and its time there is a plan and residents from those in the money to back it up city hall. The city’s defi- to get the work done. cit was reduced from It’s for all of these $43 million to $36 mil- reasons and more that we lion. Balanced budgets see no need in a change in FACEBOOK.COM have been passed. -
COMING out on DECEMBER 9, 2014 New Releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • the SHRINE
COMING OUT ON DECEMBER 9, 2014 new releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • THE SHRINE Exclusively Distributed by ADELIT@S/KOHOSH Split, LP STREET DATE: DECEMBER 9, 2014 INFORMATION: Artist Hometown: ADELIT@S-- Portland, OR; KOHOSH—Seattle, WA Key Markets: Seattle, Portland, Vancouver BC, San Francisco, Los Angeles, San Diego, Tijuana, Germany, France, Netherlands, Denmark, Sweden For Fans of: CRASS, CONFLICT, LOST WORLD, LOS CRUDOS, POST REGIMENT, CONTROPOTERE, SKARP, AGATHA, GARMONBOZIA, ARCANE, OLD CITY, INVERSION, CREOSOTE The split features five new tracks of blazing anarcho-punk from Portland’s ADELIT@S, who are picking up right where their Llama Viva de la Rabia LP (released on Aborted Society in 2012) left off. Energetic, melodic, and tuneful punk with politically charged dual female/male vocals sung in Spanish. ARTIST: ADELIT@S/KOHOSH Incorporating some of their Latin folk influence, these tracks are punchier and more hardcore than TITLE: Split earlier efforts. Recorded by Stan Wright at Buzz or Howl Studios in Portland, OR. LABEL: Aborted Society CAT#: ABSOC031-1 A progressive six-piece from Seattle, KOHOSH brings three tracks of inventive crust that equally harkens FORMAT: LP to 80’s peace punk as much as it does to the more melodic side of the 90’s European anarchopunk GENRE: Punk, Latin, Crust, Melodic Hardcore, sound. Dual guitars weave in and out of fast and mid-tempo passages accompanied with cello and Anarchopunk harmonized female/male vocals. Recorded by Brandon Fitzsimons at Airport Grocery Studio in Seattle, BOX LOT: 50 WA. Both sides were mastered by Dan Randall at Mammoth Sound in Oakland, CA. -
Pop and Jazz Across the U.S. This Summer - Nytimes.Com 5/5/11 8:22 PM
Pop and Jazz Across the U.S. This Summer - NYTimes.com 5/5/11 8:22 PM HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe to The Times Welcome, andreakramer3 Log Out Help Search All NYTimes.com Music WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER VIDEO GAMES Advertise on NYTimes.com Pop and Jazz Log in to see what your friends Log In With Facebook are sharing on nytimes.com. Privacy Policy | What’s This? What’s Popular Now The Inner Lives Pakistani Army of Wartime Chief Warns U.S. Photographers on Another Raid Richard Termine for The New York Times The cast of “Glee Live!,” whose North American tour begins May 21 in Las Vegas By AMANDA PETRUSICH Published: May 5, 2011 Alabama RECOMMEND TWITTER HANGOUT MUSIC FESTIVAL Blog E-MAIL Gulf Shores, May 20-22. Anyone Advertise on NYTimes.com PRINT ArtsBeat looking to combine two timeless The latest on the REPRINTS arts, coverage of summer pastimes — beach lounging Movies Update E-Mail live events, critical and festivalgoing — will be well SHARE Sign up for the latest movie news and reviews, sent reviews, multimedia every Friday. See Sample extravaganzas and served by the Hangout Music Festival, [email protected] much more. Join the discussion. which sets up on Alabama’s white Change E-mail Address | Privacy Policy More Arts News sand gulf shore for three days each Enlarge This Image summer. A boon for the less rustic http://www.nytimes.com/2011/05/08/arts/music/pop-and-jazz-across-the-us-this-summer.html?_r=1 Page 1 of 11 Pop and Jazz Across the U.S. -
February 1999
alpha tech C 0 M P ·UTE R 5 671-2334 2300 James St. Bellingham, WA 98225 www.alphatechcomputers.com Cream Ware transforms ~our Winaows PC into ani~n ~ertormance, multitracK ai~ital auaio recorain~, eaitin~ ana masterin~ worKstation witn ultra fast ~. ~·bit Si~nal ~rOC9SSin~ Ca~acit~. Desi~nea lor com~lete ai~ital music ~roaution, CreamWare consists ol ootn naraware ana its own versatile auaio wo~station software· offenn~ acom~lete solution, not just a~artial ste~. Eait mulntrac~ arran~ements on ~our nara arive witn CreamWare · rrom 2to 12~ trac~s ana more ae~enain~ on ~our PC/CreamWare con~~uration. Process effects to trac~s ana sauna files !rom aso~nisticatea suite ol Pentium oasea DSP ~lters ana effects, re~lacin~ rac~s ol ex~ensive outooara ~ear, all in real time witn no wa~in~ lor tne s~stem to calculate ana a~~~~. rull~ automatea mixin~ tnat incluaes: volume curves, cross laaes, unlimrrea non~estrucnve eaitin~ ana almost an~nin~ else ~ou've ever areamea aoout navin~ at ~our ais~osal at ONE TENTH THE COST , ~our own cas! creamw@re© • 4in /4 out (32 tracks apporx. ) • 16 in /16 out (64 tracks approx.) • Optical, S/PDIF &MIDI I/O • 2ADAT Optical, ADAT 9-pin Sync, BNC, $225 50 $14Q.gQnth 161\0 ND DIA Converter TRS, Monitor Out 'per month • Wave Walkers DSP Suite • WaveWalkers, FireWalkers DSP Suites & • Near Field Monitors w/ Apmlifier Osiris DSP I Mastering I Finalizing Suite • 12 Channel Mixer/Microphone Preamplifier • Mid Field Monitors w/ Apmlifier • Merit Pentium 11266 MidTower ·64MB RAM •8.4GB Hard Drive • 16/32 Channel Recording Console w/lnline Monitor 36x CDROM ·16x4x4 CDRW, 56k Modem -8MB Video RAM • Merit Pentium 11266 MidTower ·128MB RAM ·10.2GB Hard Drive 40x CDROM ·16x4x4 CDRW · 56k Modem- 8MB Video RAM 15" SVGA, Win 98 · MS Works 17' SVGA, Win 98 · MS Works ._... -
Sleater-Kinney Album Download Sleater-Kinney Album Download
sleater-kinney album download Sleater-kinney album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66b0c0d52a7c0b02 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Sleater-Kinney - Path of Wellness (2021) Artist : Sleater-Kinney Title : Path of Wellness Year Of Release : 2021 Label : Mom+Pop Genre : Indie Rock Quality : Mp3 320 kbps / FLAC (tracks) Total Time : 38:57 Total Size : 89.8 / 244 MB WebSite : Album Preview. 1. Path of Wellness (02:40) 2. High In The Grass (04:05) 3. Worry With You (03:51) 4. Method (04:20) 5. Shadow Town (05:10) 6. Favorite Neighbor (02:49) 7. Tomorrow’s Grave (03:52) 8. No Knives (01:16) 9. Complex Female Characters (02:59) 10. Down The Line (04:06) 11. Bring Mercy (03:49) Sleater-Kinney - Live in Paris (2017) [Hi-Res] Artist : Sleater-Kinney Title : Live in Paris Year Of Release : 2017 Label : Sub Pop Records Genre : Indie Rock, Female Vocalists Quality : flac lossless / flac 24bits - 44.1kHz Total Time : 00:47:35 Total Size : 335 / 601 mb WebSite : Album Preview. -
This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina. -
New 2L Sept 2002
OREGON MUSIC / SEPTEMBER 2002 photo Buko TWO LOUIES, August 2002 - Page 3 photo Pat Snyder Pat photo Calvin Walker headlines the Mayor’s Ball 1991. alvin Walker first came to prominence got an actual 15 minutes of fame when a female fan- Harrison. He spent six years at Local 99 as an playing drums with Richard Burdell’s who happened to be David Letterman’s production AFM organizer upgrading the union’s image with Cgroundbreaking jazz-fusion band assistant, proposed to him live on the show. Dave his street level savvy. His current projects include Cruise Control. When Bill Feldmann left Johnny rang Calvin up on the road to put her through. The shopping the just completed second album for 4th & The Distractions he drafted Calvin to play drums Calvin Walker Band did a second album “Just Be Plane Jaiant “Bipolar” and waiting for a label exec in his new band Puzzle with Mark Bosnian (Nu Good To Yourself” for Steve Landsberg’s Diamond to arrive in Portland to sign his act Shamir. “The Shooz). In 1984 Calvin came out from behind Z Records. Calvin says he played all but one of the president of Shanachie is flying in to see Shamir the drums to front the Calvin Walker Band. He 8 Mayor’s Balls. “I was on the road one year,” After at the Red Sea September 22nd, the general public replaced himself on drums with Falcon studios the road Calvin became an A-list indie producer is invited to witness the process.” LL owner Dennis Carter, who put out the band’s first shepherding projects for C-Dub, the Lifesavas, Pete album “Perfect Crime” on his Sectra label. -
Women with a Loose Tongue a History of Spanish Ladies Who Transgress Punk, Pop and Hip Hop
dig me out Discourses of Popular Music, Gender and Ethnicity edited by Maria José Belbel / Rosa Reitsamer. Art Centre Arteleku, Spain/Austria 2009 Women with a loose tongue A history of Spanish ladies who transgress Punk, Pop and Hip Hop. by Doris Leibetseder My focus is women who dared to cross the boundaries in tradi tional rock and pop music – those who gave their songs polit ical content in order to change the world into a better place for women and queers. Alaska (Fangoria) – the Spanish-speaking Madonna The most famous rebel woman in Spanish popular music is Alaska. As a teenager, she famously played Bom, a singer in a punk band in Pedro Almodóvar’s first feature film, Pepi, Luci, Bom y otras chicas del montón (1980). Stories of interfering women carry this film – like the housewife Luci, married to the policeman who rapes Pepi for “not-having-seen” her marijuana plants, who is about to have her first lesbian ex perience with Bom. The influence of the “La Movida” – the pop cultural movement of late ‘70s/80s Madrid – appears in Almod óvar’s screenplay: alternative morality, the friendship between women, sexual “perversions”, fashion and punk music all make their presence known. Almodóvar has commented that the “movida” was the expression of that moment and that punk was the last big movement with a social, aesthetic and musical impact. His film was criticised for being amoral. The puritans were scandalised by the charac ters’ behaviour, and the liberals were surprised with the film’s aggressiveness: values are neither subverted nor tres passed in this film, they simply do not exist at all.