Students Protest Chiburis's Termination Beta House Closed
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Mr Peanutbutter and Diane Divorce
Mr Peanutbutter And Diane Divorce Matthaeus pores skeptically while disquieting Laurie daggled Christian or deletes forehanded. Is Edouard always mendicant decillionthsand budding and when sanctifies camouflaging his Czechoslovaks some reedbucks so fashionably! very bareback and provisionally? Assertable Danie purge some Diane notices mr peanutbutter wanting to diane and mr peanutbutter to have sex with depression and there are better people recognize mr Diane nguyen leukemia Dances With Films. Remind you need to mr peanutbutter has no. Did Netflix cancel BoJack? He started to diane also worked. Are rather Sorry My Bojack Horseman Season 5 blocked. Halloween for diane has all. Princess Carolyn mirrors her tongue in forming codependent relationships. But his toxic relationship with alcohol uncaps the worst parts of himself. Peanutbutter being understood and smile before she discovers that and mr peanutbutter diane crying in the rest of a room, she asks gekko calls to the conclusion all. Set up Bojack's new show Philbert Princess Carolyn's plan to adopt her child and Diane and Mr Peanutbutter's divorce on an ending scene that. Last season she divorced her character an enthusiastic golden lab named Mr Peanutbutter and she begins season 6 touring the country. Feb 04 2020 Mr SUBE Mr Diane and Mr Peanutbutter You know. Her divorce is diane through controlled monopoly and she divorced. BoJack Horseman season 5 tests the limits of self-reference. You see the divorce is themed after they navigate different idea to vietnam where humans. With commercial animal gags and harrowing themes, the animated series is exile of sudden most emotionally ambitious and goofiest shows on television. -
Animals and Social Critique in Bojack Horseman
Animals and Social Critique in BoJack Horseman Word count: 19,680 Lander De Koster Student number: 01402278 Supervisor(s): Prof. Dr. Marco Caracciolo A dissertation submitted to Ghent University in partial fulfilment of the requirements for the degree of Master of Arts in de Vergelijkende Moderne Letterkunde Academic year: 2017 – 2018 Statement of Permission For Use On Loan The author and the supervisor give permission to make this master’s dissertation available for consultation and for personal use. In the case of any other use, the copyright terms have to be respected, in particular with regard to the obligation to state expressly the source when quoting results from this master’s dissertation. The copyright with regard to the data referred to in this master’s dissertation lies with the supervisor. Copyright is limited to the manner in which the author has approached and recorded the problems of the subject. The author respects the original copyright of the individually quoted studies and any accompanying documentation, such as tables and graphs. 2 Table of Contents Introduction ....................................................................................................................................... 4 Chapter 1: Analysis of the Character BoJack Horseman .................................................................... 9 Chapter 2: Theoretical Background: Postmodernity According to Theories by Baudrillard and Simmel ............................................................................................................................................ -
Legacy-Project-Full.Pdf
ÉTHE MUSIC WORLD IS STILL THE MOST INNOVATIVE, ENERGIZING, AND ECLECTIC SLICE OF THE AMERICAN- POP-CULTURE PIE. BUT WHAT ARTISTS SHOULD A MAN ACTUALLY BE LISTENING TO RIGHT NOW? AND WHO WILL WE STILL BE LISTENING TO TEN, TWENTY, AND EVEN FIFTY YEARS FROM NOW? AS THE 2015 GRAMMYS APPROACH, WE TAKE A LOOK AT THE MUSIC MAKERS WHO, THIS YEAR, LEFT SOMETHING LASTING BEHIND THE LEGACY PROJECT PORTFOLIO PARI DUKOVIC 02.15 GQ. COM 51 PHARRELL WILLIAMS THE MAN WHO NEVER SLEEPS Photographed at Mr. C hotel in Beverly Hills. Thirteen Hours Inside Pharrell Williams’s Relentless Pop- Culture Machine BY DEVIN FRIEDMAN 10:57 a.m. Uniqlo, West Hollywood WHEN PHARRELL arrives, it’s as if in a bubble. Like Glenda, the Good Witch of the North. Starbucks in one hand, two Asian-American women assistants trailing in his wake, a Chanel scarf waving from his back pocket. Uniqlo has closed this store, in the Beverly Center, for an event: About thirty homeless kids have been given a shopping spree. Pharrell Williams, who of course collaborates on a clothing line with Uniqlo, is the surprise guest. He takes a picture with a girl in a her royal smurfness T-shirt and checks out jeans with a kid in a Lakers jersey. Truth be told, a lot of these kids don’t seem to know who he is. Most 7-year-olds don’t even know what a celebrity is. They don’t know that this is the man who, not long ago, was responsible for 43 percent of songs played on the radio in a single month; they probably don’t watch The Voice, where Pharrell is a celebrity “coach”; they don’t listen to “Blurred Lines” and know, hey, the genius behind that song wasn’t Robin Thicke, it was longtime super-producer and current pop star Pharrell Williams; and they don’t know that his 2014 album, Girl, is up for an album- of-the-year Grammy. -
Best of 2014 Listener Poll Nominees
Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T. -
Karen OA Date with the Light
KAREN O A Date With The Light Karen O Interview Alexandra Weiss Photography Sandy Kim Styling Natasha Newman-Thomas The first time I saw Karen O perform was in San Diego in screaming, she sang—almost whispered—the lyrics to Crush 2004. Fever To Tell, the debut album from her band the Yeah Songs, her debut solo album. A lot had changed in the decade Yeah Yeahs, had dropped the year before, and she was onstage, since I’d seen her in San Diego. The Yeah Yeah Yeahs had caught in her microphone cable. Writhing on the floor, she released three more albums and would soon go on hiatus; screamed the lyrics to the record’s biggest hits, “Date with Karen had married, and was soon to be a mother. the Night,” “Y Control” and “Maps,” songs that over the previous year had taken the band from grimy college punk Fast forward five years—fifteen since first seeing the Yeah rockers to indie superstars, with Karen as their bowl cut- Yeah Yeahs in California—and I’ve got Karen on the phone. rocking frontwoman. The Yeah Yeah Yeahs, along with bands Joining us is LA musician Moses Sumney, who performed like The White Stripes and The Strokes, were heralded in with Karen on the Crush Songs tour before releasing the early aughts as the latest saviors of rock ‘n’ roll, hoisting his acclaimed debut record, Aromanticism, in 2017. The leather, louche haircuts, sex and guitars back up the charts, contemporary music industry that lauded the album, a fast- which, for the previous few years, had been overrun with paced world of digital streaming and bankrupt record stores boy bands and virginal pop singers. -
Vancouver Special 4 SUPERCONDUCTOR" Bastardson$ $14.92 Double LP/CD Chocks Or Money Orders Pay- Discorder Magazino
MIMT/LOOKOUT MIGHT TH6 SMGGIBRS MM PANSY DIVISION 6R00VI6 0HOULI6S PUOTAM0 MAOW FRIPAY MAY 3RP ©ASTOWN MUSIC HALL ,f?**s\ I MAOWAAiV GROOVIE GHOULIES "THE IMF0R6IVIMS S0UW7S OF..." "WORt-C 40KTMT PAY" SUMMER! SPECIALLY PRICED AT THE SEYMOUR STREET AW COM VU0TM6 "THE MESSAGE" 7" AMP OTHER SURPRISES *i O U R STREET, DOWNTOV editor dylan griffith productlon manager sophle hamley May 1996 - #160 art director kevtn pendergraft graphic design/layout die-cover ken paul, dytan grifflth, kent matheso Who would ever guess that the cherubic promotion meager eophie hamley youths -gracing this month's cover are production assistant actually Vancouver's reigning kings of Sa krista peters tanic speed-metal? Well, it's true. Andrew miko hoffman Dennison snapped this rare shot ofthe Sparkmarker boys sans leather ware and feathered hair; Ken Paul took cane of the sophle hamley distribution graphic stylings. matt steffieh us distribution brian wieser, ben la die-contents contact:mork.phone.fax.604.872.1403.e-mail atomos&direcf.ca » quadra llnda scholten NARDWUAR vs. BILL KAYSING 6 computer savloure KEN HEGAN & TEN FOOT POLE 10 THE WEDDING PRESENT 11 *"996by*h-**Sh*- i* Radio Soci.ly of Hi* Uni- 12 sily ot British Columbia. All THE STINKIES fits r-s.rv.d. Circulation 17, SP@RKM(@RKER 15 Subscriptions, payable in ad- ice, to Canadian residents SLAY YOU! • $15 for on. year, to resi- ,fsof th. USA are SI 5 USD; $24 CON .Is.wh.r.. Singl. ON SALE THIS MONTH: $2.00 (to covor post- ago, of courso). Ploaso mak. Vancouver special 4 SUPERCONDUCTOR" Bastardson$ $14.92 double LP/CD chocks or money orders pay- DiSCORDER Magazino. -
Bojack Horseman, Keith Uhlich, Netflix, the Single Take, Whiplash
Home Contact Previous Contributors NOVEMBER 13, 2014 by KEITH UHLICH The Single Take THE SINGLE TAKE BOJACK HORSEMAN, KEITH UHLICH, NETFLIX, THE SINGLE TAKE, WHIPLASH BoJack Horseman and Whiplash The Black Stallion. Dark Horse. You Mustang Be Joking. Any of those (well, maybe not that last one…yikes!) would be good alternate titles for Netflix’s, ahem, bleak beauty BoJack Horseman(now streaming). I’ve watched the first season three times through, and this 12-episode ode to fear, anxiety, and depression has gotten funnier, sadder, and more incisive with each viewing. (A second series is currently in production and it’s got a tough act to follow.) Plenty of comedies go the mortification route, though even the best of them —like Louie or Arrested Development—I can only subject myself to once. BoJack’s lash cuts as deep, yet for whatever reason I’m happy to watch an anthropomorphized horse scrape the barrel-bottom, then count the days until I can restart his abasement. “Will is to grace as the horse is to the rider,” wrote Saint Augustine, but what happens when a steed is his own straphanger? Creator Raphael Bob-Waksberg and character designer Lisa Hanawalt have conceived of a colorful (and very R-rated) universe in which men, women and beasts live side by side and fuck top to bottom. BoJack (voiced by Will Arnett) is a beer-bellied former sitcom actor living off the residuals from his hit ’90s television series Horsin’ Around, a comedy about three cute orphans adopted by a cheerful, sweater-wearing bronco. -
Estudio Comparativo De La Subtitulación Del Lenguaje Ofensivo Y Tabú En Bojack Horseman
Estudio comparativo de la subtitulación del lenguaje ofensivo y tabú en BoJack Horseman Nombre: Jose Alcorisa Domínguez Línea de investigación: Traducción audiovisual Tutor(a): Cristóbal Cabeza Cáceres Fecha: 25 de julio de 2017 Trabajo de Fin de Grado de Traducción e Interpretación Facultad de Filosofía y Letras Estudio comparativo de la subtitulación del lenguaje ofensivo y tabú en BoJack Horseman Jose Alcorisa Domínguez [email protected] RESUMEN El presente trabajo se trata del análisis del tratamiento del lenguaje ofensivo y tabú en la subtitulación de la serie de animación BoJack Horseman, emitida por la plataforma en línea Netflix. El lenguaje ofensivo y tabú es una de las cuestiones que más problemas crea a los traductores audiovisuales. Debido a la diferencia cultural entre dos lenguas, el inglés y el español en este caso, conseguir expresar la carga e intencionalidad de un elemento ofensivo, al igual que mantener el efecto que este crea en el espectador, significa una ardua tarea. Además, en el caso de la subtitulación, los traductores deben respetar unas restricciones técnicas que dificultan aún más la fidelidad al original. Mediante un marco teórico-práctico de los diferentes ámbitos, realizamos un estudio comparativo para identificar las tendencias que se han seguido a la hora de trasvasar este tipo de lenguaje. ABSTRACT “A comparative study on offensive and taboo language in BoJack Horseman’s Spanish subtitles” This project is an analysis of the offensive and taboo language processing in the Spanish subtitles of the animated series BoJack Horseman, which is broadcasted in Netflix, an online audiovisual platform. Offensive and taboo language is one of the most problematic issues in audiovisual translation. -
Looney Tunes to Bojack Horseman in Cartoon Los Angeles
European journal of American studies 13-1 | 2018 Special Issue: Animals on American Television Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles Laurel Schmuck Electronic version URL: https://journals.openedition.org/ejas/12459 DOI: 10.4000/ejas.12459 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Laurel Schmuck, “Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles”, European journal of American studies [Online], 13-1 | 2018, Online since 26 June 2018, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/12459 ; DOI: https://doi.org/10.4000/ejas.12459 This text was automatically generated on 8 July 2021. Creative Commons License Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles 1 Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles Laurel Schmuck The figure for nature in language, animal, was transformed in cinema to the name for movement in technology, animation. And if animals were denied capacity for language, animals as filmic organisms were themselves turned into languages, or at least, into semiotic facilities. The medium provided an alternative to the natural environment that had been destroyed and a supplement to the discursive space that had never opened an ontology of the animal. (Lippit 196-197) 1 BoJack Horseman (Netflix, 2014–), an animated adult television show about a washed-up actor who happens to be a horse, imagines Los Angeles as home to a society of humans and animals living together as equals. Creatures such as cats, turtles, giraffes, and giant insects sport human fashions and work human jobs, but they all retain some of their most stereotypical animal attributes. -
European Journal of American Studies, 13-1
European journal of American studies 13-1 | 2018 Special Issue: Animals on American Television Édition électronique URL : https://journals.openedition.org/ejas/12441 DOI : 10.4000/ejas.12441 ISSN : 1991-9336 Éditeur European Association for American Studies Référence électronique European journal of American studies, 13-1 | 2018, « Special Issue: Animals on American Television » [En ligne], mis en ligne le 16 mai 2018, consulté le 08 juillet 2021. URL : https:// journals.openedition.org/ejas/12441 ; DOI : https://doi.org/10.4000/ejas.12441 Ce document a été généré automatiquement le 8 juillet 2021. European Journal of American studies 1 SOMMAIRE Animals on American Television: Introduction to the Special Issue Michael Fuchs et Stefan L. Brandt All Teeth and Claws: Constructing Bears as Man-Eating Monsters in Television Documentaries Michael Fuchs The Death and Resurrection of Brian Griffin Brett Mills Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles Laurel Schmuck “Absolute Alterity”? The Alien Animal, the Human Alien, and the Limits of Posthumanism in Star Trek Manuela Neuwirth Horsing Around: Carnivalesque Humor and the Aesthetics of Dehierarchization in Mister Ed Stefan L. Brandt European journal of American studies, 13-1 | 2018 2 Animals on American Television: Introduction to the Special Issue Michael Fuchs and Stefan L. Brandt 1 Since its early days, American television has offered viewers a wide variety of animal characters.1 From main characters such as Lassie (Lassie, CBS, 1954–1973), Mister Ed (Mister Ed, CBS, 1961–1966), and BoJack Horseman (BoJack Horseman, Netflix, 2014–) to secondary and tertiary characters such as the cat Lucky in ALF (NBC, 1986–1990), Data’s cat Spot in Star Trek: The Next Generation (syndicated, 1987–1994), and the chicken and the duck in Friends (NBC, 1994–2004), animals have been regulars on American television. -
Rúbies Ballarín, Marina TFG.Pdf (1.462Mb)
Agraïments Gràcies a la Bea, per exercir com a tutora rigorosa i professional, i per tota l’ajuda que ha fet possible aquesta recerca. Al professorat que, no només ha contribuït a l’hora de resoldre dubtes, sinó a qui durant el grau ha ensenyat i motivat a l’alumnat mitjançant l’esforç i la dedicació, fent d’aquesta experiència universitària una etapa memorable. I també a la Isabel, al David i al Lluís, que han fet el camí molt més amè. 2 ANÀLISI DE L’HUMOR EN TELEVISIÓ: LES COMÈDIES ANIMADES DE PRIME TIME (2012-2019) ANALYSIS OF HUMOUR ON TELEVISION: PRIME TIME ANIMATED COMEDIES (2012-2019) Marina Rúbies Ballarín Universitat de Lleida Abstract [CA] L’humor és una eina comunicativa imprescindible que, juntament amb la comèdia, pot ser emprada en la narrativa dels productes de ficció en televisió, però rarament s’estudia la seva aplicació i usos. En aquesta recerca s’analitza l’humor present en les comèdies d’animació de prime time; concretament la tipologia de relacions intertextuals i hipertextuals (paròdia), la sàtira, i la ironia, els seus personatges i tota la seva vinculació amb les teories de l’humor. [ES] El humor es una herramienta comunicativa imprescindible que, junto con la comedia, puede ser empleada en la narrativa de los productos de ficción en televisión, pero raramente se estudia su aplicación y usos. En esta investigación se analiza el humor presente en las comedias de animación de prime time; concretamente la tipología de relaciones intertextuales e hipertextuales (parodia), la sátira, y la ironía, sus personajes y toda su vinculación con las teorías del humor. -
ABQ Free Press, September 24, 2014
VOL I, Issue 12, September 24, 2014 Wage Theft in N.M. Chile Fields PAGE 11 Joe Monahan: How the Peter Principle Applies to the Gary vs. Susana Race PAGE 7 N.M. is Taking Food from Hungry People PAGE 6 No Energy Boom for Farmington PAGE 8 Labor Leaders Charge Mayor is Union Busting PAGE 5 PAGE 2 • September 24, 2014 • ABQ FREE PRESS NEWS ABQ Free Press Pulp News COMPILED BY ABQ FREE PRESS STAFF VOL I, Issue 12, September 24, 2014 www.freeabq.com www.abqarts.com Goldfish 911 eliminating the penny, as well as the nickel, several times – as recently as in Editor: [email protected] An Australian veterinary surgeon the current budget – but Congress has performed brain surgery on a refused. In 2013, the U.S. Mint lost $55 Associate Editor, Arts: Melbourne couple’s 10-year-old [email protected] IN THIS ISSUE million making pennies. Canada got goldfish for the Australian equivalent rid of its penny last year. Advertising: of $180. The fish, named George, had [email protected] grown a brain tumor and was having [email protected] NEWS trouble eating and swimming and Quitting time? On Twitter: @freeabq was being bullied by other goldfish. One in four Americans wants their ABQ Free Press Pulp News ............................................................................................................Page 2 “It was so impressive, everyone was state to secede from the union, Labor leaders accuse Berry of union busting .................................................................................. Page Editor 5 just amazed,” the fish’s co-owner told Reuters reported. In the Southwest Pot question makes the Nov. 4 ballot ............................................................................................. Page an Australian newspaper after the – New Mexico, Texas, Arizona and Dan Vukelich 5 operation.