The Magazine of Jesuit High School of New Orleans • Spring/Summer 2012 Volume 38, Number 2

Total Page:16

File Type:pdf, Size:1020Kb

The Magazine of Jesuit High School of New Orleans • Spring/Summer 2012 Volume 38, Number 2 Volume 38, Number 2 The Magazine of Jesuit High School of New Orleans • Spring/Summer 2012 Volume 38, Number 2 SPRING/SUMMER 2012 Jaynotes, the magazine for and about alumni, parents, and students of Jesuit High School of New Orleans, is published by the Office of Institutional Advancement. Opinions expressed No Headline... No Story... No Announcement in Jaynotes are those of the individual authors. President It was simply a vastly understated phrase in overall experience like attending Jesuit? What Raymond Fitzgerald, S.J. ’76 the school’s diary, an innocuous hand-written was the best and what was the worst? Were you [email protected] notation devoid of drama, expression, much less treated differently by your classmates or teachers? Director of Institutional Advancement excitement. Describe the seminal moment as an African- Thomas V. Bagwill II [email protected] American Blue Jay among the majority of white In fact, one could easily skim over the Director of Communications September 4, 1962 entry that documented the students. How were you treated by your African- Pierre DeGruy ’69 American friends who attended predominantly Jaynotes Editor moment when African-Americans integrated [email protected] black high schools? How did a Jesuit education Jesuit High School. The entry was made by Director of Alumni Affairs Jesuit’s longtime registrar, Mr. John C. Paquette benefit you in college, your career or the work Mat Grau ’68 ’27, who at the time had been working in that force, in marriage, and in parenthood? [email protected] Director of Special Projects capacity for 35 years. If you have an interesting story about Jesuit Br. William Dardis, S.J. ’58 The diary of sorts was actually a thickly and race, please consider sharing it with your [email protected] bound ledger called the Daily History of Jesuit fellow Blue Jay alumni as well as the current Creative Director parents and students who read Jaynotes. Essays Meghan Weaver High School. Mr. Paquette, who retired in 2002 [email protected] may be brief, as few as 50 words, with lengthier after serving as the school’s registrar for 75 Executive Development Coordinator years (he died in 2004), served as the guardian, submissions no more than 1,000 words. The Krista Roeling [email protected] keeper, and author of this Daily History. Nearly topics to be addressed are open and strictly up to the writer. Jaynotes reserves the right to edit LEF Coordinator every day, Mr. Paquette would jot something Logan Diano of interest — not every item was of paramount articles submitted for publication. Jaynotes may [email protected] importance — onto the pages of the ledger, withhold the name of the author if requested, Alumni Coordinator often times in precise phrases and concise half provided there are valid or extenuating reasons. Wendy Schneider [email protected] sentences. Today, the vast majority of his entries The deadline to submit “Essays on Race” is Volunteer Coordinator would satisfy the maximum 140-character October 31, 2012. Essays should be emailed as Marilyn Beauford Twitter requisite. Word attachments and contain the name and [email protected] The next issue of Jaynotes will examine the graduation year of the author-alumnus, along with a phone number in the event we need to Letters, photographs, and correspondence profound significance of this event — the are welcome and may be submitted to lead-up, the moment itself, and the impact on contact you for a photo or if we have a question. [email protected] or mailed to: Jaynotes the Jesuit community then and in the ensuing Email your “Essays on Race” to either alumni Jesuit High School decades. We hope not only to celebrate the director Mat Grau ’68 (grau@jesuitnola. 4133 Banks St. New Orleans, LA 70119 50th anniversary of Jesuit’s integration but also org; 504-483-3840) or Jaynotes’ editor Pierre Contact info and address changes should be to honor the moment itself and the virtues it DeGruy ’69 (that would be me). My direct emailed to [email protected], or call highlights. office line at Jesuit is 504-483-3813, or email: Jesuit’s alumni office at 504-483-3815. [email protected]. Questions about essays Parents: If you are receiving your son’s copy of To commemorate this historic time in Jaynotes and he no longer lives with you, please may be directed to either one of us. let us know so we can update our database and our school’s history, Jaynotes is seeking from send the magazine directly to him. If you enjoy its alumni “Essays on Race.” All alumni are Essays may also be submitted by mail, reading his copy of Jaynotes, we will be glad to send a copy to his new address and a copy to encouraged to submit essays dealing with addressed to Jaynotes; Essays on Race; Jesuit you. Email changes to: Jesuit and race. Jaynotes especially encourages High School; 4133 Banks St.; New Orleans, LA [email protected]. African-American alumni to share stories and 70119. Sign-up online for class reunions and other events. Go to: www.jesuitnola.org. remembrances that describe their personal We look forward to publishing some It is easy to contribute online to Jesuit High experience as students at Carrollton and Banks. School. Go to Jesuit’s web site: interesting “Essays on Race” in the next Jaynotes. www.jesuitnola.org. Look for the Essays are particularly sought from African- Until then, please sit back and enjoy reading this “DONATE ONLINE TO JESUIT” link in American alumni who were students in the years 2012 Graduation issue of Jaynotes. the upper left corner. following the integration of Jesuit High School, although alumni from all years are invited to tell Sincerely, On the Cover Seniors of the Class of 2012 their story in which the central theme is race. Pierre DeGruy ’69 patiently wait to be awarded Some ideas to consider: What was your Director of Communications/Editor, Jaynotes their diplomas during the 165th Commencement Exercises on Friday (May 25) at the Pontchartrain Center in Kenner. PRESIDENT’S MESSAGE Amidst Apocalyptic Changes, Resolve to Be True to the Foundations of a Jesuit Education An apocalypse of any kind will get our attention. It doesn’t matter whether it involves aliens from outer space, unruly zombies, split-second climate changes, or rabid kangaroos. An apocalypse means that our lives are going to be different, and just about all apocalyptic books or films highlight this element of discontinuity. Gentlemen of the Class of 2012, you quite literally faced an judge the choices that will shape the men you become. apocalyptic moment when the curtain rose this evening, both to I urge you, even implore you, to maintain the habit of the reveal you to the audience and to signal the approaching end of examen of conscience in your daily life. Be grateful for the good your time as Jesuit students. After the curtain closes and you leave you have received and have done; acknowledge honestly and here, you will fill up a day differently from the way in which you courageously the wrong you have committed; be generous and have done so during the last four or five years. This discontinuity in great-hearted in anticipating future good you can perform. your lives rightly commands your attention. Such an examination requires God’s grace, His active guidance But I suggest that in the midst of these apocalyptic changes, you and presence in your life. This grace is available in abundance, the listen more intently for the note of continuity. Much will necessarily “daily bread” that God desires to give you. Ask for it and open and properly change, but there are other elements that can and must yourselves to receive it. remain the same. In another apocalyptic context, we hear the words: “Behold, I If what you do to fill up a day alters considerably, the way you am making all things new.” My good brothers, may the Word of evaluate what you do to fill up a day should remain constant. This God — who uttered these words and who reveals a divine love for evaluation must be true to the principles and standards that are you that is ever ancient and ever new — renew you all the days of the foundations of your Jesuit education: living Ad Majorem Dei life, taking up this evening’s change and all the changes in your lives, Gloriam, seeking the good of souls, being men of faith and men for and directing them toward the everlasting life for which God has others. These terms are more than Jesuit alumni’s verbal equivalent destined you. of a secret handshake. These are the criteria by which you are to –Raymond Fitzgerald, S.J. ’ 76 Fall/Winter 2011-12 1 AVALEDICTORY R T I C L E N A M E ADDRESS Forever Trumpet Your Blue Jay Spirit The Class of 2012 produced nine valedictorians. The graduating senior who has earned the highest total numerical semester grades in the prescribed core curriculum for his senior year is selected to be the speaker at commencement ceremonies. Thus, Benjamin T. Sketchler was given the honor of delivering the Class of 2012 commencement address. Reverend Father Fitzgerald, Mr. Giambelluca, So when I ask you to foster Blue Jay learned, by the examples your friends and faculty, family, friends, and fellow members of Spirit, I do not ask you only to hold self- teachers and family have set, by the ultimate the Class of 2012: indulgently onto that great feeling we were showing of sacrifice by Christ Himself. I am honored to bid you farewell on told to “catch” when a big football game Further, as we move on in our lives, we behalf of my class.
Recommended publications
  • Togetherness Pilot Review
    Togetherness: “Family Day” Review January 2015 Static Age Online Airs Sundays at 10pm on HBO HBO’s latest dramedy offers yet another look at the mid-life crisis There are a number of topics that filmmakers tackle on Much like the rest of HBOʼs current Sunday night the big and small screen each and every year; to the lineup, Togetherness is a continuation of the point where one might wonder: what is left to say on the “mumblecore” movement popular amongst independent matter? The struggles of middle-age life and parenthood film festivals of recent years. Mumblecore makes a point is no doubt one of them. Yet, it seems each year, without to not put an emphasis on plot, but rather let characters fault, that a new bounce off one another in seemingly mundane perspective from a new conversations and, for lack of a better word, just be. voice comes along and breathes new life into Itʼs that commitment to conversation that will turn a the all-too trite subject. number of viewers off to Togetherness. And since the first Thatʼs exactly what the episodesʼ primary purpose is to introduce characters and Duplass brothers establish relationships, we donʼt have a clear idea of what attempt to do with the Duplass brothers will try to convey over the course of HBOʼs Togetherness. their eight episode run. If Girls combined the raunchiness and self-entitlement of millennial females, and Looking Viewers will most likely recognize Mark Duplass as one takes a subdued, post-modern look at the dating scene of the leads from FXʼs fantasy football comedy The for gay men, what will Togetherness do to distinguish League, and his recurring role as a holistic midwife on itself in the all-to-familiar look at the mid-life crisis.
    [Show full text]
  • Baghead Free
    FREE BAGHEAD PDF Jarrett J. Krosoczka | 40 pages | 31 Jul 2004 | Random House USA Inc | 9780553111729 | English | New York, United States Baghead () - IMDb From " Veronica Mars " to Rebecca take a look back at the career of Armie Hammer on and off the screen. See the full gallery. Four struggling actors retreat to a cabin in Big Bear, California in order to write a screenplay that will make them all stars. Problem is: What happens when their story idea -- a horror flick about a group of Baghead tormented by a villain with a bag over his head -- starts to come true? Written by Anonymous. I went into this AFI film festival with little or no knowledge of not only the film itself, but of any actors or the production and direction team. I was pleasantly surprised. I must have laughed through 90 percent of the film. On what appears to have been a shoe-string budget at Baghead, this Baghead delivers characters who are rich in a non-financial formfull and funny; Baghead come across as people you know. Your best friend or nemesis a sister, brother. I also loved that, having grown up close to the Baghead Mountains Baghead NY, I Baghead completely imagine Baghead the weekend that they did. What a fun ride. And using very little shock and awe of nudity, vulgarity or violence. What a little sleeper-hit. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In.
    [Show full text]
  • Bamcinématek Announces the Main Slate for the Eighth Annual Bamcinemafest, a Festival of American Independents with 24 New York
    BAMcinématek announces the main slate for the eighth annual BAMcinemaFest, a festival of American independents with 24 New York premieres and one North American premiere, Jun 15—26 Opening night—New York premiere of Ira Sachs’ Little Men Closing night—New York premiere of Tim Sutton’s Dark Night Centerpiece—New York premiere of Todd Solondz’s Wiener-Dog Spotlight screenings—New York premieres of Ti West’s In a Valley of Violence and Jeff Baena’s Joshy The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 10, 2016—BAMcinématek announces the complete main slate for the eighth annual BAMcinemaFest (Jun 15—26), hailed as “New York’s best independent film showcase” (The New Yorker). A 12-day festival presenting premieres of emerging voices in American independent cinema, this year’s lineup features 23 New York premieres and two North American premieres. "This year's annual snapshot of the best of American independent cinema is excitingly eclectic, ranging from a formally adventurous reimagining of post-World War I France to a vampy tribute to 60s erotica shot (and projected!) on 35mm film," says Gabriele Caroti, director of BAMcinématek. "We're thrilled to welcome the great Ira Sachs and Todd Solondz both who join us for the first time with this year's Opening Night and Centerpiece films Little Men and Wiener-Dog. And we're proud and honored to host our first three-time festival alumnus, Tim Sutton (Pavilion, BAMcinemaFest 2012; Memphis, BAMcinemaFest 2014), whose audaciously atmospheric Dark Night screens as this year's Closing Night film." “The Wall Street Journal is proud once again to join BAMcinemaFest in celebrating the work of dynamic new filmmakers,” says Gerard Baker, editor-in-chief of The Wall Street Journal.
    [Show full text]
  • LESSA, Rodrigo. O Universo Transmídia Do Seriado True Blood: Paratextos E Extensões Ficcionais Do HBO E Dos Fãs
    1 UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA CONTEMPORÂNEAS RODRIGO LESSA CEZAR SANTOS O UNIVERSO TRANSMÍDIA DO SERIADO TRUE BLOOD: PARATEXTOS E EXTENSÕES FICCIONAIS DO HBO E DOS FÃS Salvador 2017 2 RODRIGO LESSA CEZAR SANTOS O UNIVERSO TRANSMÍDIA DO SERIADO TRUE BLOOD: PARATEXTOS E EXTENSÕES FICCIONAIS DO HBO E DOS FÃS Tese apresentada ao Programa de Pós-Graduação em Comunicação e Cultura Contemporâneas, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito parcial para obtenção do grau de Doutor em Comunicação e Cultura Contemporâneas. Orientadora: Profª. Drª. Maria Carmem Jacob de Souza Salvador 2017 3 4 AGRADECIMENTOS Escrever esta tese foi incrivelmente difícil e eu não teria conseguido sozinho. Obrigado a todos e todas que me acompanharam pela jornada de quatro anos do curso de doutorado, seja no âmbito pessoal ou profissional; esta tese é tanto minha quanto de vocês. Obrigado aos parceiros e parceiras do grupo de pesquisa A-tevê, local de grandes debates e enriquecimento acadêmico. Meu agradecimento especial para a minha orientadora, professora Dra. Maria Carmem Jacob de Souza, pelo apoio ao longo dos anos e empenho em tornar este trabalho cada vez melhor. Por fim, obrigado à minha mãe, Zenóbia, por possibilitar que eu entrasse na vida acadêmica, e ao meu pai, Zeca, cuja presença eu sinto sempre ao meu lado. 5 – Sookie, you cannot be frightened of everything you don't know in this world. True Blood, “Sparks Fly Out”, episódio 5, temporada 1. 6 LESSA, Rodrigo. O universo transmídia do seriado True Blood: paratextos e extensões ficcionais do HBO e dos fãs.
    [Show full text]
  • Baghead Free Download
    BAGHEAD FREE DOWNLOAD Jarrett J. Krosoczka | 40 pages | 31 Jul 2004 | Random House USA Inc | 9780553111729 | English | New York, United States Gabbing, Flirting, Drinking, Missing It starts with an anonymous baghead and slowly escalates. Back to School Picks. Country: USA. Clear your history. Baghead date. Add the first question. And using very little shock Baghead awe of nudity, vulgarity or violence. Matt and Chad attempt to attack him, but upon seeing he has a knife, the members of the group flee into the cabin, and they barricade themselves in until morning. Added to Watchlist. TSIF Sign In. Looking Baghead some great streaming picks? Use the HTML below. The Baghead consensus reads, "Pitting actors against murderers in Baghead self- aware struggle for stardom, Baghead successfully Baghead the borders of horror and comedy. The suppressed anxieties, longings and jealousies among the four inform the practical jokes they play on one another as the weekend drags on. Another word for a smackheadthey Baghead usually addictied to crack os some class A drug. It is currently used as both a derogatory and complimentary term. How is an uninformed total Baghead going to happen to be 11 Baghead out in the woods with a bag over his head, and just happen to stumble upon these four people who happen to be writing exactly such a story? Official Sites. Trivia Shot in Austin, Texas in August Retrieved 14 June — via www. I hope someone slipped in making a cell call on his wallet. Mark Duplass Jay Duplass. Chad emerges from the woods further up the road and is subsequently hit by the car as it swerves to miss Baghead girls.
    [Show full text]
  • HBO Kicks Off 2015 with the Debut of Togetherness and the Return of Girls and Looking
    HBO kicks off 2015 with the debut of Togetherness and the return of Girls and Looking Miami, FL – December 9, 2014 – HBO inaugurates its slate of original programming for 2015 with the premiere of the new original comedy series Togetherness, along with the return of the critically acclaimed comedies Girls, for its fourth season, and Looking, in its second season, on Sunday, January 11th, beginning at 22:00 hrs. AST* in the Caribbean, simultaneously with the United States. Creator and writer Lena Dunham returns for the fourth season of Girls (22:00 hrs.), the Emmy®- and Golden Globe®-winning comedy series that follows the misadventures of a group of 20-something-year-old friends in and out of New York City. As the season begins, Hannah (Dunham) leaves New York to attend the prestigious Writers’ Workshop with the hopes of becoming a more serious writer, while facing uncertainty in her relationship with Adam (Adam Driver). Meanwhile, back in New York, Marnie (Allison Williams) pursues a music career while balancing her professional and romantic relationship with Desi (Ebon Moss-Bachrach); Shoshanna (Zosia Mamet) graduates and begins interviewing for jobs, while sorting out her relationship with Ray (Alex Karpovsky); and Jessa (Jemima Kirke) attempts to control her addiction through Alcoholics Anonymous, though her ability to stir up drama remains undiminished. By turns hilarious and heartbreaking, this season’s 10 episodes offer up some unexpected twists as the girls continue to hunt for success – creatively, professionally and romantically. Girls is executive produced by Lena Dunham, Judd Apatow, Jenni Konner, Ilene S. Landress (HBO’s Mildred Pierce), Bruce Eric Kaplan (HBO’s Six Feet Under), Murray Miller (HBO’s Williams-Poole: 7 Days in Hell) and Paul Simms.
    [Show full text]
  • TOGETHERNESS Written by Jay Duplass Mark Duplass
    TOGETHERNESS Written by Jay Duplass Mark Duplass Story by Jay Duplass Mark Duplass Steve Zissis INT. ALEX’S APARTMENT, BEDROOM - MORNING Slivers of light creak through crummy venetian blinds as ALEX PAPPAS (37), a balding chubbying Greek-American snores heavily. Above his bed are posters of Tom Hanks in Castaway and Robert De Niro in Raging Bull. The faint sound of drilling accompanies his snoring, as well as unintelligible voices whispering, all of which seem to be coming from inside the apartment. Alex’s eyes slowly open. Did he hear something? Probably not. His sleepy eyes roll back into his head, and Alex slips back into never-never-land. This dude knows how to sleep. The sound of a LAMP BREAKING. Alex’s eyes pop wide open this time. It’s real. Someone is inside his apartment. He bolts upright, listening intently, and sees that his bedroom door is unlocked. Alex darts over and presses the lock button down, but it keeps popping back out, refusing to lock. He hears shuffling of feet on the other side. Alex scans his bedroom, sees a crumpled pair of jeans, checks the pockets and finds nothing. ALEX (under his breath) Where’s my fucking phone! Alex tip-toes to the window, slides back the crummy blinds and sees a three story drop into a concrete alley. Alex opens his closet, unsheathes a putter from a golf bag, and hears and sees his bedroom door knob start to turn. Alex jumps into the closet and closes the doors. The bedroom door creaks open, and a man says something loudly to his partner in a foreign language.
    [Show full text]
  • Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
    Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS
    [Show full text]
  • BAGHEAD Directed and Written by the DUPLASS BROTHERS
    Presents BAGHEAD Directed and Written by THE DUPLASS BROTHERS (84 mins, USA, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html CAST Chad ...................................................STEVE ZISSIS Matt....................................................ROSS PARTRIDGE Michelle .............................................GRETA GERWIG Catherine………………….…………ELISE MULLER FILMMAKERS Directed, Written and Produced by....JAY DUPLASS ............................................................MARK DUPLASS Producer .............................................JOHN BRYANT Co-Producer .......................................JEN TRACY DUPLASS Editor..................................................JAY DEUBY Original Music ...................................J SCOTT HOWARD Special Effects ...................................R. ZANE RUTLEDGE Sound Mix..........................................BYRON WESTBROOK Sound Mix…………………………..GENE PARK 2 DIRECTORS STATEMENT In 1980, the New Orleans Saints were well on their way to another losing season. Some of the fans were losing hope and gaining shame. They stopped going to the games for fear of being seen as a blindly optimistic fool and ridiculed at work the next day. Some fans, however, would not abandon their beloved home team. Sure, they were embarrassed and ashamed, but they were loyal. They stayed. They believed. But, they needed something to hide their faces. Something cheap, something readily available. Something brown and crinkly, where the eyes and mouth could easily be punched out. Now, this story doesn’t really have anything to do with our movie, but it kinda does. When one looks out over a sea of people in a major NFL stadium wearing bags on their heads, it’s a bit hard to process.
    [Show full text]
  • Angles, 2 | 2016, « New Approaches to the Body » [Online], Online Since 01 April 2016, Connection on 23 September 2020
    Angles New Perspectives on the Anglophone World 2 | 2016 New Approaches to the Body Performance, Experimentations Anne-Laure Fortin-Tournès (dir.) Electronic version URL: http://journals.openedition.org/angles/1770 DOI: 10.4000/angles.1770 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Anne-Laure Fortin-Tournès (dir.), Angles, 2 | 2016, « New Approaches to the Body » [Online], Online since 01 April 2016, connection on 23 September 2020. URL : http://journals.openedition.org/angles/ 1770 ; DOI : https://doi.org/10.4000/angles.1770 This text was automatically generated on 23 September 2020. Angles est mise à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. 1 TABLE OF CONTENTS Video introduction to issue 2 Anne-Laure Fortin-Tournès “In Difficulty is Ecstasy”: Physical Experience at the Limits in Colum McCann’s Dancer and Let the Great World Spin Lara Delage-Toriel The Physicality of Writing in Paul Auster’s White Spaces and Winter Journal François Hugonnier Corpo-real: in situ Natacha Grimaud and Alexandre Galopin ‘Bias Cut’ Ailsa Cox Graphic Interlude New Approaches to The Body: Performance, Experimentations James McLaren, Elaine Constantine and Casey Orr When Bodies Go Digital Claire Larsonneur The Brain Without the Body? Virtual Reality, Neuroscience and the Living Flesh Marion Roussel The Body of Los Angeles, Between Commodity and Identity Charles Joseph The Actors’ Bodies in TV series LOST Sylvaine Bataille and Sarah Hatchuel Broke House by the Big Art Group: Queer Transgressions on the Contemporary New York Stage Xavier Lemoine ‘Anthropologists of our own experience’: Taxonomy and Testimony in The Museum of Innocence and The Virgin Suicides Clare Hayes-Brady Varia And: A Complex Little Word at the Heart of Janet Frame’s Language Wilfrid Rotgé An A to Z of Diasporic Life Françoise Král Angles, 2 | 2016 2 Video introduction to issue 2 Anne-Laure Fortin-Tournès This media file cannot be displayed.
    [Show full text]
  • FILM GUIDE Contents
    PARK CITY, UTAH JANUARY 17–27 FILM GUIDE Contents Welcome to the Festival ................................................................................................. 2–3 Presenting, Leadership, and Sustaining Sponsors ....................................................... 4–5 Institute Associates and Official Providers .................................................................. 6 the Films ............................................................................................................... 7 Opening Night Park City, Salt Lake City Gala, and Closing Film ................................. 8–9 Documentary Competition ............................................................................................. 10 Dramatic Competition ..................................................................................................... 16 World Cinema Documentary Competition ................................................................... 22 World Cinema Dramatic Competition ........................................................................... 28 Premieres .......................................................................................................................... 34 Spectrum .......................................................................................................................... 43 Park City at Midnight ...................................................................................................... 50 Sundance Collection ......................................................................................................
    [Show full text]
  • White Famous
    “Pilot” Written by Tom Kapinos Directed by Tim Story 1st REV. BLUE PAGES – 9/22/16 (1, 2, 4, 5, 5A, 6, 6A, 31, 33, 33A, 34, 36, 37) PRODUCTION DRAFT – 9/16/16 Copyright © 2016 Lions Gate Television, Inc. and Showtime Pictures Development Company. All rights reserved. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium, including on any website, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. WHITE FAMOUS “Pilot” PRODUCTION DRAFT CAST LIST FLOYD MOONEY......................................JAY PHAROAH RON BALLS....................................JACOB MING-TRENT MALCOLM......................................UTKARSH AMBUDKAR CHRIS............................................CHRIS POWELL ALISON..........................................EDI PATTERSON JASON GOLD.......................................STEVE ZISSIS TREVOR..........................................LONNIE CHAVIS SADIE.....................................MEGALYN ECHIKUNWOKE WAITER..............................................JOE BURCH JADE.........................................LAUREN MCCARROLL STU BEGGS..................................STEPHEN TOBOLOWSKY JAMIE FOXX.........................................JAMIE FOXX DRIVER.......................................JOHN WITHERSPOON JESS.............................................DEVYN FUSARO WHITE FAMOUS “Pilot” PRODUCTION DRAFT SET LIST INTERIORS COMEDY CLUB BALLS’ PLACE UTK CRAFT SADDLE RANCH FOXX’S
    [Show full text]