DOCSLIB.ORG

Gemini: the Eighth Book of the House of Niccolo Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gemini: the Eighth Book of the House of Niccolo Free FREE GEMINI: THE EIGHTH BOOK OF THE HOUSE OF NICCOLO PDF Dorothy Dunnett | 720 pages | 01 Jul 2001 | Random House USA Inc | 9780375708565 | English | New York, United States Gemini (The House of Niccolo, #8) by Dorothy Dunnett Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Gemini by Dorothy Dunnett. Scotland, Nicholas de Fleury, former banker and merchant, has re-appeared in the land that, four years earlier, he had brought very close to ruin in the course of an intense commercial and personal war with secret enemies--and, indeed, with his clever wife Gelis. Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives ami Scotland, Nicholas de Fleury, former banker and merchant, has re-appeared in the land that, four years earlier, he had brought very close to ruin in the course of an intense commercial and personal war with secret enemies--and, indeed, with his clever wife Gelis. Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives amid a complex, corrosive power struggle centering on the Scottish royal family but closely involving the powerful merchants of Edinburgh, the gentry, the clergy, the English ever seeking an excuse to pounce on their neighbor to the norththe French, the Burgundians. His presence soon draws Gelis and their son Jodi to Scotland, as Gemini: The Eighth Book of the House of Niccolo as Nicholas's companions and subordinates in many a past endeavor--Dr. Here, too, Nicholas meets again with others who have had an influence, for good or evil, in his life: King James III of Scotland and his rebellious siblings; the St. Caught up in, and sometimes molding, the course of great events, Nicholas exhibits by turns the fierce silence with which he masks his secrets, Gemini: The Eighth Book of the House of Niccolo the explosive, willful gaiety that binds men, women, and children to him. And as the secrets of his birth and heritage come to light, Nicholas has to decide whether he desires to establish Gemini: The Eighth Book of the House of Niccolo future in Scotland for himself and his family, and a home for his descendants. Now, in a book infused with wit and poetry, emotion and humor, action and mystery, she brings Nicholas de Gemini: The Eighth Book of the House of Niccolo at last to choose his heart's home, where he can exercise all his skills as an advisor to kings and statesmen, as a husband, a father, and a leader of men--and where, perhaps, we will discern a connection between him and that other remarkable personality, Francis Crawford, whose exploits Lady Dunnett recorded so memorably in The Lymond Chronicles. Get A Copy. Paperbackpages. Published May 8th by Vintage first published More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Geminiplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Gemini The House of Niccolo, 8. Nov 18, Laurie rated it it was amazing Shelves: historical-fiction. WHAT a family. Good God. Dorothy Dunnett is really quite the master of genetic complication. What is it that Philippa says in The Ringed Castle Oh Philippa. With Dorothy Dunnett it is always possible. This is without question the best historical fiction I've ever read. Perhaps the narrative is less tight here in the final book than in some of the others, but that's a trifling quibble only. The twist alone Gemini: The Eighth Book of the House of Niccolo me want to reread t WHAT a family. The twist alone makes me want to reread the entire series right now. Which I could not because obviously I had to reread Lymond, in familial context, considering the family tree-revealing payoff at the end. I can't believe I didn't notice the lack of surname. And what a perfect title. I could go on and on about all the twinning. Onto the requisite comparison between Niccolo and Lymond. Lymond's position in my heart is sacrosanct, but I find Niccolo more impressive as a literary achievement considering the sheer vastness, extraordinary detail, and the deftness with which she places him into so many Gemini: The Eighth Book of the House of Niccolo historical settings with real historical figures. I mean, just look at the character lists. Niccolo's series-long journey - the building of his "house," the gaining of the high ground - somehow feels more substantial than Lymond's. But the Lymond plots are not hampered by a silly crutch like Nicholas' divining, which I never considered Gemini: The Eighth Book of the House of Niccolo than just a weak, cliched device. However, the supporting characters - both allies and enemies - in Niccolo are much more fully realized and interesting but then we have two more books to get to know them. There is one clear exception, of course. Philippa Somerville has got to be one of my favorite fictional characters of all time - her character development through the 6 Lymond Chronicles is enormously well-done. Gelis and Katelinje only combine to approach what is best in her, though I think that is part of the point - Nicholas' arc directs him toward many different forms of love, and Lymond's toward one great all-consuming, "Mon chois est fait, aultre ne se fera" love in Philippa. May 06, Lightreads rated it it was amazing Shelves: disabilityfictionhistorical. You know that moment when you read the last page of a book, and you gently close it or, uh, switch off your electronic reading device of choice and you breathe out a long breath and you just have to sit there for five or ten minutes smiling and not thinking much, but just quietly hanging on to the last threads of it? So that's the Dunnett, then. These last two books aren't perfect -- GeminiGemini: The Eighth Book of the House of Niccolo particular, spends a lot of to-ing and fro-ing on petty politics that I just didn't care ab Ah. These last two books aren't perfect -- Geminiin particular, spends a lot of to-ing and fro-ing on petty politics that I just didn't care about — but man. This broke my heart in the very best way. Particularly as the last two books are all about building what I found lacking in this series previously, as compared to Lymond. Nicholas makes a home at last, and a family, and permanence, and country, and a holding center. And then at the very last, ah. Francis Crawford, there you are. The end of a rollicking good read and a "cracker" of a series. This book ties the eight novels together and brings closure to the indomitable Nicholas de Fleury. I could write pages on the novel, the series overall but this is a novel and series that must be savored. Filled with intrigue, adventure, comradeship, jealousy, rich historical detail and romance that a reader can "fall into" and not want to surface from. This book and series has it all in my opinion. Obviously a huge Well Obviously a huge commitment and a work of Gemini: The Eighth Book of the House of Niccolo from a master storyteller. May 08, Diane rated it it was amazing Shelves: historical-fiction. I have finished re-reading The House of Niccolo series and now I am so Gemini: The Eighth Book of the House of Niccolo. This novel was so intense, bringing to an end most of the mysteries of Nicholas and his life. We find out who the ultimate betrayer-of-trust of these books, how Nicholas comes to stay in Scotland with his family, how the machinations of politics and war bring th I have finished re-reading The House of Niccolo series and now I am so sad. We find out who the ultimate betrayer-of-trust of these books, how Nicholas comes to stay in Scotland with his family, how the machinations of politics and war bring the Scots together. The series built my knowledge of history, time and place, character development, and more Now, on to the Lymond Chronicles Aug 07, Jenny rated it it was amazing. Having visited Bruges in June, I set myself to re-read the entire House of Niccolo series from beginning to end. They're long books, and there are eight volumes, so it took me six weeks to read them. I was so swept along by the power and scope of the series that I didn't want it to end. It takes us from Bruges all through the trading world of the 15th century - the Black Sea and Trebizond, last outpost of the Byzantine empire, Caffa, Poland, Muscovy, Iceland, Egypt, Africa and the glories and da Having visited Bruges in June, I set myself to re-read the entire House of Niccolo series from beginning to end. Fabulous stuff - like a huge and absorbing tapestry written in prose dense with allusion. I recommend the two Dorothy Dunnett Companion volumes that go with this series and the Game of Kings series - which I plan to re-read next year. Apr 18, Tania rated it it was amazing Shelves: historicalread I'll make a proper review later on, but right now I'm just wishing that another 8 volumes had been written, because I'm finding it a bit hard to let go.
Load more

Recommended publications
  • Edinburgh Monuments, the Literary Canon, and Cultural Nationalism: a Comparative Perspective Silvia Mergenthal University of Konstantz
    Studies in Scottish Literature Volume 41 | Issue 1 Article 4 12-15-2016 Edinburgh Monuments, the Literary Canon, and Cultural Nationalism: A Comparative Perspective Silvia Mergenthal University of Konstantz Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Mergenthal, Silvia (2015) "Edinburgh Monuments, the Literary Canon, and Cultural Nationalism: A Comparative Perspective," Studies in Scottish Literature: Vol. 41: Iss. 1, 15–22. Available at: https://scholarcommons.sc.edu/ssl/vol41/iss1/4 This Symposium is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. EDINBURGH MONUMENTS, THE LITERARY CANON, AND CULTURAL NATIONALISM: A COMPARATIVE PERSPECTIVE Silvia Mergenthal As memory landscapes go,1 the city of Edinburgh has always been over- stocked rather than under-furnished with architectural landmarks and monuments, street names, public squares, and historic sites, all of which serve to remind both its citizens and its visitors of Scotland’s rich history and of the men and women who walked the streets of the Scottish capital before them. Even so, the last two decades have seen a number of new additions to Edinburgh’s mnemonic topography, including three large- scale building projects dedicated to Scottish literature: the Canongate Wall of the new Scottish Parliament, the Makars’ Court adjacent to the Writers’ Museum, and the so-called “herms” of twelve Scottish writers erected in Edinburgh Business Park.
    [Show full text]
  • T a C I T January 18 , 2006
    th T A C I T January 18 , 2006 Information for librarians & information professionals working in Edinburgh RAISING THE PROFILE The Writers’ Museum NEWS FROM THE CABIN One of twelve buildings I am looking forward to 2006 as administered by the another year as ELISA Development Museums and Arts Division Officer. It is a privilege to have a job of the Culture and Leisure with such a variety of activities, with such a positive remit, and Department of the City of associated with such exciting projects. The Access Group will be Edinburgh Council, The piloting the first Edinburgh Libraries Passport; the e-Content Writers’ Museum is dedicated to the lives and achievements of Group will be developing a portal for digitally accessible Scottish writers – in particular, Robert Burns (1759-1796), Sir Walter collections together with the City of Literature; the Scott (1771-1832) and Robert Louis Stevenson (1850-1894). Communications Group are working on a raft of promotional Located in the 17 th century Lady Stair’s House, just off the material and events; the Staff Development Group have an Lawnmarket, the Museum displays a rich collection of manuscripts, interesting programme of visits as well as supporting the first editions and portraits complemented by a series of personal Chartership process in the City; the Web Group is working exhibits including Burns’ writing desk, Scott’s chessboard and dining towards the development of the ELISA web site as a hub for all table, and the Ballantyne Press on which the Waverley novels were this activity. originally printed. The Stevenson collection is of international significance.
    [Show full text]
  • 485 Httpswwwopeneduopenlearncreate Cmid147037 2020-01
    OpenLearn Works Unit 14: Scots and the history of Scotland by James Robertson Copyright © 2019 The Open University 2 of 30 https://www.open.edu/openlearncreate/course/view.php?id=4190 Thursday 23 January 2020 Contents Introduction 4 14. Introductory handsel 4 14.1 The status and use of Scots from c.1100 to the present 7 14.2 Historical events with an impact on Scots 11 14.3 Scots language in narratives of historical events 15 Example 6 19 14.4 Scots in oral history 22 14.5 Scots in fiction, legend and song 25 14.6 What I have learned 28 Further research 29 References 29 Acknowledgements 30 3 of 30 https://www.open.edu/openlearncreate/course/view.php?id=4190 Thursday 23 January 2020 Introduction Introduction In this unit you will learn about the relationship between the Scots language and the history of Scotland. An understanding of the past needs to include an awareness – though not necessarily a thorough knowledge – of the languages that people used in earlier times. In Scotland, the main languages that have been used for the last 1,000 years include Gaelic, Scots, French, Latin and English. Many other languages have also been spoken by people living in Scotland throughout this period, including the present: for example, according to the 2011 census Scotland has about 54,000 speakers of Polish and 24,000 speakers of Urdu. This unit is divided into six sections in which you will learn who used the Scots language and how Scots interacted with other languages during different historical periods.
    [Show full text]
  • Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 'A Room of Their Own': Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives Carys O'Neill University of Central Florida Part of the European History Commons, and the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation O'Neill, Carys, "'A Room of Their Own': Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives" (2019). Electronic Theses and Dissertations, 2004-2019. 6738. https://stars.library.ucf.edu/etd/6738 ‘A ROOM OF THEIR OWN’: HERITAGE TOURISM AND THE CHALLENGING OF HETEROPATRIARCHAL MASCULINITY IN SCOTTISH NATIONAL NARRATIVES by CARYS ATLANTA O’NEILL B.A. Furman University, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2019 Major Professor: Amelia H. Lyons © 2019 Carys Atlanta O’Neill ii ABSTRACT This thesis explores the visibility of women in traditionally masculine Scottish national narratives as evidenced by their physical representation, or lack thereof, in the cultural heritage landscape. Beginning with the 1707 Act of Union between Scotland and England, a moment cemented in history, literature, and popular memory as the beginning of a Scottish rebirth, this thesis traces the evolution of Scottish national identity and the tropes employed for its assertion to paint a clearer picture of the power of strategic selectivity and the effects of sacrifice in the process of community definition.
    [Show full text]
  • The Saltire Society Literary Awards, 1936-2015: a Cultural History
    The Saltire Society Literary Awards, 1936-2015: A Cultural History Stevie Marsden A thesis submitted for the degree of Doctor of Philosophy in Publishing Studies University of Stirling 2016 2 Abstract This thesis presents a history of the Saltire Society Literary Awards and examines their status and role within Scotland’s literary and publishing culture. The Society was founded at a critical inter-war period during which Scottish writers, artists and cultural commentators were re-imagining Scotland’s political and cultural identity. The Society, therefore, was a product of this reformative era in Scotland’s modern history. The Society’s identity and position within this inter- and post-war reformation is reflected in the Literary Awards, which are a means by which the Society attempts to accomplish some of its constitutional aims. The purpose of this thesis is three-fold. Firstly, it has filled a conspicuous gap in modern Scottish cultural history by offering a historically accurate description of the founding of the Saltire Society in 1936 and the development of the Society’s Literary Awards up until 2015. Secondly, this thesis demonstrates how the Society’s Literary Awards function in relation to key critical discourses pertinent to contemporary book award culture, such as forms of capital, national identity and gender. Finally, this thesis proffers an in-depth analysis of book award judgment culture. Through an analysis of the linguistic and social interactions between Saltire Society Literary Award judges, this thesis is the first study of its kind which considers exactly how literary award judging panels facilitate the judgement process.
    [Show full text]
  • Books Noted and Received Patrick G
    Studies in Scottish Literature Volume 42 | Issue 2 Article 12 11-30-2016 Books Noted and Received Patrick G. Scott University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Scott, Patrick G. (2016) "Books Noted and Received," Studies in Scottish Literature: Vol. 42: Iss. 2, 282–291. Available at: https://scholarcommons.sc.edu/ssl/vol42/iss2/12 This Book Reviews is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. BOOKS NOTED AND RECEIVED This list covers books received or noted since publication of the last issue, SSL 42:1, in May 2016. Inclusion in this list need not preclude possible fuller discussion of a book in a subsequent review or review essay. Baxter, Jamie Reid, ed. Poems of Elizabeth Melville, Lady Culross: Unpublished Work from Manuscript with Ane Godlie Dreame. Edinburgh: Solsequium [an imprint of Private Book Sales], 2010. Pp. 132. Paper, £14.99. ISBN 978-0-956-603302. --It should not be surprising, but it is, that, even after centuries of scholarly and editorial work, new poems and new poetic manuscripts are still being discovered in early modern Scottish literature. One of the most notable recent rediscoveries has been of poetry by Elizabeth Melville. Melville (ca. 1578-ca.1640) was the first published Scottish woman poet, and her Ane Godlie Dreame (1603) went through some 13 editions in the next hundred and thirty years.
    [Show full text]
  • 978–1–137–42697–0 Copyrighted Material – 978–1–137–42697–0
    Copyrighted material – 978–1–137–42697–0 © Judith Wilt 2014 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2014 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–42697–0 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library.
    [Show full text]
  • That Private Labyrinth: the Books That Made Lymond
    Deirdre Serjeantson [email protected] THAT PRIVATE LABYRINTH: THE BOOKS THAT MADE LYMOND This is the text of a talk delivered to the Dorothy Dunnett Society in August 2015 and reprised for the Society’s AGM in March 2016. It will shortly appear in the December 2016 issue of the Dunnett Society journal, Whispering Gallery. This is a pre-print version made available under the REF’s Open Access requirements and should not be used for citation. It is not often in my lecturing career that I stand on the podium entirely confident that everyone in the room has read the set texts. But this time, I think I can be certain that we are all familiar with the scene in The Ringed Castle when Philippa, back in Midculter after her adventures in the seraglio, finds at the top of a tower the room which in childhood had belonged to Francis Crawford. You’ll remember the broken lute in the aumbry, and the scars in the door where it had been - significantly - kicked by an angry man. The room is also full of books. Here is Philippa’s perspective on it: She scanned them: some works in English; others in Latin and Greek, French, Italian and Spanish … Prose and verse. The classics, pressed together with folios on the sciences, theology, history; bawdy epistles and dramas; books on war and philosophy; the great legends. Sheets and volumes and manuscripts of unprinted music. Erasmus and St Augustine, Cicero, Terence and Ptolemy, Froissart and Barbour and Dunbar; Machiavelli and Rabelais, Budé and Bellenden, Aristotle and Copernicus, Duns Scotus and Seneca.
    [Show full text]
  • The Dorothy Dunnett History Prize
    Further Information about Dorothy Dunnett’s Books Dorothy Dunnett wrote two major series of historical fiction set in the 15th and 16th centuries. Over the eight novels in The House of Niccolò series the author covers the period 1460 to 1483 and the action takes the hero from a lowly status in a Bruges dye-yard to a merchant banker in Bruges, Venice and Scotland. In the course of this transformation, many aspects of the early Renaissance feature: overland travel and exploration including pilgrimage; ships, shipping and trade routes; trade (particularly for dyeing, wool and luxury goods) and banking; international relations and espionage; Scottish governance. These topics are treated in the context of: Bruges and the Burgundian rule of Philip the Good, Charles the Bold and Marie of Burgundy; the last days of the Byzantine Empire in Trebizond and the Lusignans in Cyprus; the Knights Hospitaller of St John; the Italian city states; the slave, gold and salt trades and Islamic scholarship in West Africa; the Scotland of James III, its relations with the Scottish magnates and its international interactions; cod fishing in Iceland; the Hanse; pilgrimage to Sinai; the Ottoman empire and the Turcoman White Sheep. The titles, their dates and settings are as follows: Niccolò Rising 1459–1460; Flanders – Italian City States (Milan) The Spring of the Ram 1460–1461; Florence – Turkey (Trebizond & Erzerum) – Venice Race of Scorpions 1461–1464; Italy – Cyprus – Rhodes Scales of Gold 1464–1468; Venice – Portugal and Madeira – Gambia – Timbuktu – Sahara – Venice The Unicorn Hunt 1468–1471; Scotland – Flanders – Tyrol – Alexandria/Cairo/Sinai – Cyprus – Venice To Lie with Lions 1471–1473; France – Scotland – Iceland Caprice and Rondo 1473–1477; Poland – Crimea – Iran (Tabriz) – Russia (Moscow) – Flanders Gemini 1477–1483; Scotland – Germany – England The Lymond Chronicles is a series of six novels which begins in 1547 and ends in 1558.
    [Show full text]
  • {PDF} Gemini: the Eighth Book of the House of Niccolo Pdf Free Download
    GEMINI: THE EIGHTH BOOK OF THE HOUSE OF NICCOLO PDF, EPUB, EBOOK Dorothy Dunnett | 720 pages | 01 Jul 2001 | Random House USA Inc | 9780375708565 | English | New York, United States Gemini: The Eighth Book of the House of Niccolo PDF Book But the deaths of people Nicholas loves indicates that someone within his own company is making a climactic effort. Originally published on my blog here in January I have no idea why now. As expected, I'm a little bereft. Dunnett's final book is a masterly weave of loves, companionships, and betrayals. Part V. It felt wrong, on one level, because I am normally a strict series-order reader. But the whole book felt like a bit of an afterthou My least favorite of Dunnett's books, but still one you must read if you love her writing. Good God. It's a mighty enterprise and so is Lymond, really and a great deal of it is very entertaining. She said it was the hardest volume to write, and I'm not surprised. More Details Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives amid a complex, corrosive power struggle centering on the Scottish royal family but closely involving the powerful merchants of Edinburgh, the gentry, the clergy, the English ever seeking an excuse to pounce on their neighbor to the north , the French, the Burgundians. They are full of the politics of the different countries where Nicholas's company trades, into which he is sometimes drawn. I've read Lymond and King Hereafter, my absolute favorites, twice.
    [Show full text]
  • Inventory Acc.12135 Dorothy Dunnett
    Acc.12135 January 2014 Inventory Acc.12135 Dorothy Dunnett National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131 623 3876 Fax: 0131 623 3866 E-mail: [email protected] © 2013 Trustees of the National Library of Scotland Literary and personal papers, 1935-2001, of Lady Dorothy Dunnett (1923-2001), novelist and portrait painter. These papers include research notes, typescripts and proofs of her novels, correspondence, and papers concerning her involvement in various cultural and business organizations. Lady Dunnett (née Halliday) was born in Dunfermline and educated at James Gilliespie‟s School in Edinburgh. After school she embarked on a career as a civil servant, working for the Scottish Office in Edinburgh and for the Board of Trade in Glasgow. She married Alasdair M. Dunnett in 1956. While working as a portrait painter and writer, she served on the boards of a number of organizations: the Scottish National War Memorial (1962-1996), Scottish Television plc (1979-1992), the National Library of Scotland (1986- 2001), and the Edinburgh International Book Festival (1990-1995). She was awarded the OBE in 1992. This archive includes papers relating to the following published works: Games of Kings (1961) Queens‟ Play (1964) The Disorderly Knights (1966) Dolly and the Singing Bird (1968) Pawn in Frankincense (1969) Dolly and the Cookie Bird (1970) The Ringed Castle (1971) Dolly and the Doctor Bird (1971) Dolly and the Starry Bird (1973) Checkmate (1975) Dolly and the Nanny Bird (1967) King Hereafter (1982) Dolly and the Bird of Paradise (1983) Niccolo Rising (1986) The Spring of the Ram (1987) Race of Scorpions (1989) Moroccan Traffic (1991) Scales of Gold (1991) The Unicorn Hunt (1993) To Lie with Lions (1995) Caprice and Rondo (1997) Gemini (2000) Bequeathed, 2002.
    [Show full text]
  • EDUCT Annual Dinner “Robert Burns: Is His Memory Still Immortal?”
    EDUCT News January 2019 Issue 49 The Newsletter of the Edinburgh University Club of Toronto [EDUCT] January 2019 Message from the President Upcoming Club and Alumni Events University of Edinburgh Applicants Session When: Wednesday, 6 March, 2019, 6:00 pm to 8:00 pm. Where: Bayview Glen School, 85 Moatfield Drive, Toronto. Details: The University is the organizer of this information session for would-be Edinburgh students. As in past years, EDUCT will provide some speakers to talk about their experiences at Edinburgh. A new year is a new beginning All EDUCT members are welcome to attend to help answer questions for EDUCT. It is a time to meet from students and their parents during the reception. old friends and make new ones. We always begin with Info: Victoria Crewe-Nelson, [email protected] our Burns Nightcap where we 416-598-5856 are entertained and enriched by our many talented alumni and friends. Over haggis we trade stories and anecdotes and EDUCT Annual Dinner share laughs. It never ceases to amaze me what a fascinating When: Friday, 29 March 2019, 6:30 pm. group we are. We have led Where: The Great Hall, The Arts & Letters Club, 14 Elm Street, interesting professional and Toronto. personal lives and, often, have a hobby or interest that sparks a Details: Professor Charlie Jeffery, Senior Vice-Principal, University conversation too. of Edinburgh, will be our after-dinner speaker. Charlie’s theme will be Identity Politics in the UK: Brexit and Post-Brexit. Future highlights this year include our much anticipated Cost: $90 for members and guests; $95 for non-member alumni Annual Dinner, with our speaker and guests.
    [Show full text]