DOCSLIB.ORG

GAMBIT APPEARANCE MASTER LIST the Following List Is Compiled by Lediableblanc.Com (Remylebeau.Com, Iheartgambit.Com, Xmenlebeau.Com, Xmengambit.Com)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GAMBIT APPEARANCE MASTER LIST the Following List Is Compiled by Lediableblanc.Com (Remylebeau.Com, Iheartgambit.Com, Xmenlebeau.Com, Xmengambit.Com) GAMBIT APPEARANCE MASTER LIST The following list is compiled by lediableblanc.com (remylebeau.com, iheartgambit.com, xmenlebeau.com, xmengambit.com). It features all the comics that the character Gambit, from the X-Men, has appeared in. For more information and a cover image of the comics please visit the site’s “Appearance Database” where this information can be found. COMIC TITLE / VOLUME / ISSUE NUMBER YOUR CHECKLIST/NOTES 70 Years of Marvel Comics Poster Book 100 Greatest Marvels of All Time #2 100 Greatest Marvels of All Time #3 100 Greatest Marvels of All Time #4 100 Greatest Marvels of All Time #6 100 Things X-Men Fans Should Do Before They Die (Book) A-Babies vs. X-Babies #1 A-Force, Volume 1 #5 A+X #1 A+X #3 A+X #6 A+X #16 Absolute WildC.A.T.S. (Coffee Table) Adventures of Spider-Man #3 Adventures of Spider-Man/X-Men Flip Book #3 Adventures of Spider-Man/X-Men Flip Book #4 Adventures of Spider-Man/X-Men Flip Book #5 Adventures of Spider-Man/X-Men Flip Book #6 Adventures of Spider-Man/X-Men Flip Book #7 Adventures of Spider-Man/X-Men Flip Book #8 Adventures of Spider-Man/X-Men Flip Book #9 Adventures of Spider-Man/X-Men Flip Book #10 Adventures of Spider-Man/X-Men Flip Book #11 Adventures of Spider-Man/X-Men Flip Book #12 Adventures of the X-Men, Volume 1 #3 Adventures of the X-Men, Volume 1 #4 Adventures of the X-Men, Volume 1 #5 Adventures of the X-Men, Volume 1 #6 Adventures of the X-Men, Volume 1 #7 Adventures of the X-Men, Volume 1 #8 Adventures of the X-Men, Volume 1 #9 Adventures of the X-Men, Volume 1 #10 Adventures of the X-Men, Volume 1 #11 Adventures of the X-Men, Volume 1 #12 Age of Apocalypse: The Chosen Age of Apocalypse: 10th Anniversary One-shot Age of Apocalypse, Volume 1 #13 Age of Apocalypse, Volume 1 #14 Age of Apocalypse, Volume 2 #2 Age of X: Alpha #1 Age of X: Universe #2 Age of X-Man: Alpha #1 Age of X-Man: Nextgen #1 All New Exiles vs X-Men, Volume 1 #0 All New Wolverine #16 All New Wolverine #17 All New Wolverine #18 All New Wolverine #30 All New X-Factor #1 All New X-Factor #2 All New X-Factor #3 All New X-Factor #4 All New X-Factor #5 All New X-Factor #6 All New X-Factor #7 All New X-Factor #8 All New X-Factor #9 All New X-Factor #10 All New X-Factor #11 All New X-Factor #12 All New X-Factor #13 All New X-Factor #15 All New X-Factor #16 All New X-Factor #17 All New X-Factor #18 All New X-Factor #19 All New X-Factor #20 All New X-Men, Volume 1 #18 All New X-Men, Volume 2 #1.MUA Amazing Heroes #192 (Magazine) Amazing Heroes #197 (Magazine) Amazing Heroes Swimsuit Special '92 (Magazine) Amazing Spider-Man, The, Volume 2 #670 Amazing Spider-Man, The, Volume 2 #672 Amazing Spider-Man, The, Volume 2 #673 Amazing Spider-Man, The, Volume 5 #1 Amazing X-Men, Volume 1 #4 Amazing X-Men, Volume 2 #6 Art of Marvel #1 (Coffee Table) Art of Marvel #2 (Coffee Table) Art n Out Hip (Coffee Table) Astonishing Tales, Volume 2 #4 Astonishing Tales: Mojoworld #4 (Digital Only) Astonishing X-Men, Volume 1 #1 Astonishing X-Men, Volume 3 #48 Astonishing X-Men, Volume 3 #49 Astonishing X-Men, Volume 3 #50 Astonishing X-Men, Volume 3 #51 Astonishing X-Men, Volume 3 #52 Astonishing X-Men, Volume 3 #53 Astonishing X-Men, Volume3 #54 Astonishing X-Men, Volume3 #55 Astonishing X-Men, Volume3 #56 Astonishing X-Men, Volume 3 #57 Astonishing X-Men, Volume 3 #58 Astonishing X-Men, Volume 3 #59 Astonishing X-Men, Volume 3 #60 Astonishing X-Men, Volume 3 #61 Astonishing X-Men, Volume 3 #62 Astonishing X-Men, Volume 3 #63 Astonishing X-Men, Volume 3 #64 Astonishing X-Men, Volume 3 #65 Astonishing X-Men, Volume 3 #66 Astonishing X-Men, Volume 3 #67 Astonishing X-Men, Volume 3 #68 Astonishing X-Men, Volume 3 Annual #1 Astonishing X-Men, Volume 4 #1 Astonishing X-Men, Volume 4 #2 Astonishing X-Men, Volume 4 #3 Astonishing X-Men, Volume 4 #4 Astonishing X-Men, Volume 4 #5 Astonishing X-Men, Volume 4 #6 Astonishing X-Men, Volume 4 #7 Astonishing X-Men, Volume 4 #8 Astonishing X-Men, Volume 4 #9 Astonishing X-Men, Volume 4 #10 Astonishing X-Men, Volume 4 #11 Astonishing X-Men, Volume 4 #12 Avengers, The, Volume 1 #368 Avengers, The, Volume 1 #369 Avengers, The, Volume 1 #401 Avengers, The, Volume 3 #10 Avengers Academy #38 Avengers: The Children's Crusade #6 Avengers: The Children's Crusade #7 Avengers: The Children's Crusade #9 Avengers Forever #11 Avengers West Coast, Volume 2 #101 Avengers vs. X-Men, Volume 1 #4 Avengers vs. X-Men, Volume 1 #7 Avengers vs. X-Men, Volume 1 #9 Avengers vs. X-Men, Volume 1 #10 Avengers vs. X-Men, Volume 1 #11 Avengers vs. X-Men, Volume 1 #12 Avengers vs. X-Men: Infinite #6 (Digital Only) Avengers vs. X-Men Program Guide #1 AvX: vs. #2 AVX: Consequences #1 Back Issue! #4 (Magazine) Badrock/Wolverine Battlebooks: Gambit Be X-Tra Safe With The X-Men #1 Bishop #2 Bishop #4 Bishop: the Last X-Man #2 Bishop: the Last X-Man #3 Bishop: the Last X-Man #5 Bishop: the Last X-Man #6 Bishop: the Last X-Man #7 Bishop: the Last X-Man #14 Black Panther, Volume 4 #8 Black Panther, Volume 4 #9 Black Panther, Volume 4 #31 Blockbusters of the Marvel Universe Cable, Volume 1 #16 Cable, Volume 1 #20 Cable, Volume 1 #87 Cable, Volume 2 #25 Cable and Deadpool #42 Capcom Design Works (Coffee Table) Capcom Illustrations: Sakuhin Shu: Gamest Mook #17 (Coffee Table) Captain America, Volume 9 #7 Captain America: Steve Rogers #19 Cerebro's Guide to the X-Men Champions, Volume 2 #26 Civil War: X-Men II #2 Civil War: X-Men II #3 Civil War: X-Men II #4 Color Your Own! Little Marvel (Activity Book) Color Your Own! Wolverine (Activity Book) Comic Book Encyclopedia: Ultimate Guide (Coffee Table) Comic Buyers Guide to the X-Men Comic Buyers Guide #1637 (Magazine) Comic Creators on X-Men Comics Interview Super Special X-Men X-Tra (Magazine) Comic Talk #14 (Magazine) Comic Values Monthly #63 (Magazine) Comic Values Monthly #85 (Magazine) Complete Cinema March 2009 (Magazine) Contest of Champions II #3 Contest of Champions II #4 Contest of Champions II #5 Cosmic Ghost Rider, Volume 1 #3 Cosmopolitan May 2009 (Magazine) Cracked: Super Cracked #8 (Magazine) Cracked: Super Cracked #12 (Magazine) DC / Marvel: All Access #2 Daily Bugle #8 Daily Bugle #13 Daken: Dark Wolverine #7 Daken: Dark Wolverine #8 Daken: Dark Wolverine #9 Daredevil, Volume 1 #330 Darkstar and the Winter Guard #1 Darkstar and the Winter Guard #2 Darkstar and the Winter Guard #3 Dead Man Logan #1 Dead Man Logan #2 Deadpool, Volume 6 #6 Deadpool Kills the Marvel Universe #3 Deadpool v Gambit #1 Deadpool v Gambit #2 Deadpool v Gambit #3 Deadpool v Gambit #4 Deadpool v Gambit #5 Death's Head II, Volume 2 #1 Death's Head II, Volume 2 #2 Death's Head II, Volume 2 #3 Death's Head II, Volume 2 #4 Defenders, Volume 4 #12 Disney Adventures February 1995 (Magazine) DK Readers: Creating the X-Men (Childrens) DK Readers: How It All Began (Childrens) DK Readers: Story of Wolverine (Childrens) DK Readers: X-Men School (Childrens) Draw! #22 (Magazine) Draw the Marvel Heroes (Activity) Dream Team #1 Dream Team #2: Battlezones Earth X #0 Earth X #7 Entertainment Weekly #1044/#1045 (Magazine) Excalibur, Volume 1 #41 Excalibur, Volume 1 #57 Excalibur, Volume 1 #58 Excalibur, Volume 1 #96 Excalibur, Volume 3 #1 Exiles, Volume 1 #1 Exiles, Volume 1 #14 Exiles, Volume 1 #23 Exiles, Volume 1 #24 Exiles, Volume 1 #25 Exiles, Volume 1 #38 Exiles, Volume 1 #39 Exiles, Volume 1 #40 Exiles, Volume 1 #43 Exiles, Volume 1 #44 Exiles, Volume 1 #45 Exiles, Volume 1 #61 Exiles, Volume 1 #83 Exiles, Volume 3 #8 Exiles, Volume 3 #12 Exiles: Days of Then and Now #1 Extermination, Volume 1 #4 Famous Magazine, Volume 10 #4 (Magazine) Fantastic Four, Volume 1 #367 Fantastic Four, Volume 3 #27 Fantastix Platinum Edition #5 (Coffee Table) FOOM!, Volume 2 #1 Fox International Promotional Mini Comic Gambit and the Shadow King (Childrens) Gambit and the X-Ternals #1 Gambit and the X-Ternals #2 Gambit and the X-Ternals #3 Gambit and the X-Ternals #4 Gambit , Volume 1 #1 Gambit , Volume 1 #2 Gambit , Volume 1 #3 Gambit , Volume 1 #4 Gambit , Volume 2 #1 Gambit , Volume 2 #2 Gambit , Volume 2 #3 Gambit , Volume 2 #4 Gambit , Volume 3 #1/2 Gambit , Volume 3 #1 Gambit , Volume 3 #2 Gambit , Volume 3 #3 Gambit , Volume3 #4 Gambit , Volume3 #5 Gambit , Volume 3 #6 Gambit , Volume 3 #7 Gambit , Volume 3 #8 Gambit , Volume 3 #9 Gambit , Volume 3 #10 Gambit , Volume 3 #11 Gambit , Volume 3 #12 Gambit , Volume 3 #13 Gambit , Volume 3 #14 Gambit , Volume 3 #15 Gambit , Volume 3 #16 Gambit , Volume 3 #17 Gambit , Volume 3 #18 Gambit , Volume 3 #19 Gambit , Volume 3 #20 Gambit , Volume 3 #21 Gambit , Volume 3 #22 Gambit , Volume 3 #23 Gambit , Volume 3 #24 Gambit , Volume 3 #25 Gambit , Volume 3 Annual #1 (1999) Gambit , Volume 3 Annual #2 (2000) Gambit , Volume 4 #1 Gambit , Volume 4 #2 Gambit , Volume 4 #3 Gambit , Volume 4 #4 Gambit , Volume 4 #5 Gambit , Volume 4 #6 Gambit , Volume 4 #7 Gambit , Volume 4 #8 Gambit , Volume 4 #9 Gambit , Volume 4 #10 Gambit , Volume 4 #11 Gambit , Volume 4 #12 Gambit, Volume 5 #1 Gambit, Volume 5 #2 Gambit, Volume 5 #3 Gambit, Volume 5 #4 Gambit, Volume 5 #5 Gambit, Volume 5 #6 Gambit, Volume 5 #7 Gambit, Volume 5 #8 Gambit, Volume 5 #9 Gambit, Volume 5 #10 Gambit, Volume 5 #11 Gambit, Volume 5 #12 Gambit, Volume 5 #13 Gambit, Volume 5 #14 Gambit, Volume 5 #15 Gambit, Volume 5 #16 Gambit, Volume 5 #17 Gambit and Bishop: Sons of the Atom Alpha Gambit and Bishop: Sons of the Atom Genesis Gambit and Bishop: Sons of the Atom #1 Gambit and Bishop: Sons of the Atom #2 Gambit and Bishop: Sons of the Atom #3 Gambit and Bishop: Sons of the Atom #4 Gambit and Bishop: Sons of the Atom #5 Gambit and
Load more

Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • X-Men: Apocalypse' Succeeds Thanks to Its Rich Characters
    http://www.ocolly.com/entertainment_desk/x-men-apocalypse-succeeds-thanks-to-its-rich- characters/article_ffbc145a-251d-11e6-9b66-f38ca28933de.html 'X-Men: Apocalypse' succeeds thanks to its rich characters Brandon Schmitz, Entertainment Reporter, @SchmitzReviews May 28, 2016 20th Century FOX It's amazing to think that Fox's "X-Men" saga has endured for more than a decade and a half with only a couple of stumbles. From the genre- revitalizing first film to the exceptionally intimate "Days of Future Past," the series has definitely made its mark on the blockbuster landscape. With "Apocalypse," director Bryan Singer returns for his fourth time at the helm. Similarly to his previous outing, this movie is loosely based on one of the superhero team's most popular comic book storylines. Ten years have passed since Charles Xavier (James McAvoy) and friends averted the rise of the Sentinels. However, altering the course of the "X- Men" continuity has merely replaced one disaster with another. The world's first mutant, Apocalypse (Oscar Isaac), was worshipped as a god around the dawn of civilization. Thanks to abilities he has taken from other mutants, he is virtually immortal. Following thousands of years of slumber, Apocalypse wakes to find a world ruled by people who he feels are weak. Namely, humans. Dissatisfied with earth's warring nations, the near-all-powerful mutant sets out to cleanse the world with his four "horsemen." In the wake of this new threat, Mystique (Jennifer Lawrence) must lead a young X-Men team comprised of familiar faces such as Cyclops (Tye Sheridan) and Jean Grey (Sophie Turner).
    [Show full text]
  • NEW THIS WEEK from MARVEL... Star Wars Vader Dark Visions #1 (Of
    NEW THIS WEEK FROM MARVEL... Star Wars Vader Dark Visions #1 (of 5) Amazing Spider-Man #16.HU Avengers #16 (War of Realms) Avengers No Road Home #4 (of 10) Conan the Barbarian #4 Cosmic Ghost Rider Destroys Marvel History #1 (of 6) Uncanny X-Men #13 Domino Hotshots #1 (of 5) Immortal Hulk #14 Age of X-Man Prisoner-X #1 (of 5) Meet the Skrulls #1 (of 5) Star Wars #62 Champions #3 Deadpool #10 Miles Morales Spider-Man #1 (3rd print) Star Wars Age of Republic Padme Amidala #1 Black Order #5 (of 5) Fantastic Four Vol. 1 "Fourever" GN Killmonger #5 (of 5) Immortal Hulk #12 (2nd print) Ziggy Pig Silly Seal Comics #1 Avengers by Jason Aaron Vol. 2 GN Marvel Knights Punisher by Ennis Complete Collection Vol. 2 GN NEW THIS WEEK FROM DC... Detective Comics 80 Years of Batman Deluxe Hard Cover Doomsday Clock #9 (of 12) Batman #66 Green Lantern #5 Justice League #19 Harley Quinn #59 Young Justice #3 Adventures of the Super Sons #8 (of 12) Deathstroke #41 Green Arrow #50 Female Furies #2 (of 6) Dreaming #7 Curse of Brimtstone #12 Suicide Squad Black Files #5 (of 6) Batman & Harley Quinn GN Justice League Dark Vol. 1 GN JLA New World Order Essential Edition GN DC Essentials Batgirl Action Figure NEW THIS WEEK FROM IMAGE... Walking Dead #189 Walking Dead Vol. 31 GN Die #4 Cemetery Beach #7 (of 7) Deadly Class #37 Paper Girls #26 Unnatural #8 (of 12) Self Made #4 Eclipse #13 Vindication #2 (of 4) Last Siege GN Wicked & Divine Vol.
    [Show full text]
  • Avengers and Its Applicability in the Swedish EFL-Classroom
    Master’s Thesis Avenging the Anthropocene Green philosophy of heroes and villains in the motion picture tetralogy The Avengers and its applicability in the Swedish EFL-classroom Author: Jens Vang Supervisor: Anne Holm Examiner: Anna Thyberg Date: Spring 2019 Subject: English Level: Advanced Course code: 4ENÄ2E 2 Abstract This essay investigates the ecological values present in antagonists and protagonists in the narrative revolving the Avengers of the Marvel Cinematic Universe. The analysis concludes that biocentric ideals primarily are embodied by the main antagonist of the film series, whereas the protagonists mainly represent anthropocentric perspectives. Since there is a continuum between these two ideals some variations were found within the characters themselves, but philosophical conflicts related to the environment were also found within the group of the Avengers. Excerpts from the films of the study can thus be used to discuss and highlight complex ecological issues within the EFL-classroom. Keywords Ecocriticism, anthropocentrism, biocentrism, ecology, environmentalism, film, EFL, upper secondary school, Avengers, Marvel Cinematic Universe Thanks Throughout my studies at the Linneaus University of Vaxjo I have become acquainted with an incalculable number of teachers and peers whom I sincerely wish to thank gratefully. However, there are three individuals especially vital for me finally concluding my studies: My dear mother; my highly supportive girlfriend, Jenniefer; and my beloved daughter, Evie. i Vang ii Contents 1 Introduction
    [Show full text]
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
    [Show full text]
  • Graphic No Vels & Comics
    GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse.
    [Show full text]
  • Department of Political Science Chair of Gender Politics Wonder Woman
    Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J.
    [Show full text]
  • Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier).
    [Show full text]
  • Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
    Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.
    [Show full text]
  • Wolverine: Dark Wolverine - the Prince Vol
    FREE WOLVERINE: DARK WOLVERINE - THE PRINCE VOL. 1 PDF Daniel Way,Marjorie M. Liu,Giuseppe Camuncoli | 112 pages | 03 Mar 2010 | Marvel Comics | 9780785138662 | English | New York, United States Dark Wolverine (Volume) - Comic Vine Daken is the mutant son of Wolverine and the deceased Itsu. He Wolverine: Dark Wolverine - the Prince Vol. 1 superhuman abilities similar to his father e. Daken was ranked sixth in Comics Alliance's "50 Sexiest Male Characters in Comics" list and is often recognized for his sex appeal. Regarding Daken's role in Wolverine: Origins and his relationship with his father, Way stated that whereas Logan is attempting to "take control of his destiny", Daken Wolverine: Dark Wolverine - the Prince Vol. 1 heading down the opposite direction, "hacking, slashing and going nuts". He also stated that what Daken needs in his life is guidance, something that Logan is struggling to offer him. But in order to achieve that they first must kill Romulus. Additionally, Way revealed that Daken's role would increase in and that by the end of Wolverine: Originshis past would intentionally remain open to provide a "fertile ground for years Daken is one of the best things to come out of Originsand what better way to piss off his father? He's an iconic and legacy character attached to a number of cool things in the Marvel Universe, but he really hasn't had a lot of face time with it. So we can really roll up our sleeves and see what we've got there and help create a character. I'm not taking anything away from Daniel Way, his creator, but I am saying once a character gets rolling it's interesting to see him interacting with different types of characters.
    [Show full text]
  • Covert Action and Clandestine Activities of the Intelligence Community: Framework for Congressional Oversight in Brief
    Covert Action and Clandestine Activities of the Intelligence Community: Framework for Congressional Oversight In Brief Updated August 9, 2019 Congressional Research Service https://crsreports.congress.gov R45196 SUMMARY R45196 Covert Action and Clandestine Activities of the August 9, 2019 Intelligence Community: Framework for Michael E. DeVine Congressional Oversight In Brief Analyst in Intelligence and National Security Since the mid-1970s, Congress’s oversight of the Intelligence Community (IC) has been a fundamental component of ensuring that the IC’s seventeen diverse elements are held accountable for the effectiveness of their programs supporting United States national security. This has been especially true for covert action and clandestine intelligence activities because of their significant risk of compromise and potential long-term impact on U.S. foreign relations. Yet, by their very nature, these and other intelligence programs and activities are classified and shielded from the public. Congressional oversight of intelligence, therefore, is unlike its oversight of more transparent government activities with a broad public following. In the case of the Intelligence Community, congressional oversight is one of the few means by which the public can have confidence that intelligence activities are being conducted effectively, legally, and in line with American values. Covert action is defined in statute (50 U.S.C. §3093(e)) as “an activity or activities of the United States Government to influence political, economic, or military conditions abroad, where it is intended that the role of the United States Government will not be apparent or acknowledged publicly.” When informed of covert actions through Presidential findings prior to their execution—as is most often the case—Congress has a number of options: to provide additional unbiased perspective on how these activities can best support U.S.
    [Show full text]
  • GAMEGENIC to PRODUCE FIRST OFFICIAL MARVEL CHAMPIONS SLEEVES Press Release, July 29, 2020
    OFFICIAL PRESS RELEASE GAMEGENIC TO PRODUCE FIRST OFFICIAL MARVEL CHAMPIONS SLEEVES Press release, July 29, 2020 It is a true premiere. For the first time, there will be official MARVEL CHAMPIONS sleeves available – developed exclusively by Gamegenic. The Asmodee Group Studio with its headquarters in Essen, Germany are the first to produce official MARVEL sleeves for the popular MARVEL CHAMPIONS card game. The sleeves are also a perfect fit for all other popular standard-sized card games on the market. Players and fans are able to look forward to card sleeves featuring their favorite MARVEL heroes. The heroes in the core set include Iron Man, Spider-Man, Black Panther, Captain Marvel and She-Hulk. Captain America will be the first hero to star in the extension set. Overall, there will be nine different design versions available from the start. More will follow. “Gamegenic is proud to partner up with MARVEL to create card sleeves for such a fantastic and popular game“, says Gamegenic Head of Studio Adrian Alonso. “Our goal is to enhance the experience of an already excellent game by creating premium card sleeves tailored to any fan’s needs.” One special feature of the sleeves is the fact that each pack contains a clear sleeve for the hero or the villain on top of the art sleeves. The products will be presented just before this year’s Gen Con and will hit the stores during holiday season 2020. Contact Axelle Bigué Project Manager, Gamegenic [email protected] T: +49 (0)201 248 595 578 About Gamegenic Based in Essen, Germany, Gamegenic creates premium gaming accessories including card sleeves, card boxes, binders, pages, and more to protect game components and enhance the playing experience.
    [Show full text]