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Prix Italia 2017 Catalogo

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INTERNATIONAL COMPETITION RADIO, TELEVISION AND WEB Back to Facts Reality versus Fake News MILANO, SEPTEMBER 29th - OCTOBER 1st 2017 PROGRAMME ENTRIES UNDER THE HIGH PATRONAGE OF THE PRESIDENT OF THE ITALIAN REPUBLIC UNDER THE HIGH PATRONAGE OF THE PRESIDENT OF THE ITALIAN REPUBLIC UNDER THE AEGIS OF THE PRESIDENT OF RAI PRIX ITALIA INTERNATIONAL COMPETITION RADIO, TELEVISION AND WEB MILANO PALAZZO GIURECONSULTI, PIAZZA DEI MERCANTI, 2 29th SEPTEMBER - 1st OCTOBER 2017 www.prixitalia.rai.it SOTTO L’ALTO PATRONATO DEL PRESIDENTE DELLA REPUBBLICA ITALIANA SOTTO L’EGIDA DELLA PRESIDENTE DELLA RAI PRIX ITALIA CONCORSO INTERNAZIONALE RADIO, TELEVISIONE E WEB MILANO PALAZZO GIURECONSULTI, PIAZZA DEI MERCANTI, 2 29 SETTEMBRE - 1 OTTOBRE 2017 www.prixitalia.rai.it SOTTO L’ALTO PATRONATO DEL PRESIDENTE DELLA REPUBBLICA ITALIANA SOTTO L’EGIDA DELLA PRESIDENTE DELLA RAI INDEX 4 PRESENTATION 15 2017 JURIES 19 RADIO PROGRAMMES - Radio Music - Radio Drama - Radio Documentary and Reportage PRIX ITALIA 143 TV PROGRAMMES CONCORSO INTERNAZIONALE - TV Performing Arts - TV Drama RADIO, TELEVISIONE E WEB - TV Documentary 275 WEB PROJECTS 309 RADIO, TV AND WEB REGULATIONS MILANO PALAZZO GIURECONSULTI, PIAZZA DEI MERCANTI, 2 341 SPECIAL PRIZES 29 SETTEMBRE - 1 OTTOBRE 2017 www.prixitalia.rai.it 348 ABOUT PRIX ITALIA 2017 PRIX ITALIA 3 WWW.PRIXITALIA.RAI.IT THE BATTLE OVER CONTENT Focusing on the facts, checking sources, reflecting on the news before sending it out…this is the job of a journalist. The sole bulwark against the flood of fake news. Lying at the very core of Prix Italia 2017 is thinking about the sound and crucial work to be done in order to stop incorrect, uncontrolled or altogether invented news. Doing this in Milan means exchanging views on the required commitment, professionality and responsibility in the productive heart of Italy and indeed of Europe. It is a huge concern: fake news is assailing bulletins and swamping public debate. The truth blurs in the war of ideas. Journalists versus social networks, traditional media versus internet platforms, politicians versus television and newspapers. Some search for news and some alternative facts. Not simply journalism, but the entire democratic system is in peril. Fake news has always been there, manipulating reality has always been an objective of power. Yet today there is a variant that instils even more fear, at least that is until it has been mastered. It is the latest technology which changes the way the news is used and unleashes never-ending reverberations of distorted or carefully contrived news. However, our enemy is not technology. Rather, smartphones, tablets, social networks are exceptional tools in order to be informed and understand. The war is on content, the problem is who produces it and who handles it for their own gain or so as to create consensus. One has to realise that each time we go on the Web, we leave an indelible footprint. By searching on Google, sharing on Facebook or quite simply by making a purchase on Amazon. All this information is a gold mine. Once translated into algorithms it serves to orient our purchases, although even to influence, shape our political decisions. This should not frighten us, but raise our guard, our monitoring of the quality of the information produced, offering tools facilitating insight and sharpening our critical sense. Public Service’s role is this: assuring a good quality flow of news, guaranteeing correct and reliable information addressing an audience as broad as it is accessible on various platforms. It is a firm, continuous commitment that we have come to celebrate here in Milan at Prix Italia 2017 together with our partners and the media worldwide. A memento for the news world. MONICA MAGGIONI PRESIDENT OF RAI 4 PRIX ITALIA 2017 WWW.PRIXITALIA.RAI.IT LA BATAILLE SUR LES CONTENUS Mettre les faits au premier plan, vérifier ses sources, raisonner sur l’info avant de la divulguer. Ceci est le métier du journaliste, le seul rempart contre la diffusion des fausses dépêches. Méditer sur le travail, concret et fondamental, à faire pour bloquer les informations incorrectes, non contrôlées ou inventées de toute pièce, est au cœur de l’édition 2017 du Prix Italia. Organiser notre manifestation à Milan est donc un choix pour se confronter sur l’engagement, le professionnalisme et les responsabilités, depuis le cœur productif de l’Italie et de l’Europe. L’inquiétude est grande : les fake news envahissent l’information et occupent le débat public. La vérité s’estompe dans la bataille des idées. Les journalistes contre les réseaux sociaux, les médias traditionnels contre les plateformes internet, les politiques contre la TV et les journaux. Certains exigent des infos et d’autres veulent des vérités alternatives. Ce n’est pas seulement le journalisme qui est en péril, mais l’ensemble du système démocratique. Les fausses infos ont toujours existé, manipuler la vérité a toujours été l’un des objectifs du pouvoir, mais aujourd’hui, apparaît une variable, plus effrayante encore, du moins tant qu’elle reste incontrôlable. Les nouvelles technologies modifient l’usage de l’information et permettent de multiplier à l’infini l’écho des infos déformées ou montées de toute pièce. Mais l’ennemi n’est pas la technologie. Les smartphones, les tablettes, les réseaux sociaux sont au contraire de formidables outils pour s’informer et connaître. La bataille se joue sur les contenus, le problème est celui qui les produit et les traite pour faire des profits ou créer le consensus. Il faut être conscient qu’à chaque fois que l’on accède à internet, on laisse derrière soi une trace indélébile : quand on fait des recherches sur Google, quand on échange su Facebook ou tout simplement quand on fait ses courses sur Amazon. Toutes ces informations deviennent des minières. Traduites en algorithmes, elles servent à piloter nos achats, mais aussi à orienter nos choix politiques. Mais tout ceci ne doit pas nous effrayer, au contraire, cela doit nous inciter à élever notre seuil d’attention, notre vigilance sur la qualité des informations produites en proposant des outils pour développer notre sens du discernement et notre esprit critique. Ceci est la mission du service public, à savoir : garantir la qualité des flux, assurer une information correcte et fiable en s’adressant à un public toujours plus vaste et donc toujours plus accessible sur les différentes plateformes. Un engagement constant que nous sommes venus célébrer ici à Milan avec nos partenaires et les médias du monde entier pour l’édition 2017 du Prix Italia. Un mémento pour toute l’information. MONICA MAGGIONI PRESIDENTE DE LA RAI 2017 PRIX ITALIA 5 WWW.PRIXITALIA.RAI.IT LA BATTAGLIA SUI CONTENUTI Mettere al centro i fatti, verificare le fonti, ragionare sulle notizie prima di divulgarle. È il mestiere del giornalista. Unico argine al dilagare delle notizie false. Riflettere sul lavoro concreto ed essenziale che c’è da fare per bloccare le informazioni scorrette, non controllate, o inventate del tutto è al centro dell’edizione 2017 del Prix Italia. Farlo a Milano significa confrontarsi su impegno, professionalità e responsabilità necessari dal cuore produttivo del paese e dell’Europa. La preoccupazione è grande: le fake news assediano l’informazione e occupano il dibattito pubblico. La verità sfuma nella battaglia delle idee. Giornalisti contro social network, media tradizionali contro piattaforme internet, politici contro tv e giornali. Chi cerca le notizie e chi i fatti alternativi. A rischio non è solo il giornalismo, ma l’intero sistema democratico. Le notizie false sono sempre esistite, manipolare la realtà è sempre stato un obiettivo del potere. Eppure oggi c’è una variabile che fa ancora più paura, almeno fino a che non si riesce a gestirla. Sono le nuove tecnologie che cambiano la fruizione dell’informazione e che permettono di moltiplicare all’infinito l’eco delle notizie distorte o costruite ad arte. Ma il nostro nemico non è la tecnologia. Smartphone, tablet, social network sono piuttosto strumenti straordinari per informarsi e conoscere. La battaglia è sui contenuti, il problema è chi li produce e chi li gestisce per fare profitti o creare consenso. Bisogna essere consapevoli che ogni volta che accediamo alla rete, lasciamo tracce indelebili. Con le nostre ricerche su Google, con le nostre condivisioni su Facebook o semplicemente facendo la spesa su Amazon. Tutte queste informazioni sono una miniera. Tradotte in algoritmi servono a orientare i nostri acquisti, ma anche a indirizzare le nostre scelte politiche. Questo non ci deve spaventare, ma far alzare la soglia della nostra attenzione, la nostra vigilanza sulla qualità delle informazioni prodotte offrendo strumenti di discernimento e di costruzione del senso critico. Il ruolo del Servizio Pubblico è questo: assicurare qualità nel flusso, garantire un’informazione corretta e affidabile rivolgendosi a una platea tanto più ampia tanto più raggiungibile su diverse piattaforme. Un impegno costante che siamo venuti a celebrare qui a Milano nell’edizione 2017 del Prix Italia insieme ai nostri partner e ai media di tutto il mondo. Un memento per tutta l’informazione. MONICA MAGGIONI PRESIDENTE RAI 6 PRIX ITALIA 2017 WWW.PRIXITALIA.RAI.IT WELCOME TO MILAN, WELCOME TO PRIX ITALIA It is a great privilege to have been elected to serve as President of the Prix Italia in this its 69th year. As a radio and television programme maker for more than 40 of those years, I know the warmth, affection and respect in which the Prix is held by broadcasters all over the world and I am delighted to welcome jurors, delegates and guest participants to this edition in Milan. And not only are we in Milan we are in the heart of the city with events in and around the Piazza del Duomo. A dazzling array of programmes has been entered in the competition and the juries will have some hard work to do over the coming days.
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  • Helena Araújo, El Devenir Afuera: De La Colonia Al Exilio, De La Confesión a La Auto-Ficción

    Helena Araújo, El Devenir Afuera: De La Colonia Al Exilio, De La Confesión a La Auto-Ficción

    Sánchez 1 Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción A dissertation submitted to the Graduate School Of the University of Cincinnati In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Department of Romance Languages and Literatures Of the McMicken College of Arts and Sciences By María Clemencia Sánchez B.A., Education and Languages Universidad de Antioquia, Colombia, 1995 M.A., Hispanic Literature University of Cincinnati, 2008 Committee Chair: Dr. Armando Romero Sánchez 2 Abstract Divided into three chapters, my Ph.D. Dissertation, entitled “Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción,” examines how Araújo’s work is organized around the spatial-temporal discontinuity provoked by the exile of the feminine character. Using Gilles Deleuze’s concept of ‘rhizome’, this dissertation seeks to demonstrate how the feminine character could become-other on the condition that she changes territory by moving from the Colony to the exile. The first chapter is a revision of the symbolic formation of the Colony drawn as a territory of control in a corpus of literary women’s works in Colombia from 18th to 20th centuries. The goal of this revision is to illustrate the symmetry between the confessional narrative modes and the controlling structure of the Colony. The second chapter defines and analyzes the first movement of Araújo’s work: from the Colony to the exile. In this chapter I seek to demonstrate how the exile’s distance changes the representation of a same place.