The Joke Critical Race Theory: De Gustibus Disputandum Est?
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Racism As Observed by White Youth? Do White Youth Believe the Term Newfie Is an Ethnic Slur? What Are White Youths’ Views of Canada’S Response to the Syrian Crisis?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Memorial University Research Repository THE MANIFESTATIONS OF PREJUDICE IN EVERYDAY LIFE: AN EXAMINATION OF RACIAL MICROAGGRESSIONS, ETHNOPHAULISMS, AND INTEGRATED THREATS AS OBSERVED BY WHITE POST-SECONDARY YOUTH IN ST. JOHN’S, NEWFOUNDLAND AND LABRADOR JAMES BAKER MCMASTER UNIVERSITY MAY 2017 2015-16 APPLIED RESEARCH FUND The Manifestations of Prejudice in Everyday Life: An Examination of Racial Microaggressions, Ethnophaulisms, and Integrated Threats as Observed by White Post-Secondary Youth in St. John’s, Newfoundland and Labrador James Baker Banting Postdoctoral Fellow McMaster University Acknowledgements I would like to thank the Leslie Harris Centre of Regional Policy and Development, Memorial University, for providing financial support (through its Applied Research Fund) to conduct this research. I would also like to express sincere gratitude to those individuals who chose to participate in the interviews as well as my research assistant, Crystal Cline, who did a fantastic job in providing research support for this project. I also owe a sincere debt of gratitude to Dr. Amanda Bittner, Associate Professor, Department of Political Science, who acted as a the grant holder so that this research could be undertaken. i Executive Summary With the arrival of some 250 Syrian refugees to Newfoundland and Labrador in 2015, there has been much news coverage of the crisis both at the provincial and national level. Unfortunately, over the past few months, reader comments on on-line news stories from local provincial media (e.g., CBC, VOCM, The Telegram) have expressed a very negative and often prejudiced view on whether Newfoundland and Labrador should accept more refugees. -
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Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 3, 142-162 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/392 Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000 Jennifer Kim1 Independent Scholar, USA Abstract: Comedy that challenges race ideology is transformative, widely available, and has the potential to affect processes of identity formation and weaken hegemonic continuity and dominance. Outside of the rules and constraints of serious discourse and cultural production, these comedic corrections thrive on discursive and semiotic ambiguity and temporality. Comedic corrections offer alternate interpretations overlooked or silenced by hegemonic structures and operating modes of cultural common sense. The view that their effects are ephemeral and insignificant is an incomplete and misguided evaluation. Since this paper adopts Hegel’s understanding of comedy as the spirit (Geist) made material, its very constitution, and thus its power, resides in exposing the internal thought processes often left unexamined, bringing them into the foreground, dissecting them, and exposing them for ridicule and transformation. In essence, the work of comedy is to consider all points of human processing and related structuration as fair game. The phenomenological nature of comedy calls for a micro-level examination. Select examples from The Smothers Brothers Comedy Hour (1968), The Richard Pryor Show (1977), Saturday Night Live (1990), and Chappelle’s Show (2003) will demonstrate representative ways that comedy attacks and transforms racial hegemony. Keywords: comedy, cultural sociology, popular culture, race and racism, resistance. During periods of social unrest, what micro-level actions are available to the public? Or, how does a particular society respond to inequities that are widely shared and agreed upon as intolerable aspects of a society? One popular method to challenge a hegemonic structure, and to survive it, is comedy. -
Hawai'i Ethnic Humor, Local Identity and the Myth of Multiculturalism
Pragmatics 14:2/3.291-316 (2004) International Pragmatics Association “WE CAN LAUGH AT OURSELVES”: HAWAI‘I ETHNIC HUMOR, LOCAL IDENTITY AND THE MYTH OF MULTICULTURALISM1 Roderick N. Labrador Abstract Hawai‘i’s multiculturalism and perceived harmonious race and ethnic relations are widely celebrated in popular and academic discourse. The image of Hawai‘i as a “racial paradise,” a rainbow of peacefully co- existing groups, partially stems from the fact that among the various racial and ethnic groups there is no numerical majority and from the common belief in equality of opportunity and status. Hawai‘i ethnic humor is part and parcel of the maintenance and continued reinforcement of the notion of Hawai‘i as “racial paradise” with underlying racializing and stigmatizing discourses that disguise severe social inequalities and elide differential access to wealth and power. In this paper, I examine the intersection of language, humor, and representation by analyzing the linguistic practices in the comedy performances of Frank DeLima, a pioneer in Hawai‘i ethnic humor, and excerpts from Buckaloose: Shmall Keed Time (Small Kid Time), a comedy CD by Da Braddahs, a relatively new but tremendously popular comedy duo in Hawai‘i. Central to these comedy performances is the use of a language variety that I call Mock Filipino, a strategy often employed by Local comedians to differentiate the speakers of Philippine languages from speakers of Hawai‘i Creole English (or Pidgin). A key component to understanding the use of Mock Filipino is the idea of “Local” as a cultural and linguistic identity category and its concomitant multiculturalist discourse. -
Extending Ethnic Humour Theory: Genuine Vs. Functional Ethnic Jokе Scripts
http://dx.doi.org/10.7592/EJHR2018.6.2.takovski European Journal of Humour Research 6 (2) 60–80 www.europeanjournalofhumour.org Extending ethnic humour theory: Genuine vs. functional ethnic jokе scripts Aleksandar Takovski South East European University [email protected] Abstract Most ethnic humour that has been studied so far consists of jokes which use ethnically non- specific qualities such as stupidity or canniness in order to ridicule an ethnic group and thus to preserve and perpetuate ethnically based social hierarchies in western industrial societies. In light of this dominant logic in ethnic humour theory, the objective of this study is to problematize the relation of such non-ethnic qualities and the notion of ethnic identity, as well as their relation to a specific type of society, in an attempt to convincingly argue in favour of the need to differentiate between ‘ethnically-empty’ functional joke scripts and genuine ethnic joke scripts that are related to the ethnic identity of the target. In so doing, I extend ethnic humour theory by introducing and testing the notion of genuine ethnic joke scripts in order to motivate future research that will tackle other potential ethnic humour idiosyncrasies. Toward this end, I have collected and analysed joke material (N=369) coming from Macedonia, Bulgaria, Serbia, and Albania, societies with histories and relations very different that those in the western industrial societies. Additionally, the study incorporates two questionnaires with members of the two largest ethnicities in the Republic of Macedonia, Macedonians and Albanians, to ascertain the relation between the genuine ethnic humour and ethnic identity. -
Campus Antiracism Rules: Constitutional Narratives in Collision Legal Theory
Alabama Law Scholarly Commons Articles Faculty Scholarship 1990 Campus Antiracism Rules: Constitutional Narratives in Collision Legal Theory Richard Delgado University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Richard Delgado, Campus Antiracism Rules: Constitutional Narratives in Collision Legal Theory, 85 Nw. U. L. Rev. 343 (1990). Available at: https://scholarship.law.ua.edu/fac_articles/383 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. Copyright 1991 by Northwestern University, School of Law Printed in U.S.A. Northwestern University Law Review Vol. 85, No. 2 LEGAL THEORY CAMPUS ANTIRACISM RULES: CONSTITUTIONAL NARRATIVES IN COLLISION Richard Delgado* INTRODUCTION Over the past few years, nearly two hundred university and college campuses have experienced racial unrest serious or graphic enough to be reported in the press.1 Most observers believe the increase in racial ten- sion on the nation's campuses is real, and not just the product of better 2 reporting or record keeping. * Charles Inglis Thomson Professor of Law, University of Colorado School of Law. J.D. 1974, U-C Berkeley School of Law (Boalt Hall). I delivered portions of this paper in talks at Harvard University and the University of Wisconsin in winter 1989-90. I am grateful to Kent Greenawalt, Michael Olivas, and Pierre Schlag for comments and suggestions. Anne Najem, Michael Kramer, Joan Leon, Marisa Walsh, and Bruce Bode, members of my fall 1989 first amendment seminar at University of Wisconsin, drafted major sections of this Article, and Lora Intrator and Robin Barnes performed heroically in editing and criticizing a sprawling manuscript. -
Politics of Parody
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. -
Thesociologyofhumor Giselinde Kuipers
The sociology of humor Giselinde Kuipers 1. Introduction Humor is a quintessentially social phenomenon. Jokes and other humorous utterances are a form of communication that is usually shared in social in- teraction. !ese humorous utterances are socially and culturally shaped, and o"en quite particular to a specific time and place. And the topics and themes people joke about are generally central to the social, cultural and moral order of a society or a social group. Despite the social character of humor, sociology, the discipline that stud- ies society and social relations, has not concerned itself much with humor. When sociology emerged in the nineteenth century, it focused mainly on the great structural transformations of the modern times: modernization, indus- trialization, urbanization, secularization, etc. It was not very interested in the “unserious” business of everyday life: interactions, emotions, play, leisure, private life, and other things not directly related to great developments on the macro-level of society – such as humor. In the course of the twentieth cen- tury, sociology became more diverse and increasingly concerned with the micro-reality of everyday life, but it still remained overwhelmingly devoted to the study of social problems, great transformations, and other serious mat- ters. As a result, humor came into focus mainly when it seemed problematic in itself, or was concerned with important social issues: race and ethnicity, political conflict, social resistance, gender inequalities. Meanwhile, questions about the social nature of humor were addressed by many other disciplines. Many of the classical humor theoreticians (Mor- reall 1983) touch on social aspects of humor. -
Israeli Journal for Humor Research, December 2017, Vol. 6 Issue No. 2 5
Israeli Journal for Humor Research, August 2018, Vol. 7 Issue No. 1 4 Guest Editor’s Introduction Steven Gimbel* As Humor Studies writ large has continued to develop and blossom into a recognized and respected interdisciplinary field over the last two decades, so too the subfield Philosophy of Humor has gained a foothold of respectability in its disciplinary milieu. Professional organizations such as the International Association for the Philosophy of Humor and the Lighthearted Philosophers’ Society hold annual meetings, attracting both senior philosophers from more established corners of philosophic discourse who have begun to work on humor-related questions as well as younger scholars, junior faculty members, and graduate students who see philosophy of humor as their area of specialization. It is from this position of growth that a conference was organized at Bucknell University in Lewisburg, Pennsylvania from April 5th through 8th by Professor Sheila Linttot focusing on the ethics and aesthetics of stand-up comedy. Attracting some of the most well-known scholars in the field as well as earlier career researchers, the conference was unique in moving away from general discussions of humorous utterances in standard conversational contexts and instead sought to examine the philosophical ramifications of a specific aesthetic context, stand-up comedy. Drawing thinkers from North America, Europe, Southeast Asia, and Australia, topics of talks and panels ranged over linguistic, epistemological, ethical, aesthetic, social-political, and ontological themes. Ever aware that stand-up comedy a practice, the philosophical work was interspersed with active participation in the art form. Two top name comedians, Paula Poundstone and Hari Kondobolu, performed on separate nights in front of large audiences sprinkled with philosophers. -
OH MY GOD, THAT NIGGER SAID GUN!”: Use of Ethnic Humor in Modern Stand-Up Comedy
”OH MY GOD, THAT NIGGER SAID GUN!”: Use of ethnic humor in modern stand-up comedy Master’s thesis Ville Jakoaho and Sami Marjamäki University of Jyväskylä Department of Languages English February 2012 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Kielten laitos Tekijä – Author Ville Jakoaho ja Sami Marjamäki Työn nimi – Title “OH MY GOD, THAT NIGGER SAID GUN!”: Use of ethnic humor in modern stand-up comedy Oppiaine – Subject Työn laji – Level englanti Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages helmikuu 2012 117 sivua Tiivistelmä – Abstract Tutkielman tavoitteena oli selvittää, miten etninen huumori ilmenee modernissa stand-up komediassa. Tarkemmin sanottuna tutkielman kiinnostuksen kohde oli tutkia mihin tai keneen etninen huumori kohdistuu, ja mitä eri funktioita sillä saattaa olla. Tutkielmassa analysoitiin seitsemää eri stand-up esitystä viideltä eri amerikkalaiselta koomikolta, joista kaikki kuuluvat etnisiin vähemmistöryhmiin. Tutkielmassa käytetyt esitykset ovat live-esityksiä, jotka ovat julkaistu DVD formaattina. Tutkielma pohjautuu kriittiseen diskurssintutkimukseen ja keskeisenä metodina käytettiin Norman Fairclough:n kolmiulotteista diskurssimallia. Kriittisen diskurssintutkimuksen avulla pyrimme selvittämään sekä kielenkäytön tehtäviä että niiden vaikutuksia vitseissä, ja mitä mahdollisia implikaatioita koomikoiden vitseissä käyttämillä metodeilla on joko etnisten stereotypioiden vahvistamiseen tai heikentämiseen. Tutkielmassa havaittiin, että koomikoiden -
Racial Jokes, Social Context, and the Reasonable Person in Hostile Work Environment Analysis
076605.DOC 11/24/03 1:11 PM THROUGH THE LOOKING GLASS: RACIAL JOKES, SOCIAL CONTEXT, AND THE REASONABLE PERSON IN HOSTILE WORK ENVIRONMENT ANALYSIS MELISSA K. HUGHES* Humor is laughing at what you haven’t got when you ought to have it. Humor is what you wish in your secret heart were not funny, but it is, and you must laugh. Humor is your unconscious therapy. –Langston Hughes1 I. INTRODUCTION Communicating ethnic animosity through humor has long been an American tradition. As early as the seventeenth century, Americans have utilized racial jokes2 to ridicule the culture, dialect, dress, and traditions of each new wave of immigrants.3 Images of “little black Sambo,” “the drunken Irishman,” and “the stupid Pole” have helped to define which ethnic groups are accepted and which remain on the fringe of society.4 Although racial jokes convey a wide variety of messages ranging from * Class of 2003, University of Southern California Law School; B.A. 2000, University of California, San Diego. I would like to thank my family for their confidence in me, Professor Noel Ragsdale for pointing me toward a topic, and Amber Mia Grayhorse for her enduring patience and insightful advice. I would also like to thank Professor Mary Dudziak for assisting in the drafting of this Note and for setting a high standard. 1. MEL WATKINS, ON THE REAL SIDE: A HISTORY OF AFRICAN AMERICAN COMEDY 16 (Lawrence Hill Books 1999) (1994). 2. In this Note, I use the terms “racial jokes” and “ethnic jokes” interchangeably. 3. See JOSEPH BOSKIN, HUMOR AND SOCIAL CHANGE IN TWENTIETH-CENTURY AMERICA 28 (1979) [hereinafter HUMOR AND SOCIAL CHANGE]. -
Livecarlin 3.24Transcriptqueries 1 a TRIBUTE to GEORGE CARLIN
A TRIBUTE TO GEORGE CARLIN HOSTED BY WHOOPI GOLDBERG March 24, 2010 LIVE from the New York Public Library www.nypl.org/live Celeste Bartos Forum GEORGE CARLIN: To get around a lot of this, I decided to worship the sun, but as I said, I don’t pray to the sun. You know who I pray to? Joe Pesci. (laughter/applause) Joe Pesci. Joe Pesci. Two reasons. First of all, I think he’s a good actor, okay? To me that counts. Second, he looks like a guy who can get things done. (laughter/applause) Joe Pesci doesn’t fuck around. (laughter/applause) Doesn’t fuck around. In fact—in fact, Joe Pesci came through on a couple of things that God was having trouble with. For years I asked God to do something about my noisy neighbor with the barking dog. Joe Pesci straightened that cocksucker out with one visit. (laughter/applause) LIVECarlin_3.24TranscriptQUERIES 1 There is no God. None. Not one. No God, never was. In fact, I’m going to put it this way. If there is a God, if there is a God, may he strike this audience dead. (laughter/applause) See, nothing happened. Nothing happened, everybody’s okay. Tell you what. Tell you what. I’ll raise the stakes, I’ll raise the stakes a little bit. If there is a God, may he strike me dead. See, nothing happened. Wait. I’ve got a little cramp in my leg (laughter) and my balls hurt (laughter), plus, I’m blind. Now I’m okay again. -
Racial Satire and Chappelle's Show
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 4-21-2009 Racial Satire and Chappelle's Show Katharine P. Zakos Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Zakos, Katharine P., "Racial Satire and Chappelle's Show." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/communication_theses/50 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RACIAL SATIRE AND CHAPPELLE’S SHOW by KATHARINE P. ZAKOS Under the Direction of Mary Stuckey ABSTRACT This thesis examines Chappelle's Show’s use of racial satire to challenge dominant stereotypes and the effectiveness of that satire as a tool to achieve perspective by incongruity. I use a variation of D’Acci’s circuit of media study model to examine the institutional challenges and limitations on the show due to the context in which it was created, produced, and distributed; to interrogate the strategies employed by the show’s writers/creators to overcome these challenges through the performance of race; and to analyze the audience’s understanding of the use of racial satire through a reception study of the show’s audience. I argue that using satire often has the unintended consequence of crossing the line between “sending up” a behavior and supporting it, essentially becoming that which it is trying to discount, though this is not to say that its intrinsic value is therefore completely negated.