Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
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The Callboard – Lend Me a Tenor
CALLBOARD racine theatre guild September 2016 Lend Me A Tenor Opens September 16 Be prepared to laugh when Lend Ken Ludwig’s A Note From RTG Director Me a Tenor by Ken Ludwig opens the Racine Theatre Guild’s 79th season Doug Instenes of regular shows. The RTG produced SEPT 16 - MARY POPPINS One of the wonderful things Lend Me a Tenor with great success in LEND ME A 1993, when audience members said about the Racine Theatre Guild’s OCT 2 their sides hurt from laughing so slate of plays each season is the va- AUDITIONS hard. The show opened in London riety. We try to offer something for Numerous roles available for adult and children ages 10 and above and then ran on Broadway from 1989 everyone. September 24th 10:00 a.m. – 5:00 p.m. to 1990, winning three Tony Awards TENOR 2519 Northwestern Ave. As we are jumping off on our and four Drama Desk Awards. RACINE, WI 53404 September 25th 6:00 p.m. – 9:00 p.m. 79th season, it is not too late to A farce has been called a comedy become a season ticket holder. Or with at least five doors, and Ludwig’s For more information: Call to schedule an audition time RACINETHEATRE.ORG choose the popular Flex Passes, comedy fits that bill. Set in a hotel -hour time slot- which allow you to buy tickets at Box Office Hours: suite in 1934, in Ohio, the Cleveland Weekdays 12:00 - 6:00 pm affordable prices, and yet select Grand Opera Company is produc- 90 minutes prior to curtain 262.633.4218 through intermission at performance. -
MESA ANNUAL MEETING 2015 Sheraton Denver Downtown Hotel, Denver, CO November 21-24, 2015
MESA ANNUAL MEETING 2015 Sheraton Denver Downtown Hotel, Denver, CO November 21-24, 2015 The following listing of CMES- and Harvard-affiliated speakers was compiled from the MESA Program that was posted in September. Please note that there may have been updates since this time that we were unable to include. For the most current information on times and locations of these panels, visit: https://mesana.org/mymesa/meeting_program.php Pages i.-iii Harvard affiliate listing with session times Pages 9-50 MESA program with Harvard affiliate names highlighted Harvard Affiliate Listing with day(s)/time(s) of MESA sessions Harvard Faculty: . Bayoumi, Soha (Lecturer, History of Science) – Sun, 11-1 . Cammett, Melani (Professor of Government)—Sat, 5:30-7:30 pm; Mon, 5-7 . Dundar Akarca, Halit (Davis Center Visiting Professor)—Sun 8:30-10:30 . Fahmy, Khaled (Shawwaf Visiting Professor in Modern Middle East History)—Sat, 5:30-7:30 . Granara, William (CMES Director, Professor of Arabic, NELC) – Sun, 11-1 . Sullivan, Nevenka Korica (Senior Preceptor NELC, CASA Director)– Sun, 11-1 . Mottahedeh, Roy (Gurney Professor of History) – Sun, 2-4 . Ragab, Ahmed (HDS; Richard T. Watson Assistant Professor of Science and Religion) – Mon, 5-7 Harvard Students: . Agsar Alibhai, Ali (NELC) – Sun, 2-4; Mon, 11-1 . Andani, Khalil (Divinity, NELC) – Mon, 5-7 . Anderson, Paul (NELC) – Mon, 5-7 . Arslan, C. Ceyhun (NELC) – Sun, 4:30-6:30; Mon, 11-1 . Ben Ismail, Youssef (NELC) – Mon, 8:30-10:30 . Blecker, Allison (NELC) – Sun, 11-1 . Elston, Mary (NELC) – Mon, 8:30-10:30 . Gurbuzel, Aslihan (History/MES) – Sun, 11-1 . -
BELOW Press Kit Draft
Below / Press Kit / Page 1 of 15 Screen Australia presents a GoodThing Productions Film in association with Screenwest and Lotterywest, Seville International, Film Victoria And Melbourne International Film Festival Premiere Fund Release: 2019 Running time: 93 minutes Language: English and Farsi Country of Origin: Australia Rating: TBC Aspect Ratio: 2.39/scope Year of Production: 2019 Website: https://goodthingproductions.com.au/projects/below/ Production Company: Australian Distributor: GoodThing Productions Madman Entertainment 42 Glasshouse Road Level 2, 289 Wellington Parade South Collingwood VIC 3066 East Melbourne VIC 3002 Contact: Nick Batzias Contact: Paul Wiegard [email protected] Tel: +61 3 9261 9200 Tel: +61 413 014 446 Press: Caroline Whiteway [email protected] Tel: +61 3 9261 9200 International Sales: Seville International 455, St Antoine Ouest, Bureau 300 Montreal Quebec N2Z1J1 Contact: Anick Poirer [email protected] Tel: +1 514 878 2282 The Filmmakers acknowledge the Traditional Owners, past, present, and emerging of the unceded lands where this film was made. © 2019 GoodThing Productions Company Pty Ltd, Screenwest (Australia) Ltd. Filmfest Limited Below / Press Kit / Page 2 of 15 KEY CAST: Dougie ......................................................... Ryan Corr Terry………..... ............................................... Anthony LaPaglia Azad ............................................................ Phoenix Raei Zahra……………….………….. ............................. Lauren Campbell Cheryl -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
Shakespeare Y Roméo Et Julieite De Charles Gounod
SHAKESPEARE Y ROMÉO ET JULIEITE DE CHARLES GOUNOD Por RAMÓN MARÍA SERRERA "Shakespeare aplastó con su genio, con su dinámica propia, a casi todos los compositores que trataron de transformar sus dramas en óperas" (Alejo Carpentier) No podía ser de otra forma. Cuando baja el telón al final de la representación, los dos amantes yacen muertos sobre el es cenario. Él, tras ingerir el veneno, después de creer que su amada Julieta ha bebido una pócima mortal. Ella, autoinrnolándose por amor cuando descubre que Romeo ha puesto fin a su vida. Una vez más, corno en toda auténtica ópera romántica, un destino ab surdo, pero inexorable, impide a los protagonistas hallar la felici dad, la paz o la consumación de su amor en este mundo. Porque el amor romántico es -no lo olvidemos- un amor siempre imposi ble, un amor que se vive desde el sufrimiento y que se enfrenta a barreras y convenciones sociales, étnicas, políticas o familiares siempre infranqueables. En el Romanticismo la felicidad está cla ramente desacreditada. Deben sufrir hasta el límite, hasta poner fin a sus vidas, estos jóvenes amantes protagonistas de una histo ria de amor irrealizable a causa de rivalidades familiares o de clanes: capuletos y montescos, güelfos y gibelinos, zegríes y aben cerrajes ... Lo mismo da. De lo contrario, no serían los personajes principales de una historia de amor romántica. Y Shakespeare fue un gran dramaturgo romántico ... 136 RAMÓN MARÍA SERRERA - SHAKESPEARE Y EL MELODRAMA ROMÁNTICO En su autobiografía Gounod dejó escrito que "para un com positor, no hay sino un camino a seguir para hacerse de un nombre, y éste es el teatro, la ópera. -
The Epithelial to Mesenchymal Transition in Breast Cancer Induces Alterations in Metabolism
The Texas Medical Center Library DigitalCommons@TMC The University of Texas MD Anderson Cancer Center UTHealth Graduate School of The University of Texas MD Anderson Cancer Biomedical Sciences Dissertations and Theses Center UTHealth Graduate School of (Open Access) Biomedical Sciences 5-2018 The Epithelial To Mesenchymal Transition In Breast Cancer Induces Alterations In Metabolism Esmeralda Ramirez-Peña Follow this and additional works at: https://digitalcommons.library.tmc.edu/utgsbs_dissertations Part of the Medicine and Health Sciences Commons Recommended Citation Ramirez-Peña, Esmeralda, "The Epithelial To Mesenchymal Transition In Breast Cancer Induces Alterations In Metabolism" (2018). The University of Texas MD Anderson Cancer Center UTHealth Graduate School of Biomedical Sciences Dissertations and Theses (Open Access). 859. https://digitalcommons.library.tmc.edu/utgsbs_dissertations/859 This Dissertation (PhD) is brought to you for free and open access by the The University of Texas MD Anderson Cancer Center UTHealth Graduate School of Biomedical Sciences at DigitalCommons@TMC. It has been accepted for inclusion in The University of Texas MD Anderson Cancer Center UTHealth Graduate School of Biomedical Sciences Dissertations and Theses (Open Access) by an authorized administrator of DigitalCommons@TMC. For more information, please contact [email protected]. THE EPITHELIAL TO MESENCHYMAL TRANSITION IN BREAST CANCER INDUCES ALTERATIONS IN METABOLISM By Esmeralda Quetzalcitlali Ramirez-Peña, B.S. APPROVED: ______________________________ -
PLAY GUIDE Inside
McGuire Proscenium Stage / Jan 11 – Feb 16, 2020 Noura by HEATHER RAFFO directed by TAIBI MAGAR PLAY GUIDE Inside THE PLAY Synopsis, Setting and Characters • 4 Responses to Noura • 5 THE PLAYWRIGHT About Heather Raffo •7 In Her Own Words • 8 After the Door Slams: An Interview With Heather Raffo •9 CULTURAL CONTEXT The Long Sweep of History: A Selected Timeline of the Land That Is Now Iraq • 12 What’s What: A Selected Glossary of Terms in Noura • 19 Iraq: Ripped From the Headlines • 22 Chaldean Christians • 24 Meet Cultural Consultant Shaymaa Hasan • 25 ADDITIONAL INFORMATION For Further Reading and Understanding • 27 Guthrie Theater Play Guide Copyright 2020 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Shaymaa Hasan, Daisuke Kawachi, Heather Raffo, Carla Steen Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 EDITOR Johanna Buch ADMINISTRATION 612.225.6000 All rights reserved. With the exception of classroom use by BOX OFFICE 612.377.2224 or 1.877.44.STAGE (toll-free) teachers and individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic guthrietheater.org • Joseph Haj, artistic director or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie creates transformative theater experiences that ignite the imagination, The Guthrie Theater receives support from the National stir the heart, open the mind and build community through the illumination of our Endowment for the Arts. -
TONY KISER THEATER LETTERS of SURESH by RAJIV JOSEPH DIRECTED by MAY ADRALES Letters of Suresh Is the Recipient of an Edgerton Foundation New Play Award
JULY 2021 – TONY KISER THEATER KATE BALDWIN IN CONCERT THE SAME, BUT DIFFERENT KATE BALDWIN IN CONCERT THE SAME, BUT DIFFERENT July 22-25, 28-31 CAST KATE BALDWIN CREATIVE Music Director .............................................GEORGIA STITT Director ....................................................TRAVIS GREISLER Lighting Design ..................................HERRICK GOLDMAN Sound Design ............................................. JASON CRYSTAL Stage Manager ...............................................KYRIE BAYLES SONGS Where or When/I Didn’t Know What Time it Was (Rodgers/Hart) Look to the Rainbow/How are Things in Glocca Morra (Lane/Harburg) I’m the Bravest Individual (Coleman/Fields) Water is Wide (arr. Stitt) One Minute Song Cycle (Stitt, various poets) Breeze off the River/I Don’t Need a Roof (Yazbeck/Lippa) You Could Drive a Person Crazy (Sondheim, arr. Loud) Lorna’s Here (Strouse/Adams) Still Haven’t Found/Taking Chances (U2/Celine Dion) New York, New York (Kander & Ebb) Look for the Silver Lining (Kern) Special Thanks to the Creative Team of We’re Gonna Die by Young Jean Lee Directed & Choreographed by Raja Feather Kelly, Scenic Design by David Zinn, Costume Design by Naoko Nagata, Lighting Design by Tuce Yasak, Sound Design by Jason Crystal TONY KISER THEATER 2ST.COM FOLLOW US @2STNYC 2 SECOND STAGE BOARD OF TRUSTEES Terry Lindsay, Co-Chair of the Board Timothy J. McClimon, Co-Chair of the Board ROBERTO AGUIRRE-SACASA KHADY KAMARA GABRIELLE LONDON PALITZ ELIZABETH C. BERENS ANTHONY C. M. KISER BAMBI PUTNAM KEVIN BROCKMAN STEVEN B. KLINSKY CAROLE ROTHMAN LOUISE HENRY BRYSON JANET LYNNE KNOPF NATHAN E. SAINT-AMAND MIA CAMPBELL PATRICIA J. LANGER IRA SCHRECK DEBRA MARTIN CHASE GINA MARIA LEONETTI STEPHEN C. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program. -
THE REAL THING?1 ADAPTATIONS, TRANSFORMATIONS and BURLESQUES of SHAKESPEARE, HISTORIC and POST-MODERN the Practice of Adapting G
The real thing? Adaptations, transformations... 289 THE REAL THING?1 ADAPTATIONS, TRANSFORMATIONS AND BURLESQUES OF SHAKESPEARE, HISTORIC AND POST-MODERN Manfred Draudt University of Austria The practice of adapting great authors to fit current requirements is not just a recent phenomenon. The first great wave of adaptations of Shakespeare came after the period of the closing of theatres in 1642, with the advent of the Restoration in 1660. Political change was accompanied by a radical change in tastes, ideals and conditions: theatres were roofed in and artificially illuminated (like the earlier private theatres); there was also elaborate changeable scenery; and for the first time female roles were taken by professional actresses. Most importantly, French neo-classicism was adopted as the fashionable theory that shaped both the form and the language of plays. These currents of change motivated playwrights and managers to “improve on” Shakespeare by rewriting and staging his plays in accordance with the spirit of the new times. Of the hundreds of adaptations written between 1660 and the end of the eighteenth century2 I want to recall here just a few: William Davenant, born in 1606 and claiming to be Shakespeare’s “natural” or illegitimate son, appears to have started the trend in 1662 with his play Ilha do Desterro Florianópolis nº 49 p. 289-314 jul./dez. 2005 290 Manfred Draudt The Law Against Lovers, in which he combined Much Ado About Nothing with a purified Measure for Measure. Even more popular was his spectacular operatic version of a tragedy: Macbeth. With all the Alterations, Amendments, Additions, and New Songs (1663), followed in 1667 by The Tempest, or the Enchanted Island, in which a male counterpart to Miranda, sisters to her and to Caliban, as well as a female companion to Ariel are added. -
Program Archive Columbia Undergraduate Scholars Program (CUSP) 2000-2020
Program Archive Columbia Undergraduate Scholars Program (CUSP) 2000-2020 Columbia University Berick Center for Student Advising CONTENTS Yearly Themes and Events ......................................................................................................................... 4 Dissonance: 2019-2020 ................................................................................................................................ 5 Speaker Series 2019-2020 ......................................................................................................................... 5 Lateness: 2018-2019 .................................................................................................................................. 13 Speaker Series 2018-2019 ....................................................................................................................... 13 Insight: 2017-2018 ..................................................................................................................................... 25 Speaker Series 2017-2018 ....................................................................................................................... 25 Navigation: 2016-2017 .............................................................................................................................. 36 Speaker Series 2016-2017 ....................................................................................................................... 36 Metamorphosis: 2015-2016 .....................................................................................................................