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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Superman's Girl Friend, Lois Lane and the Represe
Research Space Journal article ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women Goodrum, M. Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424. Link to official URL (if available): https://doi.org/10.1111/1468-0424.12361 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] ‘Superman believes that a wife’s place is in the home’: Superman’s Girl Friend, Lois Lane and the representation of women Michael Goodrum Superman’s Girl Friend, Lois Lane ran from 1958-1974 and stands as a microcosm of contemporary debates about women and their place in American society. The title itself suggests many of the topics about which women were concerned, or at least were supposed to concern them: the mediation of identity through heterosexual partnership, the pressure to marry and the simultaneous emphasis placed on individual achievement. Concerns about marriage and Lois’ ability to enter into it routinely provide the sole narrative dynamic for stories and Superman engages in different methods of avoiding the matrimonial schemes devised by Lois or her main romantic rival, Lana Lang. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
The Flash Chronicles Vol. 1 Pdf Free Download
THE FLASH CHRONICLES VOL. 1 PDF, EPUB, EBOOK Various,Kanigher,Carmine Infantino | 158 pages | 29 Sep 2009 | DC Comics | 9781401224714 | English | United States The Flash Chronicles Vol. 1 PDF Book Ratings and Reviews Write a review. This new series took everything good about the old one, and distilled it. But no, "Hold still while i turn the air into rubber bands to hold you. August 27, Please help improve this article by adding citations to reliable sources. First and foremost, the first story here is widely acknowledged as the story that kicked off the "Silver Age" of comics. What the actual fuck? Panels are often horizontal and spread across the page, giving things a streamlined look. I was so curious where it is that I looked it up and opinion is divided as to whether it is in Ohio or Florida. This metabolic limitation would later be continued into Barry Allen's character for the brief television series The Flash broadcast in —91, as well as The Flash series which debuted in , though to a lesser degree. One thing we didn't mention was the name of his artistic collaborator. Modern comics would also probably play for comedy the idea of Barry Allen imitating and trying to live up to a fictional character in the real world, sort of like Walter Mitty but with power to back it up. March 21, Besides the introduction of Barry Allen, in this volume you'll find the first appearances of what would become many of Flash's most iconic villains: Captain Cold, Mirror Master, the Pied Piper, and Gorilla Grodd. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Column1 Column2
CS 1009 expected 02/05/2014 (OR= Price on request,** = Special) Column1 Column2 100 BULLETS TP VOL 01 FIRST SHOT LAST CALL R 159.50 ABSOLUTION TP VOL 02 RUBICON R 274.50 ADVENTURES OF SUPERMAN #12 R 49.50 ALL NEW X-MEN #26 R 49.50 ALL NEW X-MEN PREM HC VOL 04 ALL DIFFERENT R 304.50 AMAZING SPIDER-MAN #1 ANMN R 73.50 AMAZING SPIDER-MAN #1 CAMPBELL CONNECTING B VAR ANMN O/R AMERICAN VAMPIRE TP VOL 01 R 244.50 ARKHAM ASYLUM ANNIVERSARY ED SC R 219.50 ATOMIC LEGION HC R 390.00 AVATAR LAST AIRBENDER LOST ADVENTURES TP VOL 01 R 154.50 AVATAR LAST AIRBENDER TP VOL 07 RIFT PART 1 R 144.50 AVENGERS #28 R 49.50 AVENGERS AI #12 R 37.50 AVENGERS ENEMY WITHIN TP R 194.50 AVENGERS WORLD #5 R 49.50 BATGIRL ANNUAL #2 R 61.50 BATMAN #30 (ZERO YEAR) R 49.50 BATMAN 66 #10 R 49.50 BATMAN BEYOND UNIVERSE #9 R 49.50 BATMAN ETERNAL #4 R 37.50 BATMAN HUSH COMPLETE TP R 304.50 BATMAN SUPERMAN HC VOL 01 CROSS WORLD (N52) R 279.50 BATMAN THE KILLING JOKE SPECIAL ED HC R 219.50 BATMAN THE LONG HALLOWEEN TP R 304.50 BATMAN THE MAN WHO LAUGHS TP R 184.50 BATMAN THE RETURN OF BRUCE WAYNE TP R 244.50 BATMAN TP VOL 02 THE CITY OF OWLS (N52) R 209.50 BATMAN YEAR ONE DELUXE SC R 184.50 BATTLESTAR GALACTICA #10 R 54.50 BATTLESTAR GALACTICA #10 ELIOPOULOS CUTE SUBSCRIPTION VAR R 54.50 BATTLESTAR GALACTICA SIX #1 (OF 5) FRISON CVR R 54.50 BATWOMAN ANNUAL #1 R 61.50 BERSERK THE GOLDEN AGE DVD ARC III R 385.00 BLACK SCIENCE #6 R 43.50 BLACKOUT #2 (OF 4) (NOTE PRICE) R 37.50 BLEACH GN VOL 01 (CURR PTG) R 144.50 BLEACH GN VOL 02 (CURR PTG) R 144.50 BLEACH GN VOL 03 (CURR PTG) -
War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
2018 Uncruise Adventures Brochure
October 2017 Adventure Cruises Define Your to April 2019 22 to 86 Guests Un-nessSM ALASKA | MEXICO | HAWAIIAN ISLANDS | COSTA RICA | PANAMÁ | GALÁPAGOS | COLUMBIA & SNAKE RIVERS | WASHINGTON | BRITISH COLUMBIA Contents Define Your Un-ness 3 Small Ships, BIG Adventures 5 Adventure 6 Place 8 Connection 10 Finding Our Un-ness 12 Unparalleled Value 14 Ready. Set. Go. 16 Theme Cruises 18 Wellness Cruises 20 Family Discoveries 22 Solo Travel 23 Groups & Charters 24 Sailing Calendar 26 COSTA RICA & PANAMÁ 28 MEXICO’S SEA OF CORTÉS 40 HAWAIIAN ISLANDS 48 GALÁPAGOS ISLANDS 56 COLUMBIA & SNAKE RIVERS 64 PACIFIC NORTHWEST 72 ALASKA 82 Life On Board 116 Wining & Dining 118 The Fleet 122 Small Ship Comparison 142 What’s Included 144 Reservation Information 145 Responsible Travel & Affiliations 146 Welcome Aboard 147 2 UnCruise.com Define Your Un-nessSM [uhn-nis] To break away from the masses. Challenge. Freely used to release, exemplify, or intensify a force or quality. To engage, connect, and explore unique places, oneself, and with others on a most uncommon adventure. Snapshot: I found my happy place. unique. 3 “Exceeded expectations. Thanks to the crew—you are fabulous. Only downside? My cheeks hurt from smiling. Awesome, fantastic!” -Nancy D; Silver Lake, NH (Alaska 2016) 4 UnCruise.com Snapshot: (L) Best to pack your Alaska tennis shoes. (R) Go with the flow. Small Ships, BIG Adventures A crew member shows you to your cabin. After a short time getting situated, gain your bearings with a spin around the ship. Then head to the lounge for a glass of bubbly and to meet your shipmates. -
The Rogues Proposal Free
FREE THE ROGUES PROPOSAL PDF Jennifer Haymore | 416 pages | 19 Nov 2013 | Little, Brown & Company | 9781455523375 | English | New York, United States Rogues (comics) - Wikipedia This loose criminal The Rogues Proposal refer to themselves as the Roguesdisdaining the use of The Rogues Proposal term "supervillain" or "supercriminal". The Rogues, compared to similar collections of supervillains in the DC Universeare an unusually social group, maintaining a code of The Rogues Proposal as The Rogues Proposal as high standards for acceptance. No Rogue may inherit another Rogue's identity a "legacy" villain, for example while the original still lives. Also, simply acquiring a former Rogue's costume, gear, or abilities is not sufficient to become a Rogue, even if the previous Rogue is already dead. The Rogues Proposal do not kill anyone unless it is absolutely necessary. Additionally, the Rogues refrain from drug usage. Although they tend to lack the wider name recognition of the villains who oppose Batman and Supermanthe enemies of the Flash form a distinctive rogues gallery through their unique blend of colorful costumes, diverse powers, and unusual abilities. They lack any one defining element or theme between them, and have no significant ambitions in their criminal enterprises beyond relatively petty robberies. The Rogues are referenced by Barry Allen to have previously been defeated by him and disbanded. A year prior, Captain Cold, Heat Wave, the Mirror Master Sam Scudder againand the Weather Wizard underwent a procedure at an unknown facility that would merge them with their weapons, giving them superpowers. The procedure went awry and exploded. Cold's sister Lisa, who was also at the facility, was caught in the explosion. -
Journey Planet 1 JOURNEY PLANET December 2014
No. 20 Journey Planet 1 JOURNEY PLANET December 2014 Your Editorial Starting Line-up James Bacon ~ Christopher J Garcia ~ Helen J. Montgomery Comments / Content? [email protected] 1 1 TABLE OF CONTENTS Cover by Kharn Betrayer http://kharnbetrayer.deviantart.com/ Page 35 - First Contact by Deb Geisler Page 3 - Editorial by Helen J. Montgomery Page 37 - Strange Sports Stories by Mike Grost (http://mikegrost.com/sport.htm ) Page 4 - Instant Fanzine via Facebook Page 43 - Science Fiction, Sports, & Jack Haldeman by Chris Gar- Page 12 - Fandom(s) Changed My Life by Helen J. Montgomery cia Page 16 - My Double Life by Dave Hogg Page 45 - Welcome to Super Bowl C by Greg Williams Page 18 - A Tale of Two Fandoms by Jerry Gilio Page 47 - Fannish Betting by Helen J. Montgomery Page 20 - Dragons, Ironsides, Scandals, Dark Horse, Spartans, Page 48 - It’s Fandom’s Fault I Watch Football by Glenn Glazer Convicts, And Warriors by James Bacon Page 50 - Quiddich: A Sport For A New Generation by James Page 24 - Story Time by Ruth Liebig Hinsey Page 25 - Boxing + Wrestling =/≠ MMA by Chris Garcia Page 53 - Consports by Janice Gelb Page 28 - Dreaming of Mad Dog by #3 Page 55 - A Fat Tub of Goo, Paper Baseball and a Different Di- mension of Fandom by RJ Johnson Page 29 - An American Fan in Australia by Janice Gelb Page 57 - Wrestling with Science Fiction by Chris Garcia Page 32 - Three-for-Five: My Teams by Chris Garcia 2 This is my third Guest Editing gig with Journey Planet, and I absolutely *loved* doing this EDITORIAL BY issue. -
No.61 2 1 0 2
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist .